Producers Guild Reveals 2013 Award Nominees in Documentary Feature Category

Film fans know the Producers Guild of America for its annual PGA Awards.  The PGA is also the non-profit trade group that represents, protects and promotes the interests of all members of the producing team in film, television and new media.

Friday, (November 30, 2012), the Producers Guild of America announced the Documentary Motion Picture nominees that will advance in the voting process for the 24th Annual Producers Guild Awards.

The nominated films, listed below in alphabetical order, are:

A People Uncounted

The Gatekeepers

The Island President

The Other Dream Team

Searching for Sugar Man

The nominations for all other 2013 Producers Guild Award categories will be announced on January 3, 2013, along with the individual producers.

Review: "Match Point" Goes for the Fatal Attraction (Happy B'day, Woody Allen)

TRASH IN MY EYE No. 92 (of 2006) by Leroy Douresseaux


Match Point (2005)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – R for some sexuality
WRITER/DIRECTOR: Woody Allen
PRODUCERS: Letty Aronson, Lucy Darwin, and Gareth Wiley
CINEMATOGRAPHER: Remi Adefarasin
EDITOR: Alisa Lepselter
Academy Award nominee

DRAMA with elements of romance and thriller

Starring: Jonathan Rhys-Meyers, Scarlett Johansson, Emily Mortimer, Matthew Goode, Brian Cox, Penelope Wilton, and Colin Salmon

The subject of this review is Match Point, a 2005 dramatic thriller from director Woody Allen. The film was originally to be set in the Hamptons, but the setting was changed to London because the financing for the film came from sources based in the United Kingdom. Match Point follows a former tennis pro and his volatile relationship with a femme fatale.

Chris Wilton (Jonathan Rhys-Meyers), a tennis pro who recently left the professional ranks, takes a job as a tennis instructor at a high society social club near London. There, he meets and strikes up a friendship with Tom Hewett (Matthew Goode), the only son of a wealthy family from the British upper crust. Chris also meets Tom’s fiancé, Nola Rice (Scarlett Johansson), this movie’s femme fatale (so to speak) and an American actress struggling with her career in London. Chris also attracts the eye of Tom’s sister, Chloe (Emily Mortimer), who is immediately attracted to Chris. Chloe practically throws herself at Chris, but it has benefits. Tom and Chloe’s father, Alec Hewett (Brian Cox), a very wealthy and highly connected businessman, takes an immediate liking to Chris. Before long, Alec’s connections have landed Chris a cushy business job, and Chris social climbs his way to improved social status and finances, especially for a man who grew up a poor Irish boy. Chris marries Chloe. However, Chris is infatuated with Nola, and they have an affair that lasts even after Tom’s dumps her, and Nola is a very demanding woman. She wants Chris to leave Chloe for her, and Chris begins to wonder if violence is the only way out of his predicament.

Woody Allen earned his fourteenth Oscar nomination for screenwriting (more than anyone else and all of them “Written Directly for the Screen”) with his only film shot entirely in Great Britain, Match Point. Match Point, also his longest film, is almost the typical Woody Allen film except that this is a straight drama with no comedic elements (one of the few times he’s done that and the first time since the late 1980’s). As per usual, there is a philandering husband and a mistress, but the mistress Nola’s rage has an edge to it that a comic narrative would temper. There are class differences among the characters, except the disparity here between the pair of Chris and Nola and the Hewett’s is a chasm. There is an unhappy marriage, except in this film the husband is totally to blame and an idiot. Chloe is great to Chris, and she and her family throw wealth and privilege at him that could have easily gone to someone who was already in Chloe’s social set. Finally, Allen, as always, discusses philosophy in his movie, but in the case of Match Point’s drama, the philosophy isn’t meandering. Chris’ belief that luck is more important than hard work, as important as he believe hard work indeed is, defines this film. There’s no mock comic philosophizing here as there sometimes is in an Allen movie.

The acting is good, but not great. I’ve come to accept that Scarlett Johansson is beautiful (though not “classically” beautiful), and that while she looks good on the screen, she doesn’t have major acting chops. Her best acting is done with her face and not with her voice, in particularly delivering dialogue. She also has zero chemistry with Jonathan Rhys-Meyers in this flick, and their passion has a hollow ring – an almost fatal flaw in the film. Match Point, however, is predicated on some of Woody Allen’s strengths: intimate character drama and constructive dialogue that moves the narrative and reveals character and motivation.

For Woody Allen fans, this is a rare treat – a Woody drama. For everyone else, Match Point is Fatal Attraction with a bit more brains and less glossy exploitation, but it’s still full of tawdry fun.

7 of 10
A-

NOTES:
2006 Academy Awards: 1 nomination: “Best Writing, Original Screenplay” (Woody Allen)

2006 Golden Globes, USA: 4 nominations: “Best Motion Picture – Drama,” “Best Director - Motion Picture” (Woody Allen), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Scarlett Johansson), “Best Screenplay - Motion Picture” (Woody Allen)

Thursday, May 4, 2006

A December to Negro-member

Welcome to Negromancer (in the second age of Obama), a ComicBookBin blog (www.comicbookbin.com). This is rebirth of the former movie review website as a movie review and movie news website and blog.

All images and text appearing on this blog are © copyright and/or trademark their respective owners.

Streisand and Rogen to Talk "The Guilt Trip"

BARBRA STREISAND AND SETH ROGEN TAKE “THE GUILT TRIP” TO 20 CITIES

THE HOLIDAY FILM FROM PARAMOUNT WILL SCREEN EXCLUSIVELY AT AMC THEATRES ON DECEMBER 2ND IN SELECT MARKETS, FOLLOWED BY A LIVE STREAMING Q&A WITH THE FILM’S STARS

Paramount Pictures, a division of Viacom, Inc., and AMC Theaters have partnered to bring the upcoming holiday comedy “THE GUILT TRIP” to audiences in 20 cities across the country in advance of its theatrical release on December 19th.

These exclusive screenings will be followed by a Q&A with the film’s stars Barbra Streisand and Seth Rogen, to be streamed live via satellite from Los Angeles.

The screenings and subsequent live Q&A will take place December 2nd at participating AMC Theaters in Los Angeles, New York, Chicago, Washington D.C., Miami, Boston, Houston, Denver, Phoenix, Dallas, Kansas City, Atlanta, Detroit, Minneapolis, Orlando, Philadelphia, Sacramento, San Diego, San Francisco and Seattle.

For more information and to reserve your seat, please visit http://www.gofobo.com/rsvp/landing/11245221

“THE GUILT TRIP” stars Rogen as Andy Brewster, an inventor about to embark on the road trip of a lifetime, and who better to accompany him than his overbearing mother Joyce, played by Barbra Streisand. After deciding to start his adventure with a quick visit at mom’s, Andy is guilted into bringing her along for the ride. Across 3,000 miles of ever-changing landscape, he is constantly aggravated by her antics, but over time he comes to realize that their lives have more in common than he originally thought. His mother’s advice might end up being exactly what he needs. The Guilt Trip is directed by Anne Fletcher, written by Dan Fogelman and produced by Lorne Michaels, John Goldwyn and Evan Goldberg.

“THE GUILT TRIP” opens everywhere December 19th, 2012. To learn more about the movie, visit http://www.guilttripmovie.com


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

Review: "Justice League: Doom" Goes Boom

TRASH IN MY EYE No. 93 (of 2012) by Leroy Douresseaux

Justice League: Doom (2012) – straight-to-video
Running minutes: 77 minutes (1 hour, 17 minutes)
MPAA – PG-13 for sequences of violent action
PRODUCER/DIRECTOR: Lauren Montgomery
WRITER: Dwayne McDuffie (from a comic book by Mark Waid)
EDITOR: Christopher D. Lozinski
COMPOSER: Christopher Drake
ANIMATION STUDIO: Telecom Animation Film

ANIMATION/SUPERHERO/ACTION

Starring: (voices) Kevin Conroy, Tim Daly, Susan Eisenberg, Nathan Fillion, Carl Lumbly, Michael Rosenbaum, Bumper Robinson, Carlos Alazraqui, Claudia Black, Paul Blackthorne, Olivia d’Abo, Alexis Denisof, Phil Morris, Dee Bradley Baker, Grey DeLisle, and Robin Atkin Downes

Justice League: Doom is a 2012 direct-to-video superhero animated film from Warner Bros. Animation. Starring DC Comics’ ultimate superhero team, the Justice League, this is also the 13th feature in the DC Universe Animated Original Movies line. Bruce W. Timm is an executive producer on the film, and Dwayne McDuffie wrote the screenplay before his death in February 2011.

Justice League: Doom is loosely based on the comic book story arc, “Tower of Babel,” which was published in the former Justice League comic book series, JLA #43-46 (July 2000 to October 2000 cover dates). The story was written by Mark Waid and drawn by artists Howard Porter and Steve Scott. A group of villains launch a highly-successful attack against the members of the Justice League using secret information compiled on the heroes by Batman.

The film begins with the Justice League beating up the Royal Flush Gang, but in the aftermath of this successful mission, the League doesn’t know that it is being spied upon – especially Batman (Kevin Conroy). The immortal villain, Vandal Savage (Phil Morris), is back, and he has a plot to destroy the world as we know it. To that end, he creates the Legion of Doom to make sure that the Justice League does not stand in his way.

Savage gathers supervillians who are individual enemies of particular members of the Justice League, and he shows each villain how to defeat his or her superhero nemesis. Superman (Tim Daly) takes on Metallo (Paul Blackthorne). Batman fights Bane (Carlos Alazraqui). Wonder Woman (Susan Eisenberg) cat-fights Cheetah (Claudia Black). Green Lantern (Nathan Fillion) renews his struggle with Star Sapphire (Olivia d’Abo). Flash (Michael Rosenbaum) tries to outrace the schemes of Mirror Master (Alexis Denisof). Martian Manhunter (Carl Lumbly) meets his match in Ma'alefa'ak (Carl Lumbly). This time, however, the individual members of the League are losing to the people they usually beat.

I find that of all the DC Universe Animated Original Movies, I’m partial to the ones featuring the Justice League or Batman, and Justice League: Doom features both. Although there may be some holes in the plot regarding the Legion of Doom’s attack on the Justice League, the film is very well written, in terms of a superhero action movie. The action in the film works in such a way that it captures the spirit and energy of a superhero comic book.

The animation is of a high quality so that the film is eye-candy, at least to me. I love the characters, especially Bane, Ma'alefa'ak, and Mirror Master. The voice performances are also of a high quality, although I found Nathan Fillion’s performance as Green Lantern a tad bit dry. Carl Lumbly is superb as both Martian Manhunter and Ma'alefa'ak; these characters should have their own movie, if Lumbly can reprise the roles. To put it plainly and simply, Justice League: Doom is fun.

9 of 10
A+

Friday, September 21, 2012

Robert Zemeckis to Be Honored at Palm Springs Film Fest

ROBERT ZEMECKIS TO RECEIVE DIRECTOR OF THE YEAR AWARD AT 24th ANNUAL PALM SPRINGS INTERNATIONAL FILM FESTIVAL AWARDS GALA

The 24th annual Palm Springs International Film Festival (PSIFF) will present Academy Award® winning director Robert Zemeckis with the Director of the Year Award for Flight. Presented by Cartier, the Awards Gala will be held Saturday, January 5, at the Palm Springs Convention Center. Hosted by Mary Hart, the Awards Gala will also present awards to previously announced honorees Helen Hunt and Naomi Watts. The Festival runs January 3-14.

“For 35 years, Robert Zemeckis has been creating some of the most iconic and indelible images in cinema, garnering international acclaim as a filmmaker of extraordinary vision,” said Film Festival Chairman Harold Matzner. “In his latest work, Flight, Zemeckis continues to tell fascinating stories by combining strong characters with groundbreaking visual effects, which includes one of the most memorable plane crashes in cinematic history, while following the compelling emotional journey of Denzel Washington’s character of an emotionally damaged man dealing with addiction. For these achievements the Palm Springs International Film Festival is honored to present the 2013 Director of the Year Award to Robert Zemeckis.”

Past Director of the Year honorees include Stephen Daldry, Ang Lee, Anthony Minghella, Alexander Payne, Sean Penn, Jason Reitman and David O. Russell.

Currently in theatres, Paramount Pictures’ dramatic thriller Flight, stars Denzel Washington as Captain Whip Whitaker, a seasoned airline pilot who miraculously crash lands his plane after a mid-air catastrophe, saving nearly every soul on board. Afterwards, Whip is hailed as a hero, but as more is learned, more questions than answers arise as to who or what was really at fault and what really happened on that plane. Directed by Robert Zemeckis and written by John Gatins, the film also stars Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood, Brian Geraghty, Tamara Tunie, Nadine Velazquez, James Badge Dale and Melissa Leo.

Robert Zemeckis won an Academy Award®, a Golden Globe and a Director’s Guild of America Award for Best Director for the hugely successful Forrest Gump. The film’s numerous honors also included Academy Awards® for Best Actor (Tom Hanks) and Best Picture. Zemeckis has also directed Cast Away, What Lies Beneath, Back to the Future, Back to the Future, Part II and Part III, Contact, Used Cars, Who Framed Roger Rabbit?, The Polar Express, Beowulf and A Christmas Carol. Presently, Zemeckis is at work on Yellow Submarine, for Image Movers Digital and The Disney Studios.


About The Palm Springs International Film Festival
The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees each year for its lineup of new and celebrated international features and documentaries. The Festival is also known for its annual Black Tie Awards Gala, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Danny Boyle, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Ron Howard, Sean Penn, Brad Pitt, Natalie Portman, Charlize Theron and Kate Winslet.

The 24th annual Palm Springs International FilmFestival is presented by Title Sponsor, the City of Palm Springs, which is celebrating its 75 year anniversary in 2013. Presenting Sponsors are Spencer’s, The Desert Sun, Entertainment Tonight, Wells Fargo, Regal Entertainment Group, Bank of America and Wintec. Major sponsors are Panavision, Ocean Properties Development, Raymond Lawrence, Chihuly, Telefilm Canada. The Festival’s Awards Gala is presented by Cartier and sponsored by Mercedes-Benz.

Review: "Batman: Year One" is a Dark Knight That Actually Rises

TRASH IN MY EYE No. 92 (of 2012) by Leroy Douresseaux

Batman: Year One (2011) – straight-to-video
Running minutes: 64 minutes (1 hour, 4 minutes)
MPAA – PG-13 for violence, and for some sexual material
DIRECTORS: Lauren Montgomery and Sam Liu
WRITERS: Tab Murphy (based upon the story by Frank Miller and the characters created by Bob Kane and Bill Finger)
PRODUCERS: Lauren Montgomery
EDITOR: Margaret Hou
COMPOSER: Christopher Drake

ANIMATION/SUPERHERO/SCI-FI/ACTION with elements of drama

Starring: (voices) Bryan Cranston, Ben McKenzie, Eliza Dushku, Jon Polito, Alex Rocco, Katee Sackhoff, Jeff Bennett, Grey DeLisle, Fred Tatasciore, Steve Blum, Robin Atkin Downes, Keith Ferguson, Stephen Root, and Michael Gough

Batman: Year One is a 2011 direct-to-video superhero animated film from Warner Bros. Animation. Starring the DC Comics character, Batman, this is also the 12th feature in the DC Universe Animated Original Movies line. Executive produced by Bruce Timm, this film is adapted from the “Batman: Year One” story arc written by Frank Miller (300) and drawn by David Mazzuchelli and originally published in the comic book series, Batman #404-407 (February to May 1987 cover date).

As the film opens, Bruce Wayne (Ben McKenzie) returns to Gotham City after a 12-year absence from his hometown. Meanwhile, policeman detective James Gordon (Bryan Cranston) and his pregnant wife, Barbara (Grey DeLisle), move to Gotham from Chicago. Gordon quickly discovers how corrupt the Gotham City Police Department is after meeting his new partner, Detective Arnold Flass (Fred Tatasciore), who savagely assaults civilians and accepts bribes from the mob. Commissioner Gillian B. Loeb (Jon Polito) seems more like a kingpin of crime than a police commissioner.

Bruce Wayne has decided to fight the street crime that took his parents lives and to put an end to the corruption of the city’s elites. Wayne’s first mission in his war on crime goes badly, but he is soon inspired to put on a weird costume that strikes fear into the hearts of criminals. Soon, the media is calling this mysterious vigilante figure, “The Batman.” Inspired by The Batman, Selina Kyle (Eliza Dushku), a prostitute, puts on a costume and becomes The Catwoman.

After watching the first 10 minutes of Batman: Year One, I didn’t hold out much hope that it would amount to much. However, it turned out to be a very entertaining film. The animation is good, not great, but the script is excellent. The writing captures the motivations of the characters and hits the conflicts dead center. It makes clear the reasons for disputes and the consequences that will result depending on how these clashes are settled. The conflicts, personal strife, and internal battles drive the drama in Batman: Year One.

When it comes to Batman: Year One, the Dark Knight rises, indeed.

7 of 10
B+

Sunday, July 29, 2012