First "Men in Black" Still Fresh and Original

TRASH IN MY EYE No. 19 (of 2003) by Leroy Douresseaux


Men in Black (1997)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for language and sci-fi violence
DIRECTOR: Barry Sonnenfeld
WRITER: Ed Solomon, from a screenstory by Ed Solomon (based upon a comic book by Lowell Cunningham)
PRODUCERS: Laurie MacDonald and Walter F. Parkes
CINEMATOGRAPHER: Don Peterman (D.o.P.)
EDITOR: Jim Miller
COMPOSER: Danny Elfman
Academy Award winner

SCI-FI/FANTASY/COMEDY/ACTION

Starring: Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D’Onofrio, Rip Torn, and Tony Shalhoub

The subject of this movie review is Men in Black, the 1997 science fiction comedy film directed by Barry Sonnenfeld. Starring Will Smith and Tommy Lee Jones, it focuses on a secret organization that monitors and polices the alien population that secretly lives on Earth. Steven Spielberg is the executive producer of Men in Black, which is based on the comic book created by Lowell Cunningham) as his production company, Amblin Entertainment, is one of the studios that produced the film.

I don’t watch many movies twice; I watch even fewer thrice. Movies that earn multiple viewings really have to entertain me, and much to my surprise, Men in Black is one of those movies. It is certainly one of the few examples of science fiction and comedy blended to make a great film. From the opening strains of Danny Elfman’s score over the credits, I realized that I was in for something special, something that combined some of my favorite forms of entertainment: B movies, EC Comics, weird and pseudo science fiction, alien conspiracies, monsters, wry comedy and black humor.

In the world of this movie, a secret organization, the Men in Black (who identify themselves to civilians as INS agents) monitor and regulate the presence of alien visitors and other world immigrants on earth. When his partner “retires,” Agent K (Tommy Lee Jones) recruits a new partner, James Edwards (Will Smith), a brash young cop who showed excellent skill and much courage in the pursuit of an alien. After Edwards agrees to join, he must give up his identity; MiB literally erases everything that proved Edwards existed, and Edwards becomes Agent J.

Their first mission together is to find a dangerous alien “bug,” Edgar (Vincent D’ Onofrio) who seeks to possess a mysterious universe that is hidden somewhere in Manhattan, and, to keep him from getting it, a powerful race of aliens is ready to destroy the earth.

Director Barry Sonnenfeld was the perfect, though not the first, choice for this film. A former cinematographer (Raising Arizona, Misery), Sonnenfeld’s films always look gorgeous, and here he is abetted by MiB’s director of photography Don Peterman, who worked with Sonnenfeld on Addams Family Values and Get Shorty. Peterman captures the look and feel of low budget sci-fi film from the 1940’s and 50’s and the sparse look of such cult classics and The Brother from Another Planet and Buckaroo Banzai, while giving film a glossy, pretty look. Between director and photographer, they manage to make the film look like it belongs in the genres to which it aspires; this makes for a convincing and atmospheric film that feels right. At times, it is a sci-fi adventure, a detective story, a monster movie, and a horror film, but it never looks like an expensive, over produced Hollywood film, which it is.

The performances are excellent. Jones as Agent K is the consummate old veteran, and Linda Fiorentino as the morgue minder Dr. Laurel Weaver brings a wry and cynical sense of humor to the film. However, the actor who carries this film and sells it both as a wacky sci-fi film and as a funny movie is Will Smith.

Prejudiced science fiction and comic book fans often given short shrift to African American actors in genre films. The adventurous pasts and mysterious futures of sci-fi are often bereft of people of color, especially people of brown and darker hues. For years, racist fans blamed Richard Pryor for the poor quality of Superman III, when he was actually the film’s saving grace. In fact, when rumors placed Eddie Murphy in Star Trek IV, fans went into paroxysms of fear because black comedians can only ruin sci-fi films. “Look at Pryor in Superman III,” they cried through their white hoods. Of course, Star Trek films managed to suck eggs all on their own without a Negro jokester in sight.

Smith makes Men in Black. He’s our point of view. His reactions to his strange new environment sell the fantastical aspects of MiB as being actually both fantastic and weird. He’s the every man, albeit sexier and more personable than most, through which we follow the story. Despite the position of the actors’ names on the marquee, he’s the star and the lead. If you haven’t seen this wonderful and funny film, do so immediately.

8 of 10
A

NOTES:
1998 Academy Awards: 1 win: “Best Makeup” (Rick Baker and David LeRoy Anderson); 2 nominations: “Best Art Direction-Set Decoration” (Bo Welch-art director and Cheryl Carasik-set decorator), and “Best Music, Original Musical or Comedy Score” (Danny Elfman)

1998 BAFTA Awards: 1 nomination: “Best Special Effects” (Eric Brevig, Rick Baker, Rob Coleman, and Peter Chesney)

1998 Golden Globes, USA: 1 nomination: “Best Motion Picture - Comedy/Musical”

Review: Men in Black II

TRASH IN MY EYE No. 20 (of 2003) by Leroy Douresseaux


Men in Black II (2002)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – PG-13 for sci-fi action violence and some provocative humor
DIRECTOR: Barry Sonnenfeld
WRITER: Robert Gordon and Barry Fanaro, from a story by Robert Gordon (based upon the comic book by Lowell Cunningham)
PRODUCERS: Laurie MacDonald and Walter F. Parkes
CINEMATOGRAPHER: Greg Gardiner (D.o.P.)
EDITORS: Richard Pearson and Steven Weisberg
COMPOSER: Danny Elfman

SCI-FI/FANTASY/COMEDY/ACTION

Starring: Tommy Lee Jones, Will Smith, Rip Torn, Lara Flynn Boyle, Johnny Knoxville, Rosario Dawson, Tony Shalhoub, and Patrick Warburton

The subject of this movie review is Men in Black II, the 2002 science fiction comedy that is a sequel to the 1997 film, Men in Black. Both movies are based upon the comic book, Men in Black, created by Lowell Cunningham. As he was with the first film, Steven Spielberg is also the executive producer.

It was a long time in coming, and some thought it would be too expensive to make because of star salaries and production company profit participation, but Men in Black II finally arrived. Although not as fresh as the first film, MiBII is somewhat close to the original in that it is still imaginative and wacky, and Will Smith is still very funny.

When Serleena (Lara Flynn Boyle), a villain from MiB’s past threatens the planet, Agent J (Will Smith) has to convince former agent and his mentor Agent K (Tommy Lee Jones) to return to the agency. Complicating matters is the fact that Agent K is having a difficult time regaining his memory of his time as an MiB agent, and his memory is crucial to defeating Serleena. Meanwhile, Agent J has fallen for Laura Vasquez (Rosario Dawson), an attractive witness to a murder committed by Serleena.

One of the many things that I like about the original film was the cool opening scene, an homage to classic sci-fi B-movies. This film does something similar, but with a nod to those loopy, paranormal, conspiracy theory documentaries. The actors are all game, and with the help of some interesting cameos (including one by Michael Jackson) and some nice small roles, the film, for the most part, manages to keep us interested in what’s going to show up next on the screen. It’s a way of playing it safe, and keeping matters close to what audiences remember from the first film. Director Barry Sonnenfeld and his writers bring back all the atmospherics of the first, but add some sentimental and romantic elements. The romance actually works in a way of tying together the pasts of Agents J and K and also tightens the bond between the characters.

What this film does lack that the first one had is the intensity of the danger imposed by a rogue alien. While I found Serleena to be a viable threat as a villain, I thought that she lacked the kick of the Bug from the first film. The agents also spend a lot of time going from one location to another and each one just happens to be either the home of another alien or a secret storage bin for MiB paraphernalia and weaponry. I know that the filmmakers want to play up the idea that you never know what’s behind the façade, but each trip to another building just slows the film. The film never really kicks into high gear until its final fifteen minutes.

Still, it’s funny, and Will Smith carries the show, even through some dry moments. After the second time around, we can see that MiB is really the story of Agent J’s adventures in the organization and that Smith is very likely crucial to the success of any more Men in Black sequels. Although Men in Black II plays it rather safe, it is a pretty entertaining successor to an exceptional movie.

6 of 10
B

NOTES:
2003 Razzie Awards: 1 nomination: “Worst Supporting Actress” (Lara Flynn Boyle)

Review: Antonio Banderas Stomps the Yard in "Puss in Boots"

TRASH IN MY EYE No. 41 (of 2012) by Leroy Douresseaux

Puss in Boots (2011)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG for some adventure action and mild rude humor
DIRECTOR: Chris Miller
WRITERS: Tom Wheeler; from a story by Will Davies and Brian Lynch (based upon the character created by Charles Perrault)
PRODUCERS: Joe M. Aguilar and Latifa Ouaou
EDITOR: Eric Dapkewicz
COMPOSER: Henry Jackman
Academy Award nominee

ANIMATION/FANTASY/ADVENTURE/COMEDY with elements of a Western

Starring: (voice) Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton, Amy Sedaris, Constance Marie, and Guillermo del Toro

I don’t think DreamWorks Animation gets enough credit. They aren’t a weak sister to Pixar Animation Studios. In fact, in 2011, Pixar unleashed the god-awful Cars 2, but DreamWorks more than surpassed that with two excellent films, Kung Fu Panda 2 and the subject of this movie review…

Puss in Boots is a 2011 computer-animated adventure comedy film from DreamWorks Animation. The film stars Antonio Banderas, giving voice to the outlaw cat, Puss in Boots, the character that first appeared in Shrek 2 (2004). Puss in Boots the movie is both a spin-off of and prequel to the Shrek film franchise.

The story details the origins of Puss in Boots (Antonio Banderas) and tells how he became an outlaw. He was an orphaned kitten who finds a home at an orphanage run by the kind Imelda (Constance Marie) in the town of San Ricardo. While attempting to steal magic beans (from “Jack and the Beanstalk), Puss is reunited with his long-estranged childhood friend, the talking egg Humpty Alexander Dumpty (Zach Galifianakis). Puss is drawn to Humpty’s ally, Kitty Softpaws (Salma Hayek), a street-savvy Tuxedo cat.

The trio hatches a plan to steal the beans from the current owners, the outlaw couple, Jack (Billy Bob Thorton) and Jill (Amy Sedaris). The task, however, proves more difficult than Puss imagined, as he must survive a strange world and also a plot against his loved ones.

Part Zorro and part Valentino, Puss in Boots is a charming rogue, the kind of character that can drive a swashbuckling adventure film to success. Puss in Boots the movie is part Raiders of the Lost Ark with the style of a spaghetti Western plus the cracked fairy tale approach that defined the Shrek movies.

Puss in Boots isn’t groundbreaking, nor is it as technically dazzling as other DreamWorks Animations films, such as the Kung Fu Panda films and Megamind. Puss in Boots does, however, have enough bubbly charm and effervescence to share with less fortunate films.

Those less fortunate films would be movies that don’t have Antonio Banderas, an actor born to be loved by the camera, or, in the case of voice acting in an animated film, an actor with a bejeweled voice. Together with the artists that animated the Puss in Boots character, Banderas turned on the wit and magnetism, so that Puss in Boots virtually has no faults – as long as Puss in Boots is the center of attention. I appreciate the people involved with this movie, because I plan on watching Puss in Boots many more times.

8 of 10
A

NOTES:
2012 Academy Awards: 1 nomination: “Best Animated Feature Film of the Year” (Chris Miller)

2012 Golden Globes, USA: 1 nomination: “Best Animated Feature Film”

Tuesday, May 22, 2012

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George Lucas' "Red Tails" Now on Blu-ray and DVD

FROM EXECUTIVE PRODUCER GEORGE LUCAS COMES THE INSPIRATIONAL STORY OF THE MEN WHOSE BRAVERY MADE THEM HEROES AND WHOSE ACTIONS MADE HISTORY

RED TAILS

Terrence Howard and Cuba Gooding Jr. Lead an All-Star Cast In The High-Octane Action-Adventure Coming to Blu-ray, DVD and Digital Download Just in Time for Memorial Day on May 22

Lucasfilm Ltd. and Twentieth Century Fox Home Entertainment present the remarkable story of an inspirational group of men whose legendary bravery was cemented in the sky in RED TAILS, soaring onto Blu-ray™, DVD and Digital Download May 22. Set for release just prior to Memorial Day, RED TAILS stars Academy Award® Winner Cuba Gooding Jr. (Jerry Maguire) and Academy Award Nominee Terrence Howard (Hustle & Flow) leading a powerful ensemble cast in this high-flying epic inspired by the real-life adventures of the first African-American combat unit to serve in World War II.

Italy, 1944. As the war takes its toll on Allied forces in Europe, a squadron of black pilots known as the Tuskegee Airmen are finally given the chance to prove themselves in the sky... even as they battle discrimination on the ground. Featuring jaw-dropping aerial action and thrilling special effects, RED TAILS is a breathtaking tribute to the unsung heroes who rose above extraordinary challenges and ultimately soared into history.

Directed by Anthony Hemingway, RED TAILS features an extraordinary cast which includes David Oyelowo (Rise of the Planet of the Apes), Nate Parker (The Secret Life of Bees), Elijah Kelly (Hairspray), Tristan Wilds (“90210”), Method Man (“The Wire”), Ne-Yo (Stomp The Yard), Michael B. Jordon (Chronicle), Leslie Odom, Jr. (“Smash”), Marcus T. Paulk (Take the Lead), Kevin Philips (Pride), Andre Royo (“The Wire”), Daniela Ruah (“NCIS: Los Angeles”), Gerald McRaney (“Major Dad”), Bryan Cranston (“Breaking Bad”). The film was produced by Rick McCallum and Charles Floyd Johnson and written by John Ridley and Aaron McGruder.

The RED TAILS Blu-ray™ is loaded with special features including the documentary Double Victory along with profiles of the filmmakers and behind-the-scenes featurettes. The Blu-ray™ and DVD will be available for an average retail price of $25.00 and $20.00 respectively. Prebook is April 25.

RED TAILS Blu-ray Combo Pack Special Features
Double Victory: The Tuskegee Airmen at War
George Lucas: Executive Producer
Anthony Hemingway: Director
Terence Blanchard: Composer
The Cast of Red Tails
Movie Magic
THX Media Director


About Twentieth Century Fox Home Entertainment LLC
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globally for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

http://www.redtails2012.com/

Follow Twentieth Century Fox Home Entertainment on Twitter @FoxHomeEnt

RED TAILS Blu-ray
Street Date: May 22, 2012
Screen Format: 16:9 (2.40:1)
Audio: English 5.1 DTS-HD Master Audio, English 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, French 5.1 Dolby Digital
Subtitles: English / French / Spanish
U.S. Rating: PG-13
Total Run Time: 3 hours, 52 minutes (including bonus material)
Closed Captioned: Yes

RED TAILS DVD
Street Date: May 22, 2012
Screen Format: 16:9 (2.40:1)
Audio: English 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, French 2.0 Dolby Digital
Subtitles: English / French / Spanish
U.S. Rating: PG-13
Total Run Time: 2 hours, 5 minutes (including bonus material)
Closed Captioned: Yes

"Chernobyl Diaries" Opens Midnight May 24 2012

More Than 1,300 Theaters across North America to Open “Chernobyl Diaries” at Midnight on Thursday, May 24

New film from producer/co-writer Oren Peli, who terrified audiences with his groundbreaking thriller, “Paranormal Activity,” takes audiences on an “extreme” tour inside the quarantined area near Chernobyl

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures starts Memorial Day weekend early by opening the new film “Chernobyl Diaries” at midnight on Thursday, May 24th in over 1,300 theaters in 184 U.S. and Canadian markets. Die-hard Oren Peli fans who want to be the first to take an “extreme” tour of the forbidden area surrounding the infamous Chernobyl reactor can kick-off the holiday weekend by seeing the movie at the stroke of midnight on Thursday.

“Chernobyl Diaries” is an original story from Peli, who first terrified audiences with his groundbreaking thriller, “Paranormal Activity.” The film follows a group of six young vacationers who, looking to go off the beaten path, hire an “extreme” tour guide. Ignoring warnings, he takes them into the city of Pripyat, the former home to the workers of the Chernobyl nuclear reactor, but a deserted town since the disaster more than 25 years ago.

After a brief exploration of the abandoned city, however, the group soon finds themselves stranded, only to discover that they are not alone…

Brad Parker makes his feature film directorial debut with “Chernobyl Diaries.” The screenplay was written by Oren Peli and Carey Van Dyke & Shane Van Dyke, based on a story by Peli. Peli also produces, with Brian Witten. Richard Sharkey, Rob Cowan, Andrew A. Kosove, Broderick Johnson, Allison Silver, Milan Popelka and Alison Cohen serve as executive producers.

The film’s cast includes Devin Kelley, Jonathan Sadowski, Ingrid Bolsø Berdal, Olivia Taylor Dudley, Jesse McCartney, Nathan Phillips and Dimitri Diatchenko.

Alcon Entertainment, FilmNation Entertainment and Oren Peli/Brian Witten Pictures present, an Oren Peli/Brian Witten Pictures production, “Chernobyl Diaries.” The film opens on May 25, 2012 and will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

The film has been rated R for violence, some bloody images and pervasive language.

http://www.chernobyldiaries.com/

"The Iron Lady" is Rusty and Crusty

TRASH IN MY EYE No. 40 (of 2012) by Leroy Douresseaux


The Iron Lady (2011)
COUNTRY OF ORIGIN: U.K. with France
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for some violent images and brief nudity
DIRECTOR: Phyllida Lloyd
WRITER: Abi Morgan
PRODUCER: Damian Jones
CINEMATOGRAPHER: Elliot Davis (D.o.P.)
EDITOR: Justine Wright
COMPOSER: Thomas Newman
Academy Award winner

DRAMA/HISTORICAL/BIOPIC

Starring: Meryl Streep, Jim Broadbent, Olivia Colman, Susan Browne, Alexandra Roach, Henry Lloyd, Anthony Head, and Nicholas Farrell

The Iron Lady is a 2011 British drama starring Meryl Streep. The film dramatizes pivotal moments in the life of Margaret Thatcher, the first female Prime Minister of the United Kingdom. Thatcher was also the longest serving Prime Minister of the 20th century.

The film opens in late 2008 and finds former Prime Minister of the United Kingdom, Margaret Thatcher (Meryl Streep), struggling with dementia. Over the course of a few days, Thatcher looks back on the defining moments of her personal and professional life, while she also reminisces with her late husband, Denis Thatcher (Jim Broadbent). Meanwhile, her daughter, Carol (Olivia Colman), worries about her mother’s seeming inability to distinguish between the past and the present and also to let go of Denis’ possessions. Carol doesn’t know that her mother’s hallucinations involve conversations with her dead husband.

The Iron Lady won two Oscars, including a best actress win by Meryl Streep for her portrayal of Thatcher. Streep is good, but this movie is a disaster. It’s like some kind of Kabuki puppet theatre version of a British movie. Frankly, the movie is so stiff and weird, and for that reason alone, I think someone else should have won the best actress Oscar (Glenn Close for Albert Nobbs or Viola Davis for The Help). As for the best makeup Oscar: if making actors look like prune-faced goblins is Oscar-worthy, then, this film’s makeup guys, Mark Coulier and J. Roy Helland, should also get a genius grant.

I was not a fan of Thatcher growing up, but I remember her tremendous stature in the world, especially in Europe and in the United States. Thus, this movie is too small for such a monumental figure, although there are a few moments when Streep brings out Thatcher’s unbending will in way that aroused me and even made me hetero for a few moments (Hee hee).

However, The Iron Lady is ultimately a poor highlight reel about a powerful woman who broke down barriers. This isn’t really a movie about Margaret Thatcher; it’s a movie about an old lady with dementia. Even a non-fan of Thatcher, like myself, thinks she deserves better.

3 of 10
D+

NOTES:
2012 Academy Awards: 2 wins: “Best Performance by an Actress in a Leading Role” (Meryl Streep) and “Best Achievement in Makeup” (Mark Coulier and J. Roy Helland)

2012 BAFTA Awards: 2 wins: “Best Leading Actress” (Meryl Streep) and “Best Make Up & Hair” (Mark Coulier, Marese Langan, and J. Roy Helland); 2 nominations: “Best Original Screenplay” (Abi Morgan) and “Best Supporting Actor” (Jim Broadbent)

2012 Golden Globes, USA: 1 win: “Best Performance by an Actress in a Motion Picture – Drama” (Meryl Streep)

Sunday, May 20, 2012

Review: Close, McTeer Do the Damn Thing in "Albert Nobbs"

TRASH IN MY EYE No. 39 (of 2012) by Leroy Douresseaux

Albert Nobbs (2011)
COUNTRY OF ORIGIN: Ireland, U.K.
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for some sexuality, brief nudity and language
DIRECTOR: Rodrigo García
WRITERS: Glenn Close, John Banville, and Gabriella Prekop; from a story by István Szabó (based upon the novella, “The Singular Life of Albert Nobbs” by George Moore)
PRODUCERS: Glenn Close, Bonnie Curtis, Julie Lynn, and Alan Moloney
CINEMATOGRAPHER: Michael McDonough (D.o.P.)
EDITOR: Steven Weisberg
COMPOSER: Brian Byrne
Academy Award nominee

DRAMA/HISTORICAL

Starring: Glenn Close, Janet McTeer, Mia Wasikowska, Aaron Johnson, Jonathan Rhys Meyers, Pauline Collins, Brenda Fricker, Mark Williams, Phyllida Law, Bronagh Gallagher, and Brendan Gleeson

Albert Nobbs is a 2011 Irish period drama from director Rodrigo Garcia (Mother and Child). The film is based upon the 1918 short story “The Singular Life of Albert Nobbs” by the late Irish novelist, George Augustus Moore. The film stars Glenn Close as a woman who poses as a man in order to work at a motel in late 19th century Ireland,

Albert Nobbs (Glenn Close) was born a female in London. He has been posing as a man for 30 years in order to survive the harsh environment of the impoverished working class in the late 19th century. Albert works as a waiter in Morrison’s Hotel in Dublin, Ireland, and is known for his extreme dedication to his job. However, Albert begins to reconsider how he has lived when he meets Hubert Page (Janet McTeer), a strapping painter who is doing some work at the hotel.

With its lesbian, gay, bisexual, and transgender themes, Albert Nobbs is certainly one of the most intoxicating period dramas that I have ever seen. Even when I enjoy a period or costume drama, I often forget about them not long after watching them (like The King’s Speech), but I can’t stop thinking about Albert Nobbs. I think that this is because Albert Nobbs has a screenplay which is determined to keep the audience guessing about the actions and motivations of the characters, and this is true from the main characters down to the supporting characters with small speaking roles. The movie engages the viewer in a guessing game of why and how. Why does she do that? How does she do it? How does she get away with it?

Albert Nobbs is marked by excellent performances and two great performances: Glenn Close as Albert Nobbs and Janet McTeer as Hubert Page. Close creates a compelling character in Nobbs by making the character’s fear that he will be caught a character itself. It is almost as if there are two characters: one is a waiter, and the other is a man whose secret-keeping is his life. As for McTeer, I don’t know if I have the words to describe her performance, which is a work of high art. I’ll just call it mega-awesome and leave it at that.

Albert Nobbs is a bit slow, but only a bit. I find that sometimes director Rodrigo García allows things to get too aloof and stiff, but he extracts passion and conflict from the kind of characters that like to keep things hidden and to act detached. However, the performances by Close and McTeer burn brightly enough to draw our attention to this unique film that depicts the diversity of relationships between women.

8 of 10
A

NOTES:
2012 Academy Awards: 3 nominations: “Best Performance by an Actress in a Leading Role” (Glenn Close), “Best Performance by an Actress in a Supporting Role” (Janet McTeer), and “Best Achievement in Makeup” (Martial Corneville, Lynn Johnson, and Matthew W. Mungle)

2012 Golden Globes, USA: 3 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Glenn Close), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Janet McTeer), and “Best Original Song - Motion Picture” (Brian Byrne-music and Glenn Close-lyrics for the song "Lay Your Head Down")

Saturday, May 19, 2012

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