Thursday, May 2, 2013

"May the Fourth" Be With You - Star Wars Fan Holiday

Millions of Star Wars Fans Around the World Prepare to Celebrate May the 4th

SAN FRANCISCO--(BUSINESS WIRE)--Since the very first Star Wars movie came out in 1977, fans everywhere have made the galactic saga their own and found creative ways to celebrate their love of the Force. One of the most visible ways is annually transforming the date of May 4th into “May the Fourth,” the day that Star Wars fandom has created to share their passion around the world. Fans of all ages wear their favorite Star Wars items, partake in parties and screenings, and pass on messages of “May the Force be with you” in person and online.

Lucasfilm has long supported Star Wars fans in their grassroots celebrations, whether they be extravagant or small. Visit Lucasfilm’s official May the 4th microsite, http://maythe4th.starwars.com, for Star Wars Day news, ideas on how to celebrate, special events calendar, themed recipes, fun crafts and activities, fan photos, and a regularly updated list of deals and promotions from major online and brick-and-mortar retailers. Keep track of the Force of fans on Twitter with the #maythe4thbewithyou hashtag -- @StarWars will be tweeting highlights on May the 4th and in the days leading up to it.


About Lucasfilm Ltd.
Lucasfilm Ltd., a wholly owned subsidiary of The Walt Disney Company, is a global leader in film, television and digital entertainment production. In addition to its motion-picture and television production, the company's activities include visual effects and audio post-production, cutting-edge digital animation, interactive entertainment software, and the management of the global merchandising activities for its entertainment properties including the legendary STAR WARS and INDIANA JONES franchises. Lucasfilm Ltd. is headquartered in northern California.

Lucasfilm, the Lucasfilm logo, STAR WARS and related properties are trademarks and/or copyrights, in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. TM & © 2013 Lucasfilm Ltd. All rights reserved. All other trademarks and trade names are properties of their respective owners.

Wednesday, May 1, 2013

Review: "Argo" is Indeed a Best Picture

TRASH IN MY EYE No. 30 (of 2013) by Leroy Douresseaux

Argo (2012)
Running time: 120 minutes (2 hours)
MPAA – R for language and some violent images
DIRECTOR: Ben Affleck
WRITER: Chris Terrio (based on the book, The Master of Disguise, by Antonio J. Mendez and the article, “Escape from Tehran,” by Joshuah Bearman)
PRODUCERS: Ben Affleck, George Clooney, and Grant Heslov
CINEMATOGRAPHER: Rodrigo Prieto (D.o.P.)
EDITOR: William Goldenberg
COMPOSER: Alexandre Desplat
Academy Award winner

THRILLER/DRAMA/HISTORICAL

Starring: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman, Victor Garber, Tate Donovan, Clea DuVall, Scoot McNairy, Rory Cochrane, Christopher Denham, Kerry Bishé, Kyle Chandler, Chris Messina, Zeljko Ivanek, Titus Welliver, Shelia Vand, Richard Kind, Michael Parks, Adrienne Barbeau, and Mark Rhino Smith

Argo is a 2012 thriller and historical drama directed by Ben Affleck, who also plays the lead role and is one of the film’s three producers. Argo is based upon two sources: the book, The Master of Disguise, by Antonio J. Mendez and the Wired magazine article, “Escape from Tehran,” by Joshuah Bearman. The film dramatizes a real-life event – the 1980 joint CIA-Canadian secret operation to extract six fugitive American diplomatic personnel out of revolutionary Iran.

At the 85th Academy Awards (February 24, 2013), Argo won the Oscar for “Best Picture.” It is not my pick for best picture of the year (which I still think is Django Unchained), but it is not far behind. Argo is not only one of the greatest American thriller films ever made, but it is also a joy to watch.

Argo opens on November 4, 1979 at the United States embassy in Tehran, Iran. Militants and protestors storm the embassy and take the occupants hostage in retaliation for President Jimmy Carter giving asylum to the recently ousted Shah of Iran (Mohammad Reza Pahlavi). However, six of the embassy staff escape and find shelter in the home of the Canadian ambassador, Ken Taylor (Victor Garber).

The U.S. State Department begins exploring options for exfiltrating the six Americans from Iran. Tony Mendez (Ben Affleck), a CIA “exfil” specialist who uses the name “Kevin Harkins,” concocts a rather unusual idea. He creates a cover story in which a Canadian film production crew is scouting locations for a new science fiction film, and Iran is one of the locations he wishes to scout. With the help of his supervisor, Jack O’Donnell (Bryan Cranston), Mendez recruits John Chambers (John Goodman), an Oscar-winning make-up artist, and Lester Siegel (Alan Arkin), a film producer.

They pretend to have a film in development; entitled Argo, it is a science fantasy in the style of Star Wars. When Mendez moves to Iran for the most crucial stage of the operation, he discovers that he and his fake movie are always in real danger.

From the very beginning of the film, Argo grabbed me and pulled me to the edge of my seat, and from there, the movie kept me in the grip of fear and trepidation. From start to finish, damn, this is a great movie. Argo is an example of how supremely important the film editor, in this case, William Goldenberg, is to a film; Goldenberg is totally indispensable to success of the Argo. The nerve-wracking thriller that Argo is results from Goldenberg putting together what becomes a transfixing narrative. He certainly deserved and earned his best editing Oscar for Argo.

Of course, by praising Goldenberg, I do not want to take anything away from Ben Affleck as director. Affleck has made a movie that is a terrific thriller, but it is not an action thriller. Affleck uses the suspense weaved into Chris Terrio’s Oscar-winning screenplay and summons his inner Hitchcock, turning in what is one of the best heist movies in recent memory. He does it with such intimacy. Argo isn’t wide open. Affleck squeezes everything into tight and cramped visual spaces, as if it to emphasize that the characters are working hard to avoid the confines of either prison or the grave.

There are some good performances in this film, though nothing really outstanding, except for two. Alan Arkin and John Goodman turn in some of their most distinctive work in supporting roles as the unconventional Lester Siegel and John Chambers, respectively. Ben Affleck is oddly muted and stiff as Tony Mendez/Kevin Harkins. There are a few scenes when that works, but not many. Sometimes, it is as if Mendez isn’t even present in the movie, even when he’s in a scene; maybe that not-really-there act is the way a CIA operative is supposed to be.

Anyway, Argo is fantastic. This is one time when I don’t think that the “Best Picture” Oscar winner is a joke, even if it isn’t my choice. I plan to make Argo a favorite of mine, worthy of repeated viewings.

9 of 10
A+

NOTES:
2013 Academy Awards, USA: 3 wins: “Best Motion Picture of the Year” (Grant Heslov, Ben Affleck, and George Clooney), “Best Writing, Screenplay Based on Material Previously Produced or Published” (Chris Terrio), and “Oscar Best Achievement in Editing” (William Goldenberg); 4 nominations: “Best Achievement in Music Written for Motion Pictures, Original Score” (Alexandre Desplat), “Best Achievement in Sound Editing” (Erik Aadahl and Ethan Van der Ryn), and “Best Achievement in Sound Mixing” (John T. Reitz, Gregg Rudloff, and José Antonio García), “Best Performance by an Actor in a Supporting Role” (Alan Arkin)

2013 BAFTA Awards: 3 wins: “Best Film” (Grant Heslov, Ben Affleck, and George Clooney), “Director” (Ben Affleck), “Editing” (William Goldenberg); 4 nominations: “Adapted Screenplay” (Chris Terrio), “Leading Actor” (Ben Affleck), “Original Music” (Alexandre Desplat), and “Supporting Actor” (Alan Arkin)

2013 Golden Globes, USA: 2 wins: “Best Director - Motion Picture” (Ben Affleck) and “Best Motion Picture – Drama;” 3 nominations: “Best Original Score - Motion Picture” (Alexandre Desplat), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Alan Arkin), and “Best Screenplay - Motion Picture” (Chris Terrio)

Wednesday, May 01, 2013

Review: "Paycheck" More Than Minimum Wage Film

TRASH IN MY EYE No. 108 (of 2004) by Leroy Douresseaux

Paycheck (2003)
Running time: 119 minutes (1 hour, 59 minutes)
MPAA – PG-13 for intense action violence and brief language
DIRECTOR: John Woo
WRITER: Dean Georgaris (based upon a short story by Philip K. Dick)
PRODUCERS: Terence Chang, John Davis, Michael Hackett, and John Woo
CINEMATOGRAPHER: Jeffrey L. Kimball (D.o.P.)
EDITORS: Christopher Rouse and Kevin Stitt
COMPOSERS: John Powell

SCI-FI/ACTION/THRILLER

Starring: Ben Affleck, Aaron Eckhart, Uma Thurman, Paul Giamatti, Colm Feore, Joe Morton, Michael C. Hall, and Peter Friedman

The subject of this movie review is Paycheck, a 2003 science fiction movie from director John Woo and starring Ben Affleck. The film is based on the short story, “Paycheck,” written by author Philip K. Dick and first published in the June 1953 issue of Imagination, a 1950s American science fiction and fantasy magazine. Paycheck the movie focuses on an engineer who takes what seems like an easy million-dollar payday, but ends up on the run and trying to piece together the reason why.

Michael Jennings (Ben Affleck), a brilliant reverse engineer (takes other people’s technology and works backwards to figure out what makes the tech work), takes a job from a powerful friend named Rethrick (Aaron Eckhart). The final part of each of Michael’s assignments involves his employer wiping Michael’s mind clean of the memories of his time working on a project; that’s how his employers keep what they’ve done secret.

However, Michael discovers something decidedly nasty while working on Rethrick’s project, so he mails himself a package full of goodies to help him remember his mission before Rethrick has Michael’s memory wiped. The problem is that once he wakes up from his mind wipe, he can’t remember why he needs this packet full of odds and ends, but he does learn that Rethrick wants him dead.

The writings of science fiction author Philip K. Dick, especially his short fiction, has been adapted into quite a few well-regarded films including Blade Runner, Total Recall, and Minority Report. Director John Woo’s Paycheck is the most recent adaptation, and while the film doesn’t make movie history or break new ground in cinema as the aforementioned have, Paycheck is an entertaining action thriller that doesn’t wear its sci-fi on its sleeves.

This is an old-fashioned action movie that relies on complicated and dangerous stunt work for the action sequences. It does not rely on CGI and the other computer enhancements that have become so favored since The Matrix. The film is true to what Woo does best, pure macho action built around car chases, explosions, gunfights, and fisticuffs. While Paycheck may not be as good as Woo classics like his Hong Kong work or Face/Off, the film is in that spirit.

The casting, however, isn’t great; I could think of actors who would have better fit these roles, and some of these actors weren’t given much with which to work. Still, everyone is game, and they seemed like they were into the film. They play their parts well enough to make this quite entertaining, so while Paycheck isn’t landmark science fiction, it is a fun movie to watch. It has more than enough suspense and mystery to keep the viewer intrigued. And while the chase scenes won’t keep you on the edge of the your seat all the time, they’ll get you close enough most of the time.

7 of 10
B+

NOTES:
2004 Razzie Awards: 1 win “Worst Actor” (Ben Affleck – also for Daredevil-2003 and Gigli-2003)

2010 Razzie Awards: 1 nomination: “Worst Actor of the Decade” (Ben Affleck – also for Daredevil-2003, Gigli-2003, Jersey Girl-2004, Pearl Harbor-2001, and Surviving Christmas-2004; nominated for 9 “achievements” and “winner” of 2 Razzies)

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May Day (2013) from Negromancer

We're still here! Welcome to Negromancer May 2013, a ComicBookBin blog (www.comicbookbin.com). This is rebirth of the former movie review website as a movie review and movie news website and blog.

All images and text appearing on this blog are © copyright and/or trademark their respective owners.

Tuesday, April 30, 2013

Star Trek "The Mission Continues" Contest

WHAT: Paramount Pictures, Bad Robot and Charitybuzz partner to offer Star Trek fans a once-in-a-lifetime oppurtunity to meet director J.J. Abrams and the cast of "Star Trek Into Darkness" at the film's Los Angeles premiere.  Proceeds will benefit "The Mission Continues."

Charitybuzz, the leading destination for online charity auctions, will host the bidding for a four-pack of VIP tickets to attend the “STAR TREK INTO DARKNESS” premiere in Los Angeles. The winners will walk the red carpet, meet director J.J. Abrams and the cast, and attend the premiere after-party. Paramount Pictures and Bad Robot will match the winning bid, up to $25,000. Proceeds will benefit The Mission Continues and its work to empower post-9/11 veterans on their new missions here at home.

WHEN: TUESDAY, MAY 14TH, 2013
Bidding is open now through Thursday, May 9th at www.Charitybuzz.Com/StarTrek


ABOUT “STAR TREK INTO DARKNESS”
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice. As the heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew. “STAR TREK INTO DARKNESS” opens nationwide May 17th, 2013.

“STAR TREK INTO DARKNESS” is written by Roberto Orci & Alex Kurtzman & Damon Lindelof and directed by J.J. Abrams. Abrams is producing with Bryan Burk through Bad Robot Productions, along with Lindelof, Kurtzman and Orci. Jeffrey Chernov and Skydance Productions’ David Ellison, Dana Goldberg and Paul Schwake are the executive producers.

ABOUT CHARITYBUZZ.COM
Charitybuzz raises funds for nonprofits around the globe through online auctions with the world’s most recognizable celebrities and brands. Featuring access to acclaimed actors and musicians, business and political leaders, sports stars, luxury travel, couture fashion, rare memorabilia and more, Charitybuzz brings its online community of bidders exclusive opportunities to live their dreams and make a difference. Since launching, Charitybuzz has raised more than $75 million for charity. To learn more, visit www.Charitybuzz.com, like us on Facebook at www.Facebook.com/Charitybuzz or follow us on Twitter at @Charitybuzz.

ABOUT THE MISSION CONTINUES
Mission Continues is a community service organization that helps post-9/11 veterans transition from the military to leadership roles at home. The Mission Continues benefits veterans and communities in equal measure. The organization sponsors veterans’ enrollment in a 6-month service and leadership program. These veterans dedicate themselves to serving in their community, volunteering for at least 20 hours a week in community organizations to address issues like homelessness, illiteracy and unemployment. The Mission Continues provides the tools, the direction, and a living stipend to these veterans, while the veterans deploy their experience, their skills, and their desire against our communities' most pressing problems. Since its inception, The Mission Continues has awarded more than 600 fellowships and engaged thousands of volunteers at more than 350 community organizations. For more information, please visit www.missioncontinues.org or follow us on Twitter: @missioncontinue

Review: "Holy Smoke" is Kind of Wispy (Happy B'day, Jane Campion)

TRASH IN MY EYE No. 173 (of 2003) by Leroy Douresseaux

Holy Smoke! (1999)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – R for strong sexuality and language
DIRECTOR: Jane Campion
WRITERS: Anna Campion and Jane Campion
PRODUCER: Jan Chapman
CINEMATOGRAPHER: Dion Beebe (D.o.P.)
EDITOR: Veronika Jenet
COMPOSER: Angelo Badalamenti

DRAMA/COMEDY

Starring: Kate Winslet, Harvey Keitel, Julie Hamilton, Sophie Lee, Dan Wyllie, Paul Goddard, Tim Robertson, and Pam Grier

The subject of this movie review is Holy Smoke!, a 1999 Australian comedy-drama from director Jane Campion. The film stars Kate Winslet as an Australian tourist who falls in with an Indian guru and Harvey Keitel as a macho American deprogrammer hired to free her from that new spirituality.

Jane Campion won an Academy Award in 1994 in the category original screenplay for her 1993 film, The Piano. Whereas both the characters and the story were well written in that internationally acclaimed film, the same cannot be said of Ms. Campion’s Holy Smoke, which is not nearly as rich a film as The Piano.

When a young woman (Kate Winslet) falls under the influence of a charismatic guru and joins his ashram, her parents hire PJ Waters (Harvey Kietel, who also starred in Ms. Campion’s The Piano), an “exiter,” a counselor who specializes in deprogramming people taken in by cults. PJ, however, finds the young woman, Ruth Barron, to be not only iron-willed and intelligent, but also very sexy. Ruth engages PJ is an intense battle of wills and sexual politics that begs the question – who will win?

Ms. Winslet is nothing short of stunning in Holy Smoke, and the continual growth of her acting talent is a revelation. It’s hard to take your eyes off her, and she is so beautiful. Ms. Winslet is not one of those tiresome and too thin anorexia stars, but a big boned, baby-got-back-and-front, full figured, blond goddess. The combination of her acting prowess and raw sexuality will distract from a dull movie, and Holy Smoke, while not quite awful, needed this Meryl Streep with a body.

The film is just too up and down. It is at times funny and engaging, but at other times too dry and pointless. The other characters are quite interesting, but the screenwriters ignore them in favor of a drawn out battle between Ruth and PJ. That’s a shame because many of the other characters, including Ruth’s parents and PJ’s partner played by Pam Grier, seem to have interesting backstories. The film limps to the finish line with a tired battle of the sexes. Thankfully, a sentimental dénouement saves the film from being completely below average.

5 of 10
C+

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Monday, April 29, 2013

2013 MTV Movie Awards Spread the Love

Ooops, we forgot to post the results of the 2013 MTV Movie Awards.  We found this at the MTV website - the winners with a summary of why they won:

2013 MTV Movie Award Winners:

Movie Of The Year:
Marvel's The Avengers
Directed by Joss Whedon

An epic ensemble of superheroes, including Captain America, Thor, Iron Man and The Hulk, join forces to stop villainous Loki from subjugating the world.

Best Musical Moment Winner:
Anna Kendrick, Rebel Wilson, Anna Camp, Brittany Snow, Alexis Knapp, Ester Dean and Hana Mae Lee
Pitch Perfect
Directed by Jason Moore

The Barden Bellas break outside of their comfort zones and step up their performance with an a capella cover of "No Diggity."

MTV Generation Award:
Jamie Foxx

Each year, the MTV Movie Awards recognizes an esteemed actor with an honorary Golden Popcorn for the Generation Award. The distinction is given to an artist who has shown us a variety of impressive roles, a personal and professional flair and of course, an awesome level of talent.

Best Villain Winner:
Tom Hiddleston
Marvel's The Avengers
Directed by Joss Whedon

Tom Hiddleston's Loki is an evil mastermind out to destroy planet earth with a swift stomp of his iron-heeled boot.

Best Shirtless Performance Winner:
Taylor Lautner
The Twilight Saga: Breaking Dawn - Part 2
Directed by Bill Condon

Taylor Lautner left Team Jacob drooling into their popcorn buckets with his silver screen stripdown in 'The Twilight Saga: Breaking Dawn - Part 2.

Breakthrough Performance Winner:
Rebel Wilson
Pitch Perfect
Directed by Jason Moore

The Aussie export kept the outrageous a capella adventure down to earth as Fat Amy, a girl whose confidence and personal pizazz provided some of our favorite LOL moments of the movie.

Comedic Genius Award:
Will Ferrell

Throughout his long and illustrious career, Ferrell continues to keep things super fresh. He pushes boundaries with his creative characters and keeps us guessing with his witty one-liners. Best of all, he shows no signs of slowing down.

Best Kiss Winner:
Jennifer Lawrence and Bradley Cooper
Silver Linings Playbook
Directed by David O. Russell

Cooper and Lawrence had us believing there was no room for romance in Pat and Tiffany's mutual misfortunes. But, after a steamy dance routine in a swanky hotel, the pair finds love in a hopeless place.

MTV Trailblazer Award:
Emma Watson

The MTV Trailblazer Award returns for a second year to highlight a phenomenal young talent in the biz. The award is given to an actor who, despite their age, has managed to inspire others with a diverse portfolio of work and a transcendent reputation in the public eye.

Best Fight Winner:
Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, and Jeremy Renner
Marvel's The Avengers
Directed by Joss Whedon

Downey Jr., Evans, Ruffalo, Hemsworth, Johansson and Renner team up as a fully-assembled superhero clique to save the world from a Manhattan-bound nuclear missile.

Best WTF Moment Winner:
Jamie Foxx and Samuel L. Jackson
Django Unchained
Directed by Quentin Tarantino

In an excruciating sequence, Foxx's Django blasts servile head-servant Stephen, played by Jackson, and sets the Candieland mansion ablaze with the strike of a match.

Best Male Performance Winner:
Bradley Cooper
Silver Linings Playbook
Directed by David O. Russell

Bradley Cooper charms as Pat, a bi-polar man living with his parents who befriends a beautiful-but-equally-disturbed neighbor named Tiffany.

Best Female Performance:
Jennifer Lawrence
Silver Linings Playbook
Directed by David O. Russell

As Tiffany, a troubled young woman who forms a friendship with bi-polar Pat, Jennifer Lawrence is bewitchingly beautiful and intensely relatable.

Best Scared-As-S**t Performance:
Suraj Sharma
Life of Pi
Directed by Ang Lee

Sharma shines as 16-year-old Pi, whose life is changed forever when a startled zebra jumps into his lifeboat, forcing the pair overboard during a powerful storm.

Best On-Screen Duo:
Mark Wahlberg and Seth MacFarlane
Ted
Directed by Seth MacFarlane

The destructive pair encourages each other when it comes to just about everything unethical, and yet, you can't help but admire the unique understanding between John (Wahlberg) and his crude, rude and lewd little bear, Ted (MacFarlane).

Best Hero:
Bilbo
The Hobbit: An Unexpected Journey
Directed by Peter Jackson

Bilbo Baggins, The Shire's furry-footed hole dwelling hero, uses common sense and courage to take on Gollum in a tale of bravery on an unexpected journey.