by Leroy Douresseaux
I complete today's 2012 film awards season catch-up with the Kansas City Film Critics Circle. The group named The Master as the "Best Film of 2012," and they matched Ang Lee's best director Oscar for Life of Pi by also honoring him.
Founded in 1967, The Kansas City Film Critics Circle (KCFCC) says that it is the "second oldest professional film critics" association in the United States" (behind the New York Film Critics Circle). The organization is composed of media film critics in the Kansas City metropolitan area. The KCFCC’s awards are named for the group’s founder, James Loutzenhiser, who died in November 2001.
2012 Loutzenhiser Awards:
(Announced December 16, 2012)
Best Film: The Master
Robert Altman Award for Best Director:
Ang Lee - Life of Pi
Best Actress:
Jennifer Lawrence - Silver Linings Playbook
Best Actor:
Daniel Day-Lewis - Lincoln
Best Supporting Actress:
Anne Hathaway - Les Miserables
Best Supporting Actor:
Philip Seymour Hoffman - The Master
Best Adapted Screenplay:
Chris Terrio - Argo
Best Original Screenplay:
Paul Thomas Anderson - The Master
Best Foreign Language Film:
Amour - (Austria/France)
Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: The Cabin in the Woods
Best Animated Film: Frankenweenie
Best Documentary: The Imposter
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Thursday, March 14, 2013
Kansas City Film Critics Obeyed "The Master" in 2012
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Kansas City Film Critics Chose "The Descendants" in 2011
by Leroy Douresseaux
I'm still playing catch-up on the 2012 film awards season. I discovered that I missed the Kansas City Film Critics Circle (KCFCC) in 2011, although I covered them in 2010. So here are their 2011 awards:
2011 Loutzenhiser Awards:
Best Film: The Descendants
Robert Altman Award for Best Director: Terrence Malick, The Tree of Life
Best Actor: George Clooney, The Descendants
Best Actress: Kirsten Dunst, Melancholia
Best Supporting Actor: Christopher Plummer, Beginners
Best Supporting Actress: Jessica Chastain, The Tree of Life
Best Original Screenplay: Mike Mills, Beginners
Best Adapted Screenplay: Steven Zaillian & Aaron Sorkin, Moneyball
Best Animated Film: Rango
Best Foreign Language Film: A Separation (Iran)
Best Documentary: Cave of Forgotten Dreams
Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: Hugo
I'm still playing catch-up on the 2012 film awards season. I discovered that I missed the Kansas City Film Critics Circle (KCFCC) in 2011, although I covered them in 2010. So here are their 2011 awards:
2011 Loutzenhiser Awards:
Best Film: The Descendants
Robert Altman Award for Best Director: Terrence Malick, The Tree of Life
Best Actor: George Clooney, The Descendants
Best Actress: Kirsten Dunst, Melancholia
Best Supporting Actor: Christopher Plummer, Beginners
Best Supporting Actress: Jessica Chastain, The Tree of Life
Best Original Screenplay: Mike Mills, Beginners
Best Adapted Screenplay: Steven Zaillian & Aaron Sorkin, Moneyball
Best Animated Film: Rango
Best Foreign Language Film: A Separation (Iran)
Best Documentary: Cave of Forgotten Dreams
Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: Hugo
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Wednesday, March 13, 2013
Review: "Celeste and Jesse Forever" for Reals
TRASH IN MY EYE No. 19 (of 2013) by Leroy Douresseaux
Celeste & Jesse Forever (2012)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – R for language, sexual content and drug use
DIRECTOR: Lee Toland Krieger
WRITERS: Rashida Jones and Will McCormack
PRODUCERS: Lee Nelson, Jennifer Todd, and Suzanne Todd
CINEMATOGRAPHER: David Lanzenberg
EDITOR: Yana Gorskaya
COMPOSERS: Zach Cowie and Sunny Levine (for Biggest Crush)
Black Reel Award nominee
ROMANCE/COMEDY/DRAMA
Starring: Rashida Jones, Andy Samberg, Ari Graynor, Eric Christian Olsen, Emma Roberts, Chris Messina, Rich Sommer, Rebecca Dayan, Will McCormack, Rafi Gavron, Chris Pine, and Elijah Wood
Celeste & Jesse Forever is a 2012 comedy-drama and romance film, starring Rashida Jones and Andy Samberg. Jones co-wrote the screenplay with Will McCormack, who also has a small acting role in the film. Jones and Samberg play a divorcing couple trying to maintain friendship while both pursuing relationships with other people.
Celeste Martin (Rashida Jones) and Jesse Abrams (Andy Samberg) were best friends and high school sweethearts. Now, they are a married couple, separated and headed for divorce. They remain best friends, but their new status irritates their friends, especially Tucker (Eric Christian Olsen) and Beth (Ari Graynor), who think that Celeste and Jesse are being weird. When Jesse gets some shocking news from a former acquaintance, Celeste starts having serious doubts about what her relationship with Jesse should be.
Celeste & Jesse Forever is more a romantic drama than it is a romantic comedy. It is also a straight character drama, as introspective as it is surprisingly funny. Celeste & Jesse Forever is one of the best (if not the best) romance films of 2012, and it has a number of high qualities. The performances are good, and the directing is lively and captures the film’s off-beat sensibilities. The cinematography seems vaguely futuristic, and the soundtrack is filled with songs that are either perfect for the moment or are delightful in the way that they are inappropriate for a scene.
The film’s strength is its screenplay. Rashida Jones and Will McCormack earned a 2013 Independent Spirit Award nomination for “Best First Screenplay” and a best screenplay nomination from the 2013 Black Reel Awards. Jones and McCormack tread on familiar ground with this story, but twist and contort it in interesting ways. Every time I thought that this movie was looking too much like a cookie-cutter romance, the story struck an odd note or peculiar pose.
And Rashida Jones flows through this film with her lovely performance. If you write an interesting part for yourself, the smart thing to do is turn in a performance that captures what is different and exciting about your screenplay, and Jones does just that. Andy Samberg is good, but this story does not require him to be adventurous as an actor. There are also a number of good supporting performances. Will McCormack is funny as the odd weed dealer, Skillz, and Emma Roberts is a delightful scene-stealer as pop music princess, Riley Banks.
Celeste & Jesse Forever is always turning on the charm, but this movie works because it manages both to feel real and to be uncommon and distinctive. It’s sweet and melancholy and pungent and joyous.
8 of 10
A
NOTES:
2013 Black Reel Awards: 2 nominations: “Best Actress” (Rashida Jones) and “Best Screenplay, Original or Adapted” (Rashida Jones and Will McCormack)
Friday, March 08, 2013
Celeste & Jesse Forever (2012)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – R for language, sexual content and drug use
DIRECTOR: Lee Toland Krieger
WRITERS: Rashida Jones and Will McCormack
PRODUCERS: Lee Nelson, Jennifer Todd, and Suzanne Todd
CINEMATOGRAPHER: David Lanzenberg
EDITOR: Yana Gorskaya
COMPOSERS: Zach Cowie and Sunny Levine (for Biggest Crush)
Black Reel Award nominee
ROMANCE/COMEDY/DRAMA
Starring: Rashida Jones, Andy Samberg, Ari Graynor, Eric Christian Olsen, Emma Roberts, Chris Messina, Rich Sommer, Rebecca Dayan, Will McCormack, Rafi Gavron, Chris Pine, and Elijah Wood
Celeste & Jesse Forever is a 2012 comedy-drama and romance film, starring Rashida Jones and Andy Samberg. Jones co-wrote the screenplay with Will McCormack, who also has a small acting role in the film. Jones and Samberg play a divorcing couple trying to maintain friendship while both pursuing relationships with other people.
Celeste Martin (Rashida Jones) and Jesse Abrams (Andy Samberg) were best friends and high school sweethearts. Now, they are a married couple, separated and headed for divorce. They remain best friends, but their new status irritates their friends, especially Tucker (Eric Christian Olsen) and Beth (Ari Graynor), who think that Celeste and Jesse are being weird. When Jesse gets some shocking news from a former acquaintance, Celeste starts having serious doubts about what her relationship with Jesse should be.
Celeste & Jesse Forever is more a romantic drama than it is a romantic comedy. It is also a straight character drama, as introspective as it is surprisingly funny. Celeste & Jesse Forever is one of the best (if not the best) romance films of 2012, and it has a number of high qualities. The performances are good, and the directing is lively and captures the film’s off-beat sensibilities. The cinematography seems vaguely futuristic, and the soundtrack is filled with songs that are either perfect for the moment or are delightful in the way that they are inappropriate for a scene.
The film’s strength is its screenplay. Rashida Jones and Will McCormack earned a 2013 Independent Spirit Award nomination for “Best First Screenplay” and a best screenplay nomination from the 2013 Black Reel Awards. Jones and McCormack tread on familiar ground with this story, but twist and contort it in interesting ways. Every time I thought that this movie was looking too much like a cookie-cutter romance, the story struck an odd note or peculiar pose.
And Rashida Jones flows through this film with her lovely performance. If you write an interesting part for yourself, the smart thing to do is turn in a performance that captures what is different and exciting about your screenplay, and Jones does just that. Andy Samberg is good, but this story does not require him to be adventurous as an actor. There are also a number of good supporting performances. Will McCormack is funny as the odd weed dealer, Skillz, and Emma Roberts is a delightful scene-stealer as pop music princess, Riley Banks.
Celeste & Jesse Forever is always turning on the charm, but this movie works because it manages both to feel real and to be uncommon and distinctive. It’s sweet and melancholy and pungent and joyous.
8 of 10
A
NOTES:
2013 Black Reel Awards: 2 nominations: “Best Actress” (Rashida Jones) and “Best Screenplay, Original or Adapted” (Rashida Jones and Will McCormack)
Friday, March 08, 2013
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Tuesday, March 12, 2013
Second Sundance London Opens in April 2013
SUNDANCE LONDON FILM AND PANEL PROGRAMME ANNOUNCED FEATURE FILMS, SPECIAL EVENTS, SHORT FILMS AND PANELS AT THE O2, 25-28 APRIL
Passes and ticket packages now on sale; Individual tickets on sale Friday
The O2, 11 March 2013 — Sundance Institute and The O2 announced today the programme of panels, feature films and short films for the second Sundance London film and music festival, 25-28 April at The O2. Passes and ticket packages are available at www.sundance-london.com, and individual tickets will be on sale from 9:00 a.m. GMT Friday 15 March.
Sundance Institute, which annually presents the Sundance Film Festival in Park City, Utah, U.S.A., selected the film and panel programming. The 2013 programme continues its 2012 focus on presenting new work by independent filmmakers and exploring the interplay between independent film and music.
The programme announced today includes 18 feature films and nine short films across four sections, including a new UK Spotlight. Twenty-three films will make their international, European or UK premieres at Sundance London. Ten are by female filmmakers and six are by first-time feature filmmakers. The films collectively received 12 awards when they premiered at the Sundance Film Festival in Park City, Utah, U.S.A.. Among the artists expected to attend Sundance London are Lake Bell, Mike Birbiglia, Jimmy Carr, the Eagles, Barbara Kopple and Peaches, as well as Sundance Institute President & Founder Robert Redford.
Robert Redford said, “We would hope for Sundance London to be another 'Sundance' experience – lively, culturally relevant and fun. We look forward to engaging with audiences as we discover new voices, new points of view and new perspectives.”
John Cooper, Director of the Sundance Film Festival, said, “The film and panel programme announced today reflects the energy and enthusiasm that ignited audiences just weeks ago at our 2013 Sundance Film Festival. Building on the success of the first Sundance London, we again welcome the opportunity to engage with passionate and adventurous UK audiences and introduce them to the new work of independent filmmakers.”
Rebecca Kane, General Manager of The O2, said, “I am very excited to welcome Sundance London back to The O2 to build on the success of last year’s event, which attracted the likes of Robert Redford, Rufus and Martha Wainwright, and The Prince of Wales. Sundance London is a great opportunity for film and music fans to engage with artistes, and it also plays a big role in showcasing The O2’s ability to host high-profile global events that attract a variety of audiences.”
In addition to film screenings and panels, Sundance London will host several live music performances and events. Peaches has been announced as the first headlining act for the 2013 festival, and tickets for that performance are now on sale. Additional music performers will be named. Among the 17 musical acts at the first-ever Sundance London were Tricky and Martina Topley-Bird, Placebo, and Rufus and Martha Wainwright.
For more information visit www.sundance-london.com or follow @SundancefestUK on Twitter.
www.sundance-london.com
Passes and ticket packages now on sale; Individual tickets on sale Friday
The O2, 11 March 2013 — Sundance Institute and The O2 announced today the programme of panels, feature films and short films for the second Sundance London film and music festival, 25-28 April at The O2. Passes and ticket packages are available at www.sundance-london.com, and individual tickets will be on sale from 9:00 a.m. GMT Friday 15 March.
Sundance Institute, which annually presents the Sundance Film Festival in Park City, Utah, U.S.A., selected the film and panel programming. The 2013 programme continues its 2012 focus on presenting new work by independent filmmakers and exploring the interplay between independent film and music.
The programme announced today includes 18 feature films and nine short films across four sections, including a new UK Spotlight. Twenty-three films will make their international, European or UK premieres at Sundance London. Ten are by female filmmakers and six are by first-time feature filmmakers. The films collectively received 12 awards when they premiered at the Sundance Film Festival in Park City, Utah, U.S.A.. Among the artists expected to attend Sundance London are Lake Bell, Mike Birbiglia, Jimmy Carr, the Eagles, Barbara Kopple and Peaches, as well as Sundance Institute President & Founder Robert Redford.
Robert Redford said, “We would hope for Sundance London to be another 'Sundance' experience – lively, culturally relevant and fun. We look forward to engaging with audiences as we discover new voices, new points of view and new perspectives.”
John Cooper, Director of the Sundance Film Festival, said, “The film and panel programme announced today reflects the energy and enthusiasm that ignited audiences just weeks ago at our 2013 Sundance Film Festival. Building on the success of the first Sundance London, we again welcome the opportunity to engage with passionate and adventurous UK audiences and introduce them to the new work of independent filmmakers.”
Rebecca Kane, General Manager of The O2, said, “I am very excited to welcome Sundance London back to The O2 to build on the success of last year’s event, which attracted the likes of Robert Redford, Rufus and Martha Wainwright, and The Prince of Wales. Sundance London is a great opportunity for film and music fans to engage with artistes, and it also plays a big role in showcasing The O2’s ability to host high-profile global events that attract a variety of audiences.”
In addition to film screenings and panels, Sundance London will host several live music performances and events. Peaches has been announced as the first headlining act for the 2013 festival, and tickets for that performance are now on sale. Additional music performers will be named. Among the 17 musical acts at the first-ever Sundance London were Tricky and Martina Topley-Bird, Placebo, and Rufus and Martha Wainwright.
For more information visit www.sundance-london.com or follow @SundancefestUK on Twitter.
www.sundance-london.com
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2013 Sundance London Feature Film and Panel Programmes
Sundance London Film and Music Festival - April 25 to 28, 2013:
FEATURE FILM PROGRAMME — The international and UK premieres of American independent narrative and documentary films that premiered in January at the 2013 Sundance Film Festival in Park City, Utah, U.S.A.
Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary) International Premiere
Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the U.S. Grand Jury Prize: Documentary and the Audience Award: U.S. Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary) UK Premiere
Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative) International Premiere
God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary) European Premiere
In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic at the 2013 Sundance Film Festival. (Narrative) International Premiere
The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative) UK Premiere
The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative) International Premiere
Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary) UK Premiere
Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary) International Premiere
Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative) International Premiere
Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a U.S. Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival U.S. Grand Jury Prize: Dramatic-winning film Primer. (Narrative) UK Premiere
SPECIAL EVENT PROGRAMME — On-screen stories complemented by extraordinary off-screen experiences.
History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary) International Premiere
Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative) UK Premiere
Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative) European Premiere
UK SPOTLIGHT — Drawing on the Sundance Film Festival’s rich legacy of premiering outstanding films produced in the UK – including An Education, Four Weddings and a Funeral, In Bruges, In the Loop, Kinky Boots, and Lock, Stock, and Two Smoking Barrels – this new showcase presents a selection of UK films that premiered in Park City, Utah.
In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative) UK Premiere
The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative) UK Premiere
The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary) UK Premiere
The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: U.S. Documentary at the 2013 Sundance Film Festival. (Documentary)
SHORT FILM PROGRAMME — A wide-ranging collection of short films that screened in January at the 2013 Sundance Film Festival. All will screen together in one Short Film Programme. The winner of the Sundance London Short Film Competition will be the tenth short film featured.
The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. International Premiere
Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band. European Premiere
The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.
Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.
Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS. UK Premiere
Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.
Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival. European Premiere
Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: U.S. Fiction at the 2013 Sundance Film Festival. International Premiere
The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival. UK Premiere
PANEL PROGRAMME — Discussions with renowned guest speakers providing incredible insights into the filmmaking process.
The Art of the Score: An Afternoon with David Arnold — In a career that has produced over 60 scores to date, David Arnold has written and arranged some of the most exciting music in film and television today – and has done so across myriad genres and styles. Best known for his five James Bond scores, including Casino Royale and Tomorrow Never Dies, as well as Independence Day, Stargate, Godzilla, Hot Fuzz, The Stepford Wives, and the television series Sherlock and Little Britain, his work has garnered numerous Grammy, Emmy, BAFTA, UK Royal Television Society and BMI awards and nominations. He was also Musical Director for 2012 Olympic Games and 2012 Paralympic Games in London. In a lively afternoon celebrating creativity and collaboration, Arnold and guests offer a first-hand look at the composing process – through conversation, clips and various demonstrations of his approach to film and the musical choices that have led to some of his most notable work.
Screenwriting Flash Lab — It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure. And yet the fear of failure can stymy creativity. What is a writer to do? Join UK and American screenwriters for a lively, honest and irreverent discussion on the creative lessons learned from their biggest “cock-ups”. A not-to-be-missed opportunity to meet fellow writers, as well as Sundance Institute’s Feature Film Program Founding Director, Michelle Satter, and International Director, Paul Federbush. Tony Grisoni (Fear and Loathing in Las Vegas, Tideland, In This World, Death Defying Acts), Peter Straughan (Tinker, Tailor, Soldier, Spy, The Debt, Men Who Stare at Goats), Lynn Shelton (Touchy Feely, Your Sister’s Sister, Humpday), moderator Mia Bays, Oscar-winning producer (Six Shooter, 30 Century Man) and marketing consultant / creative executive at Microwave, and other panelist to be announced. Co-presented with BAFTA.
Senses of Humor and Humour: US – UK Comedy — As the wisest among us have often observed, humor is a serious thing. A strangely elusive form (E.B. White once likened it to dissecting a frog; you can do it, but the thing dies in the process) comedy may be dispensed with sugarcoated smoothness, but it’s a uniquely powerful, sophisticated way of looking at the foibles of human nature and the contradictions of our lives and societies. From family dysfunction to global politics, comedians might argue that laughing at the world is simply the most sensible way of making sense of it. In a battle to establish who is funnier and why, our group of UK and US actors, comedians and filmmakers unpeel the layers and explore what’s behind the American and British “brands” of humor. With comedian, author and filmmaker Mike Birbiglia (Sleepwalk With Me), writer, director and actress Lake Bell (In A World…) and other panelists to be announced. Co-presented with BFI.
FEATURE FILM PROGRAMME — The international and UK premieres of American independent narrative and documentary films that premiered in January at the 2013 Sundance Film Festival in Park City, Utah, U.S.A.
Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary) International Premiere
Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the U.S. Grand Jury Prize: Documentary and the Audience Award: U.S. Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary) UK Premiere
Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative) International Premiere
God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary) European Premiere
In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic at the 2013 Sundance Film Festival. (Narrative) International Premiere
The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative) UK Premiere
The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative) International Premiere
Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary) UK Premiere
Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary) International Premiere
Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative) International Premiere
Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a U.S. Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival U.S. Grand Jury Prize: Dramatic-winning film Primer. (Narrative) UK Premiere
SPECIAL EVENT PROGRAMME — On-screen stories complemented by extraordinary off-screen experiences.
History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary) International Premiere
Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative) UK Premiere
Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative) European Premiere
UK SPOTLIGHT — Drawing on the Sundance Film Festival’s rich legacy of premiering outstanding films produced in the UK – including An Education, Four Weddings and a Funeral, In Bruges, In the Loop, Kinky Boots, and Lock, Stock, and Two Smoking Barrels – this new showcase presents a selection of UK films that premiered in Park City, Utah.
In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative) UK Premiere
The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative) UK Premiere
The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary) UK Premiere
The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: U.S. Documentary at the 2013 Sundance Film Festival. (Documentary)
SHORT FILM PROGRAMME — A wide-ranging collection of short films that screened in January at the 2013 Sundance Film Festival. All will screen together in one Short Film Programme. The winner of the Sundance London Short Film Competition will be the tenth short film featured.
The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. International Premiere
Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band. European Premiere
The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.
Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.
Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS. UK Premiere
Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.
Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival. European Premiere
Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: U.S. Fiction at the 2013 Sundance Film Festival. International Premiere
The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival. UK Premiere
PANEL PROGRAMME — Discussions with renowned guest speakers providing incredible insights into the filmmaking process.
The Art of the Score: An Afternoon with David Arnold — In a career that has produced over 60 scores to date, David Arnold has written and arranged some of the most exciting music in film and television today – and has done so across myriad genres and styles. Best known for his five James Bond scores, including Casino Royale and Tomorrow Never Dies, as well as Independence Day, Stargate, Godzilla, Hot Fuzz, The Stepford Wives, and the television series Sherlock and Little Britain, his work has garnered numerous Grammy, Emmy, BAFTA, UK Royal Television Society and BMI awards and nominations. He was also Musical Director for 2012 Olympic Games and 2012 Paralympic Games in London. In a lively afternoon celebrating creativity and collaboration, Arnold and guests offer a first-hand look at the composing process – through conversation, clips and various demonstrations of his approach to film and the musical choices that have led to some of his most notable work.
Screenwriting Flash Lab — It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure. And yet the fear of failure can stymy creativity. What is a writer to do? Join UK and American screenwriters for a lively, honest and irreverent discussion on the creative lessons learned from their biggest “cock-ups”. A not-to-be-missed opportunity to meet fellow writers, as well as Sundance Institute’s Feature Film Program Founding Director, Michelle Satter, and International Director, Paul Federbush. Tony Grisoni (Fear and Loathing in Las Vegas, Tideland, In This World, Death Defying Acts), Peter Straughan (Tinker, Tailor, Soldier, Spy, The Debt, Men Who Stare at Goats), Lynn Shelton (Touchy Feely, Your Sister’s Sister, Humpday), moderator Mia Bays, Oscar-winning producer (Six Shooter, 30 Century Man) and marketing consultant / creative executive at Microwave, and other panelist to be announced. Co-presented with BAFTA.
Senses of Humor and Humour: US – UK Comedy — As the wisest among us have often observed, humor is a serious thing. A strangely elusive form (E.B. White once likened it to dissecting a frog; you can do it, but the thing dies in the process) comedy may be dispensed with sugarcoated smoothness, but it’s a uniquely powerful, sophisticated way of looking at the foibles of human nature and the contradictions of our lives and societies. From family dysfunction to global politics, comedians might argue that laughing at the world is simply the most sensible way of making sense of it. In a battle to establish who is funnier and why, our group of UK and US actors, comedians and filmmakers unpeel the layers and explore what’s behind the American and British “brands” of humor. With comedian, author and filmmaker Mike Birbiglia (Sleepwalk With Me), writer, director and actress Lake Bell (In A World…) and other panelists to be announced. Co-presented with BFI.
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Monday, March 11, 2013
Review: Oz the (Not So) Great and (Not Really) Powerful
TRASH IN MY EYE No. 18 (of 2013) by Leroy Douresseaux
Oz the Great and Powerful (2013)
Running minutes: 130 minutes (2 hours, 10 minutes)
MPAA – PG for sequences of action and scary images, and brief mild language
DRIECTOR: Sam Raimi
WRITERS: Mitchell Kapner and David Lindsay-Abaire; from a screen story by Mitchell Kapner (based on the works of L. Frank Baum)
PRODUCER: Joe Roth
CINEMATOGRAPHER: Peter Deming
EDITOR: Bob Murawski
COMPOSER: Danny Elfman
FANTASY with elements of action, adventure, and comedy
Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, Tony Cox, Bruce Campbell, and Ted Raimi
Oz the Great and Powerful is a 2013 fantasy film from Walt Disney Pictures. Directed by Sam Raimi, this movie is based on the works of L. Frank Baum, especially Baum’s most famous book, The Wonderful Wizard of Oz, which was first published in 1900. Oz the Great and Powerful’s story takes place before the events depicted in the book, so the movie is kind of a prequel to the novel. The new movie focuses on a small-time magician who arrives in an enchanted land, where he reluctantly joins a fight to save the land from evil witches.
Oz the Great and Powerful (which I will sometimes refer to as “OGP”) is not officially connected to the 1939 film, The Wizard of Oz, which is also based on Baum’s original novel and was produced by MGM (and is now owned by Time-Warner). In terms of quality, Oz the Great and Powerful is half the movie the 1939 film is. OGP is not a bad movie; it is simply mediocre, corporate film-product that cannot hide weak characters and a poor story behind tens of millions of dollars worth of special effects.
Oz the Great and Powerful opens in 1905, where we meet Oscar “Oz” Diggs (James Franco), a small-time magician, con artist, and womanizer. His activities lead him to make a desperate escape aboard a hot air balloon. The balloon, however, is sucked into a tornado, which takes Oscar to the mysterious and strange Land of Oz. The first resident of Oz he meets is the beautiful Theodora, the Wicked Witch of the West (Mila Kunis). Theodora tells Oscar that he is the prophesized wizard who will save Oz from the wicked Glinda the Good Witch (Michelle Williams).
They travel the yellow brick road to Emerald City, the capital of Oz. There, Oscar meets Theodora’s sister, Evanora, the Wicked Witch of the East (Rachel Weisz), who sends Oscar on a mission. Joined by Finley the Flying Monkey (voice of Zach Braff) and China Girl (voice Joey King), Oscar begins a journey that takes him to Munchkinland, where he must decide whether to be great or to be a good man.
In a perfect world, Oz the Great and Powerful would be judged on its own merits, but this is not a perfect world. This is an imperfect world that is made better by a great movie first released in 1939, The Wizard of Oz. In that film, Judy Garland is still a young thing and matte paints can make you believe in dark forests and emerald cities. Thus, OGP must match up with (or perhaps against) that classic 1939 film, and OGP doesn’t win that match up.
Oz the Great and Powerful has its inventive moments, but it lacks the imagination of the 1939 film. The new film is all special effects technical wizardry, but it doesn’t have the magic, the heart, or the folksy charm of 1939 film. There are a few moments in OGP that mimic the first film’s rustic flourishes, but everything else in OGP pales before a computer-generated onslaught of elements and effects. This is not heart; this is noise.
The last half hour of Oz the Great and Powerful (before the end credits) is actually quite good, but the other 90 minutes is equal parts hits and misses. The actors and their characters are also inconsistent. Who thought James Franco was right for this part? Franco is a good actor, but half the time, I found him unconvincing as Oscar Diggs. Michelle Williams’s performance as Glinda is way too sugary, a shame as she is actually a good actor.
OGP is really an odd little movie that was super-sized and thus, made too big by corporate studio demands. Still, I think fans of all-things-Oz, young and old, will find things to like about this movie (as I have), if not fall in love with the entire movie. The last act nearly makes up for the rest of the movie, but not quite. Oz the Great and Powerful is big rather than great and overpowering rather than powerful.
5 of 10
C+
Monday, March 11, 2013
Oz the Great and Powerful (2013)
Running minutes: 130 minutes (2 hours, 10 minutes)
MPAA – PG for sequences of action and scary images, and brief mild language
DRIECTOR: Sam Raimi
WRITERS: Mitchell Kapner and David Lindsay-Abaire; from a screen story by Mitchell Kapner (based on the works of L. Frank Baum)
PRODUCER: Joe Roth
CINEMATOGRAPHER: Peter Deming
EDITOR: Bob Murawski
COMPOSER: Danny Elfman
FANTASY with elements of action, adventure, and comedy
Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, Tony Cox, Bruce Campbell, and Ted Raimi
Oz the Great and Powerful is a 2013 fantasy film from Walt Disney Pictures. Directed by Sam Raimi, this movie is based on the works of L. Frank Baum, especially Baum’s most famous book, The Wonderful Wizard of Oz, which was first published in 1900. Oz the Great and Powerful’s story takes place before the events depicted in the book, so the movie is kind of a prequel to the novel. The new movie focuses on a small-time magician who arrives in an enchanted land, where he reluctantly joins a fight to save the land from evil witches.
Oz the Great and Powerful (which I will sometimes refer to as “OGP”) is not officially connected to the 1939 film, The Wizard of Oz, which is also based on Baum’s original novel and was produced by MGM (and is now owned by Time-Warner). In terms of quality, Oz the Great and Powerful is half the movie the 1939 film is. OGP is not a bad movie; it is simply mediocre, corporate film-product that cannot hide weak characters and a poor story behind tens of millions of dollars worth of special effects.
Oz the Great and Powerful opens in 1905, where we meet Oscar “Oz” Diggs (James Franco), a small-time magician, con artist, and womanizer. His activities lead him to make a desperate escape aboard a hot air balloon. The balloon, however, is sucked into a tornado, which takes Oscar to the mysterious and strange Land of Oz. The first resident of Oz he meets is the beautiful Theodora, the Wicked Witch of the West (Mila Kunis). Theodora tells Oscar that he is the prophesized wizard who will save Oz from the wicked Glinda the Good Witch (Michelle Williams).
They travel the yellow brick road to Emerald City, the capital of Oz. There, Oscar meets Theodora’s sister, Evanora, the Wicked Witch of the East (Rachel Weisz), who sends Oscar on a mission. Joined by Finley the Flying Monkey (voice of Zach Braff) and China Girl (voice Joey King), Oscar begins a journey that takes him to Munchkinland, where he must decide whether to be great or to be a good man.
In a perfect world, Oz the Great and Powerful would be judged on its own merits, but this is not a perfect world. This is an imperfect world that is made better by a great movie first released in 1939, The Wizard of Oz. In that film, Judy Garland is still a young thing and matte paints can make you believe in dark forests and emerald cities. Thus, OGP must match up with (or perhaps against) that classic 1939 film, and OGP doesn’t win that match up.
Oz the Great and Powerful has its inventive moments, but it lacks the imagination of the 1939 film. The new film is all special effects technical wizardry, but it doesn’t have the magic, the heart, or the folksy charm of 1939 film. There are a few moments in OGP that mimic the first film’s rustic flourishes, but everything else in OGP pales before a computer-generated onslaught of elements and effects. This is not heart; this is noise.
The last half hour of Oz the Great and Powerful (before the end credits) is actually quite good, but the other 90 minutes is equal parts hits and misses. The actors and their characters are also inconsistent. Who thought James Franco was right for this part? Franco is a good actor, but half the time, I found him unconvincing as Oscar Diggs. Michelle Williams’s performance as Glinda is way too sugary, a shame as she is actually a good actor.
OGP is really an odd little movie that was super-sized and thus, made too big by corporate studio demands. Still, I think fans of all-things-Oz, young and old, will find things to like about this movie (as I have), if not fall in love with the entire movie. The last act nearly makes up for the rest of the movie, but not quite. Oz the Great and Powerful is big rather than great and overpowering rather than powerful.
5 of 10
C+
Monday, March 11, 2013
Labels:
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Disney's "D23" Goes to Japan in October 2013
First-Ever D23 Expo Japan to Be Held October 12–14, 2013
The Official Disney Fan Club’s Signature Event Makes Its International Debut
TOKYO--(BUSINESS WIRE)--The Walt Disney Company Japan (NYSE: DIS) announced that it will stage the first-ever D23 Expo Japan, a special event for Disney fans created by D23: The Official Disney Fan Club. D23 Expo Japan, the first Expo to be held outside the U.S., will feature an array of engaging presentations, hosted by senior Disney creative executives, showcasing what’s on the horizon from across The Walt Disney Company, including theme parks, movies, television, music, and interactive gaming. Fans will enjoy unique experiences; have the opportunity to purchase one-of-a-kind merchandise and collectibles; meet many of their favorite Disney characters; and delight in countless other surprises. D23 Expo Japan will take place October 12–14, 2013, at the Tokyo Disney Resort® in the Maihama area. Expo ticketing and program information will be announced in March.
D23 Expo Japan will also feature two special exhibitions celebrating landmark Disney milestones. First, to pay homage to The Walt Disney Company’s 90th Anniversary, D23 and the Walt Disney Archives will present Treasures of the Walt Disney Archives, featuring nine decades of treasures from the Archives’ vast collection. Plus, the Tokyo Disney Resort will celebrate its 30th year with a special retrospective exhibit. This special exhibition, presented by Oriental Land, operator of Tokyo Disney Resort, celebrates this milestone year by making D23 Expo Japan possible. Further details will be posted at http://disney.jp/D23 as they become available.
“We are thrilled to host this extraordinary, three-day event where all the wonderful worlds of Disney come together,” said Paul Candland, president, The Walt Disney Company Japan. “2013 marks The Walt Disney Company’s 90th anniversary, Disney Channel’s 10th, Disney Mobile’s fifth, the Disney–JCB Card’s fifth, Dlife’s first, and Tokyo Disney Resort’s 30th! The D23 Expo Japan allows us to show Disney’s tremendous appreciation to its fans.”
This event is supported by JCB Co., Ltd, and The Dai-ichi Life Insurance Company, Limited as official sponsors.
Disney fans from around the globe flocked to Anaheim, Calif., for the first D23 Expo: The Ultimate Disney Fan Event, in September 2009, followed by a second in August 2011. The next D23 Expo will take place August 9–11, 2013, at the Anaheim Convention Center and will feature: the 2013 Disney Legends Ceremony; a special exhibit from the Walt Disney Archives; the Collectors Forum, where Disney fans can buy, sell, and trade Disney collectibles, memorabilia, and merchandise; an all-new Fan Art Contest themed to the upcoming 50th anniversary of Mary Poppins, and a massive show floor full of special opportunities to see what’s on the horizon for Disney around the world.
About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products, and interactive. Disney is a Dow 30 company and had annual revenues of about $42.3 billion in its last fiscal year.
About D23: The Official Disney Fan Club
D23: The Official Disney Fan Club celebrates the remarkable past, present, and future of Disney, taking its name from 1923, the year Walt Disney founded his world-famous company. D23 unlocks the magic of Disney with a host of exclusive benefits, including a quarterly publication, Disney twenty-three; a rich website at www.D23.com; a weekly e-mail newsletter; an array of discounts and special offers; and free gifts throughout the year; as well as exclusive events created especially for its members.
The Official Disney Fan Club’s Signature Event Makes Its International Debut
TOKYO--(BUSINESS WIRE)--The Walt Disney Company Japan (NYSE: DIS) announced that it will stage the first-ever D23 Expo Japan, a special event for Disney fans created by D23: The Official Disney Fan Club. D23 Expo Japan, the first Expo to be held outside the U.S., will feature an array of engaging presentations, hosted by senior Disney creative executives, showcasing what’s on the horizon from across The Walt Disney Company, including theme parks, movies, television, music, and interactive gaming. Fans will enjoy unique experiences; have the opportunity to purchase one-of-a-kind merchandise and collectibles; meet many of their favorite Disney characters; and delight in countless other surprises. D23 Expo Japan will take place October 12–14, 2013, at the Tokyo Disney Resort® in the Maihama area. Expo ticketing and program information will be announced in March.
D23 Expo Japan will also feature two special exhibitions celebrating landmark Disney milestones. First, to pay homage to The Walt Disney Company’s 90th Anniversary, D23 and the Walt Disney Archives will present Treasures of the Walt Disney Archives, featuring nine decades of treasures from the Archives’ vast collection. Plus, the Tokyo Disney Resort will celebrate its 30th year with a special retrospective exhibit. This special exhibition, presented by Oriental Land, operator of Tokyo Disney Resort, celebrates this milestone year by making D23 Expo Japan possible. Further details will be posted at http://disney.jp/D23 as they become available.
“We are thrilled to host this extraordinary, three-day event where all the wonderful worlds of Disney come together,” said Paul Candland, president, The Walt Disney Company Japan. “2013 marks The Walt Disney Company’s 90th anniversary, Disney Channel’s 10th, Disney Mobile’s fifth, the Disney–JCB Card’s fifth, Dlife’s first, and Tokyo Disney Resort’s 30th! The D23 Expo Japan allows us to show Disney’s tremendous appreciation to its fans.”
This event is supported by JCB Co., Ltd, and The Dai-ichi Life Insurance Company, Limited as official sponsors.
Disney fans from around the globe flocked to Anaheim, Calif., for the first D23 Expo: The Ultimate Disney Fan Event, in September 2009, followed by a second in August 2011. The next D23 Expo will take place August 9–11, 2013, at the Anaheim Convention Center and will feature: the 2013 Disney Legends Ceremony; a special exhibit from the Walt Disney Archives; the Collectors Forum, where Disney fans can buy, sell, and trade Disney collectibles, memorabilia, and merchandise; an all-new Fan Art Contest themed to the upcoming 50th anniversary of Mary Poppins, and a massive show floor full of special opportunities to see what’s on the horizon for Disney around the world.
About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products, and interactive. Disney is a Dow 30 company and had annual revenues of about $42.3 billion in its last fiscal year.
About D23: The Official Disney Fan Club
D23: The Official Disney Fan Club celebrates the remarkable past, present, and future of Disney, taking its name from 1923, the year Walt Disney founded his world-famous company. D23 unlocks the magic of Disney with a host of exclusive benefits, including a quarterly publication, Disney twenty-three; a rich website at www.D23.com; a weekly e-mail newsletter; an array of discounts and special offers; and free gifts throughout the year; as well as exclusive events created especially for its members.
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