Review: "Who Framed Roger Rabbit" Retains its Magic (Happy Anniversary)

TRASH IN MY EYE No. 67 (of 2005) by Leroy Douresseaux

Who Framed Roger Rabbit (1988)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG
DIRECTOR: Robert Zemeckis with Richard Williams
WRITERS: Jeffrey Price and Peter S. Seaman (based upon the novel Who Censored Roger Rabbit? by Gary K. Wolf)
PRODUCERS: Robert Watts and Frank Marshall
CINEMATOGRAPHER: Dean Cundey (D.o.P.)
EDITOR: Arthur Schmidt
COMPOSER: Alan Silvestri
Academy Award winner

ANIMATION/COMEDY/MYSTERY/FANTASY/ACTION

Starring: Bob Hoskins, Christopher Lloyd, Joanna Cassidy, (voice) Charles Fleischer, Stubby Kaye, Alan Tilvern, Richard Le Parmentier, (voice) Lou Hirsch, Joel Silver, Paul Springer, Richard Ridings, Edwin Craig, and Lindsay Holiday with the voices of Mel Blanc, Mae Questel and Tony Anselmo, with Kathleen Turner

The subject of this movie review is Who Framed Roger Rabbit, a 1988 fantasy and crime comedy from directors Robert Zemeckis and Richard Williams. The film is a mixture of live action (directed by Robert Zemeckis) and animation (directed by Richard Williams). The film is based on the 1981 mystery novel, Who Censored Roger Rabbit?, by author Gary K. Wolf. The film’s initial release renewed interest in the “Golden Age of American animation” (late 1920s to the early 1960s). It also led the modern era of American animation, in particularly the “Disney Renaissance” (which began with Little Mermaid in 1989).

Who Framed Roger Rabbit focuses on a detective who hates “toons” (animated cartoon characters), but who ends up being a cartoon rabbit's only hope to prove his innocence when the rabbit is accused of murder. I have seen Who Framed Roger Rabbit countless times, and it remains one of my all-time favorite films. I also still think that it is a great film, and is arguably the best film of 1988.

Seventeen years ago, Who Framed Roger Rabbit was considered a revolutionary film with its landmark mixture of live-action film and animated characters. Who FramedRoger Rabbit wasn’t the first time that human actors and cartoon characters had mingled, but Who Framed Roger Rabbit was, at the time, the best achievement in live-action/animated film. However, by the time Jurassic Park, which featured the seamless blend of live-action sets and real characters with computer-generated images (or computer rendered characters), appeared, Who Framed Roger Rabbit seemed like an afterthought. After seeing this film for the first time in about 15 years, I’m still impressed by how well this movie’s conceit, that famous animated cartoon characters like Bugs Bunny, Mickey Mouse, Droopy, and others, are real and live side-by-side with us in the real world, still rings true.

The story: ‘Toons (what cartoon characters are called in this film) are real, and their job is to make animated cartoon films for human entertainment. ‘Toon star Roger Rabbit (voice of Charles Fleischer) is worried that his wife, Jessica Rabbit (voice Kathleen Turner), is cheating on him, and it’s affecting his work on the set of his films with his co-star Baby Herman (voice of Lou Hirsch). R.K. Maroon (Alan Tilvern) hires detective Eddie Valiant (Bob Hoskins) to learn the identity of Jessica’s sugar daddy, who turns out to me Marvin Acme (Stubby Kaye), the owner of ‘Toontown, the Los Angeles cartoon suburb where ‘Toons live.

Things get complicated when Acme is found dead, and Roger Rabbit is suspect number one. Roger goes to Valiant for help to clear his name and save him from a date with annihilation at the hands of the menacing Judge Doom (Christopher Lloyd), the dispenser of justice in ‘Toontown, but Valiant is reluctant. He actually took the job snooping on Jessica for money, but he’s hated taking ‘Toon cases since a mysterious ‘Toon killed his brother. However, Roger’s plight strikes a cord of sympathy with Valiant, and he takes Roger’s case. The more Valiant learns, the more intrigued he becomes, especially he learns of a larger and darker conspiracy that threatens not only Roger Rabbit’s life, but the very existence of ‘Toontown.

Beyond featuring the groundbreaking interaction of live and animated characters, Who Framed Roger Rabbit is simply a fine film and both a great technical and artistic achievement; it simply works. The script bears more than a passing resemblance to the municipal conspiracy in Chinatown, and the screenplay’s central mystery plotline develops in a way that keeps the viewer interested in whodunit.

The acting is excellent; from top to bottom the casts sells the idea that they’re interacting with animated characters. This is an especially impressive achievement because the live action was filmed before the animated characters and backgrounds were added. Talk about make-believe, pretend, and plain old acting talent. Christopher Lloyd is a treat to watch as the dark heavy, Judge Dredd-like justice giver – proof positive that he’s a great character actor, especially playing offbeat and wacky characters. Bob Hoskins, who more than anyone in the film, acted with non-existent co-stars, did yeoman’s work, and his performance is an underrated achievement among great comic performances.

The most credit goes to the films directors, and yes, there are two, although Who Framed Roger Rabbit may be listed as “A Robert Zemeckis Film.” True, Zemeckis does an incredible job filming sequences when many of his main actors and some of his sets would have to be added later by the animators. Still, he manages to get the most out of his actors and make the film’s comedy funny and mystery captivating – the best directorial effort of 1988. However, Richard Williams directed the animated sequences, and there aren’t many directors in the history of animated film who outdid his work here. Together Zemeckis and Williams made a classic of live-action and animation that is entertaining, technically brilliant, and a beautiful movie.

10 of 10

NOTES:
1989 Academy Awards, USA: 4 wins: “Best Effects, Sound Effects Editing” (Charles L. Campbell and Louis L. Edemann), “Best Effects, Visual Effects” (Ken Ralston, Richard Williams, Ed Jones, and George Gibbs), “Best Film Editing” (Arthur Schmidt), and “Special Achievement Award” (Richard Williams “for animation direction and creation of the cartoon characters”); 3 nominations: “Best Art Direction-Set Decoration” (Elliot Scott and Peter Howitt), “Best Cinematography” (Dean Cundey), “Best Sound” (Robert Knudson, John Boyd, Don Digirolamo, and Tony Dawe)

1989 BAFTA Awards: 1 win: “Best Special Effects” (George Gibbs, Richard Williams, Ken Ralston, and Ed Jones); 4 nominations: “Best Cinematography” (Dean Cundey), “Best Editing” (Arthur Schmidt), “Best Production Design” (Elliot Scott), and “Best Screenplay – Adapted” (Jeffrey Price and Peter S. Seaman)

1989 Golden Globes, USA: 2 nominations: “Best Motion Picture - Comedy/Musical” and “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Bob Hoskins)

Updated: Saturday, June 22, 2013

Director Miwa Nishikawa at 2013 Japan Film Festival

The 2013 JAPAN FILM FESTIVAL OF SAN FRANCISCO WELCOMES AWARD WINNING DIRECTOR MIWA NISHIKAWA AS SPECIAL GUEST OF HONOR FOR THE PREMIERE OF HER NEW FILM DREAMS FOR SALE

Evocative Director Of Dear Doctor And SWAY Makes A Special U.S. Personal Appearance For San Francisco’s First Dedicated Japanese Film Festival Taking Place In July At NEW PEOPLE Cinema

The 2013 J-POP Summit Festival, the popular annual San Francisco summertime Japanese Pop Culture celebration, will welcome director Miwa Nishikawa as a special Guest of Honor for the first-ever Japan Film Festival of San Francisco. The award-winning director is set to appear in-person at NEW PEOPLE Cinema for the premiere of her latest film – Dreams for Sale – on Saturday, July 27th at 7:00pm. An audience Q&A will immediately follow the screening.

Presented in conjunction with the J-POP Summit, the Japan Film Festival of San Francisco (JFFSF) is the first fully-dedicated annual Japanese film event for San Francisco and takes place at the NEW PEOPLE Cinema beginning Saturday, July 27th through Sunday August 4th. Tickets are $13.00 per film unless otherwise indicated. NEW PEOPLE Cinema is located at 1746 Post St. (cross street Webster St.) in the heart of San Francisco’s Japantown. A complete schedule of films and advance ticket information is available on www.jffsf.org.

Written and directed by Miwa Nishikawa, who’s SWAY and Dear Doctor were screened to great acclaim at numerous international film festivals, Dreams for Sale is a richly evocative comedy/drama about a couple that lose everything in a fire and attempt to make a fresh start by swindling others. Wife Satoko (Takako Matsu) and her husband Kanya (Sadawo Abe) run a small eatery in a corner of Tokyo, but on the 5th anniversary of its opening, a fire erupts in the kitchen and burns the place to a cinder. In desperate need of cash, Satoko and Kanya embark on a hilarious and heartwarming marriage scam in an attempt to put their lives back on track.

“The tremendous critical and commercial success, both in Japan and abroad, of screenwriter/director Miwa Nishikawa’s 2009 film, Dear Doctor, propelled her to international notoriety and she is truly a director who represents the Japanese film world of the 21st Century,” says Manami Iibioshi, the Executive Director of Japan Film Festival of San Francisco. “Dreams for Sale is her fourth feature film and continues to showcase her skilled directorial style that is punctuated by insightful psychological acuity and emotional resonance. We look forward to audiences having the opportunity to meet her and participate in a special Q&A at our premiere screening at the Japan Film Festival of San Francisco.”

The Japan Film Festival of San Francisco invites attendees to catch more than 15 films, representing a vivid cross-section of recent Japanese live-action as well as anime cinema, that will have their exclusive U.S. and/or San Francisco premiere at NEW PEOPLE Cinema. The Festival will also be a prominent feature of the 2013 J-POP Summit Festival, taking place across Japantown on Saturday and Sunday, July 27th and 28th. Additional details on the 2013 J-POP Summit Festival are available at www.J-POP.com.

Miwa Nishikawa was born in Hiroshima, Japan and began working in film when she served on the production staff for Director Hirokazu Koreeda's Wonderful Life (1999). In 2002, she made her directorial debut with the film, Wild Berries. In 2006, she directed the film Sway, which became a long running hit at Japanese box offices and captured many major film awards. The film was also an Official Selection at the 2006 Cannes International Film Festival where it received rave reviews and was the sole film from Japan at the prestigious Director's Fortnight. In 2009, her third feature film, Dear Doctor, was selected for the World Competition category at Montreal World Film Festival and also several notable awards including the 33rd Japan Academy Awards for Best Screenplay.

NEW PEOPLE Cinema is a 143-seat cinema located in the underground floor of NEW PEOPLE in San Francisco. Equipped with a cutting-edge HD digital projection and THX®-certified sound system, NEW PEOPLE Cinema is home for local film festivals and entertaining events. More information at: www.newpeoplecinema.com


About J-POP SUMMIT FESTIVAL
The J-POP SUMMIT FESTIVAL is an annual Japanese Pop Culture celebration that features live bands and artists from Japan, pop culture panel discussions, film premieres, fashion and DJ dance events, and celebrity appearances. The Festival is hosted by NEW PEOPLE in cooperation with the Japantown Merchants Association. In 2012, the two-day event attracted 65,000 attendees.

Additional information about the J-POP Summit Festival is available at J-POP.com.

Review: Didn't Want to Stay for "Stay"

TRASH IN MY EYE No. 68 (of 2006) by Leroy Douresseaux


Stay (2005)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for language and some disturbing images
DIRECTOR: Marc Forster
WRITER: David Benioff
PRODUCERS: Eric Kopeloff and Tom Lassally
CINEMATOGRAPHER: Roberto Schaeffer
EDITOR: Matt Chesse
COMPOSERS: Asche & Spencer (Tom Scott and Thad Spencer)

DRAMA/THRILLER with elements of horror, fantasy, and sci-fi

Starring: Ewan McGregor, Naomi Watts, Ryan Gosling, Bob Hoskins, Janeane Garofalo, Elizabeth Reaser, and B.D. Wong

The subject of this movie review is Stay, a 2005 fantasy drama and psychological thriller from director Marc Forster. The film focuses on a psychiatrist who attempts to prevent one of his patients from committing suicide, while his own grip on reality slips.

A New York psychiatrist, Sam Foster (Ewan McGregor), inherits a secretive and highly unusual young man bent on suicide as his new patient. His name is Henry Lethem (Ryan Gosling), and he is capable of making bizarrely accurate predictions about the future. Henry announces to Sam that he is planning on committing suicide at midnight the coming Saturday – the day of his 21st birthday. After Henry disappears, Sam is desperate to find his patient before he offs himself, but his investigation begins to have reality-shattering effects on him.

Manhattan, where Sam lives, begins to transform into a constantly and wildly shifting dreamscape, and the deeper Sam tries to go into Henry’s subconscious, the more it changes the rational world for Sam. His search for Henry is also causing havoc in Sam’s relationship with his girlfriend, Lila Culpepper (Naomi Watts), a former patient of Sam’s who tried to kill herself. It isn’t long before both Sam and Lila are wondering where Sam ends and Henry begins.

Stay has some big names behind it. Director Marc Forster directed Halle Berry to an Academy Award in 2001’s Monster’s Ball, and his last film, Finding Neverland, earned several Oscar nominations including a Best Picture nod. The cast includes some heavyweights – Ewan McGregor and Naomi Watts, and a star-in-the-making – Ryan Gosling. In this film, Ryan definitely shows that something that has him marked as a movie star, a quality actor, and a matinee idol.

However, audiences will find Stay to be either fascinating or dull. It’s really a riff on Ambrose Bierce’s famous short story, “An Occurrence at Owl Creek Bridge” and the 1990 thriller, Jacob’s Ladder. The visuals are dazzling on a few occasions and quite inventive and imaginative most of the time. However, most of the time Stay also seems like an ambitious if not pretentious film from a talented novice, which means the director makes clever visual choices that still amount to a haphazard narrative. Only the film’s last ten minutes redeem everything that came before it, and that’s disappointing.

3 of 10
C-

Friday, April 7, 2006

Updated: Friday, June 21, 2013

DreamWorks and Ford Unveil "Need for Speed" Car

The one-of-a-kind Ford Mustang starring in DreamWork's "Need for Speed."

DreamWorks Studios and Ford Motor Company Announce Exclusive Partnership for Film Adaptation of Electronic Arts’ ‘Need for Speed’ Video Game

‘Breaking Bad’ star Aaron Paul Teams with a One-of-a-Kind Mustang Hero Car Specially Designed for the Film by Ford

LOS ANGELES--(BUSINESS WIRE)--Today, DreamWorks Studios’ Stacey Snider, Partner and Co-Chair, and Ford Motor Company’s Jim Farley, Executive Vice President, Global Marketing, Sales and Service, are pleased to announce an exclusive partnership for the feature film “Need for Speed,” which will include significant integration of Ford products, along with extensive media promotion by Ford at the time of the film’s release on March 14, 2014. The announcement coincides with the unveiling of a one-of-a-kind Ford Mustang for the film, during Electronic Arts’ press conference at E3 Expo in Los Angeles later today.

The Ford-designed and created made-for-movie Mustang will be featured prominently throughout the film and become part of the mythology of the movie. The “Need for Speed” Mustang features a custom-designed wide body, unique 22-inch alloy wheels, and larger air intakes to feed the supercharged V8 engine under its classic Mustang twin-nostril hood.

“’Need for Speed’ is rooted in Americana, and when we were casting our hero car for the film, Ford Mustang was the obvious choice,” said Snider. “With its 50-year history in film, the iconic Mustang is the perfect co-star for Aaron Paul. We are privileged to have such an esteemed partner like Ford working with us on this film and look forward to seeing their Mustang up on the big screen next year.”

Ford also provided the production with an F-450 truck known in the film as “The Beast,” as well as another Mustang to serve as a specially designed camera car, which allows the filmmakers to capture car racing action in new and exciting ways.

“Need for Speed” marks an exciting return to the great car culture films of the 1960s and ’70s, tapping into what makes the American myth of the open road so appealing. The story chronicles a near-impossible cross-country journey for our heroes – one that begins as a mission for revenge but proves to be a journey of redemption.

“Ford Mustang is a symbol of freedom and optimism that allows you to be the person you dream of being, making it the perfect fit for this story,” said Farley. “Ford is excited to partner with DreamWorks and Electronic Arts as they bring the epic gaming franchise of ‘Need For Speed’ to the big screen, allowing us to go further with them as they tell their great story on the global stage.”

The movie is based on Electronic Arts’ popular video game series of the same name. It is one of the most successful racing video game franchises in the world, with more than 140 million games sold. The film stars Aaron Paul (“Breaking Bad”), Dominic Cooper (“Captain America”), Imogen Poots (“Fright Night”) and Michael Keaton (“Batman”), and is directed by Scott Waugh (“Act of Valor”). George Gatins and John Gatins developed the story and wrote the screenplay. John Gatins, Patrick O’Brien and Mark Sourian are producing. The Walt Disney Company is distributing the film in the United States and select international territories, while Mister Smith Entertainment is handling distribution in Europe, Africa and the Middle East. DreamWorks’ partner Reliance will distribute the film in India.

“’The Need for Speed’ movie will embody everything that fans of action racing films want to see – hot cars, high-stakes street racing and mind-blowing stunts,” said Scott Waugh, director of the “Need for Speed” film. “The adrenaline-fueled story across America will keep viewers on the edge of their seats.”

The next game in the “Need for Speed” franchise, “Need for Speed Rivals,” will be available Nov. 19, 2013 for the Xbox 360® game and entertainment system from Microsoft, the PlayStation®3 computer entertainment system and PC. The game will launch on Xbox One, the all-in-one games and entertainment system from Microsoft and PlayStation 4 later this year.


About DreamWorks Studios
DreamWorks Studios is a motion picture company formed in 2009 and led by Steven Spielberg and Stacey Snider in partnership with The Reliance Anil Dhirubhai Ambani Group. The company’s recent releases include Spielberg's "Lincoln," starring Daniel Day-Lewis, Sally Field and Tommy Lee Jones. The film has grossed over $270 million at the worldwide box office and was nominated for twelve Academy Awards® with Daniel Day-Lewis winning for Best Actor. Other releases include "Real Steel," starring Hugh Jackman and directed by Shawn Levy, Steven Spielberg’s "War Horse," based on Michael Morpurgo’s award-winning book and nominated for six Academy Awards® including Best Picture, and "The Help," which resonated with audiences around the country and earned over $200 million at the box office and received four Academy Award® nominations with Octavia Spencer winning for Best Supporting Actress. Upcoming films include the comedy "Delivery Man," starring Vince Vaughn, the WikiLeaks drama "The Fifth Estate," and car racing actioner "Need for Speed."

DreamWorks Studios can be found on Facebook at http://www.facebook.com/DreamWorksStudios and on Twitter at http://twitter.com/dw_studios.

About Ford Motor Company
Ford Motor Company, a global automotive industry leader based in Dearborn, Mich., manufactures or distributes automobiles across six continents. With about 175,000 employees and 65 plants worldwide, the company’s automotive brands include Ford and Lincoln. The company provides financial services through Ford Motor Credit Company. For more information regarding Ford and its products worldwide, please visit http://corporate.ford.com.

In 2014, Ford Mustang will celebrate a milestone anniversary and become the newest member of a very exclusive club – vehicles in continuous production for 50 years. Mustang’s unique combination of style, performance and affordability sets it apart from other sports cars and it’s why the car connects so well with drivers – with a worldwide base of avid fans to prove it. The Mustang attitude of limitless possibilities is universal and enduring, it’s truly part of our cultural fabric and evokes a variety of emotions – freedom, independence and optimism – just to name a few. Fans around the world will be honoring that heritage with numerous celebrations as the original pony car heads into the next 50 years.

About Electronic Arts
Electronic Arts (NASDAQ: EA) is a global leader in digital interactive entertainment. The Company delivers games, content and online services for Internet-connected consoles, personal computers, mobile phones, tablets and social networks. EA has more than 275 million registered players and operates in 75 countries.

In fiscal 2012, EA posted GAAP net revenue of $4.1 billion. Headquartered in Redwood City, California, EA is recognized for a portfolio of critically acclaimed, high-quality blockbuster brands such as The Sims™, Madden NFL, FIFA Soccer, Need for Speed™, Battlefield™ and Mass Effect™. More information about EA is available at http://info.ea.com.

Origin, The Sims and Need for Speed are trademarks of Electronic Arts Inc. Mass Effect is a trademark of EA International (Studio and Publishing) Ltd. Battlefield, Battlefield 4 and Frostbite are trademarks of EA Digital Illusions CE AB. John Madden, NFL and FIFA are the property of their respective owners and used with permission. All other trademarks are the property of their respective owners.

Review: Pixar's "Brave" is Brave, But Not Bold

TRASH IN MY EYE No. 43 (of 2013) by Leroy Douresseaux

Brave (2012)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG for some scary action and rude humor
DIRECTORS: Mark Andrews and Brenda Chapman with Steve Purcell
WRITERS: Mark Andrews, Steve Purcell, Brenda Chapman, and Irene Mecchi with Michael Arndt; from a story by Brenda Chapman
PRODUCER: Katherine Sarafian
EDITOR: Nicholas C. Smith
COMPOSER: Patrick Doyle
Academy Award winner

ANIMATION/FANTASY/DRAMA

Starring: (voices) Kelly Mcdonald, Emma Thompson, Billy Connolly, Julie Walters, Robbie Coltrane, Kevin McKidd, Craig Ferguson, Sally Kinghorn, Eilidh Fraser, Peigi Barker, Steven Cree, Steve Purcell, Callum O’Neill, Patrick Doyle, and John Ratzenberger

Brave is a 2012 computer-animated, fairy tale film from Pixar Animation Studios. Distributed by Walt Disney Pictures, Brave won the Academy Award for “Best Animated Feature” (February 2013), making its co-director, Brenda Chapman, the first female director to win an Oscar in that category. The film was executive produced by three of Pixar’s biggest creative voices: John Lasseter, Pete Docter, and Andrew Stanton.

Brave centers on a defiant princess who must fight a curse she brings upon her family. As Pixar films go, Brave is second-tier and not on the level of such films as Toy Story 2, Wall-E, or Up. It is a good movie, but nothing I would call great. In fact, I would not have voted Brave the best animated feature Oscar over a film like ParaNorman and Madgascar 3: Europe’s Most Wanted (which was not nominated).

In Scotland of old, Princess Merida (Kelly Mcdonald) is the 16-year-old daughter of King Fergus (Billy Connolly) of the Clan Dun Broch (Dunbroch). Merida’s mother, Queen Elinor (Emma Thompson), wants what is best for both the kingdom and her daughter. Thus, the Queen clashes with the rebellious and free-spirited Merida who wants to make her own path in life. Skilled at horse-riding and with a bow, Merida does not want to be a lady.

One day, Elinor informs Merida that she must be betrothed to one of her father, King Fergus’ allied clans. Lord Macintosh (Craig Ferguson), Lord MacGuffin (Kevin McKidd), and Lord Dingwall (Robbie Coltrane) arrive with their first-born sons. These sons will compete in the Highland Games for Merida’s hand in marriage. Merida balks, however, and runs away. Desperate to find her own fate, she makes a deal that unwittingly hurts her family. Now, Merida must rely on her bravery and her archery skills to undo a beastly curse.

The first half-hour of Brave is an awkward attempt to introduce characters, themes, plot, and setting, with wheezy music making that awkward even more annoying. The first half hour is the usual raucous, kid-friendly, action-comedy material, which is a Disney trait of turning every family in its films into a nuclear family-like unit. It sort of knocked me for a loop, because it seemed to me that in Brave, Pixar had made its first film that could be described as typical Disney animation product.

It is not until Merida’s second encounter with the will-o’-the-wisps and her meeting with The Witch (Julie Walters) that Brave becomes what it is supposed to be, a fairy tale. When it focuses on Merida’s quest, the magical elements, and the mother-daughter relationship, Brave is at its best. Merida’s younger brothers, the identical triplets: Hamish, Harris, and Hubert are excellent comic relief, but are woefully underutilized.

Everything else about this movie is not really special. The animation is good, although some of the characters bounce like Muppets when they walk or run. The animation’s colors are spectacular, especially Merida’s gloriously red hair and the rich greens of the forests and countryside.

You might be surprised at how deeply Brave digs into the mother-daughter relationship; that brought tears to my eyes. Still, the movie misses the mark of perfection. Brave is mostly a great fairy tale, but partly a Disney-movie-by-committee. That’s a shame, and that is not an Oscar winner (or shouldn’t be).

7 of 10
A-

NOTES:
2013 Academy Awards: 1 win: “Best Animated Feature Film of the Year” (Mark Andrews and Brenda Chapman)

2013 BAFTA Awards: 1 win: “Animated Film” (Mark Andrews and Brenda Chapman)

2013 Golden Globes, USA: 1 win: “Best Animated Film”

Tuesday, June 18, 2013

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Bruce Springsteen Concert Doc Arrives July 2013

“Springsteen and I” to Make Fans’ Rock ‘n’ Roll Dreams Come True in U.S. Cinemas this Summer

NCM Fathom Events and Arts Alliance Media Present Inspiring Documentary Celebrating Bruce Springsteen in Select Movie Theaters Nationwide on July 22 & 30

CENTENNIAL, Colo.--(BUSINESS WIRE)--With more than 120 million albums sold worldwide and numerous awards, including a staggering 20 Grammy Awards®, Bruce Springsteen’s music defines a generation. In celebration of 40 years of iconic music, NCM Fathom Events and Arts Alliance Media present “Springsteen and I” in select U.S. movie theaters on Monday, July 22 and Tuesday, July 30 at 7:30 p.m. local time. “Springsteen and I” will take audiences on an emotional journey through the personal insights and reflections of their fellow Springsteen fans. Directed by Baillie Walsh and produced by Ridley Scott Associates and Mr. Wolf, “Springsteen and I” incorporates the efforts of more than 2,000 fans around the world who submitted personal video clips to make the ultimate collective filmmaking experience about how Springsteen and his music became the soundtrack to so many lives.

Including Springsteen performing some of his greatest hits and exclusive never-before-seen archival concert footage, the cinema event features unreleased big-screen performance highlights from the London Hard Rock Calling Wrecking Ball tour and a behind-the-scenes fan meet-and-greet with their hero.

“This beautifully crafted film provides a unique insight into the powerful bond between a recording artist and those who connect so profoundly with his music,” said Ridley Scott.

“Springsteen and I” will be presented in nearly 500 select movie theaters around the country through NCM’s exclusive Digital Broadcast Network. Tickets are available at participating theater box offices and online at www.fathomevents.com. For a complete list of theater locations and prices, visit the NCM Fathom Events website (theaters and participants are subject to change).

‘Springsteen and I’ is totally unique – audiences have never seen Bruce and his influence presented like this before,” said Dan Diamond, senior vice president of Business Development for Fathom Events. “This Fathom Event is a rare opportunity for fans to gather together in movie theaters, experience and share their love of all things ‘Bruce’ – as it was produced by the fans, for the fans.”

For more information about “Springsteen & I,” please visit the website, Facebook, Twitter or You Tube.


About National CineMedia (NCM)
National CineMedia (NCM) operates NCM Media Networks, a leading integrated media company reaching U.S. consumers in movie theaters, online and through mobile technology. The NCM Cinema Network and NCM Fathom Events present cinema advertising and events across the nation’s largest digital in-theater network, comprised of theaters owned by AMC Entertainment Inc., Cinemark Holdings, Inc. (NYSE: CNK), Regal Entertainment Group (NYSE: RGC) and other leading regional theater circuits. NCM’s theater advertising network covers 183 Designated Market Areas® (49 of the top 50) and includes approximately 19,300 screens (over 18,400 digital). During 2012, approximately 710 million patrons attended movies shown in theaters in which NCM currently has exclusive, cinema advertising agreements in place. The NCM Fathom Events live digital broadcast network (“DBN”) is comprised of over 740 locations in 172 Designated Market Areas® (including all of the top 50). The NCM Interactive Network offers 360-degree integrated marketing opportunities in combination with cinema, encompassing 41 entertainment-related websites, online widgets and mobile applications. National CineMedia, Inc. (NASDAQ: NCMI) owns a 46.9% interest in and is the managing member of National CineMedia LLC. For more information, visit www.ncm.com or www.FathomEvents.com. (NCMI-E)

About Mr. Wolf
Founded in 2012 by Alfred Chubb with Arts Alliance Ventures, Mr. Wolf produces and finances live events and music based feature films for worldwide distribution on all formats. Mr. Wolf launched with the release of Andrea Bocelli: Love in Portofino on Valentine's Day and Mother's Day, produced by PBS, Universal Music and Sugar Entertainment and is following up with the release of Springsteen & I, the Ridley Scott Agency-produced Bruce Springsteen feature, in July 2013.

About Ridley Scott Associates
Founded by Ridley and Tony Scott in 1968, RSA Films has, for more than 40 years, been one of the world's leading commercial production companies. Headed by President Jules Daly, RSA is at the forefront of creating innovative groundbreaking advertising campaigns for some of the world's most recognized brands. Headquartered in Los Angeles, with offices in New York, London, and Shanghai, RSA has a roster of over 80 directors, including Kathryn Bigelow, Martin Scorsese, Sam Mendes, Joe Carnahan, Steven Klein and Neill Blomkamp. RSA has received numerous Golden Lion, Emmy, BAFTA, AICP, Cleo, MTV and MVPA Awards since its inception.

About Arts Alliance Media
Arts Alliance Media, based in London with offices in Paris, Amsterdam, Barcelona, Oslo, Milan and Berlin, is the worldwide leader in digital cinema, offering a complete range of services, as well as VPF financing solutions for digital conversion.

These services include installation, maintenance and support for digital cinema systems; world-class software solutions; management and delivery of content to cinemas; and alternative content and live events. AAM has European Virtual Print Fee (VPF) agreements in place with all six Hollywood studios and has signed over 3,850 VPF screens in multiple territories, including with many leading exhibitors. The company recently activated its Latin American VPF programme with a raft of exhibitor signings in the past weeks. AAM's digital cinema software currently touches approximately 15,000 screens worldwide.

The London-based Network Operations Centre supports over 5,500 digital screens around the world, and the company’s digital cinema lab has mastered over 2500 titles to date, and shipped hundreds of thousands of DCPs. AAM’s strategic partnership with Arqiva allows exhibitors to benefit from satellite delivery of content to cinemas. Arts Alliance Media was founded in 2003 by Thomas Høegh.

Review: "The Interpreter" Has Mixed Message (Happy B'day, Nicole Kidman)

TRASH IN MY EYE No. 5 (of 2006) by Leroy Douresseaux

The Interpreter (2005)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for violence, some sexual content, and brief strong language
DIRECTOR: Sydney Pollack
WRITERS: Charles Randolph, Scott Frank, and Steven Zallian; from a story by Martin Stellman and Brian Ward
PRODUCERS: Tim Bevan, Eric Fellner, and Kevin Misher
CINEMATOGRAPHER: Darius Khondji
EDITOR: William Steinkamp
COMPOSER: James Newton Howard

DRAMA/THRILLER

Starring: Nicole Kidman, Sean Penn, Catherine Keener, Jesper Christensen, Yvan Attal, Earl Cameron, George Harris, Michael Wright, Clyde Kusatsu, Eric Keenleyside, Hugo Speer, Maz Jobrani, Yusuf Gatewood, Curtiss I’Cook, and Byron Utley

The subject of this movie review is The Interpreter, a 2005 political thriller from director Sydney Pollack. This is the final film directed by Pollack, who died in 2008 at the age of 73. The Interpreter focuses on an interpreter who overhears an assassination plot and the US Secret Service agent assigned to investigate her allegations.

Silvia Broome (Nicole Kidman) is a translator at the United Nations, who accidentally overhears the plot to assassinate an African despot scheduled to speak before the U.N. General Assembly. With the words, “The Teacher will never leave this room alive,” Silvia’s world is turned upside down, as she becomes the target of mysterious thrillers who know she overheard the whispered conspiracy. Still, authorities have doubts about the validity of her story, including Tobin Keller, (Sean Penn), a federal agent assigned to protect dignitaries visiting the U.S. Tobin is eventually assigned to both protect Silvia and to unravel the mystery of the assassination attempt and its seeming connection to Silvia’s past. Will Silvia’s reticence about discussing her past and Tobin’s determination to uncover what he believes she is hiding lead to the assassination of a foreign leader on American soil?

Academy Award-winning director Sydney Pollack’s (Out of Africa) The Interpreter is part contrived melodrama and part riveting suspense story, with the latter winning out to make this a thoroughly entertaining thriller. The characters’ personal histories and tragedies occupy much of the narrative time, and their personality traits both define how their relationship and the mystery of the assassination will be resolved. But that’s mostly window dressing for a rather nice staid, adult thriller. The Interpreter lacks the car chases and has very few gunfights and explosions – the two elements that denote most Hollywood action thrillers meant to draw in teenage boys and young men as much (if not more so) as they are meant to attract older audiences looking for involved drama and quality acting. The Interpreter certainly has evocative drama and both Kidman and Penn are excellent (and award-winning) actors, and while this isn’t their best work, they certainly try to give us something different – just enough to make this more than a run-of-the-mill tense drama.

Every time the film seems as if it will slip into being ordinary, it does something surprising, and while it doesn’t have the intensity that would make it a great film, it does have the smooth charm and the kind of engaging plot that makes it an enjoyable film. The script, co-written by two of Hollywood’s top screenwriters, Scott Frank and Steven Zallian (an Oscar winner for Schindler’s List), is novelistic in its approach to character, situation, and plot. Sydney Pollack uses it to carry us through a complex web of private tragedy, delicate political affiliations, and international intrigue. At the same time, it also gives us a small, but fierce glance at the sectarian violence rampant throughout some of Africa. That’s a lot for your money.

6 of 10
B

Wednesday, January 11, 2006

Updated: Thursday, June 20, 2013

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