New "Star Trek Into Darkness" Poster Revealed - December 3 2012

"Superman vs. The Elite" a Thoughtful Superman Flick

TRASH IN MY EYE No. 94 (of 2012) by Leroy Douresseaux


Superman vs. The Elite (2012) – straight-to-video
Running minutes: 74 minutes (1 hour, 14 minutes)
MPAA – PG-13 for violent action and some language
DIRECTOR: Michael Chang
WRITER: Joe Kelly
EDITOR: Christopher D. Lozinski
COMPOSER: Robert J. Kral
ANIMATION STUDIO: Telecom Animation Film Co., Ltd.

ANIMATION/SUPERHERO/ACTION

Starring: (voices) George Newbern, Pauley Perrette, Robin Atkin Downes, Dee Bradley Baker, Ogie Banks, Catero Colbert, Grey DeLisle, Melissa Disney, Henry Simmons, Andrew Kishino, and Fred Tatasciore

Superman vs. The Elite is a 2012 direct-to-video superhero animated film from Warner Bros. Animation. Starring DC Comics’ most famous superhero, Superman, this is also the 14th feature in the DC Universe Animated Original Movies line. Once again, Bruce W. Timm is an executive producer on the film,.

Superman vs. The Elite is loosely based on the comic book story, “What’s So Funny about Truth, Justice, & the American Way,” which was published in Action Comics #775 (March 2001 cover date). That comic book was written by Joe Kelly, who also wrote the screenplay adaptation for this movie. Superman vs. The Elite finds Superman taking on a new team of ruthless superheroes who hold his idealism in contempt and who outshine him in public opinion.

As the film begins, the world watches as the neighboring countries, Eastern Bloc nation Bialya and Pokolistan, wage war against one another. Superman (George Newbern) battles the supervillain, Atomic Skull (Dee Bradley Baker), who has gone on another murderous rampage in Metropolis. It seems as if the bad guys in the world are literally getting away with murder.

Enter a powerful new group of super-crusaders, calling itself “The Elite.” Manchester Black (Robin Atkin Downes), Coldcast (Catero Colbert), Menagerie (Melissa Disney), and The Hat (Andrew Kishino) are powerful and are willing to answer violence with violence. They are not only willing to kill on a massive scale to stop villainy, but they are also willing to make pre-emptive strikes to stop the bad guys. As The Elite’s methods become increasingly popular with the public, Superman, who refuses to kill as a matter of principle, and his methods are called into question.

Although I would not call Superman vs. The Elite one of the elite films in the DC Universe Animated Original Movies series, the film’s story does raise some interesting ideas and presents intriguing dilemmas. Superman’s approach to fighting crime and solving the world’s problems are idealistic, and, of course, that is perfect in the make-believe world of Superman storytelling media.

The Elite’s approach is also problematic, mainly because of their poor judgment, lack of discretion, and the simple fact that practically everything they do is overkill. Still, it is easy to see why people are attracted to answering extreme violence with excessive violence – an eye for an eye, indeed. The Elite’s methods would also find approval in our real world. This debate between Superman’s way of dealing with the troubles of the world and The Elite’s use of ultra-violence makes Superman vs. The Elite a little more thoughtful than the average direct-to-DVD animated movie.

The big action set pieces, mostly the fights between Superman and The Elite, are good, although the animation is a bit wonky and seems a bit too cartoony in style to fit the dark subject matter of this film. Still, Superman vs. The Elite is worth seeing.

7 of 10
B+

Friday, September 21, 2012

Producers Guild Reveals 2013 Award Nominees in Documentary Feature Category

Film fans know the Producers Guild of America for its annual PGA Awards.  The PGA is also the non-profit trade group that represents, protects and promotes the interests of all members of the producing team in film, television and new media.

Friday, (November 30, 2012), the Producers Guild of America announced the Documentary Motion Picture nominees that will advance in the voting process for the 24th Annual Producers Guild Awards.

The nominated films, listed below in alphabetical order, are:

A People Uncounted

The Gatekeepers

The Island President

The Other Dream Team

Searching for Sugar Man

The nominations for all other 2013 Producers Guild Award categories will be announced on January 3, 2013, along with the individual producers.

Review: "Match Point" Goes for the Fatal Attraction (Happy B'day, Woody Allen)

TRASH IN MY EYE No. 92 (of 2006) by Leroy Douresseaux


Match Point (2005)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – R for some sexuality
WRITER/DIRECTOR: Woody Allen
PRODUCERS: Letty Aronson, Lucy Darwin, and Gareth Wiley
CINEMATOGRAPHER: Remi Adefarasin
EDITOR: Alisa Lepselter
Academy Award nominee

DRAMA with elements of romance and thriller

Starring: Jonathan Rhys-Meyers, Scarlett Johansson, Emily Mortimer, Matthew Goode, Brian Cox, Penelope Wilton, and Colin Salmon

The subject of this review is Match Point, a 2005 dramatic thriller from director Woody Allen. The film was originally to be set in the Hamptons, but the setting was changed to London because the financing for the film came from sources based in the United Kingdom. Match Point follows a former tennis pro and his volatile relationship with a femme fatale.

Chris Wilton (Jonathan Rhys-Meyers), a tennis pro who recently left the professional ranks, takes a job as a tennis instructor at a high society social club near London. There, he meets and strikes up a friendship with Tom Hewett (Matthew Goode), the only son of a wealthy family from the British upper crust. Chris also meets Tom’s fiancé, Nola Rice (Scarlett Johansson), this movie’s femme fatale (so to speak) and an American actress struggling with her career in London. Chris also attracts the eye of Tom’s sister, Chloe (Emily Mortimer), who is immediately attracted to Chris. Chloe practically throws herself at Chris, but it has benefits. Tom and Chloe’s father, Alec Hewett (Brian Cox), a very wealthy and highly connected businessman, takes an immediate liking to Chris. Before long, Alec’s connections have landed Chris a cushy business job, and Chris social climbs his way to improved social status and finances, especially for a man who grew up a poor Irish boy. Chris marries Chloe. However, Chris is infatuated with Nola, and they have an affair that lasts even after Tom’s dumps her, and Nola is a very demanding woman. She wants Chris to leave Chloe for her, and Chris begins to wonder if violence is the only way out of his predicament.

Woody Allen earned his fourteenth Oscar nomination for screenwriting (more than anyone else and all of them “Written Directly for the Screen”) with his only film shot entirely in Great Britain, Match Point. Match Point, also his longest film, is almost the typical Woody Allen film except that this is a straight drama with no comedic elements (one of the few times he’s done that and the first time since the late 1980’s). As per usual, there is a philandering husband and a mistress, but the mistress Nola’s rage has an edge to it that a comic narrative would temper. There are class differences among the characters, except the disparity here between the pair of Chris and Nola and the Hewett’s is a chasm. There is an unhappy marriage, except in this film the husband is totally to blame and an idiot. Chloe is great to Chris, and she and her family throw wealth and privilege at him that could have easily gone to someone who was already in Chloe’s social set. Finally, Allen, as always, discusses philosophy in his movie, but in the case of Match Point’s drama, the philosophy isn’t meandering. Chris’ belief that luck is more important than hard work, as important as he believe hard work indeed is, defines this film. There’s no mock comic philosophizing here as there sometimes is in an Allen movie.

The acting is good, but not great. I’ve come to accept that Scarlett Johansson is beautiful (though not “classically” beautiful), and that while she looks good on the screen, she doesn’t have major acting chops. Her best acting is done with her face and not with her voice, in particularly delivering dialogue. She also has zero chemistry with Jonathan Rhys-Meyers in this flick, and their passion has a hollow ring – an almost fatal flaw in the film. Match Point, however, is predicated on some of Woody Allen’s strengths: intimate character drama and constructive dialogue that moves the narrative and reveals character and motivation.

For Woody Allen fans, this is a rare treat – a Woody drama. For everyone else, Match Point is Fatal Attraction with a bit more brains and less glossy exploitation, but it’s still full of tawdry fun.

7 of 10
A-

NOTES:
2006 Academy Awards: 1 nomination: “Best Writing, Original Screenplay” (Woody Allen)

2006 Golden Globes, USA: 4 nominations: “Best Motion Picture – Drama,” “Best Director - Motion Picture” (Woody Allen), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Scarlett Johansson), “Best Screenplay - Motion Picture” (Woody Allen)

Thursday, May 4, 2006

A December to Negro-member

Welcome to Negromancer (in the second age of Obama), a ComicBookBin blog (www.comicbookbin.com). This is rebirth of the former movie review website as a movie review and movie news website and blog.

All images and text appearing on this blog are © copyright and/or trademark their respective owners.

Streisand and Rogen to Talk "The Guilt Trip"

BARBRA STREISAND AND SETH ROGEN TAKE “THE GUILT TRIP” TO 20 CITIES

THE HOLIDAY FILM FROM PARAMOUNT WILL SCREEN EXCLUSIVELY AT AMC THEATRES ON DECEMBER 2ND IN SELECT MARKETS, FOLLOWED BY A LIVE STREAMING Q&A WITH THE FILM’S STARS

Paramount Pictures, a division of Viacom, Inc., and AMC Theaters have partnered to bring the upcoming holiday comedy “THE GUILT TRIP” to audiences in 20 cities across the country in advance of its theatrical release on December 19th.

These exclusive screenings will be followed by a Q&A with the film’s stars Barbra Streisand and Seth Rogen, to be streamed live via satellite from Los Angeles.

The screenings and subsequent live Q&A will take place December 2nd at participating AMC Theaters in Los Angeles, New York, Chicago, Washington D.C., Miami, Boston, Houston, Denver, Phoenix, Dallas, Kansas City, Atlanta, Detroit, Minneapolis, Orlando, Philadelphia, Sacramento, San Diego, San Francisco and Seattle.

For more information and to reserve your seat, please visit http://www.gofobo.com/rsvp/landing/11245221

“THE GUILT TRIP” stars Rogen as Andy Brewster, an inventor about to embark on the road trip of a lifetime, and who better to accompany him than his overbearing mother Joyce, played by Barbra Streisand. After deciding to start his adventure with a quick visit at mom’s, Andy is guilted into bringing her along for the ride. Across 3,000 miles of ever-changing landscape, he is constantly aggravated by her antics, but over time he comes to realize that their lives have more in common than he originally thought. His mother’s advice might end up being exactly what he needs. The Guilt Trip is directed by Anne Fletcher, written by Dan Fogelman and produced by Lorne Michaels, John Goldwyn and Evan Goldberg.

“THE GUILT TRIP” opens everywhere December 19th, 2012. To learn more about the movie, visit http://www.guilttripmovie.com


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

Review: "Justice League: Doom" Goes Boom

TRASH IN MY EYE No. 93 (of 2012) by Leroy Douresseaux

Justice League: Doom (2012) – straight-to-video
Running minutes: 77 minutes (1 hour, 17 minutes)
MPAA – PG-13 for sequences of violent action
PRODUCER/DIRECTOR: Lauren Montgomery
WRITER: Dwayne McDuffie (from a comic book by Mark Waid)
EDITOR: Christopher D. Lozinski
COMPOSER: Christopher Drake
ANIMATION STUDIO: Telecom Animation Film

ANIMATION/SUPERHERO/ACTION

Starring: (voices) Kevin Conroy, Tim Daly, Susan Eisenberg, Nathan Fillion, Carl Lumbly, Michael Rosenbaum, Bumper Robinson, Carlos Alazraqui, Claudia Black, Paul Blackthorne, Olivia d’Abo, Alexis Denisof, Phil Morris, Dee Bradley Baker, Grey DeLisle, and Robin Atkin Downes

Justice League: Doom is a 2012 direct-to-video superhero animated film from Warner Bros. Animation. Starring DC Comics’ ultimate superhero team, the Justice League, this is also the 13th feature in the DC Universe Animated Original Movies line. Bruce W. Timm is an executive producer on the film, and Dwayne McDuffie wrote the screenplay before his death in February 2011.

Justice League: Doom is loosely based on the comic book story arc, “Tower of Babel,” which was published in the former Justice League comic book series, JLA #43-46 (July 2000 to October 2000 cover dates). The story was written by Mark Waid and drawn by artists Howard Porter and Steve Scott. A group of villains launch a highly-successful attack against the members of the Justice League using secret information compiled on the heroes by Batman.

The film begins with the Justice League beating up the Royal Flush Gang, but in the aftermath of this successful mission, the League doesn’t know that it is being spied upon – especially Batman (Kevin Conroy). The immortal villain, Vandal Savage (Phil Morris), is back, and he has a plot to destroy the world as we know it. To that end, he creates the Legion of Doom to make sure that the Justice League does not stand in his way.

Savage gathers supervillians who are individual enemies of particular members of the Justice League, and he shows each villain how to defeat his or her superhero nemesis. Superman (Tim Daly) takes on Metallo (Paul Blackthorne). Batman fights Bane (Carlos Alazraqui). Wonder Woman (Susan Eisenberg) cat-fights Cheetah (Claudia Black). Green Lantern (Nathan Fillion) renews his struggle with Star Sapphire (Olivia d’Abo). Flash (Michael Rosenbaum) tries to outrace the schemes of Mirror Master (Alexis Denisof). Martian Manhunter (Carl Lumbly) meets his match in Ma'alefa'ak (Carl Lumbly). This time, however, the individual members of the League are losing to the people they usually beat.

I find that of all the DC Universe Animated Original Movies, I’m partial to the ones featuring the Justice League or Batman, and Justice League: Doom features both. Although there may be some holes in the plot regarding the Legion of Doom’s attack on the Justice League, the film is very well written, in terms of a superhero action movie. The action in the film works in such a way that it captures the spirit and energy of a superhero comic book.

The animation is of a high quality so that the film is eye-candy, at least to me. I love the characters, especially Bane, Ma'alefa'ak, and Mirror Master. The voice performances are also of a high quality, although I found Nathan Fillion’s performance as Green Lantern a tad bit dry. Carl Lumbly is superb as both Martian Manhunter and Ma'alefa'ak; these characters should have their own movie, if Lumbly can reprise the roles. To put it plainly and simply, Justice League: Doom is fun.

9 of 10
A+

Friday, September 21, 2012