Wednesday, May 29, 2013

Review: "Nightbreed" Remains Unique (Happy B'day, Danny Elfman)

TRASH IN MY EYE No. 91 (of 2007) by Leroy Douresseaux

Nightbreed (1990)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R
DIRECTOR: Clive Barker
WRITER: Clive Barker (based upon his novella Cabal)
PRODUCER: Gabriella Martinelli
CINEMATOGRAPHER: Robin Vidgeon
EDITORS: Mark Goldblatt and Richard Marden
COMPOSER: Danny Elfman

FANTASY/HORROR with elements of drama and thriller

Starring: Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Quarshie, Hugh Ross, Doug Bradley, Catherine Chevalier, Malcolm Smith, Bob Sessions, Oliver Parker, Debora Weston, Nicholas Vince, Simon Bamford, and Kim Robertson

The subject of this movie review is Nightbreed, a 1990 fantasy and horror film from writer-director Clive Barker. The film is based on Barker’s 1988 novella, Cabal, which was originally published as hardback book along with some of Barker’s short stories. The film follows a young man wanted for murder who joins a tribe of monsters and outcasts, called the “Nightbreed,” that also hides from humanity.

Nightmares of a place called Midian haunt the dreams of Aaron Boone (Craig Sheffer). His dreams tell him that Midian is the place of monsters, but his therapist, Dr. Philip K. Decker (David Cronenberg), tells Boone these dreams are the byproduct of a guilty conscience. You see, Decker insists that Boone is a serial killer, but the truth of the matter is that Decker is the real killer. He’s pinning the crimes on Boone, his vulnerable patient. A chance encounter with a raving madman, however, gives Boone directions to Midian, somewhere in rural Canada. What Boone finds is that Midian is a large and peculiar graveyard, and below its graves live strange and wondrous creatures and monsters. One of them attacks and bites Boone.

Decker’s deception leads to Boone’s death, but he arises to find himself back in Midian’s underworld, the lair of the Nightbreed. Now, he must save his new family and his girlfriend Lori Winston (Anne Bobby) from Decker’s elaborate fraud and murderous intensity. Meanwhile, the local law has gathered a gun-toting, bloodthirsty mob, and they’re on a hunt for Nightbreed trophies.

Clive Barker has stated in the past that his 1990 film, Nightbreed, was meant to be “the Star Wars of monster movies,” but disagreements with the studio producing the film meant that Nightbreed was not released to theatres in the version Barker wanted movie audiences to see. Still, what is on the screen is stylish and distinctive, and Danny Elfman’s score creates the perfect harmony for this dreamlike fairy tale. Barker’s vision of supernatural creatures and human freaks of nature living in a secret underground world (beneath a cemetery), right under the noses of normal human society is attractive to anyone with a vivid imagination or who feels vastly different from the mainstream.

The special effects and make-up effects seem dated 17 years later (as of this writing), but this concept’s blend of human drama, dark fantasy, weird horror, and social commentary (prejudice and intolerance) is worth a look by the adventurous, inspired movie lover.

6 of 10
B

Monday, June 11, 2007


"The Great Gatsby" Crosses $100 Million Mark at Box Office

The Great Gatsby” Does Great Box Office, Hitting the $100 Million Mark

Warner Bros. Pictures’ and Village Roadshow Pictures’ film adaptation of the great American novel from the 1920s also roars overseas

BURBANK, Calif.--(BUSINESS WIRE)--Baz Luhrmann’s lavish adaptation of F. Scott Fitzgerald’s great American novel, The Great Gatsby, has crossed the $100 million mark at the domestic box office after only 14 days in release. In addition, the film opened at the top of the international box office, taking in $43 million in 49 territories and scoring the number one spot in the key markets of France, Italy, Spain, Germany, Russia and Taiwan. The international cumulative gross now stands at an estimated $64.4 million, with major markets such as Australia, Mexico, Brazil and Japan yet to open. The worldwide total box office now stands at an impressive $165.1 million and counting. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

One of the most anticipated films of the year, “The Great Gatsby” has emerged as a worldwide counter-programming phenomenon in the highly competitive early summer corridor. Audiences have embraced the drama, the immersive 3D spectacle, and the eclectic music of the film, resulting in strong word of mouth and repeat viewings.

In making the announcement, Fellman stated, “Just as the book has been beloved by readers for generations, Baz Luhrmann’s ‘The Great Gatsby’ has already become a favorite of moviegoers. We all congratulate Baz and his amazing cast and crew on the success of the film, which will continue to enjoy the lucrative summer play time.”

Kwan Vandenberg said, “The strength of the international opening is a testament to Baz Luhrmann and everyone involved in the film. The movie’s spectacular Cannes launch truly set the stage for the summer of ‘Gatsby’ around the world.”

Sue Kroll, Warner Bros. Pictures President of Worldwide Marketing, noted, “We had the benefit of a wonderful collaboration with this extraordinary director and his cast and team. The film Baz put together, with its modern yet timeless feel, including its surprising musical mix, gave us all the elements we needed to create a pervasive and evocative marketing campaign that has resonated with audiences everywhere.”

From the uniquely imaginative mind of writer/producer/director Baz Luhrmann comes the new big screen adaptation of F. Scott Fitzgerald’s novel The Great Gatsby. In his adaptation, the filmmaker combines his distinctive visual, sonic, and storytelling styles in 3 Dimensions, weaving a Jazz Age cocktail faithful to Fitzgerald’s text and relevant to now. Leonardo DiCaprio stars in the title role.

“The Great Gatsby” follows would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and sky-rocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

Academy Award® nominee DiCaprio (“Django Unchained,” “The Aviator”) plays Jay Gatsby, with Tobey Maguire starring as Nick Carraway; Oscar® nominee Carey Mulligan (“An Education”) and Joel Edgerton as Daisy and Tom Buchanan; Isla Fisher and Jason Clarke as Myrtle and George Wilson; and newcomer Elizabeth Debicki as Jordan Baker. Indian film legend Amitabh Bachchan plays the role of Meyer Wolfshiem.

Oscar® nominee Luhrmann (“Moulin Rouge!”) directed the film in 3D from a screenplay he co-wrote with frequent collaborator Craig Pearce, based on Fitzgerald’s novel. Luhrmann produced, along with Catherine Martin, Academy Award® winner Douglas Wick (“Gladiator”), Lucy Fisher and Catherine Knapman. The executive producers are Academy Award® winner Barrie M. Osborne (“The Lord of the Rings – The Return of the King”), Shawn “JAY Z” Carter, and Bruce Berman.

Two-time Academy Award®-winning production and costume designer Catherine Martin (“Moulin Rouge!”) designed the film, as well as produced. The director of photography is Simon Duggan, and the editors are Matt Villa, Jason Ballantine and Jonathan Redmond. The music is by Craig Armstrong, with Anton Monsted serving as executive music supervisor and co-producer.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, in association with A&E Television, a Bazmark/Red Wagon Entertainment Production, a Film by Baz Luhrmann, “The Great Gatsby.” The film is being distributed in RealD 3D, 3D and 2D by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

This film has been rated PG-13 by the MPAA for some violent images, sexual content, smoking, partying and brief language.

www.thegreatgatsbymovie.com

Monday, May 27, 2013

"Blue is the Warmest Color" Wins 2013 Palme d'Or

by Lucy Troy

The 66th annual Cannes Film Festival was held in Cannes, France from May 15 to May 26, 2013. I’ve included a list of winners of the “In Competition” categories, the main competition in which films compete for the festival’s top prize, the Palme d’Or. I’ve included the winners from three other competitions: “Un Certain Regard,” “Cinefondation,” and the “Golden Camera.”

The “Grand Prix” is the second most prestigious prize given at Cannes, after the Palme d’Or. The competition known as “Un Certain Regard” is a part of Cannes that runs parallel to the competition for the Palme d’Or.

Steven Spielberg headed the jury for the main competition. Twenty films competed for the Palme d’Or. Jane Campion was the head of the jury for the Cinefondation and Short Film sections.

The lesbian romance and drama, Blue is the Warmest Color: The Life of Adele, won the Palme d’Or. Joel and Ethan Coen’s 1960s folk tale, Inside Llewyn Davis, took the second prize, the Grand Prix.

In an unusual move, the jury gave the Palme d’Or not just to Blue is the Warmest Color’s director, Abdellatif Kechiche, but also to the film’s two stars, Adele Exarchopoulos and Lea Seydoux. Adele Exarchopoulos portrays a 15-year-old girl whose life is changed when she falls in love with an older woman, played by Lea Seydoux. The three-hour film caught headlines and gained notoriety for its lengthy, graphic sex scenes.

2013/66th Cannes Film Festival winners:

FEATURE FILMS:

Palme d'Or:
LA VIE D'ADÈLE - CHAPITRE 1 & 2 (Blue is the Warmest Color: The Life of Adele) directed by Abdellatif Kechiche

Grand Prix:
INSIDE LLEWYN DAVIS directed by Ethan Coen and Joel Coen

Award for Best Director:
Amat Escalante for HELI

Award for Best Screenplay:
JIA Zhangke for TIAN ZHU DING (A Touch of Sin)

Award for Best Actress:
Bérénice Bejo in LE PASSÉ (THE PAST) directed by Asghar Farhadi

Award for Best Actor:
Bruce Dern in NEBRASKA directed by Alexander Payne

Jury Prize:
SOSHITE CHICHI NI NARU (Like Father, Like Son) directed by Kore-Eda Hirokazu

Vulcain Prize for an artist technician, awarded by the C.S.T.:
GRIGRIS directed by Mahamat-Saleh Haroun

SHORT FILMS:

Palme d'Or - Short Film:
SAFE directed by Byoung-Gon Moon

Short Film Special Distinction Ex-aequo:
• HVALFJORDUR (WHALE VALLEY) directed by Gudmundur Arnar Gudmundsson
• 37°4 S directed by Adriano Valeio

UN CERTAIN REGARD:

Prize of Un Certain Regard:
L'IMAGE MANQUANTE (The missing picture) directed by Rithy Panh

Jury Prize - Un Certain Regard:
OMAR directed by Hany Abu-Assad

Directing Prize of Un Certain Regard:
L'INCONNU DU LAC (Stranger by the Lake) directed by Alain Guiraudie

A Certain Talent Prize:
LA JAULA DE ORO played by Diego Quemada-Diez

Avenir Prize:
FRUITVALE STATION directed by Ryan Coogler

CINEFONDATION:

1st Prize Cinéfondation:
NEEDLE directed by Anahita Ghazvinizadeh

2nd Prize Cinéfondation:
EN ATTENDANT LE DÉGEL (Waiting for the Thaw) directed by Sarah Hirtt

3rd Prize Cinéfondation Ex-aequo:
• ÎN ACVARIU (IN THE FISHBOWL) directed by Tudor Cristian Jurgiu
• PANDY (PANDAS) directed by Matúš Vizár

GOLDEN CAMERA:

Caméra d'or:
ILO ILO directed by Anthony Chen

Sunday, May 26, 2013

Richard M. Sherman and Alan Menken Will Perform Together at D23 2013

Disney Legends Richard M. Sherman and Alan Menken Join Forces for a Once-in-a-Lifetime Concert

The two Academy Award®-winning composers share the stage for one night only performing “The Disney Songbook” at the D23 Expo 2013, Saturday, August 10

BURBANK, Calif.--(BUSINESS WIRE)--For one night only, two of the world’s most celebrated songwriters and composers will take to the stage for “Richard M. Sherman and Alan Menken: The Disney Songbook.” The concert will take place at the D23 Expo 2013 at the Anaheim Convention Center in the D23 Expo Arena on Saturday, August 10.

Together Sherman and Menken have won a combined 10 Academy Awards for their work with Disney, and have composed music and songs for more than three dozen Disney feature films, over two dozen Disney Park attractions and half a dozen Disney musicals on Broadway.

“I can’t express how excited I am that my esteemed friend Alan Menken and I will be sharing the same bill for the very first time,” said Sherman. “Alan is an incredible talent, and I know we’re both thrilled to be performing for Disney’s most ardent fans—they’re the best and I can’t wait to be a part of what promises to be a very special night for all of us.”

“Richard Sherman and I share so many things; our cherished association with The Walt Disney Company, the blessing of having the opportunity to share our musical talents with 'children of all ages' and a genuine mutual admiration—but one thing we've never gotten to share is a concert stage,” said Menken. “This summer at the D23 Expo 2013, we will do just that. And I can't think of anyone I'd prefer to share that stage with. Richard, along with his brother Robert, wrote songs that filled my formative years with joy and fantasy. And, all these years later, I can say with complete honesty that there is no one I've met in our business who is more warm and generous than my friend and fellow songwriter, Richard Sherman.”

Admission to the concert will be on a first-come, first-served basis and is included in the price of a ticket to the D23 Expo. In addition to the 4,000-seat D23 Expo Arena, the concert will be simulcast into a 2,000-seat overflow theater inside the Convention Center.

Richard M. Sherman and his brother Robert B. Sherman composed some of the most beloved songs in the Disney canon. The Disney Legends won two Oscars® for their work on Mary Poppins, and during their decades–long association with Disney they wrote more than 200 songs for 27 films and two dozen television productions. They made unforgettable contributions to such Disney films as The Parent Trap, The Jungle Book, Bedknobs and Broomsticks, and the entire Winnie the Pooh series, as well as the family classic Chitty Chitty Bang Bang. They also penned beloved songs for Disney Parks including the theme songs for Walt Disney’s Enchanted Tiki Room, it’s a small world, and Carousel of Progress. Richard wrote the song “Make Way for Tomorrow Today” for the blockbuster film Iron Man 2, and is working on a new stage musical based on Walt Disney’s 1967 animated film classic The Jungle Book, premiering this June at the Goodman Theater in Chicago.

With eight Academy Awards, Alan Menken has received more Oscars than any living person. He has written songs and scores for some of the world’s most beloved films: Tangled (Oscar nominee), Enchanted (three Oscar nominations) The Little Mermaid (two Oscar wins), Beauty and the Beast (two Oscar wins), Aladdin (two Oscar wins), Pocahontas (two Oscar wins), Hercules (Oscar nominee), The Hunchback of Notre Dame (Oscar nominee), Little Shop of Horrors (Oscar nominee), Home on the Range and Newsies. His song “Star Spangled Man,” was the patriotic anthem of the 2011 hit film Captain America: The First Avenger.

Menken’s Broadway successes include his 2012 Tony Award® for Newsies, plus The Little Mermaid (Tony Award nominee), Beauty and the Beast, Little Shop of Horrors, and Sister Act (Tony Award nominee). His other stage productions include King David, God Bless You Mr. Rosewater, The Hunchback of Notre Dame and his latest stage production Aladdin: The New Musical, opening next year. At Disney Parks, Menken added an exclusive ballad (“To Be Free”) to his song score for Aladdin: A Musical Spectacular at Disney California Adventure and penned “Compass of Your Heart,” the catchy theme song for the attraction Sinbad’s Storybook Voyage at Tokyo DisneySea.

Tickets for the D23 Expo are available at a discounted price for a limited time. Though June 15, tickets are $52 for a one-day adult admission and $42 for children 3–12. Tickets for members of D23: The Official Disney Fan Club are $45 for a one-day adult admission and $37 for children. Multi-day money-saving tickets are also available for both D23 Members and the general public, and D23 Members can save as much as $144 off the price of admission, based on the purchase of four three-day tickets at the D23 Member rate before June 15. For more information on tickets and the ticket pricing structure for members and general admission, visit D23Expo.com.


About D23 Expo 2013
The D23 Expo—The Ultimate Disney Fan Event—brings the entire world of Disney under one roof, providing attendees with unprecedented access to Disney films, television, and theme parks. For the latest D23 Expo 2013 news, visit D23Expo.com. To be part of the D23 Expo conversation, make sure to follow @DisneyD23 and tag your tweets with #D23Expo.

About D23
The name “D23” pays homage to the exciting journey that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official club for fans in Disney’s nearly 90-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at D23.com; member-exclusive discounts and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 9–11, 2013.

Fans can join D23 at D23.com and at www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us @DisneyD23 on Twitter, Facebook, Pinterest, and YouTube.

Review: "Better Luck Tomorrow" Showed the Promise of Justin Lin

TRASH IN MY EYE No. 167 (of 2003) by Leroy Douresseaux


Better Luck Tomorrow (2002)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for violence, drug use, language and sexuality
EDITOR/DIRECTOR: Justin Lin
WRITERS: Ernesto Foronda, Fabian Marquez, and Justin Lin
PRODUCERS: Julie Asato, Ernesto Foronda, and Justin Lin
CINEMATOGRAPHER: Patrice Lucien Cochet
COMPOSERS: Michael Gonzales and Tobin Mori

CRIME/DRAMA

Starring: Parry Shen, Jason T. Tobin, Karin Anna Cheung, Sung Kang, Roger Fan, John Cho, Ryan Cadiz, and Jerry Mathers

The script for Justin Lin’s film Better Luck Tomorrow attracted hip hop entertainer and current minister MC Hammer as a financial backer, and the finished film attracted MTV as a film distributor. Better Luck Tomorrow is the tale of over-achieving, but disenchanted Asian-American teens from middle class, upper middle class, and affluent backgrounds, and since early in the year, it’s gotten a lot of buzz as a cool indie flick. Predictably, however, the young male characters’ world-weariness leads to extreme violence, and isn’t that just so typical of indie films about young men.

Ben Manibag (Parry Shen) is an intelligent, bright boy with his eyes on getting into a really good college where he can study biology and perhaps later go to medical school. He’s so clean cut that he even does charity work at a hospital and heads a volunteer public clean up crew. He and his social group of upwardly mobile Asian-American teens have vague feelings of dissatisfaction. He and his buddies put their overachieving minds to the business of various criminal enterprises. They enjoy the power trip and attention their crimes bring as much if not more so than the cash they earn, but their immoral behavior soon has them stumbling into a plot that has deadly consequences.

As both editor and director, Justin Lin ably adds many filmmaking flourishes that keep his film riveting, kinetic, and mostly fun to watch. The script by Lin and his collaborators, however, isn’t very strong. The characters are cardboard cutouts, and they’re not helped by the actors’ lack of subtlety. The performers seem to have two settings – bored and (a few times) intense. Jason J. Tobin as Virgil Hu is the only actor who seems to get any mileage out of his character.

There is one thing that makes the film a bit of an oddity. It’s about Asian-Americans, and not (thankfully) about bored, spoiled rich white kids and the (tedious) dark underbelly of suburbia. A film about bored youths is almost always about young, white people. It’s as if young nonwhites don’t have lives, or at least don’t have interesting lives in this so called melting pot.

That novelty is actually not a bad thing. It actually makes the film more interesting and adds a lot to the visual flavor. It’s nice to see a film examine something from a new and different point of view. Lin deserves major credit for his willingness to bring this movie, Better Luck Tomorrow, to screen. Reservations aside, he looks, judging by the film, like he could be a very good director. Hopefully, he and his writing collaborators will also get better.

6 of 10
B

Saturday, May 25, 2013

Muse to Perform at Global Premiere of "World War Z"

MUSE TO PERFORM LIVE ON SUNDAY, JUNE 2 AS PART OF THE MASSIVE GLOBAL PREMIERE OF “WORLD WAR Z” IN LONDON

Paramount Pictures has teamed up with Grammy Award-winning British band Muse to feature the band’s music in the new film “WORLD WAR Z.” The tracks are from Muse’s latest album The 2nd Law. Following the film’s world premiere in London’s Leicester Square on Sunday, June 2, Muse will perform live from Horse Guards Parade Ground, St. James’s Park. Tickets for the live performance will be available Tuesday, May 28 at 9:00 a.m. BST. For more information and for tickets, please visit http://www.worldwarz.co.uk/MUSE

“WORLD WAR Z” revolves around an ex-United Nations investigator Gerry Lane (Brad Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself. Starring Brad Pitt, Mireille Enos and James Badge Dale.

Since forming in 1994, Muse has released six studio albums selling upwards of 15 million albums worldwide. The band earned its highest-ever debut on the Billboard Top 200 Albums chart when “The 2nd Law” bowed at No. 2 a week after its October 2 release. Madness, the first single from the album, was No. 1 on the Billboard Alternative Chart for 19 weeks, breaking the previous record set in 2007. The “2nd Law” and “Madness” received two Grammy Nominations this year. The group’s last album, The Resistance, reached No. 1 in 19 countries around the world, and they have won numerous awards including a Best Rock Album Grammy Award and an American Music Award for The Resistance.

“WORLD WAR Z” is directed by Marc Forster from a screenplay by Matthew Michael Carnahan and Drew Goddard & Damon Lindelof, and screen story by Matthew Michael Carnahan and J. Michael Straczynski. Based on the novel by Max Brooks. Produced by Brad Pitt, Dede Gardner, Jeremy Kleiner and Ian Bryce.

“WORLD WAR Z” is in theaters June 21, 2013.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

SEE THE ANNOUNCEMENT VIDEO HERE:
http://www.youtube.com/watch?feature=player_embedded&v=GpxGm-fifiA

OFFICIAL SITE: WWW.WORLDWARZMOVIE.COM

Review: "Before Sunset" is an All-Time Great Romance

TRASH IN MY EYE No. 234 (of 2004) by Leroy Douresseaux

Before Sunset (2004)
Running time: 80 minutes (1 hour, 20 minutes)
MPAA – R for language and sexual references
DIRECTOR: Richard Linklater
WRITERS: Julie Delpy, Ethan Hawke, and Richard Linklater; from a story by Kim Krizan and Richard Linklater (based upon characters by Kim Krizan and Richard Linklater)
PRODUCERS: Anne Walker-McBay and Richard Linklater
CINEMATOGRAPHER: Lee Daniel
EDITOR: Sandra Adair
Academy Award nominee

ROMANCE/DRAMA

Starring: Ethan Hawke and Julie Delpy

The subject of this movie review is Before Sunset, a 2004 romantic drama from director Richard Linklater. It is the sequel to the 1995 film, Before Sunrise. Set nine years after the first film, Before Sunset follows the young American man and young French woman who first met on a train and spent a night in Vienna as they reunite in Paris.

It’s been nine years since Jesse (Ethan Hawke) and Celine (Julie Delpy) first met in Vienna. Back then they promised to meet again in six months, but it didn’t happen. Now, Jessie is on the European leg of his book tour. He’s in Paris for a book signing session at a small (and intimate) book store when he spies Celine off to the side… and they pick up where they left off nine years ago.

It must seem nearly impossible that Before Sunset, Richard Linklater’s sequel to his romance classic, Before Sunrise, surpasses the original. Just as in the first film, the lead characters talk and talk and talk, but this time there is the baggage of nine years of disappointments between their meetings. Whereas, in Sunrise, the talk was existential and about hope and promise, this time every topic leads back to two questions for the characters: What if we had both kept our promise to meet again in Vienna?” and the unspoken question, “Are we supposed to be together.”

Sometimes, when we meet old and dear friends whom we haven’t seen for a long time, we find that we pick up with the relationship right where we left off. Linklater, Hawke, and Ms. Delpy take that phenomenon and turn it into art, art that lives and breathes. Before Sunset is a great romantic film and a great film period – a love idyll about ideal romance. Would that more films be about love rather than hate and make us invest ourselves in the outcome of romantic love. Plus, look out for that knock out surprise ending.

9 of 10
A+

NOTES:
2005 Academy Awards, USA: 1 nomination: “Best Writing, Adapted Screenplay” (Richard Linklater-screenplay/story, Julie Delpy-screenplay, Ethan Hawke-screenplay, and Kim Krizan-story)