News Corporation Announces 21st Century Fox as New Name for Independent Media and Entertainment Company
NEW YORK--(BUSINESS WIRE)--News Corporation (NASDAQ: NWS, NWSA; ASX: NWS, NWSLV) today announced that 21st Century Fox will be the new name of the independent media and entertainment company created by the proposed separation of its businesses. The name, which will be effective with the separation, draws on the Company’s creative heritage, while also speaking to the future as well as the innovation that defines its portfolio of businesses. 21st Century Fox replaces the previously announced name Fox Group.
Reaching more than a billion people in 100 local languages every day, the proposed 21st Century Fox will be home to a global portfolio of cable and broadcasting networks and properties, including FOX, FX, FXX, FS1, Fox News Channel, Fox Business Network, Fox Sports, Fox Sports Network, National Geographic Channels, Fox Pan American Sports, MundoFox and STAR; film studio Twentieth Century Fox Film; and television production studios Twentieth Century Fox Television and Shine Group. The proposed Company will also provide premium content to millions of subscribers through its pay-television services in Europe and Asia, including Sky Deutschland, Sky Italia and its equity interests in BSkyB and Tata Sky.
Rupert Murdoch, who will serve as Chairman and CEO of the proposed 21st Century Fox, commented on the Company’s new name:
“Over the years, we have built a global portfolio of companies that has consistently defied conventional wisdom, and succeeded where others have failed because we are driven by a steadfast belief in great ideas, the power of imagination and the desire to thrill and engage audiences with enduring stories and experiences. 21st Century Fox is a name that draws upon the rich creative heritage of our film studio, while also speaking to the innovation and dynamism that define all of our global media and entertainment businesses and will guide us into the future.”
Chase Carey, the future company’s President and Chief Operating Officer, commented, “Together, as 21st Century Fox, we will have the global footprint and creative bench that give us a competitive edge across more than 50 countries. We believe that the 21st Century Fox name captures the power of our legacy as well as the vast opportunities for our consumers, businesses and investors as we look forward.”
News Corporation Separation
On June 28, 2012, News Corporation announced its intent to pursue the separation of its business into two separate independent companies, one of which will hold the Company’s global media and entertainment businesses and the other which will hold the businesses comprising News Corporation’s newspapers, information services and integrated marketing services, digital real estate services, book publishing, digital education and sports programming and pay-TV distribution in Australia. In addition to final approval from the Board of Directors and stockholder approval of certain amendments to the Company’s Restated Certificate of Incorporation, the completion of the separation will be subject to receipt of regulatory approvals, opinions from tax counsel and favorable rulings from certain tax jurisdictions regarding the tax-free nature of the transaction to the Company and to its stockholders, further due diligence as appropriate, the execution of certain agreements relating to the distribution, and the filing and effectiveness of appropriate filings with the SEC. There can be no assurances given that the separation of the Company's businesses as described will occur.
About News Corporation
News Corporation (NASDAQ: NWS, NWSA; ASX: NWS, NWSLV) had total assets as of December 31, 2012 of approximately US$63 billion and total annual revenues of approximately US$34 billion. News Corporation is a diversified global media company with operations in six industry segments: cable network programming; filmed entertainment; television; direct broadcast satellite television; publishing; and other. The activities of News Corporation are conducted principally in the United States, Continental Europe, the United Kingdom, Australia, Asia and Latin America.
Cautionary Statement Concerning Forward-Looking Statements
This document contains certain "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995. These statements are based on management's views and assumptions regarding future events and business performance, including its expectations with respect to the proposed transaction. Actual results may differ materially from these expectations due to changes in global economic, business, competitive market and regulatory factors. In addition, actual plans, actions and results relating to the proposed transaction may differ materially from current expectations as a result of certain risks and uncertainties, including but not limited to: unanticipated developments that delay or negatively impact the proposed transaction; changes in market conditions; disruption to business operations as a result of the proposed transaction; the inability to retain key personnel; and the other risks and uncertainties described from time to time in our filings with the Securities and Exchange Commission. More detailed information about these and other factors that could affect future results is contained in our filings with the Securities and Exchange Commission. There can be no assurance that the proposed transaction will be completed as anticipated or at all. The "forward-looking statements" included in this document are made only as of the date of this document and we do not have any obligation to publicly update any "forward-looking statements" to reflect subsequent events or circumstances, except as required by law.
Participants in the Solicitation
The Company and its executive officers and directors may be deemed to be participants in the solicitation of proxies from the stockholders of News Corporation in connection with the proposed transaction, if pursued. Information about the executive officers and directors of News Corporation and their ownership of News Corporation common stock is set forth in the Schedule 14A preliminary proxy statement for News Corporation's special meeting, which was filed with the Securities and Exchange Commission on April 4, 2013.
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Thursday, April 18, 2013
News Corp. Announces 21st Century Fox
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Review: "Dragon" is Martial Arty
TRASH IN MY EYE No. 28 (of 2013) by Leroy Douresseaux
Dragon (2011)
Wu xia – original title
COUNTRY OF ORIGIN: China/Hong Kong; Language: Mandarin
Running time: 98 minutes; (1 hour, 38 minutes)
MPAA – R for violence
DIRECTOR: Peter Chan
WRITER: Oi Wah Lam
PRODUCERS: Peter Chan and Jojo Yuet-Chun Hui
CINEMATOGRAPHERS: Yiu-Fai Lai (D.o.P.) and Jake Pollock (D.o.P.)
EDITOR: Derek Hui
COMPOSERS: Kwong Wing Chan, Peter Kam, and Chatchai Pongprapaphan
MARTIAL ARTS/ACTION/DRAMA/HISTORICAL
Starring: Donnie Yen, Takeshi Kaneshiro, Wei Tang, Jimmy Wang Yu, Zheng Wei, Li Jiamin, Kara Hui, Li Xiaoran, Yu Kang, and Wan To-shing
Wu Xia is a 2011 Hong Kong martial arts film and historical drama from director Peter Chan. The film stars Donnie Yen as a sinful man who is leading a new life until his former master and a determined detective begin hunting him. Yen is also the film’s “action director.” Wu Xia, which was originally just under two-hours long, was edited down to 98 minutes and released in the United States as Dragon, late last year (2012).
Dragon is set in 1917 and takes place mostly at Liu Village on the border of Yunnan on the southwest edge of China. Liu Jin-Xi (Donnie Yen) is a village craftsman and papermaker who lives with his wife, Yu (Wei Tang), and his sons, the older Fangzheng (Zheng Wei) and the younger Xiaotian (Li Jiamin). Jin-Xi’s quiet life is irrevocably shattered by the arrival of two gangsters who attempt to rob the local general store.
Jin-Xi stops them, but one of the criminals is the notorious Yan Dongsheng (Yu Kang). Xu Bai-jiu (Takeshi Kaneshiro), a detective sent to investigate the case, is shocked that a local village craftsman could single-handedly stop two hardened criminals, especially Dongsheng, an escaped convict and trained killer. Bai-jiu suspects that Jin-Xi is actually a martial arts master and perhaps, a member of one of the region’s most vicious gangs, the 72 Devils. The detective doggedly pursues the shy villager, but he is unaware that his investigation has drawn the attention of China’s criminal underworld.
For fans of martial arts films, Dragon has many spectacular fights scenes, and some of them are spectacular because they look so odd. But it is all good and also stimulating for lovers of martial arts battles in movies. Sometimes, I found my mind being bended by what I saw, to the point that my imagination seemed inspired by the fighting.
There is, however, an art house sensibility to director Peter Chan’s film, as if Chan refused to allow Dragon to be only fists, fingers, feet, and elbows of fury. Chan takes Oi Wah Lam’s superbly layered script and turns the film into a rumination on nature vs. nurture, the character of the law, and the vigor and influence of human emotions. Chan structures the story in order to ask a few questions. If blood always leaves a trail that one can trace back to a man’s past, then, is that man a slave to the dictates of his blood relations? Is it by tradition, genetics, or both? Is the execution of law more important than acts of humanity? Can man control or alter his emotions?
There is also a mythological strain in Dragon. For its universal father versus son conflict, Dragon offers a sire whose voice and exclamations can rouse thunder, so it is not a stretch to think of the final battle as a brawl between Odin-All-Father and Thor-Son. In fact, this may be the sire-vs.-the-fruit-of-his-loins clash with the most at stake since Darth Vader fought Luke Skywalker over the forest moon of Endor in Return of the Jedi (1983).
Dragon has many excellent performances, but Donnie Yen and Takeshi Kaneshiro are the standouts. As Liu Jin-xi, Yen is a force of nature; physically, he is brilliant – his face capable of assuming and conveying myriad emotions and thoughts. His performance is all outwards, and not internal, so he confronts the viewers and makes them engage with the character he is playing. Kaneshiro as Bai-jiu offers a performance that is more interior. His performance sends out intriguing bits of information about the implacable detective in a way that makes the character as charming as an old friend.
As the director of the film’s action, Yen makes Dragon exhilarating and mesmerizing martial arts entertainment. As the director, Peter Chan tickles the brain, as he tackles dynamic human themes and conflicts. By any name, Dragon or Wu Xia is a dragon, a fire-breathing beast that is too smart to be just another Chinese fight movie.
9 of 10
A
Monday, April 15, 2013
Dragon (2011)
Wu xia – original title
COUNTRY OF ORIGIN: China/Hong Kong; Language: Mandarin
Running time: 98 minutes; (1 hour, 38 minutes)
MPAA – R for violence
DIRECTOR: Peter Chan
WRITER: Oi Wah Lam
PRODUCERS: Peter Chan and Jojo Yuet-Chun Hui
CINEMATOGRAPHERS: Yiu-Fai Lai (D.o.P.) and Jake Pollock (D.o.P.)
EDITOR: Derek Hui
COMPOSERS: Kwong Wing Chan, Peter Kam, and Chatchai Pongprapaphan
MARTIAL ARTS/ACTION/DRAMA/HISTORICAL
Starring: Donnie Yen, Takeshi Kaneshiro, Wei Tang, Jimmy Wang Yu, Zheng Wei, Li Jiamin, Kara Hui, Li Xiaoran, Yu Kang, and Wan To-shing
Wu Xia is a 2011 Hong Kong martial arts film and historical drama from director Peter Chan. The film stars Donnie Yen as a sinful man who is leading a new life until his former master and a determined detective begin hunting him. Yen is also the film’s “action director.” Wu Xia, which was originally just under two-hours long, was edited down to 98 minutes and released in the United States as Dragon, late last year (2012).
Dragon is set in 1917 and takes place mostly at Liu Village on the border of Yunnan on the southwest edge of China. Liu Jin-Xi (Donnie Yen) is a village craftsman and papermaker who lives with his wife, Yu (Wei Tang), and his sons, the older Fangzheng (Zheng Wei) and the younger Xiaotian (Li Jiamin). Jin-Xi’s quiet life is irrevocably shattered by the arrival of two gangsters who attempt to rob the local general store.
Jin-Xi stops them, but one of the criminals is the notorious Yan Dongsheng (Yu Kang). Xu Bai-jiu (Takeshi Kaneshiro), a detective sent to investigate the case, is shocked that a local village craftsman could single-handedly stop two hardened criminals, especially Dongsheng, an escaped convict and trained killer. Bai-jiu suspects that Jin-Xi is actually a martial arts master and perhaps, a member of one of the region’s most vicious gangs, the 72 Devils. The detective doggedly pursues the shy villager, but he is unaware that his investigation has drawn the attention of China’s criminal underworld.
For fans of martial arts films, Dragon has many spectacular fights scenes, and some of them are spectacular because they look so odd. But it is all good and also stimulating for lovers of martial arts battles in movies. Sometimes, I found my mind being bended by what I saw, to the point that my imagination seemed inspired by the fighting.
There is, however, an art house sensibility to director Peter Chan’s film, as if Chan refused to allow Dragon to be only fists, fingers, feet, and elbows of fury. Chan takes Oi Wah Lam’s superbly layered script and turns the film into a rumination on nature vs. nurture, the character of the law, and the vigor and influence of human emotions. Chan structures the story in order to ask a few questions. If blood always leaves a trail that one can trace back to a man’s past, then, is that man a slave to the dictates of his blood relations? Is it by tradition, genetics, or both? Is the execution of law more important than acts of humanity? Can man control or alter his emotions?
There is also a mythological strain in Dragon. For its universal father versus son conflict, Dragon offers a sire whose voice and exclamations can rouse thunder, so it is not a stretch to think of the final battle as a brawl between Odin-All-Father and Thor-Son. In fact, this may be the sire-vs.-the-fruit-of-his-loins clash with the most at stake since Darth Vader fought Luke Skywalker over the forest moon of Endor in Return of the Jedi (1983).
Dragon has many excellent performances, but Donnie Yen and Takeshi Kaneshiro are the standouts. As Liu Jin-xi, Yen is a force of nature; physically, he is brilliant – his face capable of assuming and conveying myriad emotions and thoughts. His performance is all outwards, and not internal, so he confronts the viewers and makes them engage with the character he is playing. Kaneshiro as Bai-jiu offers a performance that is more interior. His performance sends out intriguing bits of information about the implacable detective in a way that makes the character as charming as an old friend.
As the director of the film’s action, Yen makes Dragon exhilarating and mesmerizing martial arts entertainment. As the director, Peter Chan tickles the brain, as he tackles dynamic human themes and conflicts. By any name, Dragon or Wu Xia is a dragon, a fire-breathing beast that is too smart to be just another Chinese fight movie.
9 of 10
A
Monday, April 15, 2013
Labels:
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Wednesday, April 17, 2013
Will and Jaden Smith to Be Newspapermen for a Day
Will Smith and Jaden Smith to Be Special Guests of Metro Newspapers
NEW YORK--(BUSINESS WIRE)--Metro US ("Metro") will feature famous father-and-son team Will and Jaden Smith as Special Guests on Monday April 22, 2013 both in-paper and online at www.metro.us, in advance of their action film “After Earth,” premiering June 7, 2013.
As Special Guests, Jaden and Will Smith will imagine what the Earth will look like hundreds of years from now; including environmental impact, advances in technology and transport, and media. The pair will sit for an exclusive Q&A with Metro. All content will run in Metro’s print and digital editions around the world.
“Metro strives to bring exciting exclusive content to readers both in print and online,” said Tony Metcalf, Metro US Editor-in-Chief, “to have Will and Jaden Smith, creating exclusive content just for Metro? No doubt Metro will be a very hot commodity on Apr 22nd. It’s an outstanding opportunity for advertisers, as well.”
In “After Earth,” a crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth 1,000 years after cataclysmic events forced humanity’s escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must work together and trust one another if they want to return home.
Check out the “After Earth” trailer on www.metro.us.
ABOUT METRO
Metro is the world’s largest newspaper – attracting a young, active audience of over 20 million daily in more than 100 cities worldwide. In the US, Metro was launched in 1999 and is now the #1 most read free daily nationwide with 1.3 million daily readers. Designed for a 20-minute read, Metro delivers news and entertainment to commuters Monday through Friday. Local, national and international news and features are presented without bias, showcasing a metropolitan attitude and style. To learn more, visit: www.metro.us
NEW YORK--(BUSINESS WIRE)--Metro US ("Metro") will feature famous father-and-son team Will and Jaden Smith as Special Guests on Monday April 22, 2013 both in-paper and online at www.metro.us, in advance of their action film “After Earth,” premiering June 7, 2013.
As Special Guests, Jaden and Will Smith will imagine what the Earth will look like hundreds of years from now; including environmental impact, advances in technology and transport, and media. The pair will sit for an exclusive Q&A with Metro. All content will run in Metro’s print and digital editions around the world.
“Metro strives to bring exciting exclusive content to readers both in print and online,” said Tony Metcalf, Metro US Editor-in-Chief, “to have Will and Jaden Smith, creating exclusive content just for Metro? No doubt Metro will be a very hot commodity on Apr 22nd. It’s an outstanding opportunity for advertisers, as well.”
In “After Earth,” a crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth 1,000 years after cataclysmic events forced humanity’s escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must work together and trust one another if they want to return home.
Check out the “After Earth” trailer on www.metro.us.
ABOUT METRO
Metro is the world’s largest newspaper – attracting a young, active audience of over 20 million daily in more than 100 cities worldwide. In the US, Metro was launched in 1999 and is now the #1 most read free daily nationwide with 1.3 million daily readers. Designed for a 20-minute read, Metro delivers news and entertainment to commuters Monday through Friday. Local, national and international news and features are presented without bias, showcasing a metropolitan attitude and style. To learn more, visit: www.metro.us
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Review: "13 Going on 30" is a Pleasant Star Vehicle (Happy B'day, Jennifer Garner)
TRASH IN MY EYE No. 189 (of 2004) by Leroy Douresseaux
13 Going on 30 (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for some sexual content and brief drug references
DIRECTOR: Gary Winick
WRITERS: Josh Goldsmith and Cathy Yuspa
PRODUCERS: Susan Arnold, Gina Matthews, and Donna Arkoff Roth
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Susan Littenberg
COMPOSER: Theodore Shapiro
FANTASY/COMEDY/DRAMA/ROMANCE
Starring: Jennifer Garner, Mark Ruffalo, Judy Greer, Andy Serkis, Kathy Baker, Phil Reeves, Samuel Ball, Marcia DeBonis, Christa B. Allen, Sean Marquette, Jim Gaffigan, and Swoop Whitebear
The subject of this movie review is 13 Going on 30, a 2004 romantic comedy and fantasy film from director Gary Winick (Letters to Juliet). The film stars Jennifer Garner as a 13-year-old girl who wakes up as a 30-year-old woman.
Thirteen-year old Jenna Rink (Christa B. Allen) hates her life and hates everybody, so on her 13th birthday, she makes a wish that she was grown up. After playing a game in her closet that came to an unhappy conclusion, she falls asleep as magic dust falls on her head, and later awakens to find that she is a 30-year old, hotshot magazine editor. However, there is a lot about her life that the 30-year old Jenna (Jennifer Garner) doesn’t like. She ignores her parents, steals other people’s magazine ideas, and in one tragic instance with a co-worker’s spouse, she is “the other woman.”
Having a hard time, catching onto her adult life, she turns to the one friend she remembers, Matt Flamhaff (Mark Ruffalo), but in the 17 years since her magical 13th birthday party, she’s ignored Matt. Jenna is as cool and as popular as she wanted to be when she was a kid, and she has lots of expensive clothes and a swanky NYC Fifth Avenue apartment. She is, however, forced to realize that she’s been living the high life of which she has no idea and can’t remember, and that her and Matt went their separate ways long ago. Now, she needs him and wants to be the girl she was when 13-year old Matt (Sean Marquette) was her best friend, but can she rebuild that close relationship in the fortnight before Matt’s impending marriage?
I have not been a fan of Jennifer Garner’s work, neither her body of small film roles nor of the popular TV series, “Alias,” in which she has starred since 2001. That was until I saw 13 Going on 30. The film is a puff piece, a re-imagining of the Tom Hanks favorite, Big (1988), in which Hanks plays a boy who gets his wish (sort of) and his body is transformed to adulthood while his personality and mind remain that of a boy. Plot and concept holes fill 13 Going on 30, such as Jenna forgetting the last 17 years of her life, but pretty much remembering how to edit a magazine. Still, it’s Ms. Garner’s charm and her ability to both summon the personality of a child and to expertly portray the child dealing with adult interpersonal relationships: professional, personal, and intimate. 13 Going on 30 may be a flimsy star vehicle (the kind of soft films in which a studio places a rising star in hopes of raising his star power or testing his star potential), but it’s Jennifer Garner who makes this clunky bucket an attractive program model.
7 of 10
B+
13 Going on 30 (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for some sexual content and brief drug references
DIRECTOR: Gary Winick
WRITERS: Josh Goldsmith and Cathy Yuspa
PRODUCERS: Susan Arnold, Gina Matthews, and Donna Arkoff Roth
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Susan Littenberg
COMPOSER: Theodore Shapiro
FANTASY/COMEDY/DRAMA/ROMANCE
Starring: Jennifer Garner, Mark Ruffalo, Judy Greer, Andy Serkis, Kathy Baker, Phil Reeves, Samuel Ball, Marcia DeBonis, Christa B. Allen, Sean Marquette, Jim Gaffigan, and Swoop Whitebear
The subject of this movie review is 13 Going on 30, a 2004 romantic comedy and fantasy film from director Gary Winick (Letters to Juliet). The film stars Jennifer Garner as a 13-year-old girl who wakes up as a 30-year-old woman.
Thirteen-year old Jenna Rink (Christa B. Allen) hates her life and hates everybody, so on her 13th birthday, she makes a wish that she was grown up. After playing a game in her closet that came to an unhappy conclusion, she falls asleep as magic dust falls on her head, and later awakens to find that she is a 30-year old, hotshot magazine editor. However, there is a lot about her life that the 30-year old Jenna (Jennifer Garner) doesn’t like. She ignores her parents, steals other people’s magazine ideas, and in one tragic instance with a co-worker’s spouse, she is “the other woman.”
Having a hard time, catching onto her adult life, she turns to the one friend she remembers, Matt Flamhaff (Mark Ruffalo), but in the 17 years since her magical 13th birthday party, she’s ignored Matt. Jenna is as cool and as popular as she wanted to be when she was a kid, and she has lots of expensive clothes and a swanky NYC Fifth Avenue apartment. She is, however, forced to realize that she’s been living the high life of which she has no idea and can’t remember, and that her and Matt went their separate ways long ago. Now, she needs him and wants to be the girl she was when 13-year old Matt (Sean Marquette) was her best friend, but can she rebuild that close relationship in the fortnight before Matt’s impending marriage?
I have not been a fan of Jennifer Garner’s work, neither her body of small film roles nor of the popular TV series, “Alias,” in which she has starred since 2001. That was until I saw 13 Going on 30. The film is a puff piece, a re-imagining of the Tom Hanks favorite, Big (1988), in which Hanks plays a boy who gets his wish (sort of) and his body is transformed to adulthood while his personality and mind remain that of a boy. Plot and concept holes fill 13 Going on 30, such as Jenna forgetting the last 17 years of her life, but pretty much remembering how to edit a magazine. Still, it’s Ms. Garner’s charm and her ability to both summon the personality of a child and to expertly portray the child dealing with adult interpersonal relationships: professional, personal, and intimate. 13 Going on 30 may be a flimsy star vehicle (the kind of soft films in which a studio places a rising star in hopes of raising his star power or testing his star potential), but it’s Jennifer Garner who makes this clunky bucket an attractive program model.
7 of 10
B+
----------------
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New "Star Trek Into Darkness" Spock Poster April 14 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
"Star Trek Into Darkness" Uhura Poster - April 13 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
Labels:
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Saturday, April 13, 2013
New "Star Trek Into Darkness" Poster - April 12 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
Synopsis: In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
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