Thursday, June 20, 2013

Review: "The Interpreter" Has Mixed Message (Happy B'day, Nicole Kidman)

TRASH IN MY EYE No. 5 (of 2006) by Leroy Douresseaux

The Interpreter (2005)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for violence, some sexual content, and brief strong language
DIRECTOR: Sydney Pollack
WRITERS: Charles Randolph, Scott Frank, and Steven Zallian; from a story by Martin Stellman and Brian Ward
PRODUCERS: Tim Bevan, Eric Fellner, and Kevin Misher
CINEMATOGRAPHER: Darius Khondji
EDITOR: William Steinkamp
COMPOSER: James Newton Howard

DRAMA/THRILLER

Starring: Nicole Kidman, Sean Penn, Catherine Keener, Jesper Christensen, Yvan Attal, Earl Cameron, George Harris, Michael Wright, Clyde Kusatsu, Eric Keenleyside, Hugo Speer, Maz Jobrani, Yusuf Gatewood, Curtiss I’Cook, and Byron Utley

The subject of this movie review is The Interpreter, a 2005 political thriller from director Sydney Pollack. This is the final film directed by Pollack, who died in 2008 at the age of 73. The Interpreter focuses on an interpreter who overhears an assassination plot and the US Secret Service agent assigned to investigate her allegations.

Silvia Broome (Nicole Kidman) is a translator at the United Nations, who accidentally overhears the plot to assassinate an African despot scheduled to speak before the U.N. General Assembly. With the words, “The Teacher will never leave this room alive,” Silvia’s world is turned upside down, as she becomes the target of mysterious thrillers who know she overheard the whispered conspiracy. Still, authorities have doubts about the validity of her story, including Tobin Keller, (Sean Penn), a federal agent assigned to protect dignitaries visiting the U.S. Tobin is eventually assigned to both protect Silvia and to unravel the mystery of the assassination attempt and its seeming connection to Silvia’s past. Will Silvia’s reticence about discussing her past and Tobin’s determination to uncover what he believes she is hiding lead to the assassination of a foreign leader on American soil?

Academy Award-winning director Sydney Pollack’s (Out of Africa) The Interpreter is part contrived melodrama and part riveting suspense story, with the latter winning out to make this a thoroughly entertaining thriller. The characters’ personal histories and tragedies occupy much of the narrative time, and their personality traits both define how their relationship and the mystery of the assassination will be resolved. But that’s mostly window dressing for a rather nice staid, adult thriller. The Interpreter lacks the car chases and has very few gunfights and explosions – the two elements that denote most Hollywood action thrillers meant to draw in teenage boys and young men as much (if not more so) as they are meant to attract older audiences looking for involved drama and quality acting. The Interpreter certainly has evocative drama and both Kidman and Penn are excellent (and award-winning) actors, and while this isn’t their best work, they certainly try to give us something different – just enough to make this more than a run-of-the-mill tense drama.

Every time the film seems as if it will slip into being ordinary, it does something surprising, and while it doesn’t have the intensity that would make it a great film, it does have the smooth charm and the kind of engaging plot that makes it an enjoyable film. The script, co-written by two of Hollywood’s top screenwriters, Scott Frank and Steven Zallian (an Oscar winner for Schindler’s List), is novelistic in its approach to character, situation, and plot. Sydney Pollack uses it to carry us through a complex web of private tragedy, delicate political affiliations, and international intrigue. At the same time, it also gives us a small, but fierce glance at the sectarian violence rampant throughout some of Africa. That’s a lot for your money.

6 of 10
B

Wednesday, January 11, 2006

Updated: Thursday, June 20, 2013

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Wednesday, June 19, 2013

New "Anchorman 2" Teaser Poster - June 18, 2013



Anchorman 2: The Legend Continues

With the 70's behind him, San Diego's top rated newsman, Ron Burgundy (Will Ferrell), returns to the news desk in "Anchorman 2: The Legend Continues." Also back for more are Ron’s co-anchor and wife, Veronica Corningstone (Christina Applegate), weather man Brick Tamland (Steve Carell), man on the street Brian Fantana (Paul Rudd) and sports guy Champ Kind (David Koechner) - All of whom won’t make it easy to stay classy…while taking New York's first 24-hour news channel by storm.

In theaters everywhere December 20, 2013

https://twitter.com/ronburgundy

https://www.facebook.com/anchormanmovie

"Anchorman" Exhibit Opens November 2013



Newseum in Washington, D.C., Announces  ‘Anchorman: The Exhibit’ to Open November 14, 2013

‘Anchorman 2: The Legend Continues’ opens nationwide December 20, 2013

It’s kind of a big deal

WASHINGTON — On November 14, 2013, the Newseum, in partnership with Paramount Pictures, will open “Anchorman: The Exhibit,” featuring props, costumes and footage from the 2004 hit comedy Anchorman: The Legend of Ron Burgundy, prior to the release of its highly anticipated sequel “Anchorman 2: The Legend Continues” from Paramount Pictures on December 20.

The original film, written by Will Ferrell & Adam McKay, directed by McKay, and starring Ferrell, Christina Applegate, Paul Rudd, Steve Carell and David Koechner, takes a comic look at a 1970s-era television newsroom and the legendary local anchorman who ruled it until a female reporter arrived to challenge the all-male news team. “Anchorman 2: The Legend Continues” reunites Ferrell and McKay with the original cast.

Included in “Anchorman: The Exhibit” will be costumes worn by the Channel 4 Evening News team and a number of original props from the movie, including Ron Burgundy’s jazz flute and the whip used by rival anchorman Arturo Mendez during the film’s memorable fight scene between rival news teams. The exhibit also includes a re-creation of the KVWN-TV anchor desk and news set where visitors can pose for photo ops.

“For millions of viewers, the news anchor represents the authority and credibility of television news. But anchormen and women also are popular targets for pop culture laughs,” said Cathy Trost, vice president of exhibits and programs at the Newseum. “The exhibit explores the reality behind the humor of “Anchorman” and tracks the rise of personality-driven news formats in the 1970s.”

Visitors to the exhibit also will have an opportunity to step in front of the camera and participate in an Anchorman-themed TV spot at one of the Newseum’s Be a TV Reporter stations. With lead anchor Ron Burgundy providing a snappy introduction, budding reporters can find out if they have what it takes to become a member of the Channel 4 News team. The exhibit also will feature clips from the movie and special commentary by Will Ferrell.

“I’m literally trapped in a glass case of emotion,” said Ron Burgundy, commenting on his inclusion in the museum’s exhibit.

“Anchorman: The Exhibit” will be on display at the Newseum through Aug. 31, 2014.


About the Newseum
The mission of the Newseum is to champion the five freedoms of the First Amendment through education, information and entertainment. One of the top attractions in Washington, D.C., the Newseum’s 250,000-square-foot news museum offers visitors a state-of-the-art experience that blends news history with up-to-the-second technology and hands-on exhibits. The Newseum is a 501(c)(3) public charity funded, in part, by the Freedom Forum. The First Amendment Center at the Newseum and in Nashville and the Diversity Institute serve as forums for the study and exploration of the First Amendment. For more information visit newseum.org or follow us on Facebook and Twitter.

About “Anchorman 2: The Legend Continues”
With the ’70s behind him, San Diego’s top rated newsman, Ron Burgundy (Will Ferrell), returns to the news desk in “Anchorman 2: The Legend Continues.” Also back for more are Ron’s co-anchor and wife, Veronica Corningstone (Christina Applegate), weather man Brick Tamland (Steve Carell), man on the street Brian Fantana (Paul Rudd) and sports guy Champ Kind (David Koechner) — all of whom won’t make it easy to stay classy … while taking New York’s first 24-hour news channel by storm. Produced by Judd Apatow, Will Ferrell and Adam McKay. Written by Will Ferrell & Adam McKay. Directed by Adam McKay.

Happy Juneteenth 2013

We get free!

Tuesday, June 18, 2013

Review: "Texas Chainsaw 3D" Gory and Scary

TRASH IN MY EYE No. 42 (of 2013) by Leroy Douresseaux


Texas Chainsaw 3D (2013)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – R for strong grisly violence and language throughout
DIRECTOR: John Luessenhop
WRITERS: Adam Marcus and Debra Sullivan, and Kirsten Elms; from a story by Stephen Susco, Adam Marcus and Debra Sullivan (based upon the characters by Kim Henkel and Tobe Hooper)
PRODUCER: Carl Mazzocone
CINEMATOGRAPHER: Anastas N. Michos
EDITOR: Randy Bricker
COMPOSER: John Frizzell

HORROR

Starring: Alexandra Daddario, Dan Yeager, Tremaine “Trey Songz” Neverson, Tania Raymonde, Shaun Sipos, Keram Malicki-Sanchez, Thom Barry, Paul Rae, Scott Eastwood, James McDonald, Richard Riehle, David Born, and Sue Rock

Texas Chainsaw 3D is a 2013 horror film presented in 3D. It is the seventh film in The Texas Chainsaw Massacre franchise. Texas Chainsaw 3D is a sequel to the events of the original The Texas Chainsaw Massacre (1974), which was directed by Tobe Hooper. Hooper also directed The Texas Chainsaw Massacre 2 (1986), the first sequel to his classic film. In Texas Chainsaw 3D, a young woman travels to Texas with her friends to collect an inheritance, but she does not realize that a chainsaw-wielding killer is part of her family legacy.

Picking up immediately after the events of the original movie, Sheriff Hooper (Thom Barry) arrives at the Sawyer home to arrest Jedidiah “Jed” Sawyer (Dan Yeager), for murdering several people – killing some with a chainsaw. However, the people of Newt, Texas, led by Burt Hartman (Paul Rae), want immediate justice and burn down the Sawyer family home, killing everyone inside. In the chaos, Gavin and Arlene Miller (David Born and Sue Rock) find a baby from the Sawyer family and adopt her.

Some two decades later, the daughter, Heather Miller (Alexandra Daddario), is a young artist, living with her boyfriend, Ryan (Tremaine “Trey Songz” Neverson). Heather receives a letter that her grandmother, Verna Carson, has died, and this is the first time that Heather learns that the Millers adopted her. Heather, Ryan, and their friends, Nikki (Tania Raymonde) and Kenny (Keram Malicki-Sanchez), head to Newt, Texas in order for Heather to receive the inheritance that Verna left for her.

When she meets her grandmother’s lawyer, Farnsworth (Richard Riehle), Heather discovers that her grandmother left her a lot of money and a mansion. Heather and her friends love the mansion, planning to spend the night, but do not realize that it holds a monstrous secret, hidden in its bowels.

There is a lot that one can say about Tobe Hooper’s career, some of it negative, but he made one of the greatest horror movies (American and otherwise) ever in The Texas Chainsaw Massacre. I see the film as a uniquely American gothic tale. It takes the Southern gothic and gives it a Texas edge that also visually encapsulates the decaying state of post-1960s, post-Vietnam America.

I have seen some of the sequels and remakes, not all, and they just do not live up to the original – even Hooper’s own 1986 sequel (which had its moments). No sequel, remake, or re-imagining of the 1974 ever will.

That said, Texas Chainsaw 3D is actually a fairly good movie. It a slasher film with a unique take on family obligations. Texas Chainsaw 3D also plays around with the idea that even the most horrific villain can be a kind of anti-hero when compared to unsavory characters that peddle in class conflict, prejudice, and lynch mobs – the so-called pillars of the community. I’m not going to lie and call this movie an American classic, but this film has a Texas macabre vibe that stuck with me long after I finished watching it.

I did find a few things odd. So if this movie takes place two decades after the original, which took place in the early to mid-1970s, then, Texas Chainsaw 3D takes place in the early to mid-1990s. Just judging by the smart phones, this movie does not take place in the 90s. I guess they just moved the timeline. Also, there is a scene when a jerk rips open Heather’s shirt, for no apparent reason. As she is not wearing a bra, this must be a moment of exploitation to give male audience members a peek at the actress Alexandra Daddario’s breasts.

Selling this film as a 3D movie is cynical, and although I did not see it in 3D, I wonder what I missed. I didn’t notice many scenes that would have been effective in 3D. However, Texas Chainsaw 3D has a number of generally riveting scenes and set pieces, especially the fair ground chase. I would like to see director John Luessenhop and the creative crew and staff of this motion picture get a shot at another film in the franchise.

6 of 10
B

Wednesday, June 12, 2013

Review: "Texas Chainsaw Massacre" Remake Just a Remake

TRASH IN MY EYE No. 66 (of 2004) by Leroy Douresseaux


The Texas Chainsaw Massacre (2003)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for strong horror violence/gore, language and drug content
DIRECTOR: Marcus Nispel
WRITER: Scott Kosar (based upon the original screenplay by Kim Henkel and Tobe Hooper)
PRODUCERS: Michael Bay and Mike Fleiss
CINEMATOGRAPHER: Daniel C. Pearl (D.o.P.)
EDITOR: Glen Scantlebury
COMPOSER: Steve Jablonsky
Razzie Awards nominee

HORROR

Starring: Jessica Biel, Jonathan Tucker, Erica Leerhsen, Mike Vogel, Eric Balfour, Andrew Bryniarski, David Dorfman, Lauren German, Terrence Evans, Marietta Marich, Heather Kafka, Kathy Lamkin, Brad Leland, Mamie Meek, and John Larroquette (voice)

The Texas Chainsaw Massacre, the 2003 remake of the 1974 horror film classic, is a by-the-books horror film with a few pages missing. It’s scary, and has all the requisite bumps. All jokes aside, there are some really intense moments. It seems that the idea of a chainsaw-wielding maniac chasing people, even fictional ones, is really unsettling. The characters here, however, seem a bit too dumb, and the film also has too many throwaway characters that could have been left out of the film.

The story is basically the same. Five teenagers or young people take the back roads of rural Texas to trouble where they encounter a monstrous killer who murders his victims with a chainsaw. In the original film, the kids took a detour to visit an old family estate of one of the youths. This time around, the gang gets sidetracked when they encounter a young woman wandering in a semi-daze along the road. After she kills herself, the kids look for help from the local law, and that’s how they set themselves up for gruesome deaths.

If the original TCM can be seen as a work of art in the horror genre, the remake is simply product – a professionally done movie meant to separate teens and other horror fans from their cash. There are no artistic pretensions here. It’s not half bad, and actually quite intense, creepy, and skin crawling during most of the movie. Having the cinematographer of the original film, Daniel Pearl, return to photograph this movie was an excellent choice by the producers. Pearl creates some spine-chilling and hair-raising shots in this movie that help to sell the film’s horrific atmosphere.

I have mixed feelings about the cast, but Jessica Biel is a champ and does a star turn in this film. The Texas Chainsaw Massacre 2003 is an easy recommendation for any and all who like scary movies.

5 of 10
C+

NOTES:
2004 Razzie Awards: 1 nomination: “Worst Remake or Sequel”