Review: Antonio Banderas Stomps the Yard in "Puss in Boots"

TRASH IN MY EYE No. 41 (of 2012) by Leroy Douresseaux

Puss in Boots (2011)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG for some adventure action and mild rude humor
DIRECTOR: Chris Miller
WRITERS: Tom Wheeler; from a story by Will Davies and Brian Lynch (based upon the character created by Charles Perrault)
PRODUCERS: Joe M. Aguilar and Latifa Ouaou
EDITOR: Eric Dapkewicz
COMPOSER: Henry Jackman
Academy Award nominee

ANIMATION/FANTASY/ADVENTURE/COMEDY with elements of a Western

Starring: (voice) Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton, Amy Sedaris, Constance Marie, and Guillermo del Toro

I don’t think DreamWorks Animation gets enough credit. They aren’t a weak sister to Pixar Animation Studios. In fact, in 2011, Pixar unleashed the god-awful Cars 2, but DreamWorks more than surpassed that with two excellent films, Kung Fu Panda 2 and the subject of this movie review…

Puss in Boots is a 2011 computer-animated adventure comedy film from DreamWorks Animation. The film stars Antonio Banderas, giving voice to the outlaw cat, Puss in Boots, the character that first appeared in Shrek 2 (2004). Puss in Boots the movie is both a spin-off of and prequel to the Shrek film franchise.

The story details the origins of Puss in Boots (Antonio Banderas) and tells how he became an outlaw. He was an orphaned kitten who finds a home at an orphanage run by the kind Imelda (Constance Marie) in the town of San Ricardo. While attempting to steal magic beans (from “Jack and the Beanstalk), Puss is reunited with his long-estranged childhood friend, the talking egg Humpty Alexander Dumpty (Zach Galifianakis). Puss is drawn to Humpty’s ally, Kitty Softpaws (Salma Hayek), a street-savvy Tuxedo cat.

The trio hatches a plan to steal the beans from the current owners, the outlaw couple, Jack (Billy Bob Thorton) and Jill (Amy Sedaris). The task, however, proves more difficult than Puss imagined, as he must survive a strange world and also a plot against his loved ones.

Part Zorro and part Valentino, Puss in Boots is a charming rogue, the kind of character that can drive a swashbuckling adventure film to success. Puss in Boots the movie is part Raiders of the Lost Ark with the style of a spaghetti Western plus the cracked fairy tale approach that defined the Shrek movies.

Puss in Boots isn’t groundbreaking, nor is it as technically dazzling as other DreamWorks Animations films, such as the Kung Fu Panda films and Megamind. Puss in Boots does, however, have enough bubbly charm and effervescence to share with less fortunate films.

Those less fortunate films would be movies that don’t have Antonio Banderas, an actor born to be loved by the camera, or, in the case of voice acting in an animated film, an actor with a bejeweled voice. Together with the artists that animated the Puss in Boots character, Banderas turned on the wit and magnetism, so that Puss in Boots virtually has no faults – as long as Puss in Boots is the center of attention. I appreciate the people involved with this movie, because I plan on watching Puss in Boots many more times.

8 of 10
A

NOTES:
2012 Academy Awards: 1 nomination: “Best Animated Feature Film of the Year” (Chris Miller)

2012 Golden Globes, USA: 1 nomination: “Best Animated Feature Film”

Tuesday, May 22, 2012

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George Lucas' "Red Tails" Now on Blu-ray and DVD

FROM EXECUTIVE PRODUCER GEORGE LUCAS COMES THE INSPIRATIONAL STORY OF THE MEN WHOSE BRAVERY MADE THEM HEROES AND WHOSE ACTIONS MADE HISTORY

RED TAILS

Terrence Howard and Cuba Gooding Jr. Lead an All-Star Cast In The High-Octane Action-Adventure Coming to Blu-ray, DVD and Digital Download Just in Time for Memorial Day on May 22

Lucasfilm Ltd. and Twentieth Century Fox Home Entertainment present the remarkable story of an inspirational group of men whose legendary bravery was cemented in the sky in RED TAILS, soaring onto Blu-ray™, DVD and Digital Download May 22. Set for release just prior to Memorial Day, RED TAILS stars Academy Award® Winner Cuba Gooding Jr. (Jerry Maguire) and Academy Award Nominee Terrence Howard (Hustle & Flow) leading a powerful ensemble cast in this high-flying epic inspired by the real-life adventures of the first African-American combat unit to serve in World War II.

Italy, 1944. As the war takes its toll on Allied forces in Europe, a squadron of black pilots known as the Tuskegee Airmen are finally given the chance to prove themselves in the sky... even as they battle discrimination on the ground. Featuring jaw-dropping aerial action and thrilling special effects, RED TAILS is a breathtaking tribute to the unsung heroes who rose above extraordinary challenges and ultimately soared into history.

Directed by Anthony Hemingway, RED TAILS features an extraordinary cast which includes David Oyelowo (Rise of the Planet of the Apes), Nate Parker (The Secret Life of Bees), Elijah Kelly (Hairspray), Tristan Wilds (“90210”), Method Man (“The Wire”), Ne-Yo (Stomp The Yard), Michael B. Jordon (Chronicle), Leslie Odom, Jr. (“Smash”), Marcus T. Paulk (Take the Lead), Kevin Philips (Pride), Andre Royo (“The Wire”), Daniela Ruah (“NCIS: Los Angeles”), Gerald McRaney (“Major Dad”), Bryan Cranston (“Breaking Bad”). The film was produced by Rick McCallum and Charles Floyd Johnson and written by John Ridley and Aaron McGruder.

The RED TAILS Blu-ray™ is loaded with special features including the documentary Double Victory along with profiles of the filmmakers and behind-the-scenes featurettes. The Blu-ray™ and DVD will be available for an average retail price of $25.00 and $20.00 respectively. Prebook is April 25.

RED TAILS Blu-ray Combo Pack Special Features
Double Victory: The Tuskegee Airmen at War
George Lucas: Executive Producer
Anthony Hemingway: Director
Terence Blanchard: Composer
The Cast of Red Tails
Movie Magic
THX Media Director


About Twentieth Century Fox Home Entertainment LLC
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globally for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

http://www.redtails2012.com/

Follow Twentieth Century Fox Home Entertainment on Twitter @FoxHomeEnt

RED TAILS Blu-ray
Street Date: May 22, 2012
Screen Format: 16:9 (2.40:1)
Audio: English 5.1 DTS-HD Master Audio, English 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, French 5.1 Dolby Digital
Subtitles: English / French / Spanish
U.S. Rating: PG-13
Total Run Time: 3 hours, 52 minutes (including bonus material)
Closed Captioned: Yes

RED TAILS DVD
Street Date: May 22, 2012
Screen Format: 16:9 (2.40:1)
Audio: English 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, French 2.0 Dolby Digital
Subtitles: English / French / Spanish
U.S. Rating: PG-13
Total Run Time: 2 hours, 5 minutes (including bonus material)
Closed Captioned: Yes

"Chernobyl Diaries" Opens Midnight May 24 2012

More Than 1,300 Theaters across North America to Open “Chernobyl Diaries” at Midnight on Thursday, May 24

New film from producer/co-writer Oren Peli, who terrified audiences with his groundbreaking thriller, “Paranormal Activity,” takes audiences on an “extreme” tour inside the quarantined area near Chernobyl

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures starts Memorial Day weekend early by opening the new film “Chernobyl Diaries” at midnight on Thursday, May 24th in over 1,300 theaters in 184 U.S. and Canadian markets. Die-hard Oren Peli fans who want to be the first to take an “extreme” tour of the forbidden area surrounding the infamous Chernobyl reactor can kick-off the holiday weekend by seeing the movie at the stroke of midnight on Thursday.

“Chernobyl Diaries” is an original story from Peli, who first terrified audiences with his groundbreaking thriller, “Paranormal Activity.” The film follows a group of six young vacationers who, looking to go off the beaten path, hire an “extreme” tour guide. Ignoring warnings, he takes them into the city of Pripyat, the former home to the workers of the Chernobyl nuclear reactor, but a deserted town since the disaster more than 25 years ago.

After a brief exploration of the abandoned city, however, the group soon finds themselves stranded, only to discover that they are not alone…

Brad Parker makes his feature film directorial debut with “Chernobyl Diaries.” The screenplay was written by Oren Peli and Carey Van Dyke & Shane Van Dyke, based on a story by Peli. Peli also produces, with Brian Witten. Richard Sharkey, Rob Cowan, Andrew A. Kosove, Broderick Johnson, Allison Silver, Milan Popelka and Alison Cohen serve as executive producers.

The film’s cast includes Devin Kelley, Jonathan Sadowski, Ingrid Bolsø Berdal, Olivia Taylor Dudley, Jesse McCartney, Nathan Phillips and Dimitri Diatchenko.

Alcon Entertainment, FilmNation Entertainment and Oren Peli/Brian Witten Pictures present, an Oren Peli/Brian Witten Pictures production, “Chernobyl Diaries.” The film opens on May 25, 2012 and will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

The film has been rated R for violence, some bloody images and pervasive language.

http://www.chernobyldiaries.com/

"The Iron Lady" is Rusty and Crusty

TRASH IN MY EYE No. 40 (of 2012) by Leroy Douresseaux


The Iron Lady (2011)
COUNTRY OF ORIGIN: U.K. with France
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for some violent images and brief nudity
DIRECTOR: Phyllida Lloyd
WRITER: Abi Morgan
PRODUCER: Damian Jones
CINEMATOGRAPHER: Elliot Davis (D.o.P.)
EDITOR: Justine Wright
COMPOSER: Thomas Newman
Academy Award winner

DRAMA/HISTORICAL/BIOPIC

Starring: Meryl Streep, Jim Broadbent, Olivia Colman, Susan Browne, Alexandra Roach, Henry Lloyd, Anthony Head, and Nicholas Farrell

The Iron Lady is a 2011 British drama starring Meryl Streep. The film dramatizes pivotal moments in the life of Margaret Thatcher, the first female Prime Minister of the United Kingdom. Thatcher was also the longest serving Prime Minister of the 20th century.

The film opens in late 2008 and finds former Prime Minister of the United Kingdom, Margaret Thatcher (Meryl Streep), struggling with dementia. Over the course of a few days, Thatcher looks back on the defining moments of her personal and professional life, while she also reminisces with her late husband, Denis Thatcher (Jim Broadbent). Meanwhile, her daughter, Carol (Olivia Colman), worries about her mother’s seeming inability to distinguish between the past and the present and also to let go of Denis’ possessions. Carol doesn’t know that her mother’s hallucinations involve conversations with her dead husband.

The Iron Lady won two Oscars, including a best actress win by Meryl Streep for her portrayal of Thatcher. Streep is good, but this movie is a disaster. It’s like some kind of Kabuki puppet theatre version of a British movie. Frankly, the movie is so stiff and weird, and for that reason alone, I think someone else should have won the best actress Oscar (Glenn Close for Albert Nobbs or Viola Davis for The Help). As for the best makeup Oscar: if making actors look like prune-faced goblins is Oscar-worthy, then, this film’s makeup guys, Mark Coulier and J. Roy Helland, should also get a genius grant.

I was not a fan of Thatcher growing up, but I remember her tremendous stature in the world, especially in Europe and in the United States. Thus, this movie is too small for such a monumental figure, although there are a few moments when Streep brings out Thatcher’s unbending will in way that aroused me and even made me hetero for a few moments (Hee hee).

However, The Iron Lady is ultimately a poor highlight reel about a powerful woman who broke down barriers. This isn’t really a movie about Margaret Thatcher; it’s a movie about an old lady with dementia. Even a non-fan of Thatcher, like myself, thinks she deserves better.

3 of 10
D+

NOTES:
2012 Academy Awards: 2 wins: “Best Performance by an Actress in a Leading Role” (Meryl Streep) and “Best Achievement in Makeup” (Mark Coulier and J. Roy Helland)

2012 BAFTA Awards: 2 wins: “Best Leading Actress” (Meryl Streep) and “Best Make Up & Hair” (Mark Coulier, Marese Langan, and J. Roy Helland); 2 nominations: “Best Original Screenplay” (Abi Morgan) and “Best Supporting Actor” (Jim Broadbent)

2012 Golden Globes, USA: 1 win: “Best Performance by an Actress in a Motion Picture – Drama” (Meryl Streep)

Sunday, May 20, 2012

Review: Close, McTeer Do the Damn Thing in "Albert Nobbs"

TRASH IN MY EYE No. 39 (of 2012) by Leroy Douresseaux

Albert Nobbs (2011)
COUNTRY OF ORIGIN: Ireland, U.K.
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for some sexuality, brief nudity and language
DIRECTOR: Rodrigo García
WRITERS: Glenn Close, John Banville, and Gabriella Prekop; from a story by István Szabó (based upon the novella, “The Singular Life of Albert Nobbs” by George Moore)
PRODUCERS: Glenn Close, Bonnie Curtis, Julie Lynn, and Alan Moloney
CINEMATOGRAPHER: Michael McDonough (D.o.P.)
EDITOR: Steven Weisberg
COMPOSER: Brian Byrne
Academy Award nominee

DRAMA/HISTORICAL

Starring: Glenn Close, Janet McTeer, Mia Wasikowska, Aaron Johnson, Jonathan Rhys Meyers, Pauline Collins, Brenda Fricker, Mark Williams, Phyllida Law, Bronagh Gallagher, and Brendan Gleeson

Albert Nobbs is a 2011 Irish period drama from director Rodrigo Garcia (Mother and Child). The film is based upon the 1918 short story “The Singular Life of Albert Nobbs” by the late Irish novelist, George Augustus Moore. The film stars Glenn Close as a woman who poses as a man in order to work at a motel in late 19th century Ireland,

Albert Nobbs (Glenn Close) was born a female in London. He has been posing as a man for 30 years in order to survive the harsh environment of the impoverished working class in the late 19th century. Albert works as a waiter in Morrison’s Hotel in Dublin, Ireland, and is known for his extreme dedication to his job. However, Albert begins to reconsider how he has lived when he meets Hubert Page (Janet McTeer), a strapping painter who is doing some work at the hotel.

With its lesbian, gay, bisexual, and transgender themes, Albert Nobbs is certainly one of the most intoxicating period dramas that I have ever seen. Even when I enjoy a period or costume drama, I often forget about them not long after watching them (like The King’s Speech), but I can’t stop thinking about Albert Nobbs. I think that this is because Albert Nobbs has a screenplay which is determined to keep the audience guessing about the actions and motivations of the characters, and this is true from the main characters down to the supporting characters with small speaking roles. The movie engages the viewer in a guessing game of why and how. Why does she do that? How does she do it? How does she get away with it?

Albert Nobbs is marked by excellent performances and two great performances: Glenn Close as Albert Nobbs and Janet McTeer as Hubert Page. Close creates a compelling character in Nobbs by making the character’s fear that he will be caught a character itself. It is almost as if there are two characters: one is a waiter, and the other is a man whose secret-keeping is his life. As for McTeer, I don’t know if I have the words to describe her performance, which is a work of high art. I’ll just call it mega-awesome and leave it at that.

Albert Nobbs is a bit slow, but only a bit. I find that sometimes director Rodrigo García allows things to get too aloof and stiff, but he extracts passion and conflict from the kind of characters that like to keep things hidden and to act detached. However, the performances by Close and McTeer burn brightly enough to draw our attention to this unique film that depicts the diversity of relationships between women.

8 of 10
A

NOTES:
2012 Academy Awards: 3 nominations: “Best Performance by an Actress in a Leading Role” (Glenn Close), “Best Performance by an Actress in a Supporting Role” (Janet McTeer), and “Best Achievement in Makeup” (Martial Corneville, Lynn Johnson, and Matthew W. Mungle)

2012 Golden Globes, USA: 3 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Glenn Close), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Janet McTeer), and “Best Original Song - Motion Picture” (Brian Byrne-music and Glenn Close-lyrics for the song "Lay Your Head Down")

Saturday, May 19, 2012

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Warner Bros. Gives "Gangster Squad" a September 7th Release Date

“Gangster Squad” to Hit Theaters on September 7

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures and Village Roadshow Pictures announced today that the release date for “Gangster Squad” is September 7, 2012. The announcement was made by Dan Fellman, Warner Bros. Pictures President, Domestic Distribution.

Directed by Ruben Fleischer (“Zombieland”), “Gangster Squad” stars Oscar® nominees Josh Brolin (“Milk,” “True Grit”) and Ryan Gosling (“Half Nelson,” “Blue Valentine”), and Academy Award® winner Sean Penn (“Milk,” “Mystic River”), as well as Oscar® nominee Nick Nolte (“Warrior,” “Affliction”), Emma Stone (“The Help”), Anthony Mackie (upcoming “Abraham Lincoln: Vampire Hunter”), Giovanni Ribisi (“Avatar”) and Michael Peña (“Tower Heist”).

THE STORY: Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen (Penn) runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and—if he has his way—every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It’s enough to intimidate even the bravest, street-hardened cop…except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O’Mara (Brolin) and Jerry Wooters (Gosling), who come together to try to tear Cohen’s world apart.

Shot entirely in and around Los Angeles, including in many of the actual locations featured in the story, “Gangster Squad” is a colorful retelling of events surrounding the LAPD’s efforts to take back their nascent city from one of the most dangerous mafia bosses of all time. The screenplay is by Will Beall (TV’s “Castle”), based on the book Gangster Squad by Paul Lieberman. The film is produced by Dan Lin (“Sherlock Holmes”), Kevin McCormick (“The Lucky One”) and Michael Tadross (“Arthur”). The executive producers are Ruben Fleischer, Paul Lieberman and Bruce Berman.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Lin Pictures/Kevin McCormick production, “Gangster Squad.” The film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

http://gangstersquad.warnerbros.com/

Review: "Rise of the Planet of the Apes" Shockingly Good

Oh

TRASH IN MY EYE No. 38 (of 2012) by Leroy Douresseaux

Rise of the Planet of the Apes (2011)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for intense and frightening sequences of action and violence
DIRECTOR: Rupert Wyatt
WRITERS: Rick Jaffa and Amanda Silver (based upon the novel, La planète des singes, by Pierre Boulle)
PRODUCER: Peter Chernin, Dylan Clark, Rick Jaffa, and Amanda Silver
CINEMATOGRAPHER: Andrew Lesnie (D.o.P.)
EDITOR: Conrad Buff and Mark Goldblatt
COMPOSER: Patrick Doyle

SCI-FI/ACTION/DRAMA/THRILLER

Starring: James Franco, Andy Serkis, Freida Pinto, David Oyelowo, John Lithgow, Brian Cox, Tom Felton, Tyler Labine, Jamie Harris, and David Hewlett

Apparently, 20th Century Fox is going to produce a new Planet of the Apes film series. The first film, Planet of the Apes, appeared in 1968 and was based upon the 1963 French science fiction novel, La planète des singes, by Pierre Boulle. The 1968 film spawned four sequels, beginning with Beneath the Planet of the Apes in 1970 and ending with Battle for the Planet of the Apes in 1973. Tim Burton directed a remake of the original film that was released in 2001, and although that film was successful, no sequels were made from it.

Instead, 20th Century Fox decided to reboot the franchise. Rise of the Planet of the Apes, a 2011 science fiction drama film, is reportedly intended to act as the origin story for a new series. Rise of the Planet of the Apes focuses on a hyper-intelligent chimpanzee who leads his fellow apes on a revolutionary path that introduces them to freedom and to intelligence that they have never known.

Rise of the Planet of the Apes is set in modern-day San Francisco, which is also the location of biotechnology company, Gen-Sys. There, Dr. William “Will” Rodman (James Franco) is working on a cure for Alzheimer’s disease, which is personal to him because his father, Charles Rodman (John Lithgow), has the disease. Will is testing his new gene therapy, ALZ-112, on chimpanzees, which seems to make them smarter.

One of them, a female, gives birth to a male chimp; to keep the baby from being destroyed, Will takes him home, where his father, who lives with him, names the baby, Caesar. Caesar’s intelligence grows by leaps and bounds, which eventually gets him into trouble. As Caesar (Andy Serkis) watches how the world treats him and his fellow apes, he plots a revolution that threatens the status quo.

Rise of the Planet of the Apes is a monkey movie! Seriously, this film is about the apes. The human characters sometimes come across as place holders for the apes, while the story takes a brief detour in human territory before going back to the characters it really loves – the apes. That is not to say that the human characters are not interesting, or that the actors do not give good performances. As usual, James Franco seems effortlessly good, and Freida Pinto is excellent as Will girlfriend and the film’s moral center and voice of warning, Caroline Aranha. David Oyelowo surprisingly steals scenes as Will’s greedy boss, Steven Jacobs. Also, I was surprised with how powerful John Lithgow is in the small role of Will’s father, Charles. You can’t help but feel sorry for Charles because Lithgow’s depiction of him suffering the ravages of Alzheimer’s disease has an uncanny ring of authenticity.

Rise of the Planet of the Apes is one of the great slave rebellion movies, and that is because of the film’s visual effects, which creates credible oppressed characters. CGI characters: characters created, rendered, and animated using computer software, often don’t hold up to intense scrutiny. The longer you look at them, the less they seem authentic and the more phony they look. The CGI apes here don’t have that problem because there aren’t a lot of times in this movie when I thought that the apes looked counterfeit or just plain fake (although there are a few).

Here, the apes are created using performance capture, which involves filming actors in special suits and then, taking that performance and building the CGI character on or over the performance. The technology of performance capture has evolved to the point that in Rise of the Planet of the Apes the apes show a wide range of emotions. The depth of character has delicacy rather than the gaudiness seemingly inherent in CGI characters in many live-action movies.

To that end, Andy Serkis, who provides the performance capture performance for Caesar, is overdue for some kind of special Oscar trophy. Caesar carries the movie as if he were a flesh and blood, acclaimed, veteran actor. He has that “It,” the x-factor that stars have. I happily followed Caesar through trials and tribulations and fought with him in the epic battle that girds the last act. Rise of the Planet of the Apes is a fantastic film because its star is an ape with star appeal. You’ll laugh and cry with Caesar; you’ll cheer him on.

9 of 10
A+

NOTES:
2012 Academy Awards: 1 nomination: “Best Achievement in Visual Effects” (Joe Letteri, Dan Lemmon, R. Christopher White, and Daniel Barrett)

2012 BAFTA Awards: 1 nomination: “Best Special Visual Effects” (Joe Letteri, Daniel Barrett, Dan Lemmon, and R. Christopher White)

Monday, May 14, 2012

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