Review: Something for Everyone in "Amazon Women on the Moon" (Happy B'day, John Landis)

TRASH IN MY EYE No. 207 (of 2004) by Leroy Douresseaux

Amazon Women on the Moon (1987)
Running time: 85 minutes (1 hour, 25 minutes)
MPAA – R
DIRECTORS:  Joe Dante, Carl Gottlieb, Peter Horton, John Landis, and Robert K. Weiss
WRITERS:  Michael Barrie and Jim Mulholland
PRODUCER:  Robert K. Weiss
CINEMATOGRAPHER:  Daniel Pearl
EDITORS:  Malcolm Campbell, Marshall Harvey, and Bert Lovitt
COMPOSER:  Ira Newborn

COMEDY

Starring:  Arsenio Hall, B.B. King, David Alan Grier, William Bryant, Roxie Rocker, Rosanna Arquette, Steve Guttenberg, Ed Begley Jr., Carrie Fisher, Sybil Danning, Michelle Pfeiffer, Griffin Dunne, Henry Silva, Andrew Dice Clay, and Russ Meyer

The subject of this movie review is Amazon Women on the Moon, a 1987 satirical comedy and parody anthology film.  The film spoofs 1950s sci-fi movies by featuring a fake 50s sci-fi movie called “Amazon Women on the Moon.”  In between segments of “Amazon Women on the Moon,” the movie offers 21 comedy sketches meant to parody the experience of watching low-budget movies and infomercials on late-night television.

Amazon Women on the Moon is kind of a sequel to The Kentucky Fried Movie, the cult classic spoof film comprised of several skits lampooning TV news, commercials, and films.  Amazon Women on the Moon does much of the same thing – using short comedy sketches to spoof late night porn, commercials, infomercials, and educational films.  The movie also spoofs 1950’s sci-fi films in the form of the title skit, Amazon Women on the Moon.  The tale of three astronauts who travel from the Earth to the moon and discover a race of superwomen led the buxom Queen Lara (Sybil Danning).  The Amazon Women skit not only pokes big fun at the super low production values of old science fiction films, it even makes fun of the technical difficulties that occasionally plague late night TV and old movies.

Perhaps, the subject that the film best skewers is tabloid news fodder, the kind of sensational human interest stories one would find in tabloid magazines because of their shock value.  Some of Amazon Women on the Moon’s best moments include skits about a doctor loosing a couple’s newborn son (featuring Michelle Pfeiffer), a woman who uses a credit card machine to download a consumer dating report on her blind date, a funeral home that uses a celebrity roast in lieu of a funeral service to send off the recently departed, and a man who is killed by his rabidly malfunctioning household appliances (featuring Arsenio Hall).

I found Amazon Women on the Moon not quite as funny as I did the first time I saw it about 16 or 17 years ago, but it’s best moments are still quite hilarious and irreverent, even jaw dropping and surreal, at times.  Imagine “Saturday Night Live” or “Mad TV” with a harder edge or with a more brutal sense of humor.  It’s wacky, wild, and weird, and I heartily recommend it.  Even those who won’t like it much will still find at least one skit that strongly assaults their funny bone.

7 of 10
B+

Updated:  Saturday, August 03, 2013

Surf Drama "Drift" Now Playing in Select Cities

LIONSGATE Presents

DRIFT

Runtime: 113 min; Rating: R

A film by Morgan O’Neill and Ben Nott

Starring: Myles Pollard, Xavier Samuel, Sam Worthington

DRIFT Will Open in Select Theatres Nationwide On August 2, 2013

DRIFT Will Open in the Following Los Angeles Area Theatre on August 2nd
Laemmle’s Monica 4 Plex (1332 2nd St, Santa Monica)

DRIFT Will Open in the Following New York Area Theatre on August 2nd
AMC Empire 25 (234 W 42nd St)

ABOUT THE FILM: After their mother escapes from Sydney to Margaret River in the 1970’s, the two Kelly brothers spend their youth searching for the perfect wave. Out of necessity the family launches a backyard surf business ‐ re‐thinking board design, crafting homemade wetsuits and selling merchandise out of their van.

Battling big waves, small town conservatism and criminals, the brothers give rise to a global brand. A story of passion, corruption, friendship and loyalty, deadly addictions and fractured relationships, DRIFT tells a tale of courage and the will to survive at all odds.

DRIFT is directed by Morgan O’Neill and Ben Nott and written by Morgan Oneil. Starring Myles Pollard, Xavier Samuel, Sam Worthington, Robyn Malcolm, Lesley-Ann Brandt, Aaron Glenane, Steve Bastoni, Maurie Ogden, Sean Keenan, Kai Arbuckle, and Harrison Buckland-Crook.  DRIFT is produced by Tim Duffy, Michele Bennett, and Myles Pollard. Executive Producers are Joan Peters and Peter Lawson.

Review: "Chasing Amy" is Worth Chasing (Happy B'day, Kevin Smith)

TRASH IN MY EYE No. 107 (of 2005) by Leroy Douresseaux

Chasing Amy (1997)
Running time:  113 minutes (1 hour, 53 minutes)
MPAA – R for strong graphic sex related dialogue, language, sexuality, and drug content
WRITER/DIRECTOR:  Kevin Smith
PRODUCER:  Scott Mosier
CINEMATOGRAPHER:  David Klein (D.o.P.)
EDITORS:  Kevin Smith and Scott Mosier
COMPOSER:  David Pirner
Golden Globe nominee

COMEDY/ROMANCE/DRAMA

Starring:  Ben Affleck, Joey Lauren Adams, Jason Lee, Dwight Ewell, and Jason Mewes

The subject of this movie review is Chasing Amy, a 1997 romantic comedy and drama from writer-director Kevin Smith.  It is the third movie in Smith’s world of films known as the “View Askewniverse.”  The film follows two young men who are comic book artists and a third comic book artist, a young woman, who catches the attention of one of the young men.

Writer/director Kevin Smith wowed audiences with his debut film, Clerks, and promptly stumbled with the problematic follow up, Mallrats.  The promise of the first film was more than met with Smith’s third film, the frankly sexually political Chasing Amy.

Comic book artist Holden McNeil (Ben Affleck) has been looking for the perfect woman and falls for Alyssa Jones (Joey Lauren Adams, who received a 1998 Golden Globe nomination for “Best Performance by an Actress in a Motion Picture - Comedy/Musical”), who, much to his disappointment, turns out to be a lesbian.  Still, Holden and Alyssa build a special relationship, but it threatens to come tumbling down when Holden’s long-time friend and comic book collaborator, Banky Edwards (Jason Lee, 1998 Independent Spirit Award “Best Supporting Male”), digs up some awful dirt on Alyssa.

It would be easy to call Chasing Amy (Independent Spirit Award for “Best Feature”) outrageous because of its subject matter, and though some of the humor is outrageously funny, the film takes a painfully intimate and detailed look at sexual politics.  Same sex relationships, sexual experimentation, promiscuity, gender roles, stereotypes, role playing, bigotry, double-standards, and pretty much everything related to the world of intimate relationships Kevin Smith throws on the table in his delightfully written, delectable, engaging, and witty script.  The acting is good, and Smith’s direction is unobtrusive, allowing the cast to gradually warm up to their roles and make the film their own.  The cast is at ease with the material and understands it shocking well; they make this story work on the screen.  However, in the end, the strength is in Smith’s thoughtful script (Independent Spirit Award for “Best Screenplay”), which unashamedly looks at the minefield that is love between a man and a woman in a time when so many go into new relationships with a lot of sexual experience and/or a lot of hang-ups about what is right and true.  This is brilliant work.

8 of 10
A

NOTES:
1998 Golden Globes, USA:  1 nomination: “Best Performance by an Actress in a Motion Picture - Comedy/Musical” (Joey Lauren Adams)

Thursday, July 7, 2005

Updated:  Friday, August 02, 2013

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DreamWorks Animation Partners with Hasbro on Two Projects

DreamWorks Animation Teams with Hasbro for Two Tentpole Franchise Properties

Leading Branded Play Powerhouse Comes Aboard for B.O.O.: Bureau of Otherworldly Operations and Trolls

GLENDALE, Calif. & PAWTUCKET, R.I.--(BUSINESS WIRE)--In a powerful ghost and troll combo pack, Hasbro, Inc., (NASDAQ: HAS) a leading branded play company, and DreamWorks Animation (NASDAQ: DWA) have entered into an agreement to create toys and games inspired by DreamWorks Animation’s B.O.O.: Bureau of Otherworldly Operations and Trolls properties. Through this deal, Hasbro will unveil franchise-inspired product lines across major toy categories, with theatrical releases supporting B.O.O. and Trolls arriving in theaters in 2015 and 2016, respectively.

“Both properties offer rich and expansive play patterns and we cannot wait to get started.”
.“B.O.O. and Trolls are incredible properties and we are thrilled to be collaborating with DreamWorks at the very early stages of these great franchises,” said Samantha Lomow, Senior Vice President of Global Brand Strategy and Marketing at Hasbro. “Both properties offer rich and expansive play patterns and we cannot wait to get started.”

“This dual franchise agreement reflects our excitement for these two amazing brands, and the opportunity to join forces with Hasbro is truly huge,” said Michael Connolly, head of global consumer products for DreamWorks Animation. “These franchises lend themselves to endless possibilities at retail, and kids will be lining up see what Hasbro has in store for the coming years.”

B.O.O.: Bureau of Otherworldly Operations is the super classified agency you've never heard of and certainly never seen. Dedicated to protecting the Universe from evil hauntings, the agents of B.O.O. have a secret weapon: they are ghosts themselves! When B.O.O. faces its biggest threat yet – an uber-villain who has a ghastly plan up his ghostly sleeve -- top agent Jackson Moss (Seth Rogen) and his wacky partner Watts (Melissa McCarthy) team up for the job. Now, this duo must use every trick in their arsenal to defeat Drake’s powerful ghost army and save their home from becoming a literal ghost town.

DreamWorks Animation also recently announced the acquisition of the Trolls franchise. The Troll doll phenomenon was born in 1959 when Danish fisherman and woodcutter Thomas Dam, too poor to afford a Christmas present for his young daughter Lajla, carved a doll for her based on the legendary Scandinavian troll. This modern-day Geppetto couldn’t have imagined that the Troll dolls would soon become one of the biggest toy crazes of the 1960s. The Trolls experienced a resurgence in the 1990s, and in 2003, the Toy Industry of America named Trolls on its list of One Hundred of the Century’s Most Treasured Toys. Their uniquely endearing faces and shocks of colorful hair continue to capture the hearts and imaginations of fans with rare Troll dolls still being coveted by collectors around the globe.

About Hasbro, Inc.
Hasbro, Inc. (NASDAQ: HAS) is a branded play company dedicated to fulfilling the fundamental need for play for children and families through the creative expression of the Company’s world class brand portfolio, including TRANSFORMERS, MONOPOLY, PLAY-DOH, MY LITTLE PONY, MAGIC: THE GATHERING, NERF and LITTLEST PET SHOP. From toys and games, to television programming, motion pictures, digital gaming and a comprehensive licensing program, Hasbro strives to delight its global customers with innovative play and entertainment experiences, in a variety of forms and formats, anytime and anywhere. The Company's Hasbro Studios develops and produces television programming for more than 170 markets around the world, and for the U.S. on Hub Network, part of a multi-platform joint venture between Hasbro and Discovery Communications (NASDAQ: DISCA, DISCB, DISCK). Through the company's deep commitment to corporate social responsibility, including philanthropy, Hasbro is helping to build a safe and sustainable world for future generations and to positively impact the lives of millions of children and families every year. It has been recognized for its efforts by being named one of the "World's Most Ethical Companies" and is ranked as one of Corporate Responsibility Magazine's "100 Best Corporate Citizens." Learn more at www.hasbro.com.

HAS-PR
Hasbro, Inc. Caution Concerning Forward-Looking Statements:
Certain statements in this press release may constitute "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995. These statements are made on the basis of Hasbro’s current expectations regarding future events, including potential performance, and Hasbro’s ability to achieve its other financial and business goals. These statements are subject to significant risks and uncertainty, and Hasbro’s actual actions or results may differ materially from those expected or anticipated in the forward-looking statements due to both known and unknown risks and uncertainties. Specific factors that might cause such a difference include changes in release schedules, increased costs or difficulties associated with developing and releasing the media initiatives described in this press and introduce brands, products and product lines which achieve and sustain interest from retailers and consumers, Hasbro’s ability to manufacture, source and ship products in a timely and cost-effective manner and customers' and consumers' acceptance and purchase of those products in quantities and at prices that will be sufficient to profitably recover development, manufacturing, marketing, royalty and other costs, and other risks and uncertainties as may be detailed from time to time in Hasbro’s public announcements and Securities and Exchange Commission filings, including Hasbro’s most recent annual report on Form 10-K and its most recent quarterly reports on Form 10-Q. Hasbro undertakes no obligation to make any revisions to the forward-looking statements contained in this release or to update them to reflect events or circumstances occurring after the date of this release.

About DreamWorks Animation:
DreamWorks Animation creates high-quality entertainment, including CG animated feature films, television specials and series and live entertainment properties, meant for audiences around the world. The Company has world-class creative talent, a strong and experienced management team and advanced filmmaking technology and techniques. DreamWorks Animation has been named one of the “100 Best Companies to Work For” by FORTUNE® Magazine for five consecutive years. In 2013, DreamWorks Animation ranks #12 on the list. All of DreamWorks Animation’s feature films are produced in 3D. The Company has theatrically released a total of 27 animated feature films, including the franchise properties of Shrek, Madagascar, Kung Fu Panda, How to Train Your Dragon, Puss In Boots, and The Croods.

DreamWorks Animation SKG, Inc. Caution Concerning Forward-Looking Statements:
This document includes certain forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. The Company’s plans, prospects, strategies, proposals and our beliefs and expectations concerning performance of our current and future releases and anticipated talent, directors and storyline for our upcoming films and other projects, constitute forward-looking statements. These statements are based on current expectations, estimates, forecasts and projections about the industry in which we operate and management's beliefs and assumptions. These statements are not guarantees of future performance and involve risks, uncertainties and assumptions which are difficult to predict. Actual results may vary materially from those expressed or implied by the statements herein due to changes in economic, business, competitive, technological and/or regulatory factors, and other risks and uncertainties affecting the operation of the business of DreamWorks Animation SKG, Inc. These risks and uncertainties include: audience acceptance of our films, our dependence on the success of a limited number of releases each year, the increasing cost of producing and marketing feature films, piracy of motion pictures, the effect of rapid technological change or alternative forms of entertainment and our need to protect our proprietary technology and enhance or develop new technology. In addition, due to the uncertainties and risks involved in the development and production of animated feature projects, the release dates for the projects described in this document may be delayed. For a further list and description of such risks and uncertainties, see the reports filed by us with the Securities and Exchange Commission, including our most recent annual report on Form 10-K and our most recent quarterly reports on Form 10-Q. DreamWorks Animation is under no obligation to, and expressly disclaims any obligation to, update or alter its forward-looking statements, whether as a result of new information, future events, changes in assumptions or otherwise.

Negromancer Limps into August 2013

It's August 2013, which means Elysium.  Welcome to Negromancer, a ComicBookBin blog (www.comicbookbin.com).  Go here for free Bin comics.  This is the rebirth of the former movie review website as a movie review and movie news website.

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Review: "The Smurfs" Movie is Smurfy

TRASH IN MY EYE No. 51 (of 2013) by Leroy Douresseaux

The Smurfs (2011)
Running time:  103 minutes (1 hour, 43 minutes)
MPAA – PG for some mild rude humor and action
DIRECTOR:  Raja Gosnell
WRITERS:  J. David Stem, David N. Weiss, Jay Scherick, and David Ronn; from a story by J. David Stem and David N. Weiss (based on the characters created by and works of Peyo)
PRODUCER:  Jordan Kerner
CINEMATOGRAPHER:  Phil Meheux (D.o.P.)
EDITOR:  Sabrina Plisco
COMPOSER:  Heitor Pereira

FANTASY/ANIMATION/COMEDY/FAMILY

Starring:  Hank Azaria, Neil Patrick Harris, Jayma Mays, Sofia Vergara, Tim Gunn; voices: Jonathan Winters, Alan Cumming, Katy Perry, Fred Armisen, George Lopez, Anton Yelchin, Kenan Thompson, John Oliver, Paul Reubens, and Frank Welker

The Smurfs is a 2011 fantasy movie and family comedy film from director Raja Gosnell.  Presented in 3D, The Smurfs is a hybrid live-action and computer-animated movie, because many of the characters and scenes are created using computer-animation (also known as CG animation).  The Smurfs movie finds the tiny blue Smurfs chased by the evil wizard Gargamel from their magical world into the real world.

The Smurfs, originally known in French as “Les Schtroumpfs,” began as a Belgian comic created by Belgian comics artist Peyo (the pen name of Pierre Culliford).  Over time, The Smurfs became a media franchise that included animated televisions series and movies, dolls and toys, and theme parks, among many things.  The huge popularity of the Smurfs in the United States is due in large part to the long-running Saturday morning animated series, “Smurfs,” (produced by Hanna-Barbera) that originally aired from September 1981 to December 1989.

I initially did not expect much from it, but I found The Smurfs movie to be a surprisingly well-made and entertaining family film.

The film opens as the Smurfs are busy preparing for their Festival of the Blue Moon.  While his Smurfs are engaged with their work, Papa Smurf (Jonathan Winters) is concerned by a troubling vision he has that involves Clumsy Smurf (Anton Yelchin).  Meanwhile, the evil wizard Gargamel (Hank Azaria) is determined to find the Smurfs’ village, so that he can capture them.  Gargamel wants to extract “Smurf essence” from each Smurf’s body that will in turn give him great magical power.

One of the Smurfs inadvertently leads Gargamel and his cat, Azrael (Frank Welker), to the village.  The Smurfs escape, but Papa Smurf, Smurfette (Katy Perry), Grouchy (George Lopez), Clumsy, Brainy (Fred Armisen), and Gutsy (Alan Cumming) end up in Forbidden Falls, where they are transported to present-day New York City.  Gargamel and Azrael are close behind, so the Smurfs find refuge with a young couple, Patrick Winslow (Neil Patrick Harris) and pregnant wife, Grace (Jayma Mays).  Can Smurfs and humans find common ground before Gargamel manages to kidnap the Smurfs and extract some Smurf essence?

The Smurfs movie can be overly sentimental, even sappy, and its gauzy version of middle class values may be a bit too flimsy for adults.  One cannot deny, however, that The Smurfs movie is sweet like your grandmother.  That sweetness is personified by two endearing characters, Grace Winslow and Clumsy Smurf; they’re like kettle chips – you can’t get enough of them.

For most of their existence in comics, film, and television, the Smurfs have been drawn, so I did not think I would like computer-generated Smurfs.  The 3D aspect of computer-animation, however, turns the Smurfs into something tangible; they’re like lovable, huggable, little plush figures.  CGI does indeed bring them to life, and the voice performances put the finishing touches that make the Smurfs seem real.

I cannot forget to give Hank Azaria credit for a fantastic performance as Gargamel.  Although known for his voice work on the long-running series, The Simpsons,” Azaria is a superb character actor, and his Gargamel easily surpasses the 1980s cartoon version.  Azaria’s Gargamel is also one of the best villains ever to appear in a live-action children’s film.  Azrael, a combination of real cats and CGI, is also a winning character, in large part because of the “voice” work of the great Frank Welker.  Welker and Jonathan Winters, who voices Papa Smurf, are the only returning voice actors from the 1980s Smurfs animated series.

So, The Smurfs 2011 is sugary and satisfying.  Simply put, if you ever loved the Smurfs, then, you owe it to yourself to see this movie.

6 of 10
B

Tuesday, July 30, 2013

Review: "Blade: Trinity" is An Average End to a Special Franchise (Happy B'day, Wesley Snipes)

TRASH IN MY EYE No. 240 (of 2004) by Leroy Douresseaux

Blade: Trinity (2004)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R for strong pervasive violence and language, and some sexual content
DIRECTOR:  David S. Goyer
WRITER:  David S. Goyer (based upon characters by Marv Wolfman and Gene Colan)
PRODUCERS:  Wesley Snipes, Peter Frankfurt, Lynn Harris, and David S. Goyer
CINEMATOGRAPHER:  Gabriel Beristain
EDITORS:  Conrad Smart and Howard E. Smith
COMPOSERS:  Ramin Djawadi and The RZA

ACTION/HORROR/FANTASY

Starring:  Wesley Snipes, Kris Kristofferson, Ryan Reynolds, Jessica Biel, Parker Posey, Cascy Beddow, Dominic Purcell, Triple H (Paul Michael Levesque), Natasha Lyonne, Eric Bogosian, Vitaly Kravchenko, James Remar, and Patton Oswalt

The subject of this movie review is Blade: Trinity, a 2004 vampire horror and superhero action movie from writer-director David S. Goyer.  It is the third and final movie in the Blade film series produced by New Line Cinema.  Blade: Trinity finds Blade a wanted man by the FBI and forced to unite with a band of vampire hunters called the Nightstalkers in order to battle his most challenging opponent ever, Dracula.

Early in Blade: Trinity, a group of vampires by led nasty girl vamp princess, Danica Talos (Parker Posey), awakens the original vampire, Dracula (Dominic Purcell), who is buried deep within a pyramid in Iraq.  Apparently, the vampires are desperate to rid themselves of their mortal enemy, the vampire hunter, Blade (Wesley Snipes), aka the Daywalker, and hope Dracula, who goes by the name Drake, will defeat Blade.  Meanwhile, Danica and her crew have also set Blade up so that he mistakenly kills a human he thinks is a vampire.  The murder sets the corrupt police and media against him.  The FBI track Blade to his new lair and launch an attack.  During the strike, Blade’s mentor, father figure, and weapons creator, Abraham Whistler (Kris Kristofferson), is killed, and the FBI captures Blade.

Enter The Nightstalkers, a group of human vampire hunters, Blade never knew existed.  One of them is Abigail Whistler (Jessica Biel), Abraham Whistler’s out-of-wedlock daughter, and she is an ass-kicking, bow-hunting babe who doesn’t flinch from going toe to toe with bloodsuckers.  Add a third partner to Blade and Abigail, and you have a trinity.  The third player is the buff, wise-cracking Hannibal King (Ryan Reynolds), who was once turned into a vampire, and later cured by Abigail.  Together, the trio must hunt down Drake and his vampire cabal and stop them from implementing the vampire final solution against humanity.

Blade: Trinity is the least in terms of quality of the three Blade films, but it still manages to be a thrill (sometimes).  Writer/director David S. Goyer (who also wrote the screenplays for the previous Blade films) and cinematographer Gabriel Beristain (who also shot Blade II) were also determined to make this film look different from the previous two.  Blade: Trinity looks like an extended music video, but the photography has the crystal clear quality of digital video, so much so that the film looks like a television program shot in high definition.  Goyer also dropped a lot of the muddy and murky CGI that didn’t always work in Blade II.

It’s the performances that really hamper Blade: Trinity; in fact, it wouldn’t be too mean to say that the acting is atrocious.  Wesley Snipes always played Blade as stoic, with little to say except for a few lines delivered in a thuggish monotone.  However, Snipes is often too stiff, here.  He’s is too “in character,” and that keeps Blade from interacting with the other characters.  Granted Blade is a loner, but he goes overboard this time.  There are huge segments in this film in which he hardly utters more than a few grumbles.  Thankfully, towards the end of the film, he does come to life as a badass delivering the kind of lines that would fit right into a blaxtiploitation or Quentin Tarantino movie.

Ryan Reynolds really tries to liven up this film as Hannibal King, but rarely is anybody up to his challenge.  His lines are always funny, but often fall flat or are lost in the moroseness of the rest of the cast.  Jessica Biel is almost undead herself in this film, but she’s fine and pretty and moves well; that saves her performance (a little).  Parker Posey is miscast and is made up to look like an ugly, pasty-white trash, hag vampire.  Though she has a (very) few moments, she’s simply annoying.  If Dominic Purcell gets anything out of this film, it’s that he’s one of the worst and least intriguing Dracula’s in cinema history; that would include Dracula’s that have appeared in Scooby-Doo cartoons and other Hanna-Barbera animated programs.

The stiff (non) acting is what makes Blade: Trinity seem so listless and clunky for about half the film’s running time – that and the fact that the vampires spend most of the time brooding and hiding in their tacky skyscraper/palace.  Blade: Trinity is as much a hunt as it is a waiting game, but the waiting is the hardest part.  The film is pretty to look at, and the film score (co-written by The RZA of The Wu-Tang Clan who also co-wrote music for Tarantino’s Kill Bill films) and soundtrack are killer.  But for all the credit I give Goyer, the film’s plot is… dumb and stretched thin, and falls apart to almost nonexistence.  At times, the film is lethargic and meanders, playing a waiting game until the final act.  Though I love Blade, even I have to admit that unless you’re a fan of the series, you can catch this one when it’s on home video.

5 of 10
B-

Update:  Wednesday, July 31, 2013

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