Disney Legends Richard M. Sherman and Alan Menken Join Forces for a Once-in-a-Lifetime Concert
The two Academy Award®-winning composers share the stage for one night only performing “The Disney Songbook” at the D23 Expo 2013, Saturday, August 10
BURBANK, Calif.--(BUSINESS WIRE)--For one night only, two of the world’s most celebrated songwriters and composers will take to the stage for “Richard M. Sherman and Alan Menken: The Disney Songbook.” The concert will take place at the D23 Expo 2013 at the Anaheim Convention Center in the D23 Expo Arena on Saturday, August 10.
Together Sherman and Menken have won a combined 10 Academy Awards for their work with Disney, and have composed music and songs for more than three dozen Disney feature films, over two dozen Disney Park attractions and half a dozen Disney musicals on Broadway.
“I can’t express how excited I am that my esteemed friend Alan Menken and I will be sharing the same bill for the very first time,” said Sherman. “Alan is an incredible talent, and I know we’re both thrilled to be performing for Disney’s most ardent fans—they’re the best and I can’t wait to be a part of what promises to be a very special night for all of us.”
“Richard Sherman and I share so many things; our cherished association with The Walt Disney Company, the blessing of having the opportunity to share our musical talents with 'children of all ages' and a genuine mutual admiration—but one thing we've never gotten to share is a concert stage,” said Menken. “This summer at the D23 Expo 2013, we will do just that. And I can't think of anyone I'd prefer to share that stage with. Richard, along with his brother Robert, wrote songs that filled my formative years with joy and fantasy. And, all these years later, I can say with complete honesty that there is no one I've met in our business who is more warm and generous than my friend and fellow songwriter, Richard Sherman.”
Admission to the concert will be on a first-come, first-served basis and is included in the price of a ticket to the D23 Expo. In addition to the 4,000-seat D23 Expo Arena, the concert will be simulcast into a 2,000-seat overflow theater inside the Convention Center.
Richard M. Sherman and his brother Robert B. Sherman composed some of the most beloved songs in the Disney canon. The Disney Legends won two Oscars® for their work on Mary Poppins, and during their decades–long association with Disney they wrote more than 200 songs for 27 films and two dozen television productions. They made unforgettable contributions to such Disney films as The Parent Trap, The Jungle Book, Bedknobs and Broomsticks, and the entire Winnie the Pooh series, as well as the family classic Chitty Chitty Bang Bang. They also penned beloved songs for Disney Parks including the theme songs for Walt Disney’s Enchanted Tiki Room, it’s a small world, and Carousel of Progress. Richard wrote the song “Make Way for Tomorrow Today” for the blockbuster film Iron Man 2, and is working on a new stage musical based on Walt Disney’s 1967 animated film classic The Jungle Book, premiering this June at the Goodman Theater in Chicago.
With eight Academy Awards, Alan Menken has received more Oscars than any living person. He has written songs and scores for some of the world’s most beloved films: Tangled (Oscar nominee), Enchanted (three Oscar nominations) The Little Mermaid (two Oscar wins), Beauty and the Beast (two Oscar wins), Aladdin (two Oscar wins), Pocahontas (two Oscar wins), Hercules (Oscar nominee), The Hunchback of Notre Dame (Oscar nominee), Little Shop of Horrors (Oscar nominee), Home on the Range and Newsies. His song “Star Spangled Man,” was the patriotic anthem of the 2011 hit film Captain America: The First Avenger.
Menken’s Broadway successes include his 2012 Tony Award® for Newsies, plus The Little Mermaid (Tony Award nominee), Beauty and the Beast, Little Shop of Horrors, and Sister Act (Tony Award nominee). His other stage productions include King David, God Bless You Mr. Rosewater, The Hunchback of Notre Dame and his latest stage production Aladdin: The New Musical, opening next year. At Disney Parks, Menken added an exclusive ballad (“To Be Free”) to his song score for Aladdin: A Musical Spectacular at Disney California Adventure and penned “Compass of Your Heart,” the catchy theme song for the attraction Sinbad’s Storybook Voyage at Tokyo DisneySea.
Tickets for the D23 Expo are available at a discounted price for a limited time. Though June 15, tickets are $52 for a one-day adult admission and $42 for children 3–12. Tickets for members of D23: The Official Disney Fan Club are $45 for a one-day adult admission and $37 for children. Multi-day money-saving tickets are also available for both D23 Members and the general public, and D23 Members can save as much as $144 off the price of admission, based on the purchase of four three-day tickets at the D23 Member rate before June 15. For more information on tickets and the ticket pricing structure for members and general admission, visit D23Expo.com.
About D23 Expo 2013
The D23 Expo—The Ultimate Disney Fan Event—brings the entire world of Disney under one roof, providing attendees with unprecedented access to Disney films, television, and theme parks. For the latest D23 Expo 2013 news, visit D23Expo.com. To be part of the D23 Expo conversation, make sure to follow @DisneyD23 and tag your tweets with #D23Expo.
About D23
The name “D23” pays homage to the exciting journey that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official club for fans in Disney’s nearly 90-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at D23.com; member-exclusive discounts and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 9–11, 2013.
Fans can join D23 at D23.com and at www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us @DisneyD23 on Twitter, Facebook, Pinterest, and YouTube.
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Sunday, May 26, 2013
Richard M. Sherman and Alan Menken Will Perform Together at D23 2013
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Review: "Better Luck Tomorrow" Showed the Promise of Justin Lin
TRASH IN MY EYE No. 167 (of 2003) by Leroy Douresseaux
Better Luck Tomorrow (2002)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for violence, drug use, language and sexuality
EDITOR/DIRECTOR: Justin Lin
WRITERS: Ernesto Foronda, Fabian Marquez, and Justin Lin
PRODUCERS: Julie Asato, Ernesto Foronda, and Justin Lin
CINEMATOGRAPHER: Patrice Lucien Cochet
COMPOSERS: Michael Gonzales and Tobin Mori
CRIME/DRAMA
Starring: Parry Shen, Jason T. Tobin, Karin Anna Cheung, Sung Kang, Roger Fan, John Cho, Ryan Cadiz, and Jerry Mathers
The script for Justin Lin’s film Better Luck Tomorrow attracted hip hop entertainer and current minister MC Hammer as a financial backer, and the finished film attracted MTV as a film distributor. Better Luck Tomorrow is the tale of over-achieving, but disenchanted Asian-American teens from middle class, upper middle class, and affluent backgrounds, and since early in the year, it’s gotten a lot of buzz as a cool indie flick. Predictably, however, the young male characters’ world-weariness leads to extreme violence, and isn’t that just so typical of indie films about young men.
Ben Manibag (Parry Shen) is an intelligent, bright boy with his eyes on getting into a really good college where he can study biology and perhaps later go to medical school. He’s so clean cut that he even does charity work at a hospital and heads a volunteer public clean up crew. He and his social group of upwardly mobile Asian-American teens have vague feelings of dissatisfaction. He and his buddies put their overachieving minds to the business of various criminal enterprises. They enjoy the power trip and attention their crimes bring as much if not more so than the cash they earn, but their immoral behavior soon has them stumbling into a plot that has deadly consequences.
As both editor and director, Justin Lin ably adds many filmmaking flourishes that keep his film riveting, kinetic, and mostly fun to watch. The script by Lin and his collaborators, however, isn’t very strong. The characters are cardboard cutouts, and they’re not helped by the actors’ lack of subtlety. The performers seem to have two settings – bored and (a few times) intense. Jason J. Tobin as Virgil Hu is the only actor who seems to get any mileage out of his character.
There is one thing that makes the film a bit of an oddity. It’s about Asian-Americans, and not (thankfully) about bored, spoiled rich white kids and the (tedious) dark underbelly of suburbia. A film about bored youths is almost always about young, white people. It’s as if young nonwhites don’t have lives, or at least don’t have interesting lives in this so called melting pot.
That novelty is actually not a bad thing. It actually makes the film more interesting and adds a lot to the visual flavor. It’s nice to see a film examine something from a new and different point of view. Lin deserves major credit for his willingness to bring this movie, Better Luck Tomorrow, to screen. Reservations aside, he looks, judging by the film, like he could be a very good director. Hopefully, he and his writing collaborators will also get better.
6 of 10
B
Better Luck Tomorrow (2002)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for violence, drug use, language and sexuality
EDITOR/DIRECTOR: Justin Lin
WRITERS: Ernesto Foronda, Fabian Marquez, and Justin Lin
PRODUCERS: Julie Asato, Ernesto Foronda, and Justin Lin
CINEMATOGRAPHER: Patrice Lucien Cochet
COMPOSERS: Michael Gonzales and Tobin Mori
CRIME/DRAMA
Starring: Parry Shen, Jason T. Tobin, Karin Anna Cheung, Sung Kang, Roger Fan, John Cho, Ryan Cadiz, and Jerry Mathers
The script for Justin Lin’s film Better Luck Tomorrow attracted hip hop entertainer and current minister MC Hammer as a financial backer, and the finished film attracted MTV as a film distributor. Better Luck Tomorrow is the tale of over-achieving, but disenchanted Asian-American teens from middle class, upper middle class, and affluent backgrounds, and since early in the year, it’s gotten a lot of buzz as a cool indie flick. Predictably, however, the young male characters’ world-weariness leads to extreme violence, and isn’t that just so typical of indie films about young men.
Ben Manibag (Parry Shen) is an intelligent, bright boy with his eyes on getting into a really good college where he can study biology and perhaps later go to medical school. He’s so clean cut that he even does charity work at a hospital and heads a volunteer public clean up crew. He and his social group of upwardly mobile Asian-American teens have vague feelings of dissatisfaction. He and his buddies put their overachieving minds to the business of various criminal enterprises. They enjoy the power trip and attention their crimes bring as much if not more so than the cash they earn, but their immoral behavior soon has them stumbling into a plot that has deadly consequences.
As both editor and director, Justin Lin ably adds many filmmaking flourishes that keep his film riveting, kinetic, and mostly fun to watch. The script by Lin and his collaborators, however, isn’t very strong. The characters are cardboard cutouts, and they’re not helped by the actors’ lack of subtlety. The performers seem to have two settings – bored and (a few times) intense. Jason J. Tobin as Virgil Hu is the only actor who seems to get any mileage out of his character.
There is one thing that makes the film a bit of an oddity. It’s about Asian-Americans, and not (thankfully) about bored, spoiled rich white kids and the (tedious) dark underbelly of suburbia. A film about bored youths is almost always about young, white people. It’s as if young nonwhites don’t have lives, or at least don’t have interesting lives in this so called melting pot.
That novelty is actually not a bad thing. It actually makes the film more interesting and adds a lot to the visual flavor. It’s nice to see a film examine something from a new and different point of view. Lin deserves major credit for his willingness to bring this movie, Better Luck Tomorrow, to screen. Reservations aside, he looks, judging by the film, like he could be a very good director. Hopefully, he and his writing collaborators will also get better.
6 of 10
B
Labels:
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Crime,
Drama,
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Movie review,
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Saturday, May 25, 2013
Muse to Perform at Global Premiere of "World War Z"
MUSE TO PERFORM LIVE ON SUNDAY, JUNE 2 AS PART OF THE MASSIVE GLOBAL PREMIERE OF “WORLD WAR Z” IN LONDON
Paramount Pictures has teamed up with Grammy Award-winning British band Muse to feature the band’s music in the new film “WORLD WAR Z.” The tracks are from Muse’s latest album The 2nd Law. Following the film’s world premiere in London’s Leicester Square on Sunday, June 2, Muse will perform live from Horse Guards Parade Ground, St. James’s Park. Tickets for the live performance will be available Tuesday, May 28 at 9:00 a.m. BST. For more information and for tickets, please visit http://www.worldwarz.co.uk/MUSE
“WORLD WAR Z” revolves around an ex-United Nations investigator Gerry Lane (Brad Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself. Starring Brad Pitt, Mireille Enos and James Badge Dale.
Since forming in 1994, Muse has released six studio albums selling upwards of 15 million albums worldwide. The band earned its highest-ever debut on the Billboard Top 200 Albums chart when “The 2nd Law” bowed at No. 2 a week after its October 2 release. Madness, the first single from the album, was No. 1 on the Billboard Alternative Chart for 19 weeks, breaking the previous record set in 2007. The “2nd Law” and “Madness” received two Grammy Nominations this year. The group’s last album, The Resistance, reached No. 1 in 19 countries around the world, and they have won numerous awards including a Best Rock Album Grammy Award and an American Music Award for The Resistance.
“WORLD WAR Z” is directed by Marc Forster from a screenplay by Matthew Michael Carnahan and Drew Goddard & Damon Lindelof, and screen story by Matthew Michael Carnahan and J. Michael Straczynski. Based on the novel by Max Brooks. Produced by Brad Pitt, Dede Gardner, Jeremy Kleiner and Ian Bryce.
“WORLD WAR Z” is in theaters June 21, 2013.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
SEE THE ANNOUNCEMENT VIDEO HERE:
http://www.youtube.com/watch?feature=player_embedded&v=GpxGm-fifiA
OFFICIAL SITE: WWW.WORLDWARZMOVIE.COM
Paramount Pictures has teamed up with Grammy Award-winning British band Muse to feature the band’s music in the new film “WORLD WAR Z.” The tracks are from Muse’s latest album The 2nd Law. Following the film’s world premiere in London’s Leicester Square on Sunday, June 2, Muse will perform live from Horse Guards Parade Ground, St. James’s Park. Tickets for the live performance will be available Tuesday, May 28 at 9:00 a.m. BST. For more information and for tickets, please visit http://www.worldwarz.co.uk/MUSE
“WORLD WAR Z” revolves around an ex-United Nations investigator Gerry Lane (Brad Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself. Starring Brad Pitt, Mireille Enos and James Badge Dale.
Since forming in 1994, Muse has released six studio albums selling upwards of 15 million albums worldwide. The band earned its highest-ever debut on the Billboard Top 200 Albums chart when “The 2nd Law” bowed at No. 2 a week after its October 2 release. Madness, the first single from the album, was No. 1 on the Billboard Alternative Chart for 19 weeks, breaking the previous record set in 2007. The “2nd Law” and “Madness” received two Grammy Nominations this year. The group’s last album, The Resistance, reached No. 1 in 19 countries around the world, and they have won numerous awards including a Best Rock Album Grammy Award and an American Music Award for The Resistance.
“WORLD WAR Z” is directed by Marc Forster from a screenplay by Matthew Michael Carnahan and Drew Goddard & Damon Lindelof, and screen story by Matthew Michael Carnahan and J. Michael Straczynski. Based on the novel by Max Brooks. Produced by Brad Pitt, Dede Gardner, Jeremy Kleiner and Ian Bryce.
“WORLD WAR Z” is in theaters June 21, 2013.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
SEE THE ANNOUNCEMENT VIDEO HERE:
http://www.youtube.com/watch?feature=player_embedded&v=GpxGm-fifiA
OFFICIAL SITE: WWW.WORLDWARZMOVIE.COM
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Review: "Before Sunset" is an All-Time Great Romance
TRASH IN MY EYE No. 234 (of 2004) by Leroy Douresseaux
Before Sunset (2004)
Running time: 80 minutes (1 hour, 20 minutes)
MPAA – R for language and sexual references
DIRECTOR: Richard Linklater
WRITERS: Julie Delpy, Ethan Hawke, and Richard Linklater; from a story by Kim Krizan and Richard Linklater (based upon characters by Kim Krizan and Richard Linklater)
PRODUCERS: Anne Walker-McBay and Richard Linklater
CINEMATOGRAPHER: Lee Daniel
EDITOR: Sandra Adair
Academy Award nominee
ROMANCE/DRAMA
Starring: Ethan Hawke and Julie Delpy
The subject of this movie review is Before Sunset, a 2004 romantic drama from director Richard Linklater. It is the sequel to the 1995 film, Before Sunrise. Set nine years after the first film, Before Sunset follows the young American man and young French woman who first met on a train and spent a night in Vienna as they reunite in Paris.
It’s been nine years since Jesse (Ethan Hawke) and Celine (Julie Delpy) first met in Vienna. Back then they promised to meet again in six months, but it didn’t happen. Now, Jessie is on the European leg of his book tour. He’s in Paris for a book signing session at a small (and intimate) book store when he spies Celine off to the side… and they pick up where they left off nine years ago.
It must seem nearly impossible that Before Sunset, Richard Linklater’s sequel to his romance classic, Before Sunrise, surpasses the original. Just as in the first film, the lead characters talk and talk and talk, but this time there is the baggage of nine years of disappointments between their meetings. Whereas, in Sunrise, the talk was existential and about hope and promise, this time every topic leads back to two questions for the characters: What if we had both kept our promise to meet again in Vienna?” and the unspoken question, “Are we supposed to be together.”
Sometimes, when we meet old and dear friends whom we haven’t seen for a long time, we find that we pick up with the relationship right where we left off. Linklater, Hawke, and Ms. Delpy take that phenomenon and turn it into art, art that lives and breathes. Before Sunset is a great romantic film and a great film period – a love idyll about ideal romance. Would that more films be about love rather than hate and make us invest ourselves in the outcome of romantic love. Plus, look out for that knock out surprise ending.
9 of 10
A+
NOTES:
2005 Academy Awards, USA: 1 nomination: “Best Writing, Adapted Screenplay” (Richard Linklater-screenplay/story, Julie Delpy-screenplay, Ethan Hawke-screenplay, and Kim Krizan-story)
Before Sunset (2004)
Running time: 80 minutes (1 hour, 20 minutes)
MPAA – R for language and sexual references
DIRECTOR: Richard Linklater
WRITERS: Julie Delpy, Ethan Hawke, and Richard Linklater; from a story by Kim Krizan and Richard Linklater (based upon characters by Kim Krizan and Richard Linklater)
PRODUCERS: Anne Walker-McBay and Richard Linklater
CINEMATOGRAPHER: Lee Daniel
EDITOR: Sandra Adair
Academy Award nominee
ROMANCE/DRAMA
Starring: Ethan Hawke and Julie Delpy
The subject of this movie review is Before Sunset, a 2004 romantic drama from director Richard Linklater. It is the sequel to the 1995 film, Before Sunrise. Set nine years after the first film, Before Sunset follows the young American man and young French woman who first met on a train and spent a night in Vienna as they reunite in Paris.
It’s been nine years since Jesse (Ethan Hawke) and Celine (Julie Delpy) first met in Vienna. Back then they promised to meet again in six months, but it didn’t happen. Now, Jessie is on the European leg of his book tour. He’s in Paris for a book signing session at a small (and intimate) book store when he spies Celine off to the side… and they pick up where they left off nine years ago.
It must seem nearly impossible that Before Sunset, Richard Linklater’s sequel to his romance classic, Before Sunrise, surpasses the original. Just as in the first film, the lead characters talk and talk and talk, but this time there is the baggage of nine years of disappointments between their meetings. Whereas, in Sunrise, the talk was existential and about hope and promise, this time every topic leads back to two questions for the characters: What if we had both kept our promise to meet again in Vienna?” and the unspoken question, “Are we supposed to be together.”
Sometimes, when we meet old and dear friends whom we haven’t seen for a long time, we find that we pick up with the relationship right where we left off. Linklater, Hawke, and Ms. Delpy take that phenomenon and turn it into art, art that lives and breathes. Before Sunset is a great romantic film and a great film period – a love idyll about ideal romance. Would that more films be about love rather than hate and make us invest ourselves in the outcome of romantic love. Plus, look out for that knock out surprise ending.
9 of 10
A+
NOTES:
2005 Academy Awards, USA: 1 nomination: “Best Writing, Adapted Screenplay” (Richard Linklater-screenplay/story, Julie Delpy-screenplay, Ethan Hawke-screenplay, and Kim Krizan-story)
Labels:
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Review: "Before Sunrise" a True Romance
TRASH IN MY EYE No. 233 (of 2004) by Leroy Douresseaux
Before Sunrise (1995)
Running time: 105 min (1 hour, 45 minutes)
MPAA – R for some strong language
DIRECTOR: Richard Linklater
WRITERS: Kim Krizan and Richard Linklater
PRODUCER: Anne Walker-McBay
CINEMATOGRAPHER: Lee Daniel
EDITORS: Sandra Adair and Sheri Galloway
COMPOSER: Fred Frith
ROMANCE
Starring: Ethan Hawke and Julie Delpy
The subject of this movie review is Before Sunrise, a 1995 romantic drama film from director Richard Linklater. The film follows a young American man and a young French woman who meet on a train and spend one night in the city of Vienna, walking, talking, and getting to know each other.
After he breaks up with his girlfriend in Spain, American Jesse (Ethan Hawke) takes a train tour of Europe. On the Budapest-Vienna train, he meets Celine (Julie Delpy), a French grad student. They strike up a conversation, and Jesse convinces her to skip her stop and get off the train with him in Vienna where he’s scheduled to take a flight back to American the following morning. They walk and talk and fall in love before Jesse leaves at sunrise, but will they ever meet again?
Before Sunrise is a true romantic film. It’s about two people falling in love, but director Richard Linklater’s film is such an unusual romance because he doesn’t sell the romance between Jesse and Celine using swelling orchestral music or beautiful cinematography of lush sunsets and sunrises. Instead, he forces the audience to accept or reject the believability of the couple’s growing friendship, fascination with each other, and eventual falling in love based upon how they talk to each other. And boy, do they talk. They talk about love, life, relationships, gender, men & women, politics, history, and they sometimes even make small talk.
Before Sunrise is an acquired taste, but if you can accept how unnaturally natural Ethan Hawke and Julie Delpy are in their performances, how they really seem to be getting to know each other (both as actors and characters), for real, then you’ll like this movie. This is one of those times when a film that is literally filled end to end with thick dialogue is actually as riveting as an action thriller. The ending seems a little too stretched out, but Before Sunrise is an exceptional and unique motion picture.
8 of 10
A
Before Sunrise (1995)
Running time: 105 min (1 hour, 45 minutes)
MPAA – R for some strong language
DIRECTOR: Richard Linklater
WRITERS: Kim Krizan and Richard Linklater
PRODUCER: Anne Walker-McBay
CINEMATOGRAPHER: Lee Daniel
EDITORS: Sandra Adair and Sheri Galloway
COMPOSER: Fred Frith
ROMANCE
Starring: Ethan Hawke and Julie Delpy
The subject of this movie review is Before Sunrise, a 1995 romantic drama film from director Richard Linklater. The film follows a young American man and a young French woman who meet on a train and spend one night in the city of Vienna, walking, talking, and getting to know each other.
After he breaks up with his girlfriend in Spain, American Jesse (Ethan Hawke) takes a train tour of Europe. On the Budapest-Vienna train, he meets Celine (Julie Delpy), a French grad student. They strike up a conversation, and Jesse convinces her to skip her stop and get off the train with him in Vienna where he’s scheduled to take a flight back to American the following morning. They walk and talk and fall in love before Jesse leaves at sunrise, but will they ever meet again?
Before Sunrise is a true romantic film. It’s about two people falling in love, but director Richard Linklater’s film is such an unusual romance because he doesn’t sell the romance between Jesse and Celine using swelling orchestral music or beautiful cinematography of lush sunsets and sunrises. Instead, he forces the audience to accept or reject the believability of the couple’s growing friendship, fascination with each other, and eventual falling in love based upon how they talk to each other. And boy, do they talk. They talk about love, life, relationships, gender, men & women, politics, history, and they sometimes even make small talk.
Before Sunrise is an acquired taste, but if you can accept how unnaturally natural Ethan Hawke and Julie Delpy are in their performances, how they really seem to be getting to know each other (both as actors and characters), for real, then you’ll like this movie. This is one of those times when a film that is literally filled end to end with thick dialogue is actually as riveting as an action thriller. The ending seems a little too stretched out, but Before Sunrise is an exceptional and unique motion picture.
8 of 10
A
Labels:
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Friday, May 24, 2013
New "World War Z" Poster - May 23, 2013
WORLD WAR Z
OFFICIAL SITE: WWW.WORLDWARZMOVIE.COM
The story revolves around United Nations employee Gerry Lane (Brad Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself.
Labels:
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Review: "Torque" is Fast, but Not Furious (or even good)
TRASH IN MY EYE No. 87 (of 2004) by Leroy Douresseaux
Torque (2004)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – PG-13 for violence, sexuality, language and drug references
DIRECTOR: Joseph Kahn
WRITER: Matt Johnson
PRODUCERS: Brad Luff and Neal H. Moritz
CINEMATOGRAPHER: Peter Levy (D.o.P.)
EDITORS: David Blackburn and Howard E. Smith
COMPOSER: Trevor Rabin
ACTION/CRIME
Starring: Martin Henderson, Ice Cube, Monet Mazur, Matt Schulze, Jay Hernandez, Max Beesley, Joe Doe, Will Yun Lee, Jaime Pressly, Adam Scott, Faizon Love, Justina Muchado, Christina Milian, and Fredro Starr
The subject of this movie review is Torque, a 2004 action movie from director Joseph Kahn. I think of this film as The Fast and the Furious on motorcycles; in fact, one of Torque’s producers, Neal H. Moritz, also produces The Fast and the Furious film franchise. Torque focuses on a motorcyclist who is first framed for murder by an old rival and then, pursued by the murder victim’s brother, the leader of a feared biker gang.
Biker Cary Ford (Martin Henderson) returns to Cali, after spending several months overseas. Not long after Cary returns, an old rival named Henry James (Matt Schulze) frames him for a murder Henry committed. However, Junior (Fredro Starr), the murder victim, is the brother of Trey (Ice Cube), a gang leader who buys the trumped up evidence that Cary killed Junior, and he wants Cary dead. Tie that into the fact that an FBI agent wants to arrest Cary as a drug dealer, and the film Torque has its conflict ducks lined in a row.
Twenty years ago, the Warner Bros. logo would not have appeared at the head of this film; instead the movie company logo that would have appeared in front of a film like Torque would have belonged to such outfits as Cannon Pictures or New World Pictures. I understand and whole-heartedly buy into the concept of popcorn pictures, but Torque is plain bad: bad directing, worse writing, piss poor dialogue, and charisma-less actors. Torque has the power to summon cringes galore, and it is unintentionally funny – not rare in Hollywood pictures, but painful when you’ve already lowered your expectations and are willing to accept even a mediocre movie if it’s mildly entertaining. Torque is not anywhere entertaining.
The last ten minutes, however, are a hoot, and the scene I call “joust of the bitches” is worth the cost of a discounted rental. “Star” Martin Henderson is the lowest of the low-rent Tom Cruise-look-alikes, but no one else in this film is better. Think thrice before you rent this dog.
1 of 10
D-
Torque (2004)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – PG-13 for violence, sexuality, language and drug references
DIRECTOR: Joseph Kahn
WRITER: Matt Johnson
PRODUCERS: Brad Luff and Neal H. Moritz
CINEMATOGRAPHER: Peter Levy (D.o.P.)
EDITORS: David Blackburn and Howard E. Smith
COMPOSER: Trevor Rabin
ACTION/CRIME
Starring: Martin Henderson, Ice Cube, Monet Mazur, Matt Schulze, Jay Hernandez, Max Beesley, Joe Doe, Will Yun Lee, Jaime Pressly, Adam Scott, Faizon Love, Justina Muchado, Christina Milian, and Fredro Starr
The subject of this movie review is Torque, a 2004 action movie from director Joseph Kahn. I think of this film as The Fast and the Furious on motorcycles; in fact, one of Torque’s producers, Neal H. Moritz, also produces The Fast and the Furious film franchise. Torque focuses on a motorcyclist who is first framed for murder by an old rival and then, pursued by the murder victim’s brother, the leader of a feared biker gang.
Biker Cary Ford (Martin Henderson) returns to Cali, after spending several months overseas. Not long after Cary returns, an old rival named Henry James (Matt Schulze) frames him for a murder Henry committed. However, Junior (Fredro Starr), the murder victim, is the brother of Trey (Ice Cube), a gang leader who buys the trumped up evidence that Cary killed Junior, and he wants Cary dead. Tie that into the fact that an FBI agent wants to arrest Cary as a drug dealer, and the film Torque has its conflict ducks lined in a row.
Twenty years ago, the Warner Bros. logo would not have appeared at the head of this film; instead the movie company logo that would have appeared in front of a film like Torque would have belonged to such outfits as Cannon Pictures or New World Pictures. I understand and whole-heartedly buy into the concept of popcorn pictures, but Torque is plain bad: bad directing, worse writing, piss poor dialogue, and charisma-less actors. Torque has the power to summon cringes galore, and it is unintentionally funny – not rare in Hollywood pictures, but painful when you’ve already lowered your expectations and are willing to accept even a mediocre movie if it’s mildly entertaining. Torque is not anywhere entertaining.
The last ten minutes, however, are a hoot, and the scene I call “joust of the bitches” is worth the cost of a discounted rental. “Star” Martin Henderson is the lowest of the low-rent Tom Cruise-look-alikes, but no one else in this film is better. Think thrice before you rent this dog.
1 of 10
D-
Labels:
2004,
Action,
Crime,
Ice Cube,
Movie review,
Warner Bros
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