JAY Z Hooks Up with Baz Luhrmann for "The Great Gatsby"

Shawn “JAY Z” Carter Teams up with Baz Luhrmann on “The Great Gatsby”

Shawn “JAY Z” Carter to serve as Executive Producer and perform on “The Great Gatsby” soundtrack which will feature a varied collection of the world’s most talented and compelling musical artists

BURBANK, Calif.--(BUSINESS WIRE)--Grammy Award-winning musical artist Shawn “JAY Z” Carter has collaborated with writer/producer/director Baz Luhrmann on “The Great Gatsby”—in the capacity of Executive Producer—to bring the modern “Jazz Age” energy of F. Scott Fitzgerald’s original text to the big screen, procuring, performing, producing and arranging for a soundtrack featuring some of the world’s top musical artists.

JAY Z’s contributions, woven amongst a score by long-time Luhrmann collaborator, composer Craig Armstrong, drive Gatsby’s champagne-infused dance floors, rumble in New York’s illegal speakeasies, and foreshadow the tragedy behind Gatsby’s “extraordinary gift for hope.” To articulate the film’s “1920s-Meets-Now” sound, JAY Z also comes to “The Great Gatsby” soundtrack as a performer and contributor of original music.

Luhrmann and JAY Z were introduced by Leonardo DiCaprio (Jay Gatsby), and this led to a two-year collaborative effort. During this time, JAY Z worked with Luhrmann and his team to capture, translate and contrast the feelings of Fitzgerald’s decadent era with that of our own, using hip-hop and jazz, music contemporary and period, to bring two distinct American moments to simultaneous life. They sculpted the film’s musical landscape alongside Armstrong, who worked with the director on “Moulin Rouge!” and “Romeo + Juliet.” The film’s music supervisor is Anton Monsted.

Luhrmann calls the collaboration with JAY Z “a credible and natural fit. Fitzgerald was a pioneer, famed and controversial for using the then-new and explosive sound called jazz in his novels and short stories—not just as decoration, but to actively tell story using the immediacy of pop culture. He coined the phrase ‘the Jazz Age.’ So, the question for me in approaching Gatsby was how to elicit from our audience the same level of excitement and pop-cultural immediacy toward the world that Fitzgerald did for his audience? And in our age, the energy of jazz is caught in the energy of hip-hop. Not only is JAY Z a great artist, full stop, but I had heard that he was a great collaborator. Leonardo and I were lucky enough to be present in a recording session over two years ago as JAY Z was recording ‘No Church in the Wild,’ and the collaboration grew from there.”

JAY Z said, “As soon as I spoke with Baz and Leonardo, I knew this was the right project. The Great Gatsby is that classic American story of one’s introduction to extravagance, decadence and illusion. It’s ripe for experimentation and ready to be interpreted with a modern twist. The imagination Baz brought to ‘Moulin Rouge’ made it a masterpiece, and ‘Romeo + Juliet’s’ score wasn’t just in the background; the music became a character. This film’s vision and direction has all the makings of an epic experience.”

“The Great Gatsby” soundtrack will be released by Interscope Records.

From the uniquely imaginative mind of writer/producer/director Baz Luhrmann comes the new big screen adaptation of F. Scott Fitzgerald’s novel The Great Gatsby. The filmmaker created his own distinctive visual interpretation of the classic story, bringing the period to life in a way that has never been seen before, in a film starring Leonardo DiCaprio in the title role.

“The Great Gatsby” follows would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and sky-rocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

Academy Award® nominee DiCaprio (“Django Unchained,” “Aviator”) plays Jay Gatsby, with Tobey Maguire starring as Nick Carraway; Oscar® nominee Carey Mulligan (“An Education”) and Joel Edgerton as Daisy and Tom Buchanan; Isla Fisher and Jason Clarke as Myrtle and George Wilson; and newcomer Elizabeth Debicki as Jordan Baker. Indian film legend Amitabh Bachchan will play the role of Meyer Wolfsheim.

Oscar® nominee Luhrmann (“Moulin Rouge!”) directs the film in 3D from a screenplay co-written with frequent collaborator Craig Pearce, based on Fitzgerald’s novel. Luhrmann produces, along with Catherine Martin, Academy Award® winner Douglas Wick (“Gladiator”), Lucy Fisher and Catherine Knapman. The executive producers are Academy Award® winner Barrie M. Osborne (“Lord of the Rings – Return of the King”), JAY Z, and Bruce Berman.

Two-time Academy Award®-winning production and costume designer Catherine Martin (“Moulin Rouge!”) designs as well as produces. The editors are Matt Villa, Jason Ballantine and Jonathan Redmond, and the director of photography is Simon Duggan. The music is by Craig Armstrong.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, in association with A&E Television, a Bazmark/Red Wagon Entertainment Production, a Film by Baz Luhrmann, “The Great Gatsby.” Opening May 10, 2013, the film will be distributed in 3D and 2D by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

www.thegreatgatsbymovie.com

Review: "Bruce Almighty" Not So Mighty

TRASH IN MY EYE No. 20 (of 2004) by Leroy Douresseaux


Bruce Almighty (2003)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – PG-13 for language, sexual content and some crude humor
DIRECTOR: Tom Shadyac
WRITERS: Steve Koren & Mark O’Keefe and Steve Oedekerk; from a story by Steve Koren and Mark O’Keefe
PRODUCERS: Michael Bostick, James D. Brubaker, Jim Carrey, Steve Koren, Mark O'Keefe, and Tom Shadyac
CINEMATOGRAPHER: Dean Semler (D.o.P.)
EDITOR: Scott Hill
COMPOSER: John Debney

COMEDY/FANTASY/ROMANCE

Starring: Jim Carrey, Morgan Freeman, Jennifer Aniston, Philip Baker Hall, Catherine Baker, Lisa Ann Walter, Steven Carell, Nora Dunn, Eddie Jemison, Paul Satterfield, Mark Kiely, Sally Kirkland, and Tony Bennett

The subject of this movie review is Bruce Almighty, a 2003 comedy and fantasy film from director Tom Shadyac and starring Jim Carrey. The film was a worldwide box office hit and yielded a spin-off film, Evan Almighty, in 2007.

Bruce Almighty isn’t Jim Carrey’s best film, although it was one of his biggest ever at the box office. I wanted to see it for a long time, but never got around to it, and after having finally seen it, I now realize that it would have been perfectly fine, if in my life as a moviegoer, I had never seen it. It’s not bad; it’s just not good Jim Carrey.

Bruce Almighty focuses on Bruce Nolan (Jim Carrey) an unhappy television reporter who complains about how unfair God is to him. When he doesn’t get the promotion after which he lusted and gets himself fired as a result, he condemns God as a do-nothing. God (Morgan Freeman) decides to make an appearance and see if Bruce can do better a job ruling existence. He gives Bruce his almighty powers just to teach him how difficult the job of being God can be.

First of all the concept is a piece of shit. Granted that the job of watching the universe is, to say the absolute least, difficult, can’t God do the job? He is, after all, God…

Secondly, the script is very smart, for at least half the film. Bruce acts just as you’d think he would – selfishly and carelessly doing whatever it takes to make things easy for him. It turns out he was always a self-obsessed bastard. Even after he gets his way via his newly gained almighty powers, he doesn’t think to make things better not only for himself, but also for his girlfriend, Grace Connelly (Jennifer Anniston). When Bruce does finally at least pay attention to the (presumed) basic duty of God, answering prayers, he takes the easy route and creates a disaster. All this stuff is smart and probably pretty accurate when it comes to describing how someone would handle the situation.

After that, Bruce Almighty becomes a feel good fest of fixing things and doing the right thing. That makes for a pleasant movie, and the story resolves in the way it probably should: life lessons learned, good will towards men, respecting God (but, according to the film, respecting God in a bland and non-evangelical way). However, that’s the problem. Bruce Almighty plays it too safe; it would have really been a funnier film if it had actually went against the grain – maybe be radical.

And as silly and crazy as Jim Carrey has been, he’s rarely done anything dangerous in his career. As a stage comedian, he was a gagman, the Prince of Ass Jokes, really. He does great impersonations and he’s a human sound effects machine, but we’re not talking Lenny Bruce or even Carrey’s idol, Andy Kaufman. His film career has pretty much been the same act, but he’s been so damn good at it. The Ace Ventura films and Dumb and Dumber are priceless.

Since the mid to late 90’s, Jim has been trying to prove to everyone that he’s not a comedian turned actor or just a comic actor, but an actor – one capable doing serious dramatic roles. I think several years of trying to prove that he’s a great actor has dulled the talent that justifies his popularity and humongous paychecks – his talent as the Prince of Ass Jokes, the Duke of Juvenile Humor, and Lord of Rubbery Faces.

You can see it in Bruce Almighty. His silliness, childishness, and zaniness lack the zip they once had. He’s does some really hilarious clowning around in this film, but a lot of it is soft and too much of it strained.

So see Bruce Almighty, if you like Jim Carrey. Sadly, it’s the closest we’ll get to the early to mid-90’s pet detective.

5 of 10
C+

NOTES:
2004 Black Reel Awards: 1 nomination: “Best Supporting Actor” (Morgan Freeman)

2004 Image Awards: 1 win: “Outstanding Supporting Actor in a Motion Picture” (Morgan Freeman)

Kansas City Film Critics Obeyed "The Master" in 2012

by Leroy Douresseaux

I complete today's 2012 film awards season catch-up with the Kansas City Film Critics Circle. The group named The Master as the "Best Film of 2012," and they matched Ang Lee's best director Oscar for Life of Pi by also honoring him.

Founded in 1967, The Kansas City Film Critics Circle (KCFCC) says that it is the "second oldest professional film critics" association in the United States" (behind the New York Film Critics Circle). The organization is composed of media film critics in the Kansas City metropolitan area. The KCFCC’s awards are named for the group’s founder, James Loutzenhiser, who died in November 2001.

2012 Loutzenhiser Awards:
(Announced December 16, 2012)

Best Film: The Master

Robert Altman Award for Best Director:
Ang Lee - Life of Pi

Best Actress:
Jennifer Lawrence - Silver Linings Playbook

Best Actor:
Daniel Day-Lewis - Lincoln

Best Supporting Actress:
Anne Hathaway - Les Miserables

Best Supporting Actor:
Philip Seymour Hoffman - The Master

Best Adapted Screenplay:
Chris Terrio - Argo

Best Original Screenplay:
Paul Thomas Anderson - The Master

Best Foreign Language Film:
Amour - (Austria/France)

Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: The Cabin in the Woods

Best Animated Film: Frankenweenie

Best Documentary: The Imposter

Kansas City Film Critics Chose "The Descendants" in 2011

by Leroy Douresseaux

I'm still playing catch-up on the 2012 film awards season.  I discovered that I missed the Kansas City Film Critics Circle (KCFCC) in 2011, although I covered them in 2010.  So here are their 2011 awards:

2011 Loutzenhiser Awards:

Best Film: The Descendants

Robert Altman Award for Best Director: Terrence Malick, The Tree of Life

Best Actor: George Clooney, The Descendants

Best Actress: Kirsten Dunst, Melancholia

Best Supporting Actor: Christopher Plummer, Beginners

Best Supporting Actress: Jessica Chastain, The Tree of Life

Best Original Screenplay: Mike Mills, Beginners

Best Adapted Screenplay: Steven Zaillian & Aaron Sorkin, Moneyball

Best Animated Film: Rango

Best Foreign Language Film: A Separation (Iran)

Best Documentary: Cave of Forgotten Dreams

Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: Hugo

Review: "Celeste and Jesse Forever" for Reals

TRASH IN MY EYE No. 19 (of 2013) by Leroy Douresseaux


Celeste & Jesse Forever (2012)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – R for language, sexual content and drug use
DIRECTOR: Lee Toland Krieger
WRITERS: Rashida Jones and Will McCormack
PRODUCERS: Lee Nelson, Jennifer Todd, and Suzanne Todd
CINEMATOGRAPHER: David Lanzenberg
EDITOR: Yana Gorskaya
COMPOSERS: Zach Cowie and Sunny Levine (for Biggest Crush)
Black Reel Award nominee

ROMANCE/COMEDY/DRAMA

Starring: Rashida Jones, Andy Samberg, Ari Graynor, Eric Christian Olsen, Emma Roberts, Chris Messina, Rich Sommer, Rebecca Dayan, Will McCormack, Rafi Gavron, Chris Pine, and Elijah Wood

Celeste & Jesse Forever is a 2012 comedy-drama and romance film, starring Rashida Jones and Andy Samberg. Jones co-wrote the screenplay with Will McCormack, who also has a small acting role in the film. Jones and Samberg play a divorcing couple trying to maintain friendship while both pursuing relationships with other people.

Celeste Martin (Rashida Jones) and Jesse Abrams (Andy Samberg) were best friends and high school sweethearts. Now, they are a married couple, separated and headed for divorce. They remain best friends, but their new status irritates their friends, especially Tucker (Eric Christian Olsen) and Beth (Ari Graynor), who think that Celeste and Jesse are being weird. When Jesse gets some shocking news from a former acquaintance, Celeste starts having serious doubts about what her relationship with Jesse should be.

Celeste & Jesse Forever is more a romantic drama than it is a romantic comedy. It is also a straight character drama, as introspective as it is surprisingly funny. Celeste & Jesse Forever is one of the best (if not the best) romance films of 2012, and it has a number of high qualities. The performances are good, and the directing is lively and captures the film’s off-beat sensibilities. The cinematography seems vaguely futuristic, and the soundtrack is filled with songs that are either perfect for the moment or are delightful in the way that they are inappropriate for a scene.

The film’s strength is its screenplay. Rashida Jones and Will McCormack earned a 2013 Independent Spirit Award nomination for “Best First Screenplay” and a best screenplay nomination from the 2013 Black Reel Awards. Jones and McCormack tread on familiar ground with this story, but twist and contort it in interesting ways. Every time I thought that this movie was looking too much like a cookie-cutter romance, the story struck an odd note or peculiar pose.

And Rashida Jones flows through this film with her lovely performance. If you write an interesting part for yourself, the smart thing to do is turn in a performance that captures what is different and exciting about your screenplay, and Jones does just that. Andy Samberg is good, but this story does not require him to be adventurous as an actor. There are also a number of good supporting performances. Will McCormack is funny as the odd weed dealer, Skillz, and Emma Roberts is a delightful scene-stealer as pop music princess, Riley Banks.

Celeste & Jesse Forever is always turning on the charm, but this movie works because it manages both to feel real and to be uncommon and distinctive. It’s sweet and melancholy and pungent and joyous.

8 of 10
A

NOTES:
2013 Black Reel Awards: 2 nominations: “Best Actress” (Rashida Jones) and “Best Screenplay, Original or Adapted” (Rashida Jones and Will McCormack)

Friday, March 08, 2013

Second Sundance London Opens in April 2013

SUNDANCE LONDON FILM AND PANEL PROGRAMME ANNOUNCED FEATURE FILMS, SPECIAL EVENTS, SHORT FILMS AND PANELS AT THE O2, 25-28 APRIL

Passes and ticket packages now on sale; Individual tickets on sale Friday

The O2, 11 March 2013 — Sundance Institute and The O2 announced today the programme of panels, feature films and short films for the second Sundance London film and music festival, 25-28 April at The O2. Passes and ticket packages are available at www.sundance-london.com, and individual tickets will be on sale from 9:00 a.m. GMT Friday 15 March.

Sundance Institute, which annually presents the Sundance Film Festival in Park City, Utah, U.S.A., selected the film and panel programming. The 2013 programme continues its 2012 focus on presenting new work by independent filmmakers and exploring the interplay between independent film and music.

The programme announced today includes 18 feature films and nine short films across four sections, including a new UK Spotlight. Twenty-three films will make their international, European or UK premieres at Sundance London. Ten are by female filmmakers and six are by first-time feature filmmakers. The films collectively received 12 awards when they premiered at the Sundance Film Festival in Park City, Utah, U.S.A.. Among the artists expected to attend Sundance London are Lake Bell, Mike Birbiglia, Jimmy Carr, the Eagles, Barbara Kopple and Peaches, as well as Sundance Institute President & Founder Robert Redford.

Robert Redford said, “We would hope for Sundance London to be another 'Sundance' experience – lively, culturally relevant and fun. We look forward to engaging with audiences as we discover new voices, new points of view and new perspectives.”

John Cooper, Director of the Sundance Film Festival, said, “The film and panel programme announced today reflects the energy and enthusiasm that ignited audiences just weeks ago at our 2013 Sundance Film Festival. Building on the success of the first Sundance London, we again welcome the opportunity to engage with passionate and adventurous UK audiences and introduce them to the new work of independent filmmakers.”

Rebecca Kane, General Manager of The O2, said, “I am very excited to welcome Sundance London back to The O2 to build on the success of last year’s event, which attracted the likes of Robert Redford, Rufus and Martha Wainwright, and The Prince of Wales. Sundance London is a great opportunity for film and music fans to engage with artistes, and it also plays a big role in showcasing The O2’s ability to host high-profile global events that attract a variety of audiences.”

In addition to film screenings and panels, Sundance London will host several live music performances and events. Peaches has been announced as the first headlining act for the 2013 festival, and tickets for that performance are now on sale. Additional music performers will be named. Among the 17 musical acts at the first-ever Sundance London were Tricky and Martina Topley-Bird, Placebo, and Rufus and Martha Wainwright.

For more information visit www.sundance-london.com or follow @SundancefestUK on Twitter.

www.sundance-london.com

2013 Sundance London Feature Film and Panel Programmes

Sundance London Film and Music Festival - April 25 to 28, 2013:

FEATURE FILM PROGRAMME — The international and UK premieres of American independent narrative and documentary films that premiered in January at the 2013 Sundance Film Festival in Park City, Utah, U.S.A.

Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary) International Premiere

Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the U.S. Grand Jury Prize: Documentary and the Audience Award: U.S. Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary) UK Premiere

Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative) International Premiere

God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary) European Premiere

In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic at the 2013 Sundance Film Festival. (Narrative) International Premiere

The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative) UK Premiere

The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative) International Premiere

Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary) UK Premiere

Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary) International Premiere

Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative) International Premiere

Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a U.S. Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival U.S. Grand Jury Prize: Dramatic-winning film Primer. (Narrative) UK Premiere

SPECIAL EVENT PROGRAMME — On-screen stories complemented by extraordinary off-screen experiences.

History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary) International Premiere

Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative) UK Premiere

Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative) European Premiere

UK SPOTLIGHT — Drawing on the Sundance Film Festival’s rich legacy of premiering outstanding films produced in the UK – including An Education, Four Weddings and a Funeral, In Bruges, In the Loop, Kinky Boots, and Lock, Stock, and Two Smoking Barrels – this new showcase presents a selection of UK films that premiered in Park City, Utah.

In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative) UK Premiere

The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative) UK Premiere

The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary) UK Premiere

The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: U.S. Documentary at the 2013 Sundance Film Festival. (Documentary)

SHORT FILM PROGRAMME — A wide-ranging collection of short films that screened in January at the 2013 Sundance Film Festival. All will screen together in one Short Film Programme. The winner of the Sundance London Short Film Competition will be the tenth short film featured.

The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. International Premiere

Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band. European Premiere

The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.

Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.

Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS. UK Premiere

Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.

Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival. European Premiere

Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: U.S. Fiction at the 2013 Sundance Film Festival. International Premiere

The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival. UK Premiere

PANEL PROGRAMME — Discussions with renowned guest speakers providing incredible insights into the filmmaking process.

The Art of the Score: An Afternoon with David Arnold — In a career that has produced over 60 scores to date, David Arnold has written and arranged some of the most exciting music in film and television today – and has done so across myriad genres and styles. Best known for his five James Bond scores, including Casino Royale and Tomorrow Never Dies, as well as Independence Day, Stargate, Godzilla, Hot Fuzz, The Stepford Wives, and the television series Sherlock and Little Britain, his work has garnered numerous Grammy, Emmy, BAFTA, UK Royal Television Society and BMI awards and nominations. He was also Musical Director for 2012 Olympic Games and 2012 Paralympic Games in London. In a lively afternoon celebrating creativity and collaboration, Arnold and guests offer a first-hand look at the composing process – through conversation, clips and various demonstrations of his approach to film and the musical choices that have led to some of his most notable work.

Screenwriting Flash Lab — It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure. And yet the fear of failure can stymy creativity. What is a writer to do? Join UK and American screenwriters for a lively, honest and irreverent discussion on the creative lessons learned from their biggest “cock-ups”. A not-to-be-missed opportunity to meet fellow writers, as well as Sundance Institute’s Feature Film Program Founding Director, Michelle Satter, and International Director, Paul Federbush. Tony Grisoni (Fear and Loathing in Las Vegas, Tideland, In This World, Death Defying Acts), Peter Straughan (Tinker, Tailor, Soldier, Spy, The Debt, Men Who Stare at Goats), Lynn Shelton (Touchy Feely, Your Sister’s Sister, Humpday), moderator Mia Bays, Oscar-winning producer (Six Shooter, 30 Century Man) and marketing consultant / creative executive at Microwave, and other panelist to be announced. Co-presented with BAFTA.

Senses of Humor and Humour: US – UK Comedy — As the wisest among us have often observed, humor is a serious thing. A strangely elusive form (E.B. White once likened it to dissecting a frog; you can do it, but the thing dies in the process) comedy may be dispensed with sugarcoated smoothness, but it’s a uniquely powerful, sophisticated way of looking at the foibles of human nature and the contradictions of our lives and societies. From family dysfunction to global politics, comedians might argue that laughing at the world is simply the most sensible way of making sense of it. In a battle to establish who is funnier and why, our group of UK and US actors, comedians and filmmakers unpeel the layers and explore what’s behind the American and British “brands” of humor. With comedian, author and filmmaker Mike Birbiglia (Sleepwalk With Me), writer, director and actress Lake Bell (In A World…) and other panelists to be announced. Co-presented with BFI.