"The Invincible Iron Man" Kind of Clunky

TRASH IN MY EYE No. 41 (of 2007) by Leroy Douresseaux


The Invincible Iron Man (2007) – DVD
Running time: 83 minutes (1 hour, 23 minutes)
MPAA – PG-13 for action violence and some sensuality
DIRECTORS: Patrick Archibald and Jay Oliva with Frank D. Paur (supervising director)
WRITER: Greg Johnson; from a screen story by Avi Arad, Craig Kyle, and Greg Johnson
PRODUCER: Frank D. Paur
EDITOR: George Rizkallah

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring: (voices) Marc Worden, Gwendoline Yeo, Rodney Saulsberry, Elisa Gabrielli, John McCook, James Sie, and Fred Tatasciore

The Invincible Iron Man is a 2007 straight-to-DVD animated film starring Marvel Comics’ superhero, Iron Man. It is the third movie in the Marvel Animated Features line. This was a series of eight animated feature films produced by MLG Productions, a joint venture between Marvel Entertainment and Lionsgate. The Invincible Iron Man is a retelling of Iron Man’s origin story.

Billionaire industrialist, inventor, and playboy Tony Stark (Marc Worden) unearths an ancient Chinese ruin and digs up more than he bargained for when he awakens the Mandarin (Fred Tatasciore), an evil entity buried for centuries in the ruined palace. The Chinese government also blames Stark for providing weapons to the Jade Dragons, a terrorist group bent on keeping the ruins beneath the earth and the Mandarin from rising again. A Jade Dragon, Li Mei (Gwendoline Yeo), is sympathetic towards Tony.

Meanwhile, Tony’s father, Howard Stark (John McCook), has taken steps to remove his son from the family business. Finding himself buried in trouble, Stark turns to his employees and friends, Rhodey (Rodney Saulsberry) and Pepper Potts (Elisa Gabrielli). However, it is his high-tech suit of armor that gives Stark the power to fight the Mandarin’s minions, the monstrous Elementals. With that suit, Iron Man is born.

The Invincible Iron Man is the third direct-to-DVD film from Marvel Entertainment and film company Lionsgate featuring characters from Marvel’s extensive library of comic book characters. Iron Man isn’t as good as the two earlier Ultimate Avengers films, which featured Iron Man as an Avenger. The animation in Iron Man is average at best, although the background art is quite beautiful. The animators used computer rendering to create the three suits of armor Iron Man actually wears in the film, and also to create the Elementals that IM battles and several moving vehicles.

The acting is so-so, with only Gwendoline Yeo as Li Mei distinguishing herself. The writing is pretty bad. In fact, there are several lapses in logic that exist merely to justify or to create certain conflicts. What saves this movie is its action-packed second half, which is one long run of fight scenes that prove that animation is the best medium for adapting comic books to motion pictures.

5 of 10
B-

Saturday, February 24, 2007

"The Descendants" Ascends to the Top

TRASH IN MY EYE No. 28 (of 2012) by Leroy Douresseaux


The Descendants (2011)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – R for language including some sexual references
DIRECTOR: Alexander Payne
WRITERS: Alexander Payne, Nat Faxon, and Jim Rash (based on the novel by Kaui Hart Hemmings)
PRODUCERS: Jim Burke, Alexander Payne, and Jim Taylor
CINEMATOGRAPHER: Phedon Papamichael
EDITOR: Kevin Tent
Academy Award winner

DRAMA

Starring: George Clooney, Shailene Woodley, Amara Miller, Nick Krause, Patricia Hastie, Beau Bridges, Matt Corboy, Robert Forster, Barbara L. Southern, Matthew Lillard, Judy Greer, and Scott Michael Morgan

The subject of this movie review is The Descendants, a 2011 family drama from director Alexander Payne. The film is set in Hawaii and is based upon the 2007 novel of the same name by Kaui Hart Hemmings. The film, which is set in Hawaii, focuses on a man who tries to reconnect with his two daughters after his wife is seriously injured in a boating accident. By the time you read this review, dear reader, you will have heard that The Descendants is one of the best films of 2011. That’s for damn true.

Matthew “Matt” King (George Clooney) is a man with a lot on his mind. The Honolulu-based lawyer is the sole trustee of a family trust that controls 25,000 acres of untouched land on the Hawaiian island of Kaua’i. At this time, King and his relatives must decide to whom they will sell the land, which has been in the family for 150 years and which they must sell because of a rule against perpetuities.

What else is on Matt’s mind? Recently, his wife, Elizabeth Thorson King (Patricia Hastie), was in a boating accident, and now she is in a coma. As he prepares to comply with his wife’s living will, Matt must deal with his taciturn father-in-law, Scott Thorson (Robert Forster). Most difficult is reconnecting with his two daughters, to whom he is not close. Alexandra “Alex” King (Shailene Woodley), at 17-years-old, seems to specialize in self-destructive behavior. Ten-year-old Scottie (Amara Miller) shocks everyone with her brazenly inappropriate behavior. If that weren’t enough, Elizabeth had a lover, local real estate stud, Brian Speer (Matthew Lillard).

Director Alexander Payne, and his co-writers, Nat Faxon and Jim Rash, won Oscar statuettes for The Descendants’ screenplay, but this film was certainly worthy of winning more Oscars back on February 26, 2012 during the 84th Academy Awards. It’s on my shortlist of films that can arguably be said to be the top one of 2011. I am not the biggest fan of Payne’s critically acclaimed films, Sideways (2004) and About Schmidt (2002), both of which featured dark humor, as they took a satirical view of Middle American life. Although I think both movies are good, I found significant things about them to be contrived, with characters that were more annoying (which I hate) than they were unlikable (which I can accept).

The Descendants is unfailingly human, especially compared to all the contrived dramas and fantastical special effects-laden films being released. Everything this film says about marriage, family discord, and friendship just feels so authentic, but Payne doesn’t turn this film dark and morbid. He handles this potent family drama with poignancy and splashes of humor that make the heartfelt substantive rather than manipulative.

The Descendants is a testament to the amazing things filmmakers and casts can do when they come together to tell a great story about characters with whom the audience members not only identify, but also recognize in the core of their souls. In fact, Payne gets great performances from his cast, and I can see why many thought Shailene Woodley as “Alex” should have received an Oscar nomination as best supporting actress. Truthfully, everyone in this cast deserves some kind of notice; each person makes his character seem real in the context of this larger circle of family and friends.

Yes, The Descendants is one of the year’s very best movies. It is the kind of drama that is hard to forget.

9 of 10
A+

NOTES:
2012 Academy Awards: 1 win: “Best Writing, Adapted Screenplay” (Alexander Payne, Nat Faxon, and Jim Rash); 4 nominations: “Best Motion Picture of the Year” (Jim Burke, Alexander Payne, and Jim Taylor), “Best Achievement in Directing” (Alexander Payne), “Best Achievement in Film Editing” (Kevin Tent), and “Best Performance by an Actor in a Leading Role” (George Clooney)

2012 BAFTA Awards: 3 nominations: “Best Film” (Alexander Payne, Jim Burke, and Jim Taylor), “Best Adapted Screenplay” (Jim Rash, Alexander Payne, and Nat Faxon), “Best Leading Actor” (George Clooney)

2012 Golden Globes: 2 wins: “Best Motion Picture – Drama” and “Best Performance by an Actor in a Motion Picture – Drama” (George Clooney); 3 nominations: “Best Director - Motion Picture” (Alexander Payne), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Shailene Woodley), and “Best Screenplay - Motion Picture” (Nat Faxon, Jim Rash, and Alexander Payne)

Saturday, April 14, 2012

"March of the Penguins" a Quality Family Film

TRASH IN MY EYE No. 148 (of 2005) by Leroy Douresseaux


La Marche de l’empereur (2005)
COUNTRY OF ORIGIN: France; Language: French

March of the Penguins (2005 ) – U.S. release
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – G for General Audiences
DIRECTOR: Luc Jacquet
WRITER: Michel Fessler and Luc Jacquet, from a story by Luc Jacquet; Jordan Roberts (narration for American version)
PRODUCERS: Yves Darondeau, Christophe Lioud, and Emmanuel Priou
CINEMATOGRAPHERS: Laurent Chalet and Jérôme Maison
EDITOR: Sabine Emilani
Academy Award winner

DOCUMENTARY- Nature

Starring: Morgan Freeman (narrator, U.S. version)

The subject of this movie review is La Marche de l’empereur, a 2005 nature documentary film from France. It was released in the United States as March of the Penguins, where it was a box office success and later won the Oscar for best documentary film.

In the Antarctic, the emperor penguins make an annual trek in order to return to their breeding grounds for mating season. Leaving their home, the ocean, in which they spend only a short time considering the time they devote to breeding, the emperor penguins must overcome daunting obstacles, and their trek calls to the mind of the viewer many of human experiences: birth and death, courtship and mating, comedy and drama, elation and heartbreak, and just fighting for survival. Morgan Freeman narrates the American version of La Marche de l’empereur, entitled March of the Penguins, one of the most popular documentaries in American box office history.

Viewers who like nature documentaries may like March of the Penguins. I don’t find it anymore compelling than the numerous episodes of “Mutual of Omaha’s Wild Kingdom” (1963-88) that I watched on TV when I was a child. The one thing that makes it stand out from what’s available on PBS, the Discovery Channel, The Learning Channel, etc., is the amazing cinematography (all those lovingly long shots of the cold, foreboding Antarctic icescape) and Alex Wurman’s haunting and captivating score done for the U.S. version (the original French film has a pop music score). Morgan Freeman’s voice makes for an irritating narration, but I didn’t like his short prologue and short epilogue for Steven Spielberg’s War of the Worlds either. Mostly, March of the Penguins is a mildly fascinating, but quality TV show masquerading as a film, so try it on home video and DVD.

6 of 10
B

Saturday, September 17, 2005

NOTES:
2006 Academy Awards: 1 win: “Best Documentary, Features” (Luc Jacquet and Yves Darondeau)

2006 BAFTA Awards: 2 nominations: “Best Cinematography” (Laurent Chalet and Jérôme Maison) and “Best Editing” (Sabine Emiliani)

"Stuck on You" Not a Typical Farrelly Brothers Film

TRASH IN MY EYE No. 76 (of 2004) by Leroy Douresseaux


Stuck on You (2003)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – PG-13 for crude and sexual humor, and some language
DIRECTOR: The Farrelly Brothers
WRITERS: Bobby Farrelly and Peter Farrelly; from a story by Charles B. Wessler, Bennett Yellin, and the Farrelly Brothers
PRODUCERS: Bobby Farrelly, Peter Farrelly, Bradley Thomas, and Charles B. Wessler
CINEMATOGRAPHER: Dan Mindel (D.o.P)
EDITORS: Christopher Greenbury and Dave Terman
COMPOSER: Charlie Gartner

COMEDY with elements of drama

Starring: Matt Damon, Greg Kinnear, Eva Mendes, Cher, Seymour Cassel, Griffin Dunne, Wen Yann Shih, Jackie Flynn, Terence Bernie Hines, with Frankie Muniz, Jesse Ventura, and Meryl Streep

The subject of this review is Stuck on You, the 2003 comedy from brotherly filmmaking duo, Bobby and Peter Farrelly. The film follows the adventures of conjoined twin brothers who want to become professional actors.

In the Farrelly Bros.’ film, Stuck on You, Bob Tenor (Matt Damon) and his brother Walt (Greg Kinnear) are conjoined twins (also known as Siamese twins) living in Martha’s Vineyard and working at Bob restaurant, Quickie Burger. When Walt decides to pursue his acting career, Bob, of course, has to move to L.A. with Walt. The twins find fame and fortune when Cher (playing herself) picks the boys to be “co-stars” in a new TV show she’s obliged to do, hoping that the presence of the conjoined siblings will get the show cancelled. Of course, it doesn’t work, and the brothers become the program’s true stars. When Bob loses her girlfriend, however, the brothers may just have to do the thing that’s been in the back of their minds for most of their lives – have a difficult and dangerous surgery that will separate them. And even then, can they stand being apart from each other?

Farrelly films are known for the sibling directors including such shocking elements as characters with handicaps, physical deformities, retardation, and anything that makes a person really stand out in a crowd. Some of their characters are also astoundingly dumb, naïve, and stupid. Farrelly films succeed because their characters oddities make us uncomfortable, no matter how PC or charitable we may pretend to be. Within the context of the film, all the characters may act as if nothing is peculiar, but we know better, and this strangeness often leads to belly laughs.

In this Stuck on You, the Farrelly’s have toned things down considerable. Odd and odd-looking character prevail, but it all seems somewhat mundane, as if odd really isn’t odd. It’s part of the everyday fabric of the outside world. The citizens of Bob and Walt’s hometown certainly don’t act as if anything is “wrong” with the brothers; indeed, even the folks in la-la land don’t act all that freaked out by conjoined twins.

What makes Stuck on You work and that’s different from other Farrelly Bros. films is the poignancy; there is a realness to the story that goes beyond the usual craziness of Farrelly world. Damon and Kinnear are very good actors, and they sell us on the close-knit relationship between the brothers. Both are good-looking men and have charming personalities, so the audience is likely endeared to them. The closer the actors make us feel towards the characters, the more likely we’re going to laugh at the crazy things that happen to them and root for them to overcome obstacles.

Ultimately, it’s Damon and Kinnear who really sell this film as a heart-warming comedy and make it worth watching. That’s important because, Stuck on You is the antithesis of Farrelly classics like Kingpins and There’s Something About Mary. For all the laughs, the film is, indeed, quite dramatic, and while that drags at the film a few times, there are many heart-warming moments to go along with the belly laughs.

7 of 10
B+

"Woman Thou Art Loosed" Stirring, Powerful

TRASH IN MY EYE No. 40 (of 2005) by Leroy Douresseaux


Woman Thou Art Loosed (2004)
Running time: 99 minutes (1 hour, 39 minutes)
MPAA – R for violence, sexual content, and drug use
DIRECTOR: Michael Schultz
WRITER: Stan Foster (from the novel by T.D. Jakes)
PRODUCER: Reuben Cannon
CINEMATOGRAPHER: Reinhart “Rayteam” Peschke
EDITOR: Billy Fox
Black Reel Award winner

DRAMA/RELIGIOUS

Starring: Kimberly Elise, Loretta Devine, Debbi Morgan, Michael Boatman, Clifton Powell, Idalis DeLeon, Bishop T.D. Jakes, Sean Blackmore, Jordan Moseley, Philip Daniel Bolden, Destiny Edmond, and Ricky Harris

The subject of this movie review is Woman Thou Art Loosed, a 2004 religiously-themed drama that is directed by famed African-American filmmaker, Michael Schultz. The film is an adaptation of the 1994 self-help book of the same name.

Woman Thou Art Loosed, adapted from Bishop T.D. Jakes best-selling self-help book for women, begins with Michelle Jordan (Kimberly Elise) committing a murder at a revival. Later, Bishop T.D. Jakes (playing himself) visits Michelle on death row. Told through flashbacks, we then see Michelle, just released from prison and determined not to return to her self-destructive life of drugs, stripping, and prostitution, struggle with the demons of her past, including being molested by her mother Cassey’s (Loretta Devine) boyfriend, Reggie (Clifton Powell). At the encouragement of Twana (Debbi Morgan), a family friend, Michelle begins attending Bishop Jakes’ three-day revival, the scene of Michelle’s ultimate tragedy. Can Bishop Jakes help Michelle to accept the healing power of Jesus’ love?

Woman Thou Art Loosed is a beautiful and spiritually engaging film. What it lacks in refinement and technique, it makes up for with religious fervor. Directed by Michael Shultz (Cooley High and Car Wash among others), who was probably the only black film director to consistently direct movies during the 1970’s and 80’s, the film is mostly disjointed for the first half of its running time. Actually, the film is quite hard to follow for the first 20 minutes or so, but then the narrative seems to miraculously come together and flows smoothly the rest of the way. The tragedy of the film is that the script, which tells a very good and compelling story, is short of characterization and character development. Rich characters fill this story, but we only get a taste of them, just enough to irritate because the story doesn’t give more.

What makes this clunky movie soar is Kimberly Elise’s brilliant and searing portrayal of Michelle, young woman who seemingly can’t stop making bad decisions once her innocence is destroyed when she is a child. Ms. Elise has a magnetic screen presence and her performance as a young woman with trials and tribulations is much truer than Oscar winner Hilary Swank’s tepid routine as a trailer trash boxer in Million Dollar Baby. Also stirring is the ministry and preaching of Bishop Jakes.

Though there are moments in the film when the revival seems a bit over the top, 80 percent of the time, it is awe-inspiring and stirs the soul and awakens the intellect. Bishop Jakes’ message of hope and Ms. Elise’s performance, as well as the other actors who give excellent supporting performances in spite of a limp script, make this a fine religious drama. What it lacks as art, Woman Thou Art Loosed makes up for with spirit and hope.

7 of 10
B+

NOTES:
2005 Black Reel Awards: 2 wins: “Best Actress, Independent Film” (Kimberly Elise) and “Best Director, Independent Film” (Michael Schultz); 2 nominations: “Best Actor, Independent Film” (Clifton Powell) and “Best Independent Film” (Reuben Cannon)

2005 Image Awards: 1 win: “Outstanding Independent or Foreign Film;” 2 nominees: “Outstanding Actress in a Motion Picture” (Kimberly Elise) and “Outstanding Supporting Actress in a Motion Picture” (Loretta Devine)

TNT and Dark Horse Announce "Falling Skies: Season 2" Comics

DARK HORSE DIGITAL and TNT Partner for Season Two FALLING SKIES COMIC

TNT and Dark Horse Comics have partnered again for the Falling Skies season two digital comic. The comic will be available beginning April 18 on FallingSkies.com and Dark Horse Digital. TNT’s epic drama Falling Skies, basic cable’s number-one new series of last year, chronicles the chaotic aftermath of an alien attack that has left most of the world completely incapacitated. Season two will premiere with back-to-back episodes on Sunday, June 17, at 9 p.m. (ET/PT).

Dark Horse Comics began working with TNT over a year ago, publishing a free webcomic prequel to Falling Skies. The inaugural comic quickly sold out and was a fan favorite in advance of the series premiere. The upcoming digital comic series, Falling Skies: The Battle of Fitchburg, chronicles what happens to the Second Mass in the three months between when season one ends and season two picks up. With an army of skitters closing in, and the group sustaining heavy losses, the Second Mass shields itself in an armory in Fitchburg ready to finish the battle once and for all. Falling Skies: The Battle of Fitchburg will be released as free eight-page, biweekly comics featuring art by Juan Ferreyra (Rex Mundi) and scripts by Paul Tobin (Marvel Adventures: Fantastic Four, Marvel Adventures: Spider-Man). Fans can get a sneak peek of the animated trailer by visiting EW’s Shelf Life!

This season will continue its extraordinary story about life and survival in the wake of a catastrophic alien invasion. Noah Wyle (ER) stars as Tom Mason, a former college professor and father of three, who has become an unlikely leader for the Second Massachusetts civilian resistance group. Falling Skies comes to TNT from DreamWorks Television and is executive produced by Steven Spielberg and DreamWorks Television heads Justin Falvey and Darryl Frank. Remi Aubuchon, Greg Beeman, and Robert Rodat are also executive producers. Fans can find the latest Falling Skies news online at FallingSkies.com and via @FallingSkiesTNT on Twitter.

In its debut season, TNT’s Falling Skies averaged more than 6.9 million viewers, 3.3 million adults 18–49 and 3.7 million adults 25–54 to rank as basic cable’s number-one new series of 2011. On the international front, Falling Skies premiered in more than 115 global markets, achieving hit status in the United Kingdom, Australia, and Latin America, among others. The premiere of Falling Skies also ranks as the biggest series launch ever for TNT networks in Spain, Germany, and Austria.


About TNT
TNT, one of cable’s top-rated networks, is television’s destination for drama. Seen in 99 million households, the network is home to such original series as The Closer, starring Emmy® winner Kyra Sedgwick; Rizzoli & Isles, starring Angie Harmon and Sasha Alexander; Falling Skies, starring Noah Wyle; Franklin & Bash, with Mark-Paul Gosselaar and Breckin Meyer; Leverage, starring Timothy Hutton; and Southland, from Emmy-winning producer John Wells, as well as the upcoming series Major Crimes, Dallas, Perception and The Great Escape. TNT also is the cable home to powerful dramas like The Mentalist, Bones, Supernatural, Las Vegas, Law & Order, CSI: NY, Cold Case and, starting this year, Castle; primetime specials, such as the Screen Actors Guild Awards®; blockbuster movies; and championship sports coverage, including NASCAR, the NBA and the NCAA Division I Men’s Basketball Championship. TNT is available in high-definition.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news; entertainment; animation and young adult; and sports media environments on television and other platforms for consumers around the world.

About Dark Horse Comics
Since 1986, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. The company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. In addition to publishing comics from top talent like Frank Miller, Mike Mignola, Neil Gaiman, Gerard Way, Will Eisner, and best-selling prose author Janet Evanovich, Dark Horse has developed such successful characters as the Mask, Timecop, and the Occultist. Additionally, its highly successful line of comics and products based on popular properties includes Star Wars, Avatar: The Last Airbender, Buffy the Vampire Slayer, Aliens, Conan the Barbarian, Mass Effect, Serenity, and Domo. Today, Dark Horse Comics is the largest independent comic-book publisher in the United States and is recognized as both an innovator in the cause of creator rights and the comics industry’s leading publisher of licensed material.

Paramount Pictures Announces Release Date for "The Dictator"

THE DICTATOR, will open on Wednesday, May 16, 2012.