Wednesday, February 20, 2013

Toronto Film Critics Choose Paul Thomas Anderson and Sarah Polley

by Leroy Douresseaux

The Toronto Film Critics Association named The Master as the "Best Picture of 2012" with the film's director, Paul Thomas Anderson, winning "Best Director."  Sarah Polley's film, Stories We Tell,won two honors, as best documentary and as best Canadian film, the latter of which came with a $100,000 prize.

The Toronto Film Critics Association was established in 1997 and is comprised of Toronto based journalists and broadcasters who specialize in film criticism and commentary. All major dailies, weeklies and a variety of other print and electronic outlets are represented.

Under the TFCA’s guidelines, contenders eligible for the awards include films released in Canada in 2012 plus films that qualify for the 2012 Oscars and have Canadian distribution scheduled by the end of February 2013.

The full list of Toronto Film Critics Association Awards winners and runners-up:

BEST PICTURE
“The Master” (eOne)

Runners-up:
“Amour” (Mongrel Media)
“Zero Dark Thirty” (Alliance Films)

BEST DIRECTOR
Paul Thomas Anderson, “The Master”

Runners-up:
Kathryn Bigelow, “Zero Dark Thirty”
Leos Carax, “Holy Motors”

BEST ACTOR
Denis Lavant, “Holy Motors”

Runners-up:
Daniel Day-Lewis, “Lincoln”
Joaquin Phoenix, “The Master”

BEST ACTRESS
Rachel Weisz, “The Deep Blue Sea”

Runners-up:
Jessica Chastain, “Zero Dark Thirty”
Emmanuelle Riva, “Amour”

BEST SUPPORTING ACTOR
Philip Seymour Hoffman, “The Master”

Runners-up:
Javier Bardem, “Skyfall”
Tommy Lee Jones, “Lincoln”

BEST SUPPORTING ACTRESS
Gina Gershon, “Killer Joe”

Runners-up:
Amy Adams, “The Master”
Ann Dowd, “Compliance”
Anne Hathaway, “Les Miserable”

BEST SCREENPLAY, ADAPTED OR ORIGINAL
“The Master”, written by Paul Thomas Anderson

Runners-up:
“Lincoln”, written by Tony Kushner, based on the book “Team of Rivals” by Doris Kearns Goodwin
“Zero Dark Thirty”, written by Mark Boal

BEST FIRST FEATURE - TIE
“Beasts of the Southern Wild”, directed by Benh Zeitlin
“Beyond the Black Rainbow”, directed by Panos Cosmatos

Runner-up:
“The Cabin in the Woods”, directed by Drew Goddard

BEST ANIMATED FEATURE
“ParaNorman” (Alliance Films)

Runners-up:
“Brave” (Disney*Pixar)
“Frankenweenie” (Disney)

BEST FOREIGN-LANGUAGE FILM
“Amour”(Mongrel Media) from Austrai

Runners-up:
“Holy Motors” (Mongrel Media) from France
“Tabu” (filmswelike) from Portugal

ALLAN KING DOCUMENTARY AWARD
“Stories We Tell” (Mongrel Media)

Runners-up:
“The Queen of Versailles” (Mongrel Media)
“Searching for Sugar Man” (Mongrel Media)

ROGERS BEST CANADIAN FILM AWARD:
“Stories We Tell”, directed by Sarah Polley ($100,000 prize)

The other finalists:
“Bestiaire”, directed by Denis Côté ($5,000 prize)
“Goon”, directed by Michael Dowse ($5,000 prize)

www.torontofilmcritics.com

Tuesday, February 19, 2013

Affleck, Chastain, and Lawrence Present at 2013 Oscars

Oscar® Nominees Ben Affleck, Jessica Chastain And Jennifer Lawrence To Present

BEVERLY HILLS, CA – Academy Award® nominees Ben Affleck, Jessica Chastain and Jennifer Lawrence will present on the Oscar telecast, show producers Craig Zadan and Neil Meron announced today.

Academy Award-winner Affleck, who is nominated this year for producing the Best Picture nominee "Argo," won the award in 1997 for co-writing the Best Picture nominee "Good Will Hunting."

Chastain, who is nominated for her lead performance in the Best Picture nominee "Zero Dark Thirty," received her first nomination last year for her supporting role in the Best Picture nominee "The Help."

Lawrence, who received her first nomination in 2010 for her leading role in "Winter's Bone," is nominated for her lead performance in the Best Picture nominee "Silver Linings Playbook."

Affleck, Chastain and Lawrence join a stellar list of previously announced Oscar presenters including Halle Berry, Sandra Bullock, Nicole Kidman, Reese Witherspoon, Mark Wahlberg, Ted and "Marvel's The Avengers" cast members Robert Downey Jr., Samuel L. Jackson, Chris Evans, Jeremy Renner and Mark Ruffalo; returning 2011 Oscar winners Jean Dujardin, Christopher Plummer, Octavia Spencer and Meryl Streep; "Chicago" cast members Richard Gere, Queen Latifah, Renée Zellweger and Catherine Zeta-Jones; special guests Joseph Gordon-Levitt, Daniel Radcliffe, Channing Tatum and Charlize Theron; and performers Adele, Dame Shirley Bassey, Norah Jones and Barbra Streisand.

Oscars® for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24 at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide. For more information go to Oscar.com or download the official Oscars app.


ABOUT CRAIG ZADAN AND NEIL MERON
Craig Zadan and Neil Meron are producers of critically acclaimed and award-winning feature films, television movies, series, and Broadway productions. Their feature films include The Bucket List, Footloose, Hairspray, and Chicago, which won six Academy Awards including one for “Best Picture.” For television, they’ve produced films of “Steel Magnolias,” ”Life with Judy Garland,” and “A Raisin in the Sun,” among many others and the series “Smash” and “Drop Dead Diva.” They recently returned to their roots in live theater by producing Broadway revivals of the Tony-winning ”Promises, Promises” and the Tony-winning 50th Anniversary revival of “How to Succeed in Business Without Really Trying.”

Monday, February 18, 2013

"Argo," "Zero Dark Thirty" Top 2013 Writers Guild Awards

by Leroy Douresseaux

Zero Dark Thirty, Argo, and Searching for Suger Man won the Writers Guild Awards in their respective screenplay categories last night.  In the cae of Zero Dark Thirty and Argo, I think they are at least the top two favorites in their corresponding categories at the Academy Awards.  Zero Dark Thirty has to deal with the spectre of Django Unchained, which did not receive a WGA nomination.  Argo has to deal with the screenplay for Silver Linings Playbook, which did receive a WGA nomination.

The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) announced the winners of the 2013 Writers Guild Awards last night, Sunday, February 17, 2013. The awards were given for outstanding achievement in writing for screen, television, radio, news, promotional, videogame, and new media writing. The 2013 Writers Guild Awards held simultaneous ceremonies at the JW Marriott L.A. LIVE in Los Angeles and the B.B. King Blues Club in New York City.

The Writers Guild Awards are given in numerous categories, but I tend to focus on the film categories and only a few of the television categories. A complete list of winners can be found here: http://www.wga.org/content/default.aspx?id=5184.

2013 Writers Guild Awards Winners (in select categories):

SCREEN WINNERS

ORIGINAL SCREENPLAY
Zero Dark Thirty, Written by Mark Boal; Columbia Pictures

ADAPTED SCREENPLAY
Argo, Screenplay by Chris Terrio; Based on a selection from The Master of Disguise by Antonio J. Mendez and the Wired Magazine article “The Great Escape” by Joshuah Bearman; Warner Bros. Pictures

DOCUMENTARY SCREENPLAY
Searching for Sugar Man, Written by Malik Bendjelloul; Sony Pictures Classics

TELEVISION WINNERS

DRAMA SERIES
Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC

COMEDY SERIES
Louie, Written by Pamela Adlon, Vernon Chatman, Louis C.K.; FX

NEW SERIES
Girls, Written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO

EPISODIC DRAMA
“The Other Woman” (Mad Men), Written by Semi Chellas and Matthew Weiner; AMC

EPISODIC COMEDY
“Virgin Territory” (Modern Family), Written by Elaine Ko; ABC

LONG FORM – ORIGINAL
Hatfields & McCoys, Nights Two and Three, Teleplay by Ted Mann and Ronald Parker, Story by Bill Kerby and Ted Mann; History Channel

LONG FORM – ADAPTED
Game Change, Written by Danny Strong, Based on the book by Mark Halperin and John Heilemann; HBO

ANIMATION
“Ned ’N’ Edna’s Blend Agenda” (The Simpsons), Written by Jeff Westbrook; Fox

Social Action Campaign Accompanies Release of "No"

Participant Media's Social Action Campaign for Oscar®-Nominated Chilean Film No, Focuses on the Importance of Freedom of Expression

No Mas—takepart.com/nomas-- Provides a Platform for Individuals to Speak up for Those Who Can't

LOS ANGELES--(BUSINESS WIRE)--Inspired by Participant Media's and Sony Pictures Classics' No, the Chilean Academy Award® nominee for Best Foreign Language Film opening in the U.S. on February 15th, Participant in collaboration with Freedom House, Amnesty International, and Reporters Without Borders has designed a Social Action campaign focused on the importance of freedom of political expression. "No Mas"--takepart.com/nomas – provides a platform for individuals to speak up for others who are living in nations that silence any opposition to the establishment.

Chad Boettcher, Participant's Executive Vice President of Social Action & Advocacy, said, "As the film shows how, through an ingenious advertising campaign in 1988 the Chilean public were persuaded to just say No to Pinochet's despotic reign, our Social Action campaign for No gives those of us who enjoy freedom of expression the creative digital tools to protest the injustices happening in the world today on behalf of those without that freedom. By joining forces with three of the leading organizations working in this space, we have been able to identify some key opportunities to make a difference."

Visitors are encouraged to exercise their right to free speech--a right too often taken for granted and not enjoyed by everyone—by creating a personalized “No Mas” badge. Then they are urged to sign pledges of support for those in oppressive countries who have been silenced, including a Bahraini human rights activist who was imprisoned for Tweeting, and a young Cuban who’s been incarcerated for listening to hip hop music with political lyrics.

In addition, visitors will be able to view a short video that illustrates how historically those who have been oppressed have said "No Mas. " This will serve as a topic of discussion on "No Mas Mondays" when every week in February, Takepart is hosting live Twitter chats where @TakePart will be talking with talent and experts about the film, the historic 1988 No campaign and the importance of freedom of political expression today. Join on February 4th for a live chat with Ivan Sigal, the executive director of Global Voices, a non-profit online global citizens’ media initiative.

Daniel Calingaert, Executive Vice President of Freedom House, said, “The movie “NO” is a wonderful illustration of the collective power of citizens’ voices and should inspire us all to raise ours for the many people in this world who face harassment, imprisonment, torture and even death when they stand up for their rights. Freedom House is pleased to join with Participant Media and our sister human rights organizations to lend our collective voice to ensure that others are not silenced.”

Sunjeev Bery, Advocacy Director for the Middle East and North Africa, Amnesty International USA added, “Through this campaign, Americans can stand up for freedom in Bahrain, where the government is imprisoning nonviolent protestors like Nabeel Rajab. Citizens are being imprisoned by the Bahraini government simply for expressing themselves or criticizing the monarchy.”

Said Christophe Deloire, Executive Director, Reporters Sans Frontieres-Reporters Without Borders International, "At Reporters Without Borders, we are particularly proud to work with Participant Media on the No Mas campaign and bring attention to the journalists, bloggers and all the other news providers who are fighting for the freedom to inform and to be informed.


About No
No, Academy Award® nominee for Best Foreign Language Film, was directed by Pablo Larrain, written by Pedro Peirano and stars Gael Garcia Bernal, Alfredo Castro, Antónia Zegers, Luis Dnecco, Marcial Tafle, Nastor Cantillana, Jaime Vadell and Pascal Montero.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote YES or NO to Pinochet extending his rule for another eight years. Opposition leaders for the NO persuade a brash young advertising executive, Rene Saavedra (Garcia Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

About Participant Media
Participant Media (www.participantmedia.com) is an entertainment company that focuses on documentary and non-documentary feature films, television, publishing and digital content about the real issues that shape our lives. For each of its projects, Participant creates social action and advocacy programs to transform the impact of the media experience into individual and community action. Participant’s online Social Action Network is TakePart (takepart.com). Founded by Jeff Skoll in 2004, Jim Berk serves as CEO. Participant's films include The Kite Runner, Charlie Wilson's War, An Inconvenient Truth, Good Night, and Good Luck, The Visitor, Food, Inc., The Cove, The Crazies, Countdown to Zero, Waiting for "Superman,” Fair Game, PAGE ONE: Inside The New York Times, The Help, Contagion, The Best Exotic Marigold Hotel, Lincoln, Promised Land and No.

About Sony Pictures Classics
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 29 Academy Awards® (25 of those at Sony Pictures Classics) and have garnered 135 Academy Award® nominations (109 at Sony Pictures Classics) including Best Picture nominations for Amour, Midnight In Paris, An Education, Capote, Howards End and Crouching Tiger, Hidden Dragon.

Sunday, February 17, 2013

Review: "Hotel Transylvania" is the Place for Surprises

TRASH IN MY EYE No. 12 (of 2013) by Leroy Douresseaux

Hotel Transylvania (2012)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – PG for some rude humor, action and scary images
DIRECTOR: Genndy Tartakovsky
WRITERS: Peter Baynham and Robert Smigel; from a story by Todd Durham and Dan Hageman, and Kevin Hageman
PRODUCER: Michelle Murdocca
EDITOR: Catherine Apple
COMPOSER: Mark Mothersbaugh
Golden Globe nominee

ANIMATION/FANTASY/COMEDY/FAMILY with elements of horror

Starring: (voices) Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, CeeLo Green, Jon Lovitz, Brian George, Lunell, Robert Smigel, Rob Riggle, Jim Wise, and Jackie Sandler

Hotel Transylvania is a 2012 3D computer-animated comedy and fantasy from Sony Pictures Animation. Distributed by Columbia Pictures, the film is directed by Genndy Tartakovsky, the creator of such Cartoon Network animated series as Dexter’s Lab and Samurai Jack. Hotel Transylvania focuses on a version of Dracula who operates a resort outside the human world and who is an overprotective father of a teen-aged daughter.

After the death of his wife, Martha, Count Dracula (Adam Sandler) builds Hotel Transylvania, a high-end resort and hotel away from the human world. It serves two purposes. First, it is a place where the monsters of the world can be safe from humans, who want to kill them. Secondly, it is a place where Dracula can keep his daughter, Mavis Dracula (Selena Gomez), safe from the kind of humans who kill monsters.

For Mavis’ 118th birthday, Dracula throws a huge party and invites some of the most famous monsters. They are Frankenstein (Kevin James) and his wife, Eunice (Fran Drescher); Wayne Werewolf and his wife, Wanda (Molly Shannon); Murray the Mummy (CeeLo Green); and Griffin the Invisible Man (David Spade), to name a few. Mavis, however, is looking for a big change in her life; she’s ready to see the world and really isn’t interested in a birthday party. Then, a 21-year-old human named Jonathan (Andy Samberg) stumbles into Hotel Transylvania and creates havoc. Dracula goes into overprotective mode, but Mavis finds herself attracted to the young man.

Although I’d heard some unfavorable things about the movie, I really liked Hotel Transylvania. It is a 3D cartoon that looks and acts like an old 2D cartoon, especially the cartoon shorts Tex Avery, whom director Genndy Tartakovsky mentioned in an interview about Hotel Transylvania. Hotel Transylvania also reminded me of the 1963 Bugs Bunny “Merrie Melodies” cartoon short, Transylvania 6-5000, which was directed by Chuck Jones (with Maurice Noble) and written by John Dunn. I can also see the influence of director Tim Burton and of Charles Addams, The New Yorker cartoonist best known for creating “The Addams Family.”

Influences aside, Hotel Transylvania is a lively, fun film. The character design by Carlos Grangel and Carter Goodrich recalls Warner Bros.’ Looney Tunes cartoons (some of which the aforementioned Tex Avery directed). The production design (by Marcelo Vignali) turns Dracula’s private hotel/resort/home into a wonderland in which no two places really resemble each other.

Like Jim Carrey, Adam Sandler is a cartoon character as much as he is an actor, so it is no surprise that Sandler gives a voice performance as Count Dracula that is both layered and dynamic and cartoonish and wacky that it seems like a live-action performance. Andy Samberg almost matches him as Jonathan, and Selena Gomez makes Mavis more than just Daddy’s girl. The rest of the main cast also deliver excellent performances, with Kevin James creating a Frankenstein unlike any other and Grammy Award-wining singer-songwriter, CeeLo Green, sparkling as Murray the Mummy, a surprisingly good character.

I have not seen all of Genndy Tartakovsky work as a director of animated television series, but what I’ve seen, I’ve found to be exceptional, even great. Still, I’m surprised with the quality of his first feature film. Hotel Transylvania leaves me wanting more.

7 of 10
A-

NOTES:
2013 Golden Globes, USA: 1 nomination: “Best Animated Film”

Tuesday, February 05, 2013

Saturday, February 16, 2013

2013 Independent Spirit Award Nominations - Complete List

Film Independent Spirit Awards (formerly known as the Independent Spirit Awards) were founded in 1984 and are awards dedicated to independent filmmakers. Film Independent is the non-profit arts organization that produces the Spirit Awards and also the Los Angeles Film Festival.

The 28th Annual Film Independent Spirit Awards winners will be announced at the Spirit Awards on Saturday, February 23, 2013. The awards ceremony will be held as a daytime luncheon in a tent on the beach in Santa Monica, and the premiere broadcast will air later that evening at 10:00 pm ET/PT on IFC.

The Nominees for the 2013 Film Independent Spirit Awards:

BEST FEATURE:

Beasts of the Southern Wild
PRODUCERS: Michael Gottwald, Dan Janvey & Josh Penn

Bernie
PRODUCERS: Liz Glotzer, Richard Linklater, David McFadzean, Dete Meserve, Judd Payne, Celine Rattray, Martin Shafer, Ginger Sledge, Matt Williams

Keep the Lights On
PRODUCERS: Marie Therese Guirgis, Lucas Joaquin, Ira Sachs

Moonrise Kingdom
PRODUCERS: Wes Anderson, Jeremy Dawson, Steven Rales, Scott Rudin

Silver Linings Playbook
PRODUCERS: Bruce Cohen, Donna Gigliotti, Jonathan Gordon

BEST DIRECTOR
Wes Anderson - Moonrise Kingdom
Julia Loktev - The Loneliest Planet
David O. Russell - Silver Linings Playbook
Ira Sachs - Keep the Lights On
Benh Zeitlin - Beasts of the Southern Wild

BEST SCREENPLAY
Wes Anderson & Roman Coppola - Moonrise Kingdom
Zoe Kazan - Ruby Sparks
Martin McDonagh - Seven Psychopaths
David O. Russell - Silver Linings Playbook
Ira Sachs & Mauricio Zacharias - Keep the Lights On

BEST FIRST FEATURE (Award given to the director and producer)

Fill the Void
DIRECTOR: Rama Burshtein
PRODUCER: Assaf Amir

Gimme the Loot
DIRECTOR: Adam Leon
PRODUCERS: Dominic Buchanan, Natalie Difford, Jamund Washington

Safety Not Guaranteed
DIRECTOR: Colin Trevorrow
PRODUCERS: Derek Connolly, Stephanie Langhoff, Peter Saraf, Colin Trevorrow, Marc Turtletaub

Sound of My Voice
DIRECTOR: Zal Batmanglij
PRODUCERS: Brit Marling, Hans Ritter, Shelley Surpin

The Perks of Being a Wallflower
DIRECTOR: Stephen Chbosky
PRODUCERS: Lianne Halfon, John Malkovich, Russell Smith

BEST FIRST SCREENPLAY
Rama Burshtein - Fill the Void
Derek Connolly - Safety Not Guaranteed
Christopher Ford - Robot & Frank
Rashida Jones & Will McCormack - Celeste and Jesse Forever
Jonathan Lisecki - Gayby

JOHN CASSAVETES AWARD - Given to the best feature made for under $500,000. Award given to the writer, director, and producer. Executive Producers are not awarded.

Breakfast with Curtis
WRITER/DIRECTOR/PRODUCER: Laura Colella

Middle of Nowhere
WRITER/DIRECTOR/PRODUCER: Ava DuVernay
PRODUCERS: Howard Barish, Paul Garnes

Mosquita y Mari
WRITER/DIRECTOR: Aurora Guerrero
PRODUCER: Chad Burris

Starlet
WRITER/DIRECTOR: Sean Baker
WRITER: Chris Bergoch
PRODUCERS: Blake Ashman-Kipervaser, Kevin Chinoy, Patrick Cunningham, Chris Maybach, Francesca Silvestri

The Color Wheel
WRITER/DIRECTOR/PRODUCER: Alex Ross Perry
WRITER: Carlen Altman

BEST FEMALE LEAD
Linda Cardellini - Return
Emayatzy Corinealdi - Middle of Nowhere
Jennifer Lawrence - Silver Linings Playbook
Quvenzhané Wallis - Beasts of the Southern Wild
Mary Elizabeth Winstead - Smashed

BEST MALE LEAD
Jack Black - Bernie
Bradley Cooper - Silver Linings Playbook
John Hawkes - The Sessions
Thure Lindhardt - Keep the Lights On
Matthew McConaughey - Killer Joe
Wendell Pierce - Four

BEST SUPPORTING FEMALE
Rosemarie DeWitt - Your Sister’s Sister
Ann Dowd - Compliance
Helen Hunt - The Sessions
Brit Marling - Sound of My Voice
Lorraine Toussaint - Middle of Nowhere

BEST SUPPORTING MALE
Matthew McConaughey - Magic Mike
David Oyelowo - Middle of Nowhere
Michael Péna - End of Watch
Sam Rockwell - Seven Psychopaths
Bruce Willis - Moonrise Kingdom

BEST CINEMATOGRAPHY
Yoni Brook - Valley of Saints
Lol Crawley - Here
Ben Richardson - Beasts of the Southern Wild
Roman Vasyanov - End of Watch
Robert Yeoman - Moonrise Kingdom

BEST DOCUMENTARY (Award given to the director and producer)

How to Survive a Plague
DIRECTOR: David France
PRODUCERS: David France, Howard Gertler

Marina Abramović: The Artist is Present
DIRECTOR: Matthew Akers
PRODUCERS: Maro Chermayeff, Jeff Dupre

The Central Park Five
DIRECTORS/PRODUCERS: Ken Burns, Sarah Burns, David McMahon

The Invisible War
DIRECTOR: Kirby Dick
PRODUCERS: Tanner King Barklow, Amy Ziering

The Waiting Room
DIRECTOR/PRODUCER: Peter Nicks
PRODUCERS: Linda Davis, William B. Hirsch

BEST INTERNATIONAL FILM (Award given to the director)

Amour (France)
DIRECTOR: Michael Haneke

Once Upon A Time in Anatolia (Turkey)
DIRECTOR: Nuri Bilge Ceylan

Rust And Bone (France/Belgium)
DIRECTOR: Jacques Audiard

Sister (Switzerland)
DIRECTOR: Ursula Meier

War Witch (Democratic Republic of Congo/Canada)
DIRECTOR: Kim Nguyen

16th ANNUAL PIAGET PRODUCERS AWARD – The 16th annual Piaget Producers Award honors emerging producers who, despite highly limited resources demonstrate the creativity, tenacity, and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant funded by Piaget.

Nobody Walks
PRODUCER: Alicia Van Couvering

Prince Avalanche
PRODUCER: Derrick Tseng

Stones in the Sun
PRODUCER: Mynette Louie

19th ANNUAL SOMEONE TO WATCH AWARD – The 19th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant.

Pincus
DIRECTOR: David Fenster

Gimme the Loot
DIRECTOR: Adam Leon

Electrick Children
DIRECTOR: Rebecca Thomas

STELLA ARTOIS TRUER THAN FICTION AWARD – The 18th annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant.

Leviathan
DIRECTOR: Lucien Castaing-Taylor and Véréna Paravel

The Waiting Room
DIRECTOR: Peter Nicks

Only the Young
DIRECTOR: Jason Tippet & Elizabeth Mims

ROBERT ALTMAN AWARD - (Given to one film’s director, casting director, and its ensemble cast)
Starlet
Director: Sean Baker
Casting Director: Julia Kim
Ensemble Cast: Dree Hemingway, Besedka Johnson, Karren Karagulian, Stella Maeve, James Ransone

Friday, February 15, 2013

Review: "Live Free or Die Hard" - I Really Liked It, Didn't I?

TRASH IN MY EYE No. 102 (of 2007) by Leroy Douresseaux


Live Free or Die Hard (2007)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for intense sequences of violence and action, language, and a brief sexual situation
DIRECTOR: Len Wiseman
WRITERS: Mark Bomback; from a story by Bomback and David Marconi (based upon the article “A Farewell to Arms” by John Carlin and certain original characters by Roderick Thorp)
PRODUCERS: Michael Fottrell, John McTiernan, Arnold Rifkin, and Bruce Willis
CINEMATOGRAPHER: Simon Duggan (D.o.P.)
EDITOR: Nicolas de Toth
COMPOSER: Marco Beltrami

ACTION/THRILLER/SCI-FI

Starring: Bruce Willis, Timothy Olyphant, Justin Long, Mary Elizabeth Winstead, Maggie Q, Cliff Curtis, Jonathan Sadowski, Andrew Friedman, Tim Russ, and Kevin Smith

The subject of this movie review is Live Free or Die Hard, the fourth film in the Die Hard movie franchise. Bruce Willis returns as John McClane, a character created by the late novelist, Roderick Thorp, for his 1979 novel, Nothing Lasts Forever.

According to pop culture magazine Entertainment Weekly, after watching Underworld: Evolution with his daughters, Bruce Willis knew that’d he found in Underworld franchise director, Len Wiseman, the man to helm the long in gestation fourth Die Hard film. Willis’ Die Hard character John McClane is perhaps the actor’s signature role, and in the new film, Live Free or Die Hard, Willis proves that he and McClane are great in these movies. Meanwhile, Wiseman doesn’t just make a good movie. He makes damn great movie.

On the July 4th holiday, a mysterious figure attacks the United States digital infrastructure, and he’s figured out every angle, except old school, tough guy cop, John McClane (Bruce Willis). When’s he’s asked to escort Matt Farrell (Justin Long), a talented young hacker, into FBI custody, New York Police Detective McClane thinks of it as just another pain-in-the-butt favor keeping him enjoying his time off. When heavily armed and highly-trained killers come gunning for Matt and literally obliterate the young man’s apartment with gunfire, McClane knows Matt is part of something really big. Soon, McClane is dragging Matt across Washington DC, simultaneously trying to save his life and hunt down the cyber-terrorist who has brought America to a standstill.

Live Free or Die Hard practically hits the ground running, giving the viewer very little time to take a deep breath before diving into this smorgasbord of chase scenes, gun fights, and hand-to-hand combat that is a buffet of international fighting techniques. Of course, this is pretty much the way Underworld: Evolution opened – throw gasoline on the fire and then, throw that in the viewer’s face. Wiseman, however, does stay true to Die Hard’s roots. This is the kind of macho, big budget, special effects laden action filmmaking that thrived from the late 1980’s and into the 90’s. The 1988 Die Hard helped to give birth not only to sequels but to films that relied on gargantuan sound and complicated stunts like Bad Boys, Con Air, Face/Off, The Long Kiss Goodnight, and The Rock among others.

Willis is so good here that I hope he not only gives us more Die Hard flicks, but I also hope that he makes more action films just like this. Here, he certainly satisfied even the die-hardest Die Hard fan, but he does this with a good supporting cast. Justin Long is the perfect tag-along as Matt Farrell, who is basically a hand-held device – giving macho, blue collar McClane the lay of the geek-techie land, and Long seems perfectly happy to play that part. Timothy Olyphant’s brilliant smart bad guy, Thomas Gabriel, is the perfect foil for Willis’ comin’-to-kick-your-ass hero. Mary Elizabeth Winstead hits the right note as Lucy McClane, the fruit of John McClane’s loins.

Live Free or Die Hard may not seem like a great work of film art, but when McClane uses a car to “kill” a helicopter, you know that this is more than just another action movie. When a fighter jet takes on an 18-wheeler with McClane behind the wheel, you know Live Free or Die Hard is extra-special, and that’s not even the climax.

9 of 10
A+

Sunday, July 08, 2007