The National Board of Review of Motion Pictures, which is made up of film enthusiasts, academics, students, and filmmakers, historically launches the movie awards season. The group named the winners for the year 2012, yesterday, Wednesday, December 5. The NBR’s awards gala will be held Tuesday, January 8, 2013 and will be hosted by Meredith Vieira.
Zero Dark Thirty, a film about the hunt for Osama bin Laden, was named the “2012 Best Film of the Year” by the National Board of Review. The film’s director, Kathryn Bigelow, was named “Best Director.” Bigelow previously won the best director Oscar for The Hurt Locker.
Below is a full list of the awards given by the National Board of Review for 2012:
Best Film: ZERO DARK THIRTY
Best Director: Kathryn Bigelow, ZERO DARK THIRTY
Best Actor: Bradley Cooper, SILVER LININGS PLAYBOOK
Best Actress: Jessica Chastain, ZERO DARK THIRTY
Best Supporting Actor: Leonardo DiCaprio, DJANGO UNCHAINED
Best Supporting Actress: Ann Dowd, COMPLIANCE
Best Original Screenplay: Rian Johnson, LOOPER
Best Adapted Screenplay: David O. Russell, SILVER LININGS PLAYBOOK
Best Animated Feature: WRECK-IT RALPH
Special Achievement in Filmmaking: Ben Affleck, ARGO
Breakthrough Actor: Tom Holland, THE IMPOSSIBLE
Breakthrough Actress: Quvenzhané Wallis BEASTS OF THE SOUTHERN WILD
Best Directorial Debut: Benh Zeitlin, BEASTS OF THE SOUTHERN WILD
Best Foreign Language Film: AMOUR (Austria)
Best Documentary: SEARCHING FOR SUGARMAN
William K. Everson Film History Award: 50 YEARS OF BOND FILMS
Best Ensemble: LES MISÉRABLES
Spotlight Award: John Goodman (ARGO, FLIGHT, PARANORMAN, TROUBLE WITH THE CURVE)
NBR Freedom of Expression Award: CENTRAL PARK FIVE
NBR Freedom of Expression Award: PROMISED LAND
Top Films (in alphabetical order):
ARGO
BEASTS OF THE SOUTHERN WILD
DJANGO UNCHAINED
LES MISÉRABLES
LINCOLN
LOOPER
THE PERKS OF BEING A WALLFLOWER
PROMISED LAND
SILVER LININGS PLAYBOOK
Top 5 Foreign Language Films (In Alphabetical Order):
BARBARA
THE INTOUCHABLES
THE KID WITH A BIKE
NO
WAR WITCH
Top 5 Documentaries (In Alphabetical Order):
AI WEIWEI: NEVER SORRY
DETROPIA
THE GATEKEEPERS
THE INVISIBLE WAR
ONLY THE YOUNG
Top 10 Independent Films (In Alphabetical Order):
ARBITRAGE
BERNIE
COMPLIANCE
END OF WATCH
HELLO I MUST BE GOING
LITTLE BIRDS
MOONRISE KINGDOM
ON THE ROAD
QUARTET
SLEEPWALK WITH ME
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Thursday, December 6, 2012
Review: "That Night in Rio" Offers Music and Gaiety" (Remembering Don Ameche)
TRASH IN MY EYE No. 83 (of 2007) by Leroy Douresseaux
That Night in Rio (1941)
Running time: 91 minutes (1 hour, 31 minutes)
DIRECTOR: Irving Cummings
WRITERS: George Seaton & Bess Meredyth and Hal Long, with Samuel Hoffenstein (additional dialogue) and Jessie Ernst (adaptation of original play); (based upon the play The Red Cat by Rudolph Lothar and Hans Adler)
CINEMATOGRAPHERS: Ray Rennahan and Leon Shamroy
EDITOR: Walter Thompson
COMPOSERS: Mack Gordon and Harry Warren
MUSICAL/COMEDY/ROMANCE
Starring: Alice Faye, Don Ameche, Carmen Miranda, S.Z. Sakall, J. Carroll Naish, Curt Bois, Leonid Kinskey, Frank Puglia, Lillian Porter, and Bando da Lua
20th Century Fox opened up its film vaults back in early 2007 and released several of its musicals from the 1930’s and early 1940’s on DVD, including the 1940 musical/comedy/romance, That Night in Rio (released separately and as part of the four-film The Alice Faye Collection boxed set). The movie’s original tagline “Have a rendezvous with music and gaiety,” is truth in advertising.
Actor/club owner, Jimmy Martin (Don Ameche) and aristocratic airline businessman, Baron Manuel Duarte (Don Ameche), are practically identical twins. When the Baron leaves town to fix a risky business deal, his partners hire Martin to stand in for the Baron. Not knowing that Martin has replace her husband, the Baroness Cecilia Duarte (Alice Faye), finds her philandering husband suddenly more attentive to her. The Baroness later learns that an impersonator has playing her husband, so she decides to have a little fun of her own. When the Baron returns and Martin’s wife Carmen (Carmen Miranda) learns of the scheme, the fun gets a lot more complicated.
That Night in Rio is set in an idealized Rio, Brazil of lavish nightclubs and bouncy samba music. Like many musicals, That Night in Rio was filmed in Technicolor, the film color process known for its hyper-realistic saturated colors. In fact, it exemplifies why Hollywood was then called the “Dream Factory.” The sumptuous production values, gorgeous wardrobes, and opulent sets (all in vivid color) must have looked like heaven to early 1940’s America, which was still working its way out of the Great Depression and living with an increasingly ugly war in Europe that would soon engulf this nation.
This movie opens with a bang, as sparkling fireworks effects over a matte painting give way to Carmen Miranda belting out “Chicka Chicka Boom Chick,” which is but one of several fantastic musical numbers in this film. In fact, Miranda, who became an icon for some and a stereotype for others, enlivens this film, with the able assistance of her band, Bando da Lua. Ostensibly an Alice Faye vehicle, That Night in Rio belongs to the suave and very talented Don Ameche, playing the duel roles of Jimmy Martin and Baron Duarte. Although the film’s screenplay eventually becomes twisted in all this identity switching, Ameche (who would win a supporting actor Oscar for Cocoon 45 years later) makes it go down quite smoothly, and he makes what could have been a merely entertaining flick, a very good movie. People who love old time musical comedy may very well want That Night in Rio to never end.
7 of 10
A-
Tuesday, May 29, 2007
That Night in Rio (1941)
Running time: 91 minutes (1 hour, 31 minutes)
DIRECTOR: Irving Cummings
WRITERS: George Seaton & Bess Meredyth and Hal Long, with Samuel Hoffenstein (additional dialogue) and Jessie Ernst (adaptation of original play); (based upon the play The Red Cat by Rudolph Lothar and Hans Adler)
CINEMATOGRAPHERS: Ray Rennahan and Leon Shamroy
EDITOR: Walter Thompson
COMPOSERS: Mack Gordon and Harry Warren
MUSICAL/COMEDY/ROMANCE
Starring: Alice Faye, Don Ameche, Carmen Miranda, S.Z. Sakall, J. Carroll Naish, Curt Bois, Leonid Kinskey, Frank Puglia, Lillian Porter, and Bando da Lua
20th Century Fox opened up its film vaults back in early 2007 and released several of its musicals from the 1930’s and early 1940’s on DVD, including the 1940 musical/comedy/romance, That Night in Rio (released separately and as part of the four-film The Alice Faye Collection boxed set). The movie’s original tagline “Have a rendezvous with music and gaiety,” is truth in advertising.
Actor/club owner, Jimmy Martin (Don Ameche) and aristocratic airline businessman, Baron Manuel Duarte (Don Ameche), are practically identical twins. When the Baron leaves town to fix a risky business deal, his partners hire Martin to stand in for the Baron. Not knowing that Martin has replace her husband, the Baroness Cecilia Duarte (Alice Faye), finds her philandering husband suddenly more attentive to her. The Baroness later learns that an impersonator has playing her husband, so she decides to have a little fun of her own. When the Baron returns and Martin’s wife Carmen (Carmen Miranda) learns of the scheme, the fun gets a lot more complicated.
That Night in Rio is set in an idealized Rio, Brazil of lavish nightclubs and bouncy samba music. Like many musicals, That Night in Rio was filmed in Technicolor, the film color process known for its hyper-realistic saturated colors. In fact, it exemplifies why Hollywood was then called the “Dream Factory.” The sumptuous production values, gorgeous wardrobes, and opulent sets (all in vivid color) must have looked like heaven to early 1940’s America, which was still working its way out of the Great Depression and living with an increasingly ugly war in Europe that would soon engulf this nation.
This movie opens with a bang, as sparkling fireworks effects over a matte painting give way to Carmen Miranda belting out “Chicka Chicka Boom Chick,” which is but one of several fantastic musical numbers in this film. In fact, Miranda, who became an icon for some and a stereotype for others, enlivens this film, with the able assistance of her band, Bando da Lua. Ostensibly an Alice Faye vehicle, That Night in Rio belongs to the suave and very talented Don Ameche, playing the duel roles of Jimmy Martin and Baron Duarte. Although the film’s screenplay eventually becomes twisted in all this identity switching, Ameche (who would win a supporting actor Oscar for Cocoon 45 years later) makes it go down quite smoothly, and he makes what could have been a merely entertaining flick, a very good movie. People who love old time musical comedy may very well want That Night in Rio to never end.
7 of 10
A-
Tuesday, May 29, 2007
Labels:
1941,
20th Century Fox,
20th Century Fox Home Entertainment,
Don Ameche,
Movie review,
Musical,
play adaptation,
romance
Review: Ameche, Nicholas Brothers Dazzle "Down Argentine Way" (Remembering Don Ameche)
TRASH IN MY EYE No. 92 (of 2007) by Leroy Douresseaux
Down Argentine Way (1940)
Running time: 89 minutes (1 hour, 29 minutes)
DIRECTOR: Irving Cummings
WRITERS: Karl Tunberg and Darrell Ware; from a story by Rian James and Ralph Spence
PRODUCER: Darryl F. Zanuck
CINEMATOGRAPHERS: Ray Rennahan (D.o.P.) and Leon Shamroy (D.o.P.)
EDITOR: Barbara McLean
COMPOSER: Cyril J. Mockridge
1941 Academy Award nominee
COMEDY/MUSICAL/ROMANCE
Starring: Betty Grable, Don Ameche, Carmen Miranda, Charlotte Greenwood, J. Carroll Naish, Henry Stephenson, Kay Aldridge, Leonid Kinskey, Chris-Pin Martin, Bobby Stone, Charles Judel, and the Nicholas Brothers
20th Century Fox opened its vault back in early 2007 and released several of its delightful Technicolor movie musicals on DVD, including the 1940 film, Down Argentine Way. In the film, American heiress Glenda Crawford (played by pin-up gal and girl-next-door Betty Grable) falls for Ricardo Quintana (Don Ameche), a dashing South American horse breeder.
Glenda is in Argentina to buy horses when she encounters Ricardo, the son of Don Diego Quintana (Henry Stephenson), a champion horse breeder. However, Don Diego won’t sell to Crawfords because of a long-standing feud he has with Glenda’s father. Ricardo follows Glenda back to New York to woo her with a deal for a champion jumping horse, but when that deal goes badly, Ricardo leaves.
Glenda and her aunt, Binnie Crawford (Charlotte Greenwood), follow him back to Argentina, where the new couple attempts to reconcile. The star-crossed lovers face tough odds to stay together. In between all the fussing and fighting, Carmen Miranda sings and the famous Nicholas Brothers (Fayard and Harold) perform a standout, show-stopping song and dance routine. An exciting day at the racetrack is the cherry on top.
One of the most enjoyable of 20th Century Fox’s early 40’s Technicolor musicals, Down Argentine Way is remembered for a few special reasons. It was Betty Grable’s breakthrough film, and it was also Carmen Miranda’s first film. Some will also remember Down Argentine Way for the spectacular dance sequence by the fabulous Nicholas Brothers, one of the few African-America film performers whose film appearances were not routinely edited out by theatres to satisfy racist audiences in some areas of the U.S.
After a slow first hour, Down Argentine Way comes to life after the Nicholas Brothers’ scene. Then, the wonderful comedy and thrilling dance numbers show through what is essentially a flimsy plot with stereotyped characters. Charlotte Greenwood’s Bennie Crawford, J. Carroll Naish’s Casiano, and Leonid Kinskey’s Tito Acuna add constant zany flourishes to this idealized Hollywood version of an exotic South American locale. The dazzling and colorful production values on display in this whimsical and gay musical fantasy are an example of why Hollywood became known as the “Dream Factory.”
7 of 10
B+
NOTES:
1941 Academy Awards: 3 nominations: “Best Art Direction, Color” (Richard Day and Joseph C. Wright) “Best Cinematography, Color” (Leon Shamroy and Ray Rennahan), and “Best Music, Original Song” (“Down Argentine Way” by Harry Warren-music and Mack Gordon-lyrics)
Wednesday, June 13, 2007
Down Argentine Way (1940)
Running time: 89 minutes (1 hour, 29 minutes)
DIRECTOR: Irving Cummings
WRITERS: Karl Tunberg and Darrell Ware; from a story by Rian James and Ralph Spence
PRODUCER: Darryl F. Zanuck
CINEMATOGRAPHERS: Ray Rennahan (D.o.P.) and Leon Shamroy (D.o.P.)
EDITOR: Barbara McLean
COMPOSER: Cyril J. Mockridge
1941 Academy Award nominee
COMEDY/MUSICAL/ROMANCE
Starring: Betty Grable, Don Ameche, Carmen Miranda, Charlotte Greenwood, J. Carroll Naish, Henry Stephenson, Kay Aldridge, Leonid Kinskey, Chris-Pin Martin, Bobby Stone, Charles Judel, and the Nicholas Brothers
20th Century Fox opened its vault back in early 2007 and released several of its delightful Technicolor movie musicals on DVD, including the 1940 film, Down Argentine Way. In the film, American heiress Glenda Crawford (played by pin-up gal and girl-next-door Betty Grable) falls for Ricardo Quintana (Don Ameche), a dashing South American horse breeder.
Glenda is in Argentina to buy horses when she encounters Ricardo, the son of Don Diego Quintana (Henry Stephenson), a champion horse breeder. However, Don Diego won’t sell to Crawfords because of a long-standing feud he has with Glenda’s father. Ricardo follows Glenda back to New York to woo her with a deal for a champion jumping horse, but when that deal goes badly, Ricardo leaves.
Glenda and her aunt, Binnie Crawford (Charlotte Greenwood), follow him back to Argentina, where the new couple attempts to reconcile. The star-crossed lovers face tough odds to stay together. In between all the fussing and fighting, Carmen Miranda sings and the famous Nicholas Brothers (Fayard and Harold) perform a standout, show-stopping song and dance routine. An exciting day at the racetrack is the cherry on top.
One of the most enjoyable of 20th Century Fox’s early 40’s Technicolor musicals, Down Argentine Way is remembered for a few special reasons. It was Betty Grable’s breakthrough film, and it was also Carmen Miranda’s first film. Some will also remember Down Argentine Way for the spectacular dance sequence by the fabulous Nicholas Brothers, one of the few African-America film performers whose film appearances were not routinely edited out by theatres to satisfy racist audiences in some areas of the U.S.
After a slow first hour, Down Argentine Way comes to life after the Nicholas Brothers’ scene. Then, the wonderful comedy and thrilling dance numbers show through what is essentially a flimsy plot with stereotyped characters. Charlotte Greenwood’s Bennie Crawford, J. Carroll Naish’s Casiano, and Leonid Kinskey’s Tito Acuna add constant zany flourishes to this idealized Hollywood version of an exotic South American locale. The dazzling and colorful production values on display in this whimsical and gay musical fantasy are an example of why Hollywood became known as the “Dream Factory.”
7 of 10
B+
NOTES:
1941 Academy Awards: 3 nominations: “Best Art Direction, Color” (Richard Day and Joseph C. Wright) “Best Cinematography, Color” (Leon Shamroy and Ray Rennahan), and “Best Music, Original Song” (“Down Argentine Way” by Harry Warren-music and Mack Gordon-lyrics)
Wednesday, June 13, 2007
Labels:
1940,
20th Century Fox,
20th Century Fox Home Entertainment,
Darryl Zanuck,
Don Ameche,
Movie review,
Musical,
Oscar nominee,
romance
Happy First Birthday, Ellie
Hope they make the first one good, but in the future, you'll know how to make them good.
Wednesday, December 5, 2012
"An Evening with Tom Cruise" Announced for Dec. 17 2012
FILM SOCIETY OF LINCOLN CENTER ANNOUNCES AN EVENING WITH TOM CRUISE, CELEBRATING SOME OF HIS MOST ICONIC CHARACTERS, CULMINATING WITH A SNEAK PREVIEW SCREENING OF JACK REACHER
All proceeds for the screening will go to the Film Society of Lincoln Center’s 50th Anniversary Fund
The event will kick-off a career retrospective, ALL THE RIGHT MOVES: THE FILMS OF TOM CRUISE, taking place December 18-20th
The Film Society of Lincoln Center announced that they will host An Evening with Tom Cruise on Monday, December 17th, taking a look at some of Cruise’s most iconic character work in a conversation with moderator and New York Film Festival Director of Programming, Kent Jones. The event will be followed by a sneak preview screening of Cruise’s new film JACK REACHER, in which he plays a tough ex-military investigator out for justice – a character that audiences have come to love from the three-time Academy Award® nominated actor. Tickets are $50 and $35 and all proceeds from the event will go to the Film Society of Lincoln Center’s 50th Anniversary Fund, which supports the new education program and emerging filmmaker initiatives. Tickets go on sale Monday, December 10th. The event will be held at the Rose Theater, (5th floor of the Time Warner Center, Broadway and 60th street). Visit Filmlinc.com for more information.
“Tom’s body of work is defined by the bold characters he plays so brilliantly and his collaborations with filmmaking’s most venerable directors. Tom consistently chooses smart and exciting projects and we are pleased to present audiences with a first look at his newest role, Jack Reacher,” said FSLC Executive Director Rose Kuo. “We are honored to host this exciting evening and to support our 50th anniversary fund to benefit education and emerging artists.”
An Evening with Tom Cruise will kick off a film retrospective that reunites fans with a selection of Cruise’s most beloved characters. The retrospective, ALL THE RIGHT MOVES: THE FILMS OF TOM CRUISE, runs December 18-20th and will include a seven-film tribute to some of his most extraordinary work: BORN ON THE FOURTH OF JULY, JERRY MAGUIRE, THE LAST SAMURAI, MISSION: IMPOSSIBLE, RAIN MAN, RISKY BUSINESS and TOP GUN.
"It's incredibly fortunate that the Film Society chose the opening week of JACK REACHER to pay tribute to Tom's incredible talent and accomplishments” said the film’s director Christopher McQuarrie. “I've had the great luck to find myself working with an incomparable actor in this extraordinary role at the peak of an unparalleled career."
After his big screen debut in ENDLESS LOVE (1981), Cruise made such an impression on director Harold Becker in the military drama TAPS (1981) that it inspired Becker to give him a larger role in the film, that of Cadet Captain David Shawn. Cruise’s performance in TAPS effectively launched his career, leading him to be cast in Francis Ford Coppola’s THE OUTSIDERS (1983) alongside a group of celebrated young actors that collectively became known as “the brat pack”. Since then, from his iconic slide across the floor of a suburban Chicago living room in RISKY BUSINESS (1983) to his considerably riskier footwork atop a Dubai skyscraper in MISSION: IMPOSSIBLE—GHOST PROTOCOL (2011), Cruise has spent a remarkable three decades as the world’s most popular movie star, and one of its most adventurous and unpredictable actors.
An instant pop culture sensation for his role as the fighter pilot Pete “Maverick” Mitchell in TOP GUN (1986), Cruise quickly cemented his serious dramatic credentials opposite Dustin Hoffman in RAIN MAN (1988) and in Oliver Stone’s BORN ON THE FOURTH OF JULY (1989) where he earned his first Academy Award® nomination as well as a Golden Globe for Best Actor. Cruise has since earned two more Academy Award® nominations – Best Actor for Cameron Crowe’s JERRY MAGUIRE (1996) and Best Supporting Actor for Paul Thomas Anderson’s MAGNOLIA (1999), with both films earning him Golden Globes for the critically acclaimed performances. His career has been singular in working with the most noteworthy directors such as Coppola, Stone, Stanley Kubrick in EYES WIDE SHUT (1999), Steven Spielberg in MINORITY REPORT (2002) and WAR OF THE WORLDS (2005), and Michael Mann in COLLATERAL (2004), while breaking box-office records in blockbusters like THE LAST SAMURAI and the MISSION: IMPOSSIBLE series.
Tickets for the Monday, December 17th conversation and Jack Reacher screening will be available beginning Monday, December 10th. The event will be held at the Rose Theater, on the 5th floor of the Time Warner Center (Broadway and 60th street). Tickets will be sold for $50 and $35, and all proceeds from the event will go to the Film Society of Lincoln Center’s 50th Anniversary Fund, which supports the new education program and emerging filmmaker initiatives. Visit www.filmlinc.com for additional information.
Special Two Film Package available for the films in the retrospective, ALL THE RIGHT MOVES: THE FILMS OF TOM CRUISE, running from December 18-20. Tickets on sale today, visit Filmlinc.com. All screenings will take place at the Film Society of Lincoln Center’s Walter Reade Theater, 165 West 65th Street (between Broadway and Amsterdam).
Films, Descriptions & Schedule
An Evening with Tom Cruise featuring a Sneak Preview Screening of Jack Reacher
Fresh from his biggest worldwide success to date with Mission: Impossible—Ghost Protocol and about to hit screens in the hotly anticipated Jack Reacher, we are pleased to welcome three-time Academy Award® nominee Tom Cruise for a career-spanning conversation moderated by New York Film Festival Director of Programming, Kent Jones, followed by a special advance screening of Cruise’s latest film, Jack Reacher, directed by Christopher McQuarrie. All proceeds from the event will go to the Film Society’s 50th Anniversary Fund, which supports the new education programs and emerging filmmaker initiatives. Info on the fund can be found at FilmLinc.com/50Fund.
Jack Reacher
Christopher McQuarrie, 2012, USA; 130m
From The New York Times bestselling author Lee Child comes one of the most compelling heroes to step from novel to screen—ex-military investigator Jack Reacher (Tom Cruise). When a gunman takes five lives with six shots, all evidence points to the suspect in custody. On interrogation, the suspect offers up a single note: “Get Jack Reacher!” So begins an extraordinary chase for the truth, pitting Jack Reacher against an unexpected enemy, with a skill for violence and a secret to keep. Written for the screen and directed by Oscar-winner Christopher McQuarrie (The Usual Suspects). Co-starring Rosamund Pike, Richard Jenkins, Werner Herzog, David Oyelowo and Robert Duvall!
*Mon. Dec 17, 7:00PM
BORN ON THE FOURTH OF JULY (1989) 145min
Director: Oliver Stone, Country: USA
Cruise earned the first of three Oscar nominations for his transformative portrayal of disillusioned Vietnam vet Ron Kovic in Oliver Stone’s shattering portrait of the loss of American innocence.
*Wed. Dec 19, 9:00PM
JERRY MAGUIRE (1996) 139min
Director: Cameron Crowe, Country: USA
Cruise earned his second Best Actor Oscar nomination as the eponymous high-powered sports agent whose existential epiphany loses him all but one client (Oscar-winner Cuba Gooding, Jr.) in Cameron Crowe’s wry American success story.
*Thurs. Dec 20, 8:45PM
THE LAST SAMURAI (2003) 154min
Director: Ed Zwick, Country: USA
Ed Zwick’s visually majestic, old fashioned Hollywood epic stars Cruise as a disillusioned Civil War vet (Cruise) hired to train conscript in Japan’s first modern army, caught between the past and present of a rapidly changing nation.
*Thurs. Dec 20, 3:30PM
MISSION: IMPOSSIBLE (1996) 110min
Director: Brian De Palma, Country: USA
Finding himself the only survivor of a mission gone awry, secret agent Ethan Hunt (Cruise) must unravel the conspiracy in the film that launched the successful franchise, directed by master of suspense Brian De Palma.
*Thurs. Dec 20, 6:30PM
RAIN MAN (1988) 133min
Director: Barry Levinson, Country: USA
As a slick yuppie unexpectedly reunited with his autistic older brother (Dustin Hoffman), Cruise more than holds his own in Barry Levinson’s beloved 1988 Oscar-winner.
*Wed. Dec 19, 6:00PM
RISKY BUSINESS (1983) 98min
Director: Paul Brickman, Country: USA
When mom and dad leave town, an enterprising Chicago teen (21-year-old Cruise in his star-making role) gets in over his head with a kind-hearted prostitute (Rebecca De Mornay) in writer-director Paul Brickman’s sparkling coming-of-age comedy.
*Wed. Dec 19, 3:45PM
TOP GUN (1986) 110min
Director: Tony Scott, Country: USA
Cruise flew into the danger zone (and sent sales of Ray-Bans and leather jackets soaring) as a hotshot Navy pilot romancing his civilian instructor (Kelly McGillis) in producer Jerry Bruckheimer and director Tony Scott’s prototypical ‘80s blockbuster.
*Tues. Dec 18, 8:30PM
Film Society of Lincoln Center
Under the leadership of Rose Kuo, Executive Director, and Richard Peña, Program Director, the Film Society of Lincoln Center offers the best in international, classic and cutting-edge independent cinema. The Film Society presents two film festivals that attract global attention: the New York Film Festival, having just celebrated its 50th edition, and New Directors/New Films which, since its founding in 1972, has been produced in collaboration with MoMA. The Film Society also publishes the award-winning Film Comment Magazine, and for over three decades has given an annual award—now named “The Chaplin Award”—to a major figure in world cinema. Past recipients of this award include Charlie Chaplin, Alfred Hitchcock, Martin Scorsese, Meryl Streep, and Tom Hanks. The Film Society presents a year-round calendar of programming, panels, lectures, educational programs and specialty film releases at its Walter Reade Theater and the new state-of-the-art Elinor Bunin Munroe Film Center.
The Film Society receives generous, year-round support from Royal Bank of Canada, American Airlines, The New York Times, Stella Artois, the National Endowment for the Arts and New York State Council on the Arts. For more information, visit www.filmlinc.com and follow #filmlinc
All proceeds for the screening will go to the Film Society of Lincoln Center’s 50th Anniversary Fund
The event will kick-off a career retrospective, ALL THE RIGHT MOVES: THE FILMS OF TOM CRUISE, taking place December 18-20th
The Film Society of Lincoln Center announced that they will host An Evening with Tom Cruise on Monday, December 17th, taking a look at some of Cruise’s most iconic character work in a conversation with moderator and New York Film Festival Director of Programming, Kent Jones. The event will be followed by a sneak preview screening of Cruise’s new film JACK REACHER, in which he plays a tough ex-military investigator out for justice – a character that audiences have come to love from the three-time Academy Award® nominated actor. Tickets are $50 and $35 and all proceeds from the event will go to the Film Society of Lincoln Center’s 50th Anniversary Fund, which supports the new education program and emerging filmmaker initiatives. Tickets go on sale Monday, December 10th. The event will be held at the Rose Theater, (5th floor of the Time Warner Center, Broadway and 60th street). Visit Filmlinc.com for more information.
“Tom’s body of work is defined by the bold characters he plays so brilliantly and his collaborations with filmmaking’s most venerable directors. Tom consistently chooses smart and exciting projects and we are pleased to present audiences with a first look at his newest role, Jack Reacher,” said FSLC Executive Director Rose Kuo. “We are honored to host this exciting evening and to support our 50th anniversary fund to benefit education and emerging artists.”
An Evening with Tom Cruise will kick off a film retrospective that reunites fans with a selection of Cruise’s most beloved characters. The retrospective, ALL THE RIGHT MOVES: THE FILMS OF TOM CRUISE, runs December 18-20th and will include a seven-film tribute to some of his most extraordinary work: BORN ON THE FOURTH OF JULY, JERRY MAGUIRE, THE LAST SAMURAI, MISSION: IMPOSSIBLE, RAIN MAN, RISKY BUSINESS and TOP GUN.
"It's incredibly fortunate that the Film Society chose the opening week of JACK REACHER to pay tribute to Tom's incredible talent and accomplishments” said the film’s director Christopher McQuarrie. “I've had the great luck to find myself working with an incomparable actor in this extraordinary role at the peak of an unparalleled career."
After his big screen debut in ENDLESS LOVE (1981), Cruise made such an impression on director Harold Becker in the military drama TAPS (1981) that it inspired Becker to give him a larger role in the film, that of Cadet Captain David Shawn. Cruise’s performance in TAPS effectively launched his career, leading him to be cast in Francis Ford Coppola’s THE OUTSIDERS (1983) alongside a group of celebrated young actors that collectively became known as “the brat pack”. Since then, from his iconic slide across the floor of a suburban Chicago living room in RISKY BUSINESS (1983) to his considerably riskier footwork atop a Dubai skyscraper in MISSION: IMPOSSIBLE—GHOST PROTOCOL (2011), Cruise has spent a remarkable three decades as the world’s most popular movie star, and one of its most adventurous and unpredictable actors.
An instant pop culture sensation for his role as the fighter pilot Pete “Maverick” Mitchell in TOP GUN (1986), Cruise quickly cemented his serious dramatic credentials opposite Dustin Hoffman in RAIN MAN (1988) and in Oliver Stone’s BORN ON THE FOURTH OF JULY (1989) where he earned his first Academy Award® nomination as well as a Golden Globe for Best Actor. Cruise has since earned two more Academy Award® nominations – Best Actor for Cameron Crowe’s JERRY MAGUIRE (1996) and Best Supporting Actor for Paul Thomas Anderson’s MAGNOLIA (1999), with both films earning him Golden Globes for the critically acclaimed performances. His career has been singular in working with the most noteworthy directors such as Coppola, Stone, Stanley Kubrick in EYES WIDE SHUT (1999), Steven Spielberg in MINORITY REPORT (2002) and WAR OF THE WORLDS (2005), and Michael Mann in COLLATERAL (2004), while breaking box-office records in blockbusters like THE LAST SAMURAI and the MISSION: IMPOSSIBLE series.
Tickets for the Monday, December 17th conversation and Jack Reacher screening will be available beginning Monday, December 10th. The event will be held at the Rose Theater, on the 5th floor of the Time Warner Center (Broadway and 60th street). Tickets will be sold for $50 and $35, and all proceeds from the event will go to the Film Society of Lincoln Center’s 50th Anniversary Fund, which supports the new education program and emerging filmmaker initiatives. Visit www.filmlinc.com for additional information.
Special Two Film Package available for the films in the retrospective, ALL THE RIGHT MOVES: THE FILMS OF TOM CRUISE, running from December 18-20. Tickets on sale today, visit Filmlinc.com. All screenings will take place at the Film Society of Lincoln Center’s Walter Reade Theater, 165 West 65th Street (between Broadway and Amsterdam).
Films, Descriptions & Schedule
An Evening with Tom Cruise featuring a Sneak Preview Screening of Jack Reacher
Fresh from his biggest worldwide success to date with Mission: Impossible—Ghost Protocol and about to hit screens in the hotly anticipated Jack Reacher, we are pleased to welcome three-time Academy Award® nominee Tom Cruise for a career-spanning conversation moderated by New York Film Festival Director of Programming, Kent Jones, followed by a special advance screening of Cruise’s latest film, Jack Reacher, directed by Christopher McQuarrie. All proceeds from the event will go to the Film Society’s 50th Anniversary Fund, which supports the new education programs and emerging filmmaker initiatives. Info on the fund can be found at FilmLinc.com/50Fund.
Jack Reacher
Christopher McQuarrie, 2012, USA; 130m
From The New York Times bestselling author Lee Child comes one of the most compelling heroes to step from novel to screen—ex-military investigator Jack Reacher (Tom Cruise). When a gunman takes five lives with six shots, all evidence points to the suspect in custody. On interrogation, the suspect offers up a single note: “Get Jack Reacher!” So begins an extraordinary chase for the truth, pitting Jack Reacher against an unexpected enemy, with a skill for violence and a secret to keep. Written for the screen and directed by Oscar-winner Christopher McQuarrie (The Usual Suspects). Co-starring Rosamund Pike, Richard Jenkins, Werner Herzog, David Oyelowo and Robert Duvall!
*Mon. Dec 17, 7:00PM
BORN ON THE FOURTH OF JULY (1989) 145min
Director: Oliver Stone, Country: USA
Cruise earned the first of three Oscar nominations for his transformative portrayal of disillusioned Vietnam vet Ron Kovic in Oliver Stone’s shattering portrait of the loss of American innocence.
*Wed. Dec 19, 9:00PM
JERRY MAGUIRE (1996) 139min
Director: Cameron Crowe, Country: USA
Cruise earned his second Best Actor Oscar nomination as the eponymous high-powered sports agent whose existential epiphany loses him all but one client (Oscar-winner Cuba Gooding, Jr.) in Cameron Crowe’s wry American success story.
*Thurs. Dec 20, 8:45PM
THE LAST SAMURAI (2003) 154min
Director: Ed Zwick, Country: USA
Ed Zwick’s visually majestic, old fashioned Hollywood epic stars Cruise as a disillusioned Civil War vet (Cruise) hired to train conscript in Japan’s first modern army, caught between the past and present of a rapidly changing nation.
*Thurs. Dec 20, 3:30PM
MISSION: IMPOSSIBLE (1996) 110min
Director: Brian De Palma, Country: USA
Finding himself the only survivor of a mission gone awry, secret agent Ethan Hunt (Cruise) must unravel the conspiracy in the film that launched the successful franchise, directed by master of suspense Brian De Palma.
*Thurs. Dec 20, 6:30PM
RAIN MAN (1988) 133min
Director: Barry Levinson, Country: USA
As a slick yuppie unexpectedly reunited with his autistic older brother (Dustin Hoffman), Cruise more than holds his own in Barry Levinson’s beloved 1988 Oscar-winner.
*Wed. Dec 19, 6:00PM
RISKY BUSINESS (1983) 98min
Director: Paul Brickman, Country: USA
When mom and dad leave town, an enterprising Chicago teen (21-year-old Cruise in his star-making role) gets in over his head with a kind-hearted prostitute (Rebecca De Mornay) in writer-director Paul Brickman’s sparkling coming-of-age comedy.
*Wed. Dec 19, 3:45PM
TOP GUN (1986) 110min
Director: Tony Scott, Country: USA
Cruise flew into the danger zone (and sent sales of Ray-Bans and leather jackets soaring) as a hotshot Navy pilot romancing his civilian instructor (Kelly McGillis) in producer Jerry Bruckheimer and director Tony Scott’s prototypical ‘80s blockbuster.
*Tues. Dec 18, 8:30PM
Film Society of Lincoln Center
Under the leadership of Rose Kuo, Executive Director, and Richard Peña, Program Director, the Film Society of Lincoln Center offers the best in international, classic and cutting-edge independent cinema. The Film Society presents two film festivals that attract global attention: the New York Film Festival, having just celebrated its 50th edition, and New Directors/New Films which, since its founding in 1972, has been produced in collaboration with MoMA. The Film Society also publishes the award-winning Film Comment Magazine, and for over three decades has given an annual award—now named “The Chaplin Award”—to a major figure in world cinema. Past recipients of this award include Charlie Chaplin, Alfred Hitchcock, Martin Scorsese, Meryl Streep, and Tom Hanks. The Film Society presents a year-round calendar of programming, panels, lectures, educational programs and specialty film releases at its Walter Reade Theater and the new state-of-the-art Elinor Bunin Munroe Film Center.
The Film Society receives generous, year-round support from Royal Bank of Canada, American Airlines, The New York Times, Stella Artois, the National Endowment for the Arts and New York State Council on the Arts. For more information, visit www.filmlinc.com and follow #filmlinc
Labels:
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15 Docs Contend for Five 2012 Oscar Nominations
15 Documentary Features Advance In 2012 Oscar® Race
The Academy of Motion Picture Arts and Sciences announced that 15 films in the Documentary Feature category will advance in the voting process for the 85th Academy Awards®. One hundred twenty-six pictures had originally qualified in the category.
The 15 films are listed below in alphabetical order by title, with their production companies:
"Ai Weiwei: Never Sorry," Never Sorry LLC
"Bully," The Bully Project LLC
"Chasing Ice," Exposure
"Detropia," Loki Films
"Ethel," Moxie Firecracker Films
"5 Broken Cameras," Guy DVD Films
"The Gatekeepers," Les Films du Poisson, Dror Moreh Productions, Cinephil
"The House I Live In," Charlotte Street Films, LLC
"How to Survive a Plague," How to Survive a Plague LLC
"The Imposter," Imposter Pictures Ltd.
"The Invisible War," Chain Camera Pictures
"Mea Maxima Culpa: Silence in the House of God," Jigsaw Productions in association with Wider Film Projects and Below the Radar Films
"Searching for Sugar Man," Red Box Films
"This Is Not a Film," Wide Management
"The Waiting Room," Open’hood, Inc.
The Documentary Branch viewed the eligible documentaries for the preliminary round of voting. Documentary Branch members will now select the five nominees from among the 15 titles on the shortlist.
The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy's Samuel Goldwyn Theater.
Academy Awards for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.
The Academy of Motion Picture Arts and Sciences announced that 15 films in the Documentary Feature category will advance in the voting process for the 85th Academy Awards®. One hundred twenty-six pictures had originally qualified in the category.
The 15 films are listed below in alphabetical order by title, with their production companies:
"Ai Weiwei: Never Sorry," Never Sorry LLC
"Bully," The Bully Project LLC
"Chasing Ice," Exposure
"Detropia," Loki Films
"Ethel," Moxie Firecracker Films
"5 Broken Cameras," Guy DVD Films
"The Gatekeepers," Les Films du Poisson, Dror Moreh Productions, Cinephil
"The House I Live In," Charlotte Street Films, LLC
"How to Survive a Plague," How to Survive a Plague LLC
"The Imposter," Imposter Pictures Ltd.
"The Invisible War," Chain Camera Pictures
"Mea Maxima Culpa: Silence in the House of God," Jigsaw Productions in association with Wider Film Projects and Below the Radar Films
"Searching for Sugar Man," Red Box Films
"This Is Not a Film," Wide Management
"The Waiting Room," Open’hood, Inc.
The Documentary Branch viewed the eligible documentaries for the preliminary round of voting. Documentary Branch members will now select the five nominees from among the 15 titles on the shortlist.
The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy's Samuel Goldwyn Theater.
Academy Awards for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.
Labels:
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Tuesday, December 4, 2012
NY Film Critics Name "Zero Dark Thirty" Best Picture of 2012
If I'm not mistaken, the New York Film Critics Circle did manage to be the first film critics' organization to announce its awards for this year. They were not last year.
They've named Zero Dark Thirty, Kathryn Bigelow's movie about the hunt for Osama bin Laden, the "Best Picture" of 2012. Bigelow, who also won the best director Oscar for The Hurt Locker, won the Circle's "Best Director" prize for Zero Dark Thirty. Steven Spielberg's Lincoln was also a big winner, snagging three prizes, including acting honors for Daniel Day-Lewis and Sally Field.
Founded in 1935, the New York Film Critics Circle is, according to their website, “an organization of film reviewers from New York-based publications that exists to honor excellence in U.S. and world cinema.” Members are critics from daily newspapers, weekly newspapers, magazines, and online general-interest publications (that meet certain qualifications). Every year in December, Circle members meet in New York to vote on awards for the year's films.
Here's the complete list of the 2012 winners:
Best Picture - Zero Dark Thirty
Best Director - Kathryn Bigelow for Zero Dark Thirty
Best Screenplay - Tony Kushner for Lincoln
Best Actress - Rachel Weisz for The Deep Blue Sea
Best Actor - Daniel Day-Lewis for Lincoln
Best Supporting Actress - Sally Field for Lincoln
Best Supporting Actor - Matthew McConaughey for 2 films: Bernie, Magic Mike
Best Cinematographer - Greig Fraser for Zero Dark Thirty
Best Animated Film – Frankenweenie
Best Non-Fiction Film (Documentary) - The Central Park Five
Best Foreign Film – Amour
Best First Film - David France for How to Survive a Plague
They've named Zero Dark Thirty, Kathryn Bigelow's movie about the hunt for Osama bin Laden, the "Best Picture" of 2012. Bigelow, who also won the best director Oscar for The Hurt Locker, won the Circle's "Best Director" prize for Zero Dark Thirty. Steven Spielberg's Lincoln was also a big winner, snagging three prizes, including acting honors for Daniel Day-Lewis and Sally Field.
Founded in 1935, the New York Film Critics Circle is, according to their website, “an organization of film reviewers from New York-based publications that exists to honor excellence in U.S. and world cinema.” Members are critics from daily newspapers, weekly newspapers, magazines, and online general-interest publications (that meet certain qualifications). Every year in December, Circle members meet in New York to vote on awards for the year's films.
Here's the complete list of the 2012 winners:
Best Picture - Zero Dark Thirty
Best Director - Kathryn Bigelow for Zero Dark Thirty
Best Screenplay - Tony Kushner for Lincoln
Best Actress - Rachel Weisz for The Deep Blue Sea
Best Actor - Daniel Day-Lewis for Lincoln
Best Supporting Actress - Sally Field for Lincoln
Best Supporting Actor - Matthew McConaughey for 2 films: Bernie, Magic Mike
Best Cinematographer - Greig Fraser for Zero Dark Thirty
Best Animated Film – Frankenweenie
Best Non-Fiction Film (Documentary) - The Central Park Five
Best Foreign Film – Amour
Best First Film - David France for How to Survive a Plague
Labels:
2012,
animation news,
Critics,
Daniel Day-Lewis,
Documentary News,
International Cinema News,
Kathryn Bigelow,
Matthew McConaughey,
movie awards,
movie news,
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Rachel Weisz,
Sally Field,
Tim Burton
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