Friday, July 20, 2012

Review: "The Dark Knight" Rose Above All Other Batman Movies

TRASH IN MY EYE No. 32 (of 2008) by Leroy Douresseaux

The Dark Knight (2008)
Running time: 152 minutes (2 hours, 32 minutes)
MPAA – PG-13 for intense sequences of violence and some menace
DIRECTOR: Christopher Nolan
WRITERS: Jonathan Noland and Christopher Nolan; from a story by David S. Goyer and Christopher Nolan (based upon the characters created by Bob Kane and Bill Finger)
PRODUCERS: Christopher Nolan, Charles Roven, and Emma Thomas
CINEMATOGRAPHER: Wally Pfister (D.o.P.)
EDITOR: Lee Smith
Academy Award winner

SUPERHERO/FANTASY/ACTION and CRIME/DRAMA/THRILLER

Starring: Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine, Maggie Gyllenhaal, Gary Oldman, Morgan Freeman, Monique Gabriela Curren, Nestor Carbonell, Eric Roberts, Colin McFarlane, Joshua Harto, and Michael Jai White

Director Christopher Nolan’s The Dark Knight, the sequel to his 2005 film, Batman Begins, is indeed as good as practically everyone who has seen it says. The Dark Knight is both loud and complex, sometimes as scary as it is over the top, but the heart of the movie isn’t loud explosions and violent confrontations. For all the attention paid to this film’s villain, The Joker as portrayed by the late Heath Ledger, Nolan uses The Dark Knight to examine the heart, soul, and guts (constitution) of a hero, in particularly both the character Batman and his alter ego Bruce Wayne.

The steadfast Lieutenant Jim Gordon (Gary Oldman) and the heroic District Attorney Harvey Dent (Aaron Eckhart) join Batman’s (Christian Bale) plot to destroy organized crime in Gotham City for good. The three are highly effective, as they track Gotham organized crime’s cash, the hundreds of millions of dollars that criminals hide in Gotham banks. They’ll follow the money even when it means Bruce Wayne (Christian Bale) and his partner Lucius Fox (Morgan Freeman) must undertake a secret mission to Hong Kong.

However, their success is short lived, when The Joker (Heath Ledger), a rising criminal mastermind, inserts himself into the situation. The Joker practically bullies Gotham’s crime lords into hiring him to kill Batman. The Joker’s antics throw Gotham into anarchy, and his acts of terrorism force the Dark Knight and everyone one around him ever closer to crossing the fine line between hero and vigilante.

So many things stand out as being exceptional about The Dark Knight. The story by Christopher Nolan and David S. Goyer, who wrote Batman Begins together, is quite fine, but the script by Nolan and his brother Jonathan Nolan is the cream on top. For one thing, it takes four of Batman Begins’ excellent supporting characters, Jim Gordon, Lucius Fox, Bruce Wayne’s butler, Alfred (Michael Caine), and Rachel Dawes (Maggie Gyllenhaal, but previously played by Katie Holmes in Batman Begins). Not only does the script emphasize their connections to Batman, but all four of the characters also genuinely contribute to the action, ideas, and philosophies of the larger narrative. When four fine actors (with Caine and Freeman being Oscar-winning legends) get this kind of character writing, they can work wonder – as they do here.

As for the much-talked about performance of the late Heath Ledger as The Joker, it is the real deal. Topping Jack Nicholson’s turn as the clown prince of crime in the 1989 Batman seemed impossible, but Ledger simply took the character someplace even darker. Ledger’s Joker isn’t just a criminal; he’s an anarchist, a terrorist, and a madman. He eschews society’s morals, rules, and excepted standards of behavior. To hell with society; he just wants to see the world burn. That kind of personality and behavior will always be the makings for a memorable villain, but Ledger takes that material and turns it into a Joker the he sears into the audience’s memory.

For all the fireworks of Heath Ledger’s performance, The Dark Knight is, in the hands of Chris Nolan and actor Christian Bale as Batman, about Batman’s battle for his own soul. Together, Nolan and Bale test the limits of endurance of a superhero. Batman’s bravery isn’t in question, but his honesty, integrity, morals, and honor are. Will he go to the “dark side,” so to speak, and thusly, himself become a villain in order to fight villains (Joker and his crime lord cohorts)? Is he a warrior sworn to uphold values of courage and honor or is he just like weaker mortals – people who are all too ready to drop their civilized ways and become monsters the moment something really terrifies them?

Like Batman’s conundrum, The Dark Knight is ominously complicated, but it is so damn entertaining and intelligent and thought provoking and better than most summer blockbusters and superhero movies could hope to be. The Dark Knight is by no means perfect; sometimes, it goes over the top trying to make its points. Sometimes, it’s way too loud and maybe just a bit too pretentious and heavy with its own self-importance. But it’s still so damn good.

9 of 10
A+

Sunday, August 03, 2008

NOTES:
2009 Academy Awards: 2 wins: “Best Performance by an Actor in a Supporting Role” (Heath Ledger – Posthumously won with the award accepted by his father, mother and sister) and “Best Achievement in Sound Editing” (Richard King); 6 nominations: “Best Achievement in Art Direction” (Nathan Crowley-art director and Peter Lando-set decorator), “Best Achievement in Cinematography” (Wally Pfister), “Best Achievement in Film Editing” (Lee Smith), “Best Achievement in Makeup” (John Caglione Jr. and Conor O'Sullivan), “Best Achievement in Sound Mixing” (Lora Hirschberg, Gary Rizzo, Ed Novick), “Best Achievement in Visual Effects” (Nick Davis, Chris Corbould, Timothy Webber and Paul J. Franklin)


2009 BAFTA Awards: 1 win: “Best Supporting Actor” (Heath Ledger –Posthumously); 8 nominations: “Best Cinematography” (Wally Pfister), “Best Costume Design” (Lindy Hemming), “Best Editing” (Lee Smith), “Best Make Up & Hair” (Peter Robb-King), “Best Music” (Hans Zimmer and James Newton Howard), “Best Production Design” (Nathan Crowley and Peter Lando), “Best Sound” (Lora Hirschberg, Richard King, Ed Novick, and Gary Rizzo), “Best Special Visual Effects” (Chris Corbould, Nick Davis, Paul J. Franklin, and Tim Webber)


2009 Golden Globes, USA: 1 win: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Heath Ledger – Awarded posthumously with the award accepted by Christopher Nolan on Heath Ledger's behalf)

---------------------


Thursday, July 19, 2012

About "The Dark Knight Rises" - The Cast

About the Cast if The Dark Knight Rises

CHRISTIAN BALE (Bruce Wayne/Batman) was born in Wales and grew up in England and the USA. He made his film debut in Steven Spielberg's World War II epic "Empire of the Sun."

His film work to date also includes "Henry V," "The Portrait of a Lady," "The Secret Agent," "Metroland," "Velvet Goldmine," "All the Little Animals," "American Psycho," "Laurel Canyon," "The Machinist," "Batman Begins," "The New World," "The Prestige," "Harsh Times," "Rescue Dawn," "3:10 to Yuma," "I'm Not There," "The Dark Knight," "Public Enemies," "The Fighter," and "The Flowers of War."

Audiences will next see him in Terrence Malick's "Knight of Cups," and he recently completed filming "Out of the Furnace."

MICHAEL CAINE (Alfred), a two-time Academy Award® winner, has appeared in more than 100 films in a career spanning over half a century. He first played the role of Bruce Wayne's loyal butler, Alfred, in the 2005 hit, "Batman Begins," which also marked his first collaboration with director Christopher Nolan. He returned to the part in the 2008 blockbuster "The Dark Knight." "The Dark Knight Rises" marks Caine's fifth collaboration with Nolan. He has also acted under Nolan's direction in "The Prestige," for which he won a London Film Critics' Circle Award for Best Supporting Actor, and 2010's most talked-about film, "Inception."

Caine's upcoming films include Louis Leterrier's thriller "Now You See Me," with Morgan Freeman, and "Mr. Morgan's Last Love," based on the novel La Douceur Assassine by Françoise Dorner, in which he plays the title role under the direction of Sandra Nettelbeck.

Caine won his first Oscar®, for Best Supporting Actor, for his work in Woody Allen's "Hannah and Her Sisters," for which he also received Golden Globe and BAFTA Award nominations. He took home his second Best Supporting Actor Oscar® for his role in Lasse Hallström's "The Cider House Rules," also winning a Screen Actors Guild Award® and earning Golden Globe and BAFTA Award nominations.

He has garnered four more Oscar® nominations for Best Actor, the first coming in 1966 for the title role in "Alfie," for which he also received a Golden Globe nomination and a New York Film Critics Award. He earned his second Oscar® nod, in addition to a Golden Globe nomination and an Evening Standard Award, for the part of Milo Tindle in 1972's "Sleuth," opposite Laurence Olivier. His role in "Educating Rita" brought him his third Oscar® nomination, as well as Golden Globe and BAFTA Awards. He gained his latest Oscar®, Golden Globe and BAFTA Award nominations for his work in 2002's "The Quiet American," for which he also won a London Film Critics' Circle Award. In addition, Caine won Golden Globe and London Film Critics' Circle Awards and received a BAFTA Award nomination, all for Best Supporting Actor, for "Little Voice."

Caine was born Maurice Micklewhite in South London in 1933 and developed an interest in acting at an early age. Upon his discharge from the Queen's Royal Regiment and Royal Fusiliers in 1953, he began pursuing his career. Taking his stage name from the title "The Caine Mutiny," he toured Britain in a variety of plays and began appearing in British films and television shows.

In 1964, Caine landed his first major film role as Lieutenant Gonville Bromhead in "Zulu." The following year, he starred in the hit thriller "The Ipcress File," earning his first of 37 BAFTA Award nominations for his portrayal of secret agent Harry Palmer. However, it was his Oscar®-nominated performance in the seminal '60s film "Alfie" that catapulted Caine to international stardom. He went on to star in eleven more films during the late '60s, including "The Ipcress File" sequels, "Funeral in Berlin" and "Billion Dollar Brain"; "Gambit," earning a Golden Globe nomination; "Hurry Sundown"; "Woman Times Seven"; "Deadfall"; "The Magus"; "The Italian Job"; and "Battle of Britain."

Over the next two decades, Caine had diverse roles in more than 40 films, including Robert Aldrich's "Too Late the Hero"; "X, Y and Zee," opposite Elizabeth Taylor; John Huston's "The Man Who Would Be King"; "Harry and Walter Go to New York"; Richard Attenborough's "A Bridge Too Far"; the Neil Simon comedy "California Suite"; Brian De Palma's "Dressed to Kill"; John Huston's "Victory"; Sidney Lumet's "Deathtrap"; Stanley Donen's "Blame It on Rio"; John Frankenheimer's "The Holcroft Covenant"; Neil Jordan's "Mona Lisa"; and "Dirty Rotten Scoundrels," for which he received a Golden Globe nomination.

Continuing to work almost non-stop, Caine has since starred in such films as "Blood and Wine," "Quills," "Miss Congeniality," "Austin Powers in Goldmember," "The Weather Man," "Children of Men," and "Harry Brown," in the title role. His most recent films include "Journey 2: The Mysterious Island," and he also lent his voice to the animated features "Cars 2" and "Gnomeo & Juliet."

Apart from his work onscreen, Caine wrote an autobiography entitled What's It All About?, as well as Acting on Film, a book based on a series of lectures he gave on BBC Television. His latest memoir, The Elephant to Hollywood, was published in 2010 by Henry Holt and Co. in the United States.

In the 1992 Queen's Birthday Honours, Caine was awarded the Commander of the Order of the British Empire (C.B.E.). Eight years later, he received his knighthood.

GARY OLDMAN (Commissioner Gordon) has been a legendary presence on the screen for more than 25 years and is known to millions worldwide for his embodiment of some of cinema's most iconic characters. In addition to Commissioner Jim Gordon, he has portrayed such wide-ranging and unforgettable roles as Harry Potter's beloved godfather, Sirius Black; Dracula; Beethoven; Lee Harvey Oswald; Sid Vicious; and John le Carré's ultimate spy, George Smiley, in an Oscar®-nominated performance.

Oldman is one of the highest-grossing actors at the global box office, having appeared in a number of the most successful films of all time, including the top-grossing Harry Potter franchise. He originated the part of Sirius Black in 2004's "Harry Potter and the Prisoner of Azkaban," and reprised his role in "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix," and the record breaking finale, "Harry Potter and the Deathly Hallows – Part 2."

He first played Jim Gordon in Christopher Nolan's 2005 hit "Batman Begins." Oldman returned to the role of Batman's crime-fighting ally in 2008's billion dollar blockbuster "The Dark Knight."

In 2011, Oldman portrayed master spy George Smiley in the film version of John le Carré's "Tinker Tailor Soldier Spy." In addition to an Oscar® nomination, Oldman's performance was recognized with a BAFTA Award nomination, a British Independent Film Award nomination, and an Empire Award, all for Best Actor.

He has repeatedly been honored for his work on the screen, including the 2011 Empire Icon Award, bestowed for a lifetime of outstanding achievements; the Gotham Awards' Career Tribute Award; and the International Star of the Year Award at the Palm Springs Film Festival.

Oldman began his acting career on the stage in 1979, and for the next few years he worked exclusively in the theatre. From 1985 through 1989, he performed at London's Royal Court. His earliest onscreen work includes the BBC films "Meantime," for director Mike Leigh, and "The Firm," directed by the late Alan Clarke.

He followed with such features as "Sid & Nancy"; "Prick Up Your Ears," directed by Stephen Frears; Tom Stoppard's "Rosencrantz & Guildenstern are Dead"; "State of Grace"; "JFK," for director Oliver Stone; and the title role in "Bram Stoker's Dracula," directed by Francis Ford Coppola. Among Oldman's many other credits are "True Romance," directed by Tony Scott; "Romeo is Bleeding"; the Luc Besson-directed films "The Professional" and "The Fifth Element"; "Immortal Beloved"; "Murder in the First"; "The Scarlett Letter," directed by Roland Joffé; "Lost in Space"; Wolfgang Petersen's "Air Force One," as the terrorist who hijacked the plane of the President, played by Harrison Ford; and "The Book of Eli."

In 1995, with manager/producing partner Douglas Urbanski, he formed a production company, which subsequently produced the highly acclaimed "Nil by Mouth," marking Oldman's directing and writing debut. The film was selected to open the main competition for the 1997 50th Anniversary of the Cannes Film Festival, where Kathy Burke won Best Actress and Oldman was nominated for a Palme d'Or. Among the film's other honors, Oldman won the prestigious Channel 4 Director's Prize at the Edinburgh Film Festival; an Empire Award; a BAFTA Award, shared with Urbanski, for Best Film; and a BAFTA Award for Best Original Screenplay.

In 2000, Oldman starred in the political drama "The Contender," which he and Urbanski also produced. The film, which also starred Joan Allen, Jeff Bridges, Christian Slater and Sam Elliott, received a number of award recognitions, including two Oscar® nominations.

ANNE HATHAWAY (Selina Kyle) was honored with an Academy Award® nomination for Best Actress for her performance in Jonathan Demme's critically acclaimed drama "Rachel Getting Married." For her work in the film, Hathaway also earned Golden Globe, Independent Spirit Award and Screen Actors Guild (SAG) Award® nominations, and also won the National Board of Review, Chicago Film Critics Association, and Critics' Choice Awards for Best Actress. She more recently received another Golden Globe nomination, for Best Actress in a Motion Picture – Comedy or Musical, for her role in Edward Zwick's "Love and Other Drugs," opposite Jake Gyllenhaal.

Later this year, Hathaway stars as Fantine in Tom Hooper's much-anticipated feature film adaptation of the beloved musical "Les Misérables," opening in December.

Hathaway made an auspicious feature film debut with a starring role in Garry Marshall's 2001 hit comedy "The Princess Diaries," and reprised her role in "The Princess Diaries 2: Royal Engagement." Her early film credits also include Douglas McGrath's screen rendition of Charles Dickens' "Nicholas Nickleby" and the title role in "Ella Enchanted."

In 2005, Hathaway co-starred with Jake Gyllenhaal and Heath Ledger in Ang Lee's groundbreaking drama "Brokeback Mountain," and was nominated with her castmates for a SAG Award® nomination for Outstanding Motion Picture Cast. The following year, she received widespread acclaim for her performance in the smash hit "The Devil Wears Prada," opposite Meryl Streep.

Hathaway has also starred in such diverse films as Tim Burton's "Alice in Wonderland"; "Valentine's Day," which reunited her with Garry Marshall; Gary Winick's "Bride Wars"; Rodrigo Garcia's "Passengers"; Peter Segal's "Get Smart"; the Jane Austen biopic "Becoming Jane"; "Havoc"; and "The Other Side of Heaven." In addition, she lent her voice to the animated hit features "Rio" and "Hoodwinked!," and, in 2010, won an Emmy for Outstanding Voice-Over Performance for the role of Princess Penelope on an episode of "The Simpsons."

Hathaway's theatre credits include Shakespeare in the Park's 2009 production of "Twelfth Night"; Lincoln Center's Encores! presentation of "Carnival," for which she won a 2002 Clarence Derwent Award; Andrew Lloyd Webber's workshop of "Woman in White"; and "Forever Your Child." She also participated in the 2005 celebration gala for Stephen Sondheim's 75th birthday.

In January 2005, Hathaway traveled to Cambodia on behalf of the documentary "A Moment in the World," organized by Angelina Jolie. The project placed approximately 25 participants in various locations on a specific day, each instructed to videotape their surroundings at the same specific moment in time.

Born in New York, Hathaway studied acting at the Paper Mill Playhouse in New Jersey and at the award-winning Barrow Group in New York City, where she was the first and only teen ever admitted to their intensive acting program. In 2005, she was honored for her achievements by the Barrow Group. She also studied in the musical theatre program with the Collaborative Arts Project, CAP 21, affiliated with NYU. An accomplished dancer, she studied at the Broadway Dance Center in New York City. Additionally, she performed in two concerts at Carnegie Hall as a member of the All-Eastern US High School Honors Chorus. She began her professional career on television on the series "Get Real."

TOM HARDY (Bane) is currently in production on George Miller's new post-apocalyptic actioner, in which he takes on the role of Mad Max, opposite Charlize Theron. He will next be seen in the crime drama "Lawless," which premiered at the 2012 Cannes Film Festival.

Hardy previously collaborated with director Christopher Nolan in the thought-provoking 2010 thriller "Inception," alongside an international cast led by Leonardo DiCaprio. He recently also starred in the boxing drama "Warrior," with Nick Nolte and Joel Edgerton, and the thriller "Tinker Tailor Soldier Spy," with Gary Oldman.

Hailing from Great Britain, Hardy began his screen career when he was plucked straight from London's Drama Centre for a role in HBO's award-winning World War II miniseries "Band of Brothers," executive produced by Tom Hanks and Steven Spielberg. He made his feature film debut in Ridley Scott's war drama "Black Hawk Down," followed by the sci-fi adventure "Star Trek: Nemesis."

In 2008, Hardy delivered a powerhouse performance in the title role of the drama "Bronson," for which he won a British Independent Film Award, and earned nominations for a London Film Critics' Circle Award and an Evening Standard Film Award, all in the category of Best Actor.

On television, Hardy received a BAFTA TV Award nomination for Best Actor for his performance in the HBO movie "Stuart: A Life Backwards." He also portrayed Heathcliff in the 2009 ITV production of "Wuthering Heights." His work on the small screen also includes the telefilms "Oliver Twist," "A for Andromeda," "Sweeney Todd," "Gideon's Daughter," and "Colditz," as well as the BBC miniseries "The Virgin Queen."

Hardy has also starred in numerous plays in London's West End, including "Blood" and "In Arabia We'd All Be Kings," winning the Outstanding Newcomer Award at the 2003 Evening Standard Theatre Awards for his work in both productions. For the latter play, he was also nominated for a 2004 Olivier Award. In 2005, Hardy starred in the London premiere of Brett C. Leonard's "Roger and Vanessa." His later stage work includes Rufus Norris' adaptation of "Festen," at the Almeida; "The Modernists," at Sheffield's Crucible Theatre; "The Man of Mode," for the National Theatre; and the 2010 world premiere of Leonard's "The Long Red Road," directed by Philip Seymour Hoffman at Chicago's Goodman Theatre.

MARION COTILLARD (Miranda Tate) won a Best Actress Academy Award® for her performance in "La Vie en Rose," making her the first actress to earn an Oscar® for a performance in the French language. For her captivating portrayal of legendary French chanteuse Edith Piaf in that film, Cotillard also won a BAFTA Award, a Golden Globe and a César Award, and received Screen Actors Guild (SAG) Award® and Critics' Choice Award nominations.

"The Dark Knight Rises" marks the second collaboration for Cotillard and Christopher Nolan. She previously worked under Nolan's direction in the 2010 hit thriller "Inception," opposite Leonardo DiCaprio.

This fall, Cotillard will be seen in Guillaume Canet's comedy/drama "Little White Lies;" and the drama "Rust & Bone," which screened at the 2012 Cannes Film Festival. Recently, Cotillard completed production on the as-yet-untitled drama, directed by James Gray and also starring Joaquin Phoenix and Jeremy Renner; as well as the crime drama "Blood Ties," which reunited her with director Guillaume Canet.

Cotillard first gained attention for her work in the successful French "Taxi" film series, written by Luc Besson, for which she received a César Award nomination. She was introduced to American moviegoers with her role in Tim Burton's 2003 fantasy drama "Big Fish," and also starred that year in Yann Samuell's "Love Me If You Dare." Cotillard won her first César Award, for Best Supporting Actress, for her performance in Jean-Pierre Jeunet's "A Very Long Engagement." She went on to star in a number of French films, as well as Ridley Scott's "A Good Year."

In 2009, Cotillard starred in Michael Mann's "Public Enemies" and Rob Marshall's screen adaptation of the hit musical "Nine." For her role in the latter, she received Golden Globe and Critics' Choice Award nominations, in addition to sharing in a SAG Award® nomination for Outstanding Motion Picture Cast. Her additional film credits include Steven Soderbergh's thriller "Contagion," as well as Woody Allen's acclaimed romantic comedy "Midnight in Paris," for which she shared in a SAG Award® nomination for Outstanding Motion Picture Cast with Owen Wilson, Kathy Bates, and Rachel McAdams.

In 2010, Cotillard was named a Knight of the Order of Arts and Letters, for her contribution to the enrichment of French culture. Born in Paris, she studied drama at Conservatoire d'Art Dramatique in Orléans.

JOSEPH GORDON-LEVITT (John Blake) is one of today's busiest actors and has also been showcasing his talents behind the camera. Following "The Dark Knight Rises," he stars in three more films due out this year: the thriller "Premium Rush," for writer/director David Koepp; Rian Johnson's sci-fi thriller "Looper," which he stars in with Emily Blunt and Bruce Willis and also executive produced; and the Steven Spielberg-directed biopic "Lincoln," playing Robert Todd Lincoln. In addition, Gordon-Levitt is currently making his feature film directorial debut on the comedy "Don Jon's Addiction," which he also wrote and stars in with Scarlett Johansson and Julianne Moore.

Gordon-Levitt recently earned his second Golden Globe nomination in the category of Best Actor in a Motion Picture – Comedy or Musical for his performance in the comedy/drama "50/50," in which he starred with Seth Rogen, Anna Kendrick and Bryce Dallas Howard. He previously garnered Golden Globe and Independent Spirit Award nominations for his work in the award-winning sleeper hit "(500) Days of Summer," opposite Zooey Deschanel.

In 2010, Gordon-Levitt starred in Christopher Nolan's hit thriller "Inception," joining an international all-star cast, including Leonardo DiCaprio, Ellen Page and Tom Hardy. He also played the title role in the independent drama "Hesher," which premiered at the 2010 Sundance Film Festival.

His broad range of film credits also include the global action hit "G.I. Joe: The Rise of Cobra," for director Stephen Sommers; Spike Lee's World War II drama "Miracle at St. Anna"; Kimberly Peirce's controversial drama "Stop-Loss"; and the crime drama "The Lookout," which marked Scott Frank's directorial debut. In addition, Gordon-Levitt has received widespread praise for his performances in such independent features as John Madden's "Killshot"; Lee Daniels' "Shadowboxer"; Rian Johnson's award-winning debut film, "Brick"; "Mysterious Skin," for writer/director Gregg Araki; and "Manic," with Don Cheadle.

Early in his career, Gordon-Levitt won a Young Artist Award for his first major role, in Robert Redford's drama "A River Runs Through It." He went on to co-star in "Angels in the Outfield," "The Juror," "Halloween H20" and "10 Things I Hate About You."

Gordon-Levitt is also well known to television audiences for his starring role on NBC's award-winning comedy series "3rd Rock from the Sun." During his six seasons on the show, he won two YoungStar Awards and also shared in three Screen Actors Guild Award® nominations for Outstanding Comedy Series Cast. Following the series, Gordon-Levitt took a short break from acting to attend Columbia University.

Gordon-Levitt founded and directs an open collaborative production company called hitRECord.org comprised of an online community of thousands of artists from all over the world. Through the site, more than 40,000 participants have had the opportunity to team together to create short films, music, art or stories. The company has presented evenings of short film and live entertainment at the Sundance and South by Southwest Film Festivals; toured some of the country's top colleges; published Tiny Book of Tiny Stories (released by Harper Collins in December 2011); and last fall released a DVD/book/CD called RECollection Volume 1.

A budding writer/director in the more traditional sense, as well, Gordon-Levitt adapted the Elmore Leonard story "Sparks" into a 24-minute short film. Marking his directorial debut, the short screened at the 2009 Sundance Film Festival.

MORGAN FREEMAN (Lucius Fox) won an Academy Award® for Best Supporting Actor for his role in Clint Eastwood's "Million Dollar Baby," for which he also won a Screen Actors Guild (SAG) Award® and received a Golden Globe nomination. In 2009, he reunited with Eastwood to star in the director's true-life drama "Invictus," on which Freeman also served as an executive producer under his Revelations Entertainment banner. For his portrayal of Nelson Mandela in the film, Freeman garnered Oscar®, Golden Globe and Critics' Choice Award nominations, and won the National Board of Review Award for Best Actor.

Freeman has been honored with three additional Oscar® nominations, the first for his chilling performance in the 1987 drama "Street Smart," which also brought him Los Angeles Film Critics, New York Film Critics, and National Society of Film Critics Awards, and an Independent Spirit Award for Best Supporting Actor, as well as his first Golden Globe Award nomination. He earned his second Oscar® nomination and won Golden Globe and National Board of Review Awards for Best Actor for the 1989 film "Driving Miss Daisy," in which he recreated his award-winning off-Broadway role. He gained his third Oscar® nod, as well as Golden Globe and SAG Award® nominations, for his performance in Frank Darabont's 1994 drama "The Shawshank Redemption." Among his many other accolades, Freeman was named a Kennedy Center Honoree in 2008, and, in 2011, was honored with the 39th AFI Lifetime Achievement Award, and the Cecil B. DeMille Award at the Golden Globe Awards.

In "The Dark Knight Rises," Freeman reprises the role he played in Christopher Nolan's "Batman Begins" and "The Dark Knight." Freeman has several films upcoming, including the thriller "Now You See Me," under the direction of Louis Leterrier, and the science fiction actioner "Oblivion," in which he stars with Tom Cruise.

Freeman's long list of film credits also includes "Dolphin Tale"; "RED"; Rob Reiner's "The Bucket List," opposite Jack Nicholson; Robert Benton's "Feast of Love"; Ben Affleck's "Gone Baby Gone"; Lasse Hallström's "An Unfinished Life"; the Jet Li actioner "Unleashed"; the comedy "Bruce Almighty" and its sequel, "Evan Almighty"; "The Sum of All Fears"; "Along Came a Spider"; "Nurse Betty"; "Deep Impact"; Steven Spielberg's "Amistad"; "Kiss the Girls"; David Fincher's "Se7en"; "Glory"; "Lean on Me"; "Harry & Son," directed by and starring Paul Newman; and "Brubaker." He also lent his distinctive voice to such projects as Spielberg's "War of the Worlds" and the Oscar®-winning documentary "March of the Penguins."

In 1993, Freeman made his directorial debut on "Bopha!" and soon after formed Revelations Entertainment. Other Revelations productions include "Levity," "Under Suspicion," "Mutiny," "Along Came a Spider," "Feast of Love," "10 Items or Less" and "Maiden Heist."

The Memphis-born actor began his career on the stages of New York in the early 1960s, following a stint as a mechanic in the Air Force. A decade later, he became a nationally known television personality when he created the popular character Easy Reader on the acclaimed children's show "The Electric Company."

Throughout the 1970s, he continued his work on stage, winning Drama Desk and Clarence Derwent Awards and receiving a Tony Award nomination for his performance in "The Mighty Gents" in 1978. In 1980, he won two Obie Awards, for his portrayal of Shakespearean anti-hero Coriolanus at the New York Shakespeare Festival and for his work in "Mother Courage and Her Children." Freeman won another Obie in 1984 for his performance as The Messenger in the acclaimed Brooklyn Academy of Music production of Lee Breuer's "The Gospel at Colonus" and, in 1985, won the Drama-Logue Award for the same role. In 1987, Freeman created the role of Hoke Coleburn in Alfred Uhry's Pulitzer Prize-winning play "Driving Miss Daisy," which brought him his fourth Obie Award. In 1990, Freeman starred as Petruchio in the New York Shakespeare Festival's "The Taming of the Shrew," opposite Tracey Ullman. Returning to the Broadway stage in 2008, Freeman starred with Frances McDormand and Peter Gallagher in Clifford Odett's drama "The Country Girl," directed by Mike Nichols.

Wednesday, July 18, 2012

"The Dark Knight Rises" Really High at AMC Theatres

The Dark Knight Trilogy Smashes Ticket Sales Record for AMC Theatres’ Marathon-Style Events

More Than 60,000 Advance Tickets Sold to The Dark Knight Trilogy at AMC Locations; Seats Still Remain, but are Going Fast at AMC Locations Nationwide

KANSAS CITY, Mo.--(BUSINESS WIRE)--With a few days left before the midnight premiere of THE DARK KNIGHT RISES, guests of AMC Theatres® have already made The Dark Knight Trilogy the most successful marathon-style event in company history. Thus far, AMC has sold more than 60,000 advance tickets, with nearly half purchasing a ticket to see all three films – BATMAN BEGINS, THE DARK KNIGHT and THE DARK KNIGHT RISES, at one of the 76 participating IMAX® Digital Theatres.

The Dark Knight Trilogy begins at 6 p.m. July 19, and features BATMAN BEGINS, THE DARK KNIGHT and the midnight premiere of THE DARK KNIGHT RISES at 12:01 a.m. July 20. The event is just $25, and just $40 to see all three films in IMAX Digital.

With the more than 60,000 advance tickets sold, The Dark Knight Trilogy has already doubled AMC’s previous marathon-event record of more than 30,000 tickets to The Ultimate Marvel Marathon in May.

In response to guest demand, AMC continues to add showtimes for both the Trilogy and THE DARK KNIGHT RISES midnight premiere, including a handful of 3:45-4 a.m. showtimes of THE DARK KNIGHT RISES in IMAX. Ticket sales for THE DARK KNIGHT RISES midnight premiere are being led at AMC Lincoln Square 13 in New York, AMC Metreon 16 in San Francisco and AMC Universal Citywalk 19 in Los Angeles. All three locations feature THE DARK KNIGHT RISES in the IMAX 15/70 Film format.

“We’re pulling out all of the stops to account for the demand we’re seeing for both The Dark Knight Trilogy, as well as the midnight premiere of THE DARK KNIGHT RISES,” said Robert J. Lenihan, president of AMC Film Programming. “While we always welcome a big walk-up crowd, we also strongly encourage fans to purchase their tickets in advance and secure their seat for this record-setting event.”

“AMC has been a great partner as we prepare for the opening of The Dark Knight Rises,” said Dan Fellman, president, Domestic Distribution, Warner Bros. “They have shattered every advance sale record while adding screens to accommodate the early demand for tickets. On behalf of WB and our film makers, we appreciate their hard work and commitment to excellence, as they present our films in the best possible environment.”

The Dark Knight Trilogy begins July 19 at 6 p.m. and will feature the following films in order:

BATMAN BEGINS
THE DARK KNIGHT
THE DARK KNIGHT RISES [at 12:01 a.m. July 20]

Fans seeing The Dark Knight Trilogy will receive a collectable lanyard and a commemorative trilogy poster while supplies last. AMC Stubs members who purchase a ticket to the trilogy prior to July 19 will receive $5 Bonus Bucks on their AMC Stubs account, valid the day of the event.

The lists of the 76 theatres participating in The Dark Knight Trilogy in IMAX, as well as the theatres running only the 12:01 a.m. showing of THE DARK KNIGHT RISES in IMAX – both 15/70 film and digital - are available at www.amctheatres.com/darkknightimax. All IMAX seating is limited and first-come, first-serve.

Tickets for The Dark Knight Trilogy and the midnight premiere of THE DARK KNIGHT RISES in traditional format are available at amctheatres.com/darkknight. To learn more about AMC Stubs, visit amcstubs.com.


About AMC Theatres
AMC Theatres delivers distinctive and affordable movie-going experiences in 346 theatres with 5,034 screens across the United States and Canada. AMC has propelled industry innovation and continues today by delivering premium sight and sound, enhanced food and beverage, and diverse content. AMCTheatres.com.

Review: Halle Berry a Mess in the Hot Mess that is "Catwoman"

TRASH IN MY EYE No. 130 (of 2004) by Leroy Douresseaux

Catwoman (2004)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG-13 for action violence and some sensuality
DIRECTOR: Pitof
WRITERS: John Brancato, Michael Ferris, and John Rogers; from a story by Theresa Rebeck, Michael Ferris and John Brancato (based upon characters created by Bob Kane and Bill Finger)
PRODUCERS: Denise Di Novi and Edward L. McDonnell
CINEMATOGRAPHER: Thierry Arbogast (D.o.P.)
EDITOR: Sylvie Landra
COMPOSER: Klaus Badelt

SUPERHERO/CRIME with elements of action

Starring: Halle Berry, Benjamin Bratt, Sharon Stone, Lambert Wilson, Frances Conroy, Alex Borstein, and Michael Massee

The subject of this movie review is Catwoman, the 2004 American superhero film starring Halle Berry. Berry stars as a character inspired by Catwoman, the DC Comics thief, anti-hero, and sometimes love interest of Batman. Upon its initial release, Catwoman was poorly received by critics and fans of the character, but some of those fans hated the film before it was released because a stunningly gorgeous woman of color, Halle Berry, was playing a character depicted as white in the comic books.

Patience Philips (Halle Berry) works for the behemoth cosmetics company Hedare Beauty. It’s a thankless job, and instead of pursuing a career as an artist, she designs cosmetic advertisements that her tyrannical boss, George Hedare (Lambert Wilson), hates. The woman who won’t stand up for herself eventually experiences a fateful turn of events. She overhears that Hedare’s soon-to-be-launched new anti-aging cream, Beau-line, is dangerous to users and is murdered to keep that fact secret.

Mysterious forces then resurrect Patience with the heightened strength and agility and ultra-keen senses of a cat. Suddenly, Patience is Catwoman, a sexy and seductive creature of the night, straddling that proverbial line between good girl and bad ho. Tom Lone (Benjamin Bratt), a tall, dark, and handsome cop, is on the trail of the Catwoman, and he’s also hot for Patience. Get a clue, flat foot! Catwoman ain’t the criminal. She’s after the real dark force behind Hedare, and it just might be George Hedare’s icy, supermodel wife, Laurel (Sharon Stone).

Directed by Pitof, Catwoman is a thorough mess. The film starts out flat, but with some hope, and only gets worse. Frighteningly dull and irritating clunky, the film is one of the worst movies of the year. And I am disappointed to say that because I’d been hot to see this since I first heard that Ms. Berry had been cast to play Catwoman. The film’s biggest problem may be that it focuses too much on the Patience Philips/Catwoman character, who isn’t very interesting or appealing. The focus on the lead player is a single-minded vision of disaster, because if the other characters had been fully developed, they could have been a diversion from a less interesting lead. As it is, the supporting characters only range from vaguely interesting to cardboard cutouts.

The poorly conceived special effects, the (lack of) directing, the flat acting, the hideous music, the too-fake-looking CGI fight scenes, and Halle Berry’s totally unsexy demeanor make this a dud. Stay home on this one, folks.

3 of 10
D+

NOTES:
2005 Razzie Awards: 4 wins: “Worst Actress” (Halle Berry), “Worst Director” (Pitof), “Worst Picture” ((Warner Bros.), and “Worst Screenplay” (Theresa Rebeck, John D. Brancato, Michael Ferris, and John Rogers); 3 nominations: “Worst Screen Couple” (Halle Berry, Benjamin Bratt, Sharon Stone and Halle Berry & EITHER Benjamin Bratt OR Sharon Stone), “Worst Supporting Actor” (Lambert Wilson), and “Worst Supporting Actress” (Sharon Stone)

---------------------


Review: "Batman and Mr. Freeze: SubZero" is a Truly Good Batman Movie

TRASH IN MY EYE No. 49 (of 2005) by Leroy Douresseaux

Batman & Mr. Freeze: SubZero (1998) – straight-to-video
Running time: 70 minutes (1 hour, 10 minutes)
DIRECTOR: Boyd Kirkland
WRITERS: Randy Rogel and Boyd Kirkland (based upon characters appearing in DC Comics and Batman created by Bob Kane and Bill Finger)
PRODUCERS: Randy Rogel and Boyd Kirkland
EDITOR: Al Breitenbach

ANIMATION/ACTION/DRAMA/FANTASY with elements of sci-fi

Starring: (voices) Kevin Conroy, Michael Ansara, Loren Lester, Efrem Zimbalist, Jr., George Dzundza, Robert Costanzo, Bob Hastings, Mary Kay Bergman, and Marilu Henner

Batman & Mr. Freeze: SubZero is a 1998 direct-to-video animated film that is based on the critically acclaimed Batman animated television series, Batman: The Animated Series. This film serves as sequel to the episode “Deep Freeze” (Episode #84) and the 1993 Batman animated feature film, Batman: Mask of the Phantasm.

I can only guess that Batman & Mr. Freeze: SubZero was meant to be some kind of animated tie-in to the 1997 critical disaster and fan and box office disappointment, Batman and Robin. However, where the latter failed, the former proved to be the better version of Batman and “his family” taking on a super criminals.

Directly released for home video in 1998, this Annie Award winner for “Outstanding Achievement in an Animated Home Video Production,” finds Victor Fries a.k.a Mr. Freeze (Michael Ansara) desperate to discover an organ donor to save his wife’s life. Barbara Gordon a.k.a. Batgirl (Mary Kay Bergman in a high quality voiceover performance) fits the rare blood type needed, so Mr. Freeze and an unscrupulous doctor kidnap her. It’s up to Batman and Robin (Kevin Conroy and Loren Lester) to discover who kidnapped Barbara, why, and where have they taken her, because time is running out.

SubZero, of course, falls in with the popular 90’s animated version of Batman, the popular cartoon TV show, “Batman: The Animated Series” (which actually changed names twice) and its theatrical spin-off, Batman: The Mask of the Phantasm. Like the series and movie, the show has a retro 1940’s and art deco sense to its art direction, with a touch of “the world of tomorrow.” The drama, action, and voice acting is better than the drama, action, and acting in the Batman live action series that began in 1989 and ended in 1997. It’s appropriate for kids and will be a treat for adults who don’t mind watching quality animation that isn’t comedy based. Michael Ansara’s voice performance as Mr. Freeze is particularly distinctive and noteworthy.

7 of 10
A-

April 4, 2005

-------------------------


Tuesday, July 17, 2012

Review: "Batman and Robin" or Badman and Rotten

TRASH IN MY EYE No. 81 (of 2003) by Leroy Douresseaux

Batman and Robin (1997)
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – PG-13 for strong stylized action and some innuendos
DIRECTOR: Joel Schumacher
WRITER: Akiva Goldsman (based upon the Batman character created by Bob Kane and Bill Finger)
PRODUCER: Peter Macgregor-Scott
CINEMATOGRAPHER: Stephen Goldblatt (D.o.P.)
EDITORS: Mark Stevens and Dennis Virkler
COMPOSER: Elliot Goldenthal

SUPERHERO/ACTION/ADVENTURE/FAMILY

Starring: Arnold Schwarzenegger, George Clooney, Chris O’Donnell, Uma Thurman, Alicia Silverstone, Michael Gough, Pat Hingle, John Glover, Elle Macpherson, Vivica A. Fox, Coolio, Nicky Katt, and Jeep Swenson

Until there is a fourth sequel, the third sequel to the 1989 box office smash Batman, Batman and Robin will be considered the film that killed the modern Batman film franchise. It’s not as if there is nothing redeemable about this film in particular because it has some good story elements. Batman and Robin is awful simply because it is over-produced. It is as ostentatious as a lavishly decorated and spectacularly colorful Mardi Gras or drag ball.

Batman (George Clooney) and Robin (Chris O’Donnell) face the combined forces of Mr. Freeze (Arnold Schwarzenegger) and Poison Ivy (Uma Thurman). Complicating matters is a rivalry that has grown between the Dynamic Duo. Robin/Dick Grayson wants to do his own thing, and although he understands his young friend’s quest for independence, Batman/Bruce Wayne thinks the young man has a lot to learn, and that he, Bruce, is the teacher, and that the boy should listen. Poison Ivy picks up on this and plays the partners against one another. More trouble arrives in the form of Wayne Manor butler Alfred Pennyworth’s (Michael Gough) niece Barbara Wilson (Alicia Silverstone) who eventually becomes Batgirl.

Everything is overdone in this movie except for the script and the acting, both of which seem neglected. The art direction is as over-the-top sweet as high fructose corn syrup, and the costumes are high camp. Clowns wouldn’t want them, and trick-or-treaters wouldn’t be caught dead in them. The script is poor when it comes to internal logic and consistency. For example, how does Poison Ivy create that ridiculously fancy lair of hers? Where does it come from, and what’s the point of it? It’s just another over-dressed set. I could suspend disbelief if that, along with so much else, just didn’t seem…well, stupid, dumb, and tactless.

The acting is also over the top and bad. At times, Arnold Schwarzenegger seems to revert to the skill (or lack thereof) he showed in his early films. George Clooney, though earnest, is very weak as both Bruce Wayne and Batman. Batman needs to carry the movie, but Clooney struggles with poor material, and that’s made worse by the fact that he doesn’t have a grasp of what he’s supposed to do. It’s like the whole time he was running around the movie wondering just what the hell a “Batman” was. Also, it is high time to drop the use of sexual innuendo is Batman films. It’s not funny, and the dialogue is so hackneyed that these “naughty bits” fall flat when delivered by actors who are already being way too campy. I’m not saying that Batman needs to be so dark and serious, but nor should it be played as a bad joke.

However, there are good elements in the story: Mr. Freeze’s quest to save his wife, Poison Ivy’s machinations against Freeze and the Dynamic Duo, Alfred’s illness, Batman dealing with Robin’s growing pains, and the emphasis on family in the story. But it’s all tossed aside in favor of throwing tons of garish crap against the wall in hopes that something will stick; in the end, almost nothing does. The movie is almost a total failure from top to bottom, and it’s frustrating because it could have been something good. Director Joel Schumacher is not without some directorial skill and screenwriter Akiva Goldsman is one of Hollywood’s top scribes.

What we get in this movie is an overblown and wild spectacle made by people who cynically believed that enough people would pay to see this movie no matter how abysmal it was because they just have to see the next installment in the Batman franchise. And that worked to an extent, but many of their ticket buyers left as unsatisfied customers. If Warner Bros. wants to make shit, it’s no skin of my nose. There are always other action movies, always another action blast out, even if it’s from Warner’s own stable.

2 of 10
D

NOTES:
1998 Razzie Awards: 1 win: “Worst Supporting Actress” (Alicia Silverstone); 10 nominations: “Worst Picture” (Peter Macgregor-Scott), “Worst Director” (Joel Schumacher), “Worst Original Song” (Billy Corgan for the song "The End is The Beginning is The End"), “Worst Reckless Disregard for Human Life and Public Property,” “Worst Remake or Sequel,” “Worst Screen Couple” (George Clooney and Chris O'Donnell), “Worst Screenplay” (Akiva Goldsman), “Worst Supporting Actor” (Chris O'Donnell), “Worst Supporting Actor” (Arnold Schwarzenegger), and “Worst Supporting Actress” (Uma Thurman)

-------------------


Monday, July 16, 2012

Review: Visually Splendid "Batman Returns" is not Wholly Splendid

TRASH IN MY EYE No. 33 (of 2003) by Leroy Douresseaux

Batman Returns (1992)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG-13
DIRECTOR: Tim Burton
WRITERS: Daniel Waters; from a story by Sam Hamm and Daniel Waters (based upon the Batman characters created by Bob Kane and Bill Finger)
PRODUCERS: Denise Di Novi and Burton
CINEMATOGRAPHER: Stefan Czapsky
EDITORS: Bob Badami and Chris Lebenzon
COMPOSER: Danny Elfman
Academy Award nominee

SUPERHERO/CRIME/ROMANCE with elements of action

Starring: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Michael Murphy, Pat Hingle, Vincent Schiavelli, Paul Reubens, and Diane Salinger

The subject of this movie review is Batman Returns, a 1992 superhero film directed by Tim Burton and starring Michael Keaton as Batman/Bruce Wayne. It is a sequel to the 1989 film, Batman, which was also directed by Burton.

When The Penguin (Danny DeVito) rises from the sewers of Gotham City, Batman (Michael Keaton) must battle him and as nefarious cohorts, the conniving industrialist Max Shreck (Christopher Walken) and the feminist empowered Catwoman (Michelle Pfeiffer), as they help Penguin run a very popular candidate in the Gotham mayoral race.

Unlike his first Batman film, Tim Burton had more control over Batman Returns, and it’s quite obvious. Stylistically, Batman Returns is closer to Beetlejuice and Edward Scissorhands than Batman is, which was Burton’s first film after Beetlejuice. However, Batman Returns has more rank humor than the original, and the sexual innuendo ranges from juvenile to forced. Batman was sly and occasionally witty; it was dark but not morbid as Returns is.

Still, the combination of Burton and screenwriter Daniel Waters (a writer with a darkly humorous and imaginative sense) create a Batman film like no other. This one is a dark fairytale immersed in issues of identity, empowerment, abandonment, class privilege, social and gender discrimination, and sexual politics. The story has a lot of nice ideas, maybe too many. It flits from one to the other, leaving one half developed or dismissed, only to be cobbled up later and still make little sense. It’s as if Batman Returns needed a rewrite or received too many in an attempt to make it less complicated and more like the summer blockbuster geared towards selling merchandise that it was supposed to be.

I like it more now than I did when I first saw it in 1992, when I thought it was an over produced mess; now I think it’s over produced and a bit messy. The production designs of Bo Welch (Beetlejuice), art decoration by Rick Heinrichs, and set decoration by Cheryl Carasik look beautiful and exquisite, everything from the abandoned zoo to Gotham’s many store fronts, each one of them decorated for the Christmas season. The cinematography by Stefan Czapsky (He would later shoot Burton’s masterpiece Ed Wood) is drenched in gorgeous blues, luminous white light, and slinky shadows that cover the town like sensuous drapery. Batman Returns looks like a children’s storybook painted by a master.

But in the end, Batman Returns is clunky in spirit and execution. It doesn’t flow or have a rhythm, and the acting is also too hit or miss. That goes for everyone, especially the villains. Burton publicly acknowledged not really caring for the Batman character, and it shows. For much of his film, the hero is an afterthought or merely window dressing, only there because the studio demands it. How else can you sell Batcrap if Batman’s not in the movie. Oh, well. I’ll look at this as a beautiful misfire and a brilliant mistake. I’ll watch it again, if only to pine away at what could have been.

5 of 10
B-

NOTES:
1993 Academy Awards: 2 nominations: “Best Effects, Visual Effects” (Michael L. Fink, Craig Barron, John Bruno, and Dennis Skotak) and “Best Makeup” (Ve Neill, Ronnie Specter, and Stan Winston)

1993 BAFTA Awards: 2 nominations: “Best Make Up Artist” (Ve Neill and Stan Winston) and “Best Special Effects” (Michael L. Fink, John Bruno, Craig Barronm, and Dennis Skotak)

1993 Razzie Awards: 1 nomination: “Worst Supporting Actor” (Danny DeVito)

-----------------