"The Artist" Wins Best Costume Design Oscar

Best Achievement in Costume Design

WINNER - The Artist: Mark Bridges

Nominees:
Anonymous: Lisy Christl
Hugo: Sandy Powell
Jane Eyre: Michael O'Connor
W.E.: Arianne Phillips

"Hugo" Wins Best Art Direction Oscar

Best Achievement in Art Direction

WINNER - Hugo: Dante Ferretti, Francesca Lo Schiavo

Nominees:
The Artist: Laurence Bennett, Robert Gould
Harry Potter and the Deathly Hallows: Part 2: Stuart Craig, Stephenie McMillan
Midnight in Paris: Anne Seibel, Hélène Dubreuil
War Horse: Rick Carter, Lee Sandales

"Hugo" Wins Best Cinematography Oscar

Best Achievement in Cinematography

WINNER - Hugo: Robert Richardson

Nominees:
The Artist: Guillaume Schiffman
The Girl with the Dragon Tattoo: Jeff Cronenweth
The Tree of Life: Emmanuel Lubezki
War Horse: Janusz Kaminski

"The Artist" Wins Best Film at 2012 Independent Spirit Awards

The Film Independent Spirit Awards is an annual celebration honoring artist-driven films made with an economy of means by filmmakers who embody independence and originality. The Spirit Awards recognizes the achievements of American independent filmmakers and promotes the finest independent films of the year to a wider audience. This is the 27th year of the Film Independent Spirit Awards.

The 27th Film Independent Spirit Awards were given out in a televised ceremony on Saturday, February 25, 2012.  The Artist won the best picture and best director awards and now seems like a runaway train on the way to tonight's 84th Academy Awards.

2012 FILM INDEPENDENT SPIRIT AWARD WINNERS:

BEST FEATURE (Award given to the Producer, Executive Producers are not listed)
The Artist - Producer: Thomas Langmann

BEST DIRECTOR
Michel Hazanavicius for The Artist

BEST SCREENPLAY
Alexander Payne, Nat Faxon, Jim Rash for The Descendants

BEST FIRST FEATURE (Award given to the director and producer)
Margin Call
Director: J.C. Chandor
Producers: Robert Ogden Barnum, Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto

BEST FIRST SCREENPLAY
Will Reiser for 50/50

JOHN CASSAVETES AWARD - Given to the best feature made for under $500,000. Award given to the writer, director, and producer. Executive Producers are not listed
PariahWriter/Director: Dee Rees
Producer: Nekisa Cooper

BEST FEMALE LEAD
Michelle Williams for My Week with Marilyn

BEST MALE LEAD
Jean Dujardin for The Artist

BEST SUPPORTING FEMALE
Shailene Woodley for The Descendants

BEST SUPPORTING MALE
Christopher Plummer for Beginners

BEST CINEMATOGRAPHY
Guillaume Schiffman for The Artist

BEST DOCUMENTARY (Award given to the director and producer)
The Interrupters
Director/Producer: Steve James
Producer: Alex Kotlowitz

BEST INTERNATIONAL FILM (Award given to the director)
A Separation (Iran)
Director: Asghar Farhadi

ROBERT ALTMAN AWARD
(Given to one film’s director, casting director, and its ensemble cast)
Margin Call
Director: J.C. Chandor
Casting Director: Tiffany Little Canfield, Bernard Telsey
Ensemble Cast: Penn Badgley, Simon Baker, Paul Bettany, Jeremy Irons, Mary McDonnell, Demi Moore, Zachary Quinto, Kevin Spacey, Stanley Tucci

FILMMAKER GRANT NOMINEES:

PIAGET PRODUCERS AWARD – The 15th annual Piaget Producers Award honors emerging producers who, despite highly limited resources demonstrate the creativity, tenacity, and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant funded by Piaget.
WINNER: Sophia Lin for Take Shelter

SOMEONE TO WATCH AWARD – The 18th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant.
WINNER: Mark Jackson for Without

TRUER THAN FICTION AWARD – The 17th annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant.
WINNER: Heather Courtney for Where Soldiers Come From

Jameson FIND Your Audience Award:
Alysa Nahmias and Benjamin Murray

http://www.spiritawards.com/

2012 Cesar Awards Name "The Artist" Best Film

First given out in 1975, the César Award is the national film award of France. Some even think of the César Award as the French equivalent of the American Academy Awards (Oscars). The nominations are selected by the members of the Académie des Arts et Techniques du Cinéma, and the award ceremony is held in Paris each February.  The name of the award comes from the late sculptor César Baldaccini, and the trophies are actual sculptures of the artist

The 37th Cesar Awards were presented on Friday, February 24, 2012.  The French film, The Artist, which is poised to win big at the 84th Academy Awards tonight, won 6 of the 10 categories in which it was nominated, including "Best Film."  Also of note, Roman Polanski shares a screenwriting award.

The 37th César Award winners:

FILM
"The Artist," Michel Hazanavicius

DIRECTOR
Michel Hazanavicius, "The Artist"

ACTOR
Omar Sy, "Intouchables"

ACTRESS
Berenice Bejo, "The Artist"

SUPPORTING ACTOR
Michel Blanc, "The Minister"

SUPPORTING ACTRESS
Carmen Maura, "Service Entrance"

NEWCOMER, ACTOR
Gregory Gadebois, "Angele et Tony"

NEWCOMER, ACTRESS
Naidra Ayadi, "Poliss"
Clotilde Hesme, "Angele et Tony"

FIRST FILM
Sylvain Estibal, "When Pigs Have Wings"

ORIGINAL SCREENPLAY
Pierre Schoeller, "The Minister"

ADAPTED SCREENPLAY
Yasmina Reza, Roman Polanski, "Carnage"

FOREIGN FILM
"A Separation," Asghar Farhadi

CINEMATOGRAPHY
Guillaume Schiffman, "The Artist"

ANIMATED FILM
"The Rabbi's Cat," Joann Sfar, Antoine Delesvaux

DOCUMENTARY FEATURE
"Tous au Larzac," Christian Rouaud

MUSIC
Ludovic Bource, "The Artist"

BEST SOUND
Olivier Hespel, Julie Brenta and Jean-Pierre Laforce, “The Minister” (L'Exercice de l'État)

BEST PRODUCTION DESIGN
Laurence Bennett, “The Artist”

BEST COSTUME DESIGN
Anaïs Romand, “House of Tolerance” (L'Apollonide: Souvenirs de la maison close)

BEST SHORT FILM
L'Accordeur

BEST EDITING
Laure Gardette and Yann Dedet, “Poliss”

Review: Characters Save Creaky "Barbershop"

TRASH IN MY EYE No. 14 (of 2004) by Leroy Douresseaux

Barbershop (2002)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – PG-13 for language, sexual content and brief drug references
DIRECTOR: Tim Story
WRITERS: Mark Brown, Don D. Scott, and Marshall Todd, from a story by Mark Brown
PRODUCERS: Mark Brown, Robert Teitel, and George Tillman Jr.
CINEMATOGRAPHER: Tom Priestley (D.o.P.)
EDITOR: John Carter
COMPOSER: Terence Blanchard

COMEDY/DRAMA

Starring: Ice Cube, Anthony Anderson, Cedric the Entertainer, Sean Patrick Thomas, Eve, Troy Garity, Michael Ealy, Leonard Earl Howze, Lahmard Tate, Jazsmin Lewis, Tom Wright, Jason Winston, DeRay Davis, and Keith David

Barbershop, a recent co-production by Ice Cube’s film production company Cube Vision and State Street Pictures, is another in a recent spurt of so-called urban audience movies, i.e. movies for black people. However, the light-on-plot film was a huge hit that drew in a broad cross section of viewers, so even white folks can be entertained by film’s with little or no story as long as the characters are funny and engaging, as they definitely are in Barbershop.

Calvin Palmer (Ice Cube) is a barber like his father and grandfather before him, but Calvin has bigger dreams. He inherited his late father’s shop, but Calvin has also saddled himself with debt from a number of failed business ventures. Looking for cash to help him with his latest start up, he sells his barbershop to a loan shark, Lester Wallace (the wonderful, but seldom seen Keith David). After he takes that big step, he comes to regret his decision when he realizes that Wallace is going to turn the shop into a ho house. That really hurts because his father’s business always meant a lot to the local community.

I can forgive the weakness of the film’s plots (and subplots) because it is rich in funny and endearing characters. To be of quality, a film doesn’t have to have great characters, a great setting, and a great story; the finest and most artful films do. A good film can be strong and entertaining with just one of those elements. Barbershop holds our attention because the characters are so damned funny. The acting isn’t always tight, but the cast really gets into their characters and give a good show. In an odd way you can forgive Barbershop a lot of faults because you know that you’re always going to get another hilarious scene with these great characters.

Out of all the actors, Anthony Anderson captured my attention just as he has in Romeo Must Die, Big Momma’s House, and Life among others. He’s funny, hilarious in fact, in the tradition of portly funny men. Ice Cube is nowhere near being a good actor, but he has an excellent sense in choosing film projects that will appeal to a broad audience, whether it’s popular trash like Anaconda, a sleeper hit like Friday, or a daring filmmaking choice like Three Kings. He’s a movie star.

Barbershop is a good comedy with many funny characters. It’s warm and homespun like Soul Food, with a good down home message about family and having sense of community, at its heart. Besides who could miss a film when Cedric the Entertainer is really on his game as a funny man and an actor, especially since you get to hear him say “F*ck Jesse Jackson.”

5 of 10
B-

NOTES:
2003 Black Reel Awards: 6 nominations: “Best Film” (Robert Teitel, George Tillman Jr.), “Best Film Soundtrack, “Theatrical - Best Actor” (Ice Cube), “Theatrical - Best Director” (Tim Story), “Theatrical - Best Screenplay-Original or Adapted” (Mark Brown and Don D. Scott), “Theatrical - Best Supporting Actor” (Cedric the Entertainer)

2003 Image Awards: 5 nominations: “Outstanding Actor in a Motion Picture” (Ice Cube), “Outstanding Motion Picture,” “Outstanding Supporting Actor in a Motion Picture” (Anthony Anderson), “Outstanding Supporting Actor in a Motion Picture” (Cedric the Entertainer), and “Outstanding Supporting Actress in a Motion Picture” (Eve)

"Barbershop 2: Back in Business" is a Better Business

TRASH IN MY EYE No. 15 (of 2004) by Leroy Douresseaux


Barbershop 2: Back in Business (2004)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for language, sexual material and brief drug references
DIRECTOR: Kevin Rodney Sullivan
WRITER: Don D. Scott (based upon characters created by Mark Brown)
PRODUCERS: Robert Teitel and George Tillman Jr.
CINEMATOGRAPHER: Tom Priestley (D.o.P)
EDITORS: Patrick Flannery and Paul Seydor
COMPOSER: Richard Gibbs

COMEDY with elements of drama

Starring: Ice Cube, Cedric the Entertainer, Sean Patrick Thomas, Eve, Troy Garity, Michael Ealy, Leonard Earl Howze, Queen Latifah, Harry Lennix, Robert Wisdom, Jazsmin Lewis, Kenan Thompson, Javon Jackson, DeRay Davis, Tom Wright, and Garcelle Beauvais-Nilon

Barbershop 2: Back in Business is a hilarious character based comedy that easily surpasses its admittedly funny 2002 predecessor, Barbershop. Like the first one, Barbershop 2 relies on funny characters to carry the movie and a homey setting in Chicago’s Southside to establish the atmosphere.

Shop owner Calvin Palmer (Ice Cube) has settled into being a small business owner, and his shop is thriving. The barbers who rent from Calvin are gregarious people who are fun to be around, so many locals gravitate to Calvin’s shop for a haircut, bawdy jokes, and the generally funny atmosphere.

As in the first film, Calvin is still struggling to save his shop – this time from greedy urban developers who want to buy him and his neighbors out. They want to replace “mom & pop” business with name brand chains – including a rival barbershop called Nappy Cutz. If that wasn’t enough, some of his employees/renters are starting to get on each other’s nerves, so can Calvin save his shop and neighborhood, while dealing with complex and messy interpersonal relationships? However he chooses to deal with problems will certainly involve laugher.

Anyone who liked Barbershop should like the sequel, and I can imagine many people who didn’t like the first will enjoy Barbershop 2, since it is almost twice as funny as the original. Barbershop 2’s script simply has more zest, and the comedy flows naturally. The first time around the laughs became old shtick, and the movie lost steam. The story and plot here is relatively light, and the little guy business versus the corporate devils is a familiar tale. However, the execution of the plot and routines of the characters have a better rhythm and the timing’s impeccable. Every thing seems to happen just when the films needs a boost or needs to move onto the next joke or funny scene. As far as character pieces go, Barbershop is a work of art.

In the end, the filmmakers wrap up Back in Business with a bit too much ease. Even this lightweight story ended up having the potential to say a lot about tradition and community over greed and progress, but maybe they believed that dealing with such weighty subject matters would turn a character comedy into ensemble drama. And we did come for the laughs. What Barbershop 2 misses in dealing with real world issues, it more than makes up for in being a good time, feel good comedy that just may keep audiences laughing for years.

Oh. Barbershop 2 isn’t a BLACK movie. It’s a funny, broad comedy featuring a primarily African-American cast, but it’s laughs and lightweight pass at values should appeal to peoples.

8 of 10
A

NOTES:
2005 Black Reel Awards: 4 nominations: “Best Actor, Musical or Comedy” (Ice Cube), “Best Film, Musical or Comedy” (Robert Teitel and George Tillman Jr.), “Best Screenplay, Original or Adapted” (Don Scott), and “Best Supporting Actor” (Cedric the Entertainer)