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Tuesday, September 4, 2012
First Look: Chris Pine as Jack Ryan in 2013's "Jack Ryan"
(Photo by David Lee of Chris Pine from the set of "Jack Ryan." (c) 2012 Paramount Pictures. All Rights Reserved.)
Chris Pine plays young Jack Ryan, cruising the downtown streets of Manhattan for JACK RYAN, from Paramount Pictures and Skydance Productions. The Prequel will be out Christmas Day 2013.
I did not know that Paramont had put into production another Jack Ryan movie. The character, which was created by novelist Tom Clancy, has appeared in the films Hunt for Red October (played by Alec Baldwin), Patriot Games and Clear and Present Danger (played by Harrison Ford), and Sum of All Fears (played by Ben Affleck). Now, comes a prequel to all those stories with Chris Pine as a strapping young Ryan.
Monday, September 3, 2012
Actor Michael Clarke Duncan Dies at 54
CNN.com and The Wrap have obituaries.
Duncan is probably best known for his appearance in the 1999 Frank Darabont film, The Green Mile, for which he earned Oscar and Golden Globe nominations. Duncan played John Coffey, a man wrongly convicted of rape and murder. Coffey had supernatural powers in his hands that allowed him to heal and to even bring back the dead, and he strikes up a friendship with the character played by Tom Hanks, Paul Edgecomb. Duncan also appeared in four films starring Bruce Willis, who became Duncan's friend after the two appeared in the 1998 blockbuster, Armageddon.
Negromancer offers ours condolences to Michael Clarke Duncan's family and friends. Rest in peace, Mr. Duncan.
Sunday, September 2, 2012
"We're the Millers" Begins Filming with Jennifer Aniston and Jason Sudeikis
Jennifer Aniston and Jason Sudeikis star under the direction of Rawson Marshall Thurber
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography is underway on New Line Cinema’s action comedy “We’re The Millers,” starring Jennifer Aniston (“Horrible Bosses”) and Jason Sudeikis (“The Campaign”). The film is directed by Rawson Marshall Thurber (“Dodgeball: A True Underdog Story”).
David Burke (Sudeikis) is a small-time pot dealer whose clientele includes chefs and soccer moms, but no kids—after all, he has his scruples. So what could go wrong? Plenty. Preferring to keep a low profile for obvious reasons, he learns the hard way that no good deed goes unpunished when he tries to help out some local teens and winds up getting jumped by a trio of gutter punks. Stealing his stash and his cash, they leave him in major debt to his supplier, Brad (Ed Helms).
In order to wipe the slate clean—and maintain a clean bill of health—David must now become a big-time drug smuggler by bringing Brad’s latest shipment in from Mexico. Twisting the arms of his neighbors, cynical stripper Rose (Aniston) and wannabe customer Kenny (Will Poulter), and the tatted-and-pierced streetwise teen Casey (Emma Roberts), he devises a foolproof plan. One fake wife, two pretend kids and a huge, shiny RV later, the “Millers” are headed south of the border for a Fourth of July weekend that is sure to end with a bang.
Thurber directs “We’re The Millers” from a screenplay by Steve Faber & Bob Fisher (“Wedding Crashers”) and Sean Anders & John Morris (“Hot Tub Time Machine”). The film also stars Emma Roberts (“The Art of Getting By”), Nick Offerman (“21 Jump Street”), Kathryn Hahn (“The Dictator”), Will Poulter (“The Chronicles of Narnia: The Voyage of the Dawn Treader”) and Ed Helms (the “Hangover” films).
Vincent Newman, Tucker Tooley, Happy Walters and Chris Bender are the producers, with David Heyman, J.C. Spink and Marcus Viscidi serving as executive producers.
Thurber’s behind-the-scenes creative team includes director of photography Barry Peterson (“21 Jump Street”); production designer Clayton Hartley (“The Other Guys”); editor Mike Sale (“The Hangover Part II”); and costume designer Shay Cunliffe (“The Bourne Legacy”).
Shot on location in North Carolina and New Mexico, New Line Cinema’s “We’re The Millers” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
Review: "A Scanner Darkly" is Amazing (Happy B'day, Keanu Reeves)
TRASH IN MY EYE No. 166 (of 2006) by Leroy Douresseaux
A Scanner Darkly (2006)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – R for drug and sexual content, language, and a brief violent image
DIRECTOR: Richard Linklater
WRITER: Richard Linklater (based upon the novel by Philip K. Dick)
PRODUCERS: Tommy Pallotta, Jonah Smith, Erwin Stoff, Anne Walker-McBay, and Palmer West
CINEMATOGRAPHER: Shane F. Kelly
EDITOR: Sandra Adair
COMPOSER: Graham Reynolds
SCI-FI/DRAMA/MYSTERY
Starring: Keanu Reeves, Robert Downey, Jr., Woody Harrelson, Rory Cochrane, Winona Ryder, Chamblee Ferguson, and Angela Rawna
The subject of this movie review is A Scanner Darkly, a 2006 science fiction thriller and animated film from director Richard Linklater. The film is based on the 1977 Philip K. Dick novel of the same title, and George Clooney and Steven Soderbergh are among its executive producers.
In a future world (“7 years from now” the movie tells us) where drug addiction is rampant, law enforcement will do anything to catch dealers and their suppliers – even turn one of their own into an addict. Fred (Keanu Reeves) is an undercover agent who spies on (or “scans”) a drug addict and dealer named Bob Arctor (Keanu Reeves). Through this assignment Fred becomes hooked on Substance D, a hallucinogenic drug that is as destructive as meth is in our own times. However, this tale has a twist on reality for us. Fred is also Bob. Fred finds his sanity splintered as he deals with his duplicitous law enforcement superiors, and, as Bob, with the two addicts who are his housemates: the shaggy dopester, Ernie Luckman (Woody Harrelson), and the conniving James Barris (Robert Downey, Jr.). Barris turns stool pigeon and joins Fred and his superiors in a complicated scheme to catch Bob and tear down Bob’s drug operation. Meanwhile, Bob has fallen in love with another addict, Donna Hawthorne (Winona Ryder), but there may be more to her than meets the eye.
Richard Linklater’s trippy sci-fi film, A Scanner Darkly, is an animated film, but not the kind we usually think of (Disney, Pixar, DreamWorks, Warner Bros., etc.). For this movie, Linklater shot live-action footage of his cast and the sets. Animators then took that footage and painstakingly drew and painted over it – a process known as “interpolated rotoscoping” or simply “rotoscoping.” There was some rotoscoping in early Disney animated features, possibly Snow White and the Seven Dwarves (the animators animated Snow White by drawing her over footage of a live actress). Linklater used this process in his 2001 experimental film, Waking Life. Here, it’s like watching a film in which the characters, objects, places, and settings are all shifting liquids – living paint-by-numbers pastels.
As for the quality of the rotoscoping in A Scanner Darkly on the performances, the cast largely looks like themselves, and the audience will certainly recognize the bigger names here: Keanu Reeves, Robert Downey, Jr., and Woody Harrelson. Only Winona Ryder seems less like herself, at least until the end, and that may have been a deliberate choice on the part of Linklater. The technique serves the actors quiet well. They seem lively and free to be someone other than their famous selves, even Reeves who can be a bit stiff. It’s the kind of freedom that comes from wearing a masking, and in a sense, knowing that film recording of your performance will be painted over is like acting with a mask.
As for the narrative, A Scanner Darkly is trippy, but Linklater has captured the paranoia and schizophrenia of Dick’s work on screen like no one has ever done before. That’s saying a lot considering that Dick’s short stories have become films such as Total Recall, Minority Report, and Paycheck, and one of his novels became the film, Blade Runner. Published in 1977, Dick’s novel is a sci-fi allegorical recount of his drug experiences going back to the 1960’s, and it’s one of his most beloved works. I’m happy that Linklater was able to make his own film while retaining so much of PKD’s lunacy.
Here, it’s fun to wonder who is really who and if what’s going on is “real” or just drug-induced fantasies or simply paranoia. Linklater adds a counter-culture, post-millennium vibe all his own. The narrative gets a bit soft and slow in the middle and at the beginning of the last act, but otherwise Linklater’s experiment reaches for perfection. This is like watching his classic mid-90’s flick, Dazed and Confused with a David Lynch remix and backbeats from Requiem for a Dream. Occasionally maddening, sometimes confusing, rarely stupefying, A Scanner Darkly is an experimentalist art film that succeeds on the very path the filmmaker set for it.
9 of 10
A+
Friday, August 4, 2006
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Saturday, September 1, 2012
"The Hobbit" Part 3 Gets a Release Date - July 18, 2014
Second Film to Be Titled “The Hobbit: The Desolation of Smaug” and Third Film Titled “The Hobbit: There and Back Again”
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures and Metro-Goldwyn-Mayer Pictures jointly announced today that the final film in Peter Jackson’s trilogy adaptation of the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien, now titled “The Hobbit: There and Back Again,” will be released worldwide on July 18, 2014. All three films in the trilogy are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures.
The Studios also announced the title of the second installment in the franchise, “The Hobbit: The Desolation of Smaug,” which will be released on December 13, 2013. The first film in the trilogy, “The Hobbit: An Unexpected Journey,” opens this holiday season, on December 14, 2012. Shot in 3D 48 frames-per-second, the trilogy of films will be released in High Frame Rate (HFR) 3D, other 3D formats, IMAX and 2D.
Dan Fellman, President of Domestic Distribution, Warner Bros. Pictures, stated, “We wanted to have a shorter gap between the second and third films of ‘The Hobbit’ Trilogy. Opening in July affords us not only the perfect summer tentpole, but fans will have less time to wait for the finale of this epic adventure.”
Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures, added, “‘The Hobbit: There and Back Again’ will be an action spectacle and an emotional conclusion for this already much-anticipated trilogy. Opening in the summer will maximize playability for what promises to be an event film for fans the world over.”
From Academy Award®-winning director Peter Jackson, the trilogy of films is set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
The screenplay for “The Hobbit: An Unexpected Journey,” the first film in the trilogy, is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro. Jackson is also producing the films, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.
Under Jackson’s direction, all three movies are being shot in digital 3D using the latest camera and stereo technology. Additional filming, as with principal photography, is taking place at Stone Street Studios, Wellington, and on location around New Zealand.
“The Hobbit: An Unexpected Journey” and the two remaining films in the trilogy are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures, with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television licensing, being handled by MGM.
About New Line Cinema
New Line Cinema continues to be one of the most successful independent film companies. For more than 40 years, its mission has been to produce innovative, popular, profitable entertainment in the best creative environment. A pioneer in franchise filmmaking, New Line produced the Oscar®-winning “The Lord of the Rings” trilogy, which is a landmark in the history of film franchises. New Line Cinema is a division of Warner Bros.
About Metro-Goldwyn-Mayer Studios Inc.
Metro-Goldwyn-Mayer Studios Inc. (“MGM”) is a leading entertainment company focused on the production and distribution of films and television content globally. The company owns one of the world’s deepest libraries of premium film and television programming. In addition, MGM has ownership interests in domestic and international television channels, including MGM-branded channels in the United States, Canada, United Kingdom and Germany. For more information, visit www.mgm.com.
Negromancer vs. September 2012
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Friday, August 31, 2012
DreamWorks Studios Has New Partner, Mister Smith
LOS ANGELES--(BUSINESS WIRE)--DreamWorks Studios has signed an agency deal with Mister Smith Entertainment, it was announced today by Jeff Small, President and COO at DreamWorks Studios, and David Garrett, CEO at Mister Smith Entertainment. The London-based Mister Smith Entertainment will handle the licensing and servicing of DreamWorks Studios product in Europe, the Middle East and Africa and the deal covers all media.
The Walt Disney Company will continue to manage distribution of DreamWorks’ films in the United States and other territories not covered by Mister Smith Entertainment. DreamWorks’ partner, Reliance, retains distribution of the films in India. The first group of films covered under the deal with Mister Smith includes the untitled Ken Scott project, which begins principal photography in October, and “Need for Speed,” which begins shooting early next year. As previously announced, foreign distribution on upcoming DreamWorks releases “Lincoln” and “Robopocalypse” will be handled by 20th Century Fox, who is also a co-financier on both of those projects.
Said DreamWorks Studios President and COO Jeff Small, “David has a proven track record, and his years of experience in building Summit International will help us in this next step of growing our business. This partnership allows us to best capitalize on the expanding global marketplace and generate foreign sales as a revenue source. We appreciate Disney’s continued support of our company and our ongoing partnership.”
Said Mister Smith Entertainment’s CEO David Garrett, “I am incredibly excited to be working with Stacey, Steven, Jeff and the DreamWorks team. I could not hope to be working with a more exceptionally talented and delightful group of people, and I hope that we will find a way of creating new and exciting synergies together, in the ever-changing international landscape. DreamWorks also have a very compelling, original and diverse slate of pictures in development, which is wonderfully refreshing. We also hugely look forward to working with the Disney team, who have been so supportive of DreamWorks' new strategy.”
About DreamWorks Studios
DreamWorks Studios is a motion picture company formed in 2009 and led by Steven Spielberg and Stacey Snider in partnership with The Reliance Anil Dhirubhai Ambani Group. The company’s recent releases include “Real Steel,” starring Hugh Jackman and directed by Shawn Levy, Steven Spielberg’s “War Horse,” based on Michael Morpurgo’s award-winning book and was nominated for six Academy Awards including Best Picture, and “The Help,” which resonated with audiences around the country and earned over $200 million at the box office and received four Academy Award nominations with Octavia Spencer winning one for Best Supporting Actress. Its upcoming releases include Spielberg’s “Lincoln” starring Daniel Day-Lewis.
DreamWorks Studios can be found on Facebook at http://www.facebook.com/DreamWorksStudios and on Twitter at http://twitter.com/dw_studios.
About Mister Smith Entertainment
Led by CEO David Garrett, Mister Smith Entertainment is involved in the financing, co-financing and licensing of high-quality mainstream feature films and filmmaker driven movies for the global market. The company is a joint venture between Garrett and Constantin Film. Mister Smith Entertainment's current film slate includes Constantin Film’s THE MORTAL INSTRUMENTS: CITY OF BONES, the first film in the highly anticipated action fantasy franchise based on Cassandra Clare’s #1 best-selling book series, currently shooting in Toronto, and scheduled for release in August 2013 through Screen Gems; and the compelling true story 3,096 DAYS based on the autobiography of Natascha Kampusch, the Austrian girl who was held captive for over 8 years and whose escape made headlines around the world. The film is due for release in early 2013.