Review: Berserk: The Golden Age Arc 2 – The Battle for Doldrey

TRASH IN MY EYE No. 69 (of 2013) by Leroy Douresseaux

Berserk: The Golden Age Arc 2 – The Battle for Doldrey (2012)
Original title:  Berserk: Ohgon jidai hen 2 - dorudorei koryaku hen
COUNTRY OF ORIGIN:  Japan
Running time:  92 minutes (1 hour, 32 minutes)
DIRECTOR:  Toshiyuki Kubooka
WRITER:  Ichirô Ôkôchi (based on the manga by Kentaro Miura)
PRODUCERS:  Eiichi Kamagata, Mitsuru Ohshima, Akira Shimada, and Eiko Tanaka
COMPOSER:  Shiro Sagisu

ANIME/WAR/FANTASY/ACTION/DRAMA

Starring:  (voices) Marc Diraison, Kevin T. Collins, Carrie Keranen, Rachael Lillis, Michelle Newman, and Patrick Seitz

Berserk: The Golden Age Arc 2 – The Battle for Doldrey is a 2012 Japanese animated film (anime) from anime director Toshiyuki Kubooka.  It is a direct sequel to the first film, Berserk: The Golden Age Arc 1 – The Egg of the King, which Kubooka also directed.  This film was released in Japan under its original title, Berserk: Ohgon jidai hen 2 - dorudorei koryaku hen, on June 23, 2012.

Berserk: The Golden Age Arc 2 is based on Berserk, a Japanese manga (comic book) series written and illustrated by Kentaro Miura.  Berserk is set in a fantasy world that is modeled on medieval Europe.  The story centers around the two characters, Guts (Marc Diraison), an orphaned mercenary, and Griffith (Kevin T. Collins), the leader of a mercenary group called the Band of the Hawk.  The King of Midland hired the Band of the Hawk to fight against Chuder, the Midlanders’ adversary during the Hundred Years’ War.

As The Battle for Doldrey begins, the Band of the Hawk is engaged in battle with General Adon and his Blue Whale Ultra Heavy Armored Fierce Assault Annihilation Knight Corps of Chuder.  Adon focuses his attention on Hawk officer, Casca (Carrie Keranen), but when Guts rides to her aid, they both end up imperiled.

The King of Midland has long sought to recover the fortress Doldrey, which is located in Midland’s territory, but which has been in the possession of Chuder for over a century.  Now, the King makes a request that one of his noble lords volunteer to lead an assault against Doldrey in a bid to recover the fortress.  Griffith volunteers the Band of the Hawk, but what chance do his 5000 horsemen have against Doldrey’s 30,000 troops?  Meanwhile, the Band of the Hawk’s success has made Guts restless.

The first time I saw the DVD box art for Berserk: The Golden Age Arc 1 – The Egg of the King, I thought that the movie would not amount to much.  However, I was delightfully surprised; in fact, by the end of the movie, I wanted more.  Obviously I had somewhat higher expectations for Berserk: The Golden Age Arc 2 – The Battle for Doldrey, and the movie easily exceeded those expectations.  This is one of the best films I have seen this year, live action or animation.

The Battle for Doldrey is like a smaller scale version of The Lord of the Rings:  The Two Towers.  The Battle for Doldrey offers character drama in the form of romantic relationships, camaraderie among men-at-arms, introspection of past wrongs, and political intrigue.  The battle scenes are even better.  I have not seen the like in animated films; the blood, gore, and dismemberment was enough to both impress me and to give me pause.  There were times when blood and offal rained on the characters.  The nerdy kid in me yelled, “Awesome!”  If the MPAA rated this, it would definitely give The Battle for Doldrey an “R” rating, if not an “NC-17.”  This animated film has a rather intense and explicit sex scene and an extended torture sequence.

The animation is a mixture of computer-animation (3D) and some hand-drawn (2D) animation.  I think the film also makes use of the computer-animation process of cel shading, which makes computer-animation look like hand-drawn animation.  The animation looks its best during the forest scenes and during the battle of Doldrey.  The castle interiors are also impressive, especially the ballroom.  The character animation is good, especially in battle scenes.

As I wrote for the first film, I can say for the second Berserk: The Golden Age Arc.  It is simply an all-around, high-quality, and exceptional film.  As an anime, it occupies its own special place.  Berserk: The Golden Age Arc 2 – The Battle for Doldrey seeks to be more than just another fantasy war movie, and that it is.

9 of 10
A+

Saturday, October 05, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Cinemark Congratulates Warner Bros. on Success of "Gravity"

Gravity In 3D and XD Skyrockets at the Cinemark Box Office

PLANO, Texas--(BUSINESS WIRE)--Cinemark Holdings, Inc. (NYSE: CNK), one of the world’s largest motion picture exhibitors, congratulates Warner Bros. and Director Alfonso Cuaron on the incredible success of Gravity in 3D over the weekend. Gravity was record breaking with a total of $55 million gross box office with 80% of the total box in 3D, demonstrating the continued demand for the technology given appropriate film product. The October milestone is especially rewarding for Cinemark as they are recognized by the industry for presenting 3D films, including Gravity, at the highest consistent light levels possible with 6 foot lumens. By monitoring the light levels of every digital projector from their central Cinemark Support Center, Cinemark is able to ensure that their 3D presentations are visually stunning and enhance the film in all of their theatres worldwide.

“Our 3D success was led by Cinemark’s Premium Large Format experience, known as Cinemark XD,” comments Tim Warner, Cinemark’s Chief Executive Officer. “We proudly offer our guests the number one private label Premium Large Format (PLF) screens in the world, with 142 total XD screens. Gravity in 3D played in 87 XD auditoriums nationwide, out of 868 total Cinemark screens, and grossed an amazing 23% of the Cinemark gross. We thank RealD, Barco Projectors and DoReMi servers for teaming with us to create the industry-leading Premium Large Format presentation, enabling us to successfully deliver the film director's artistic and technical vision and offer our patrons the most satisfying 3D experience possible.”

Gravity in 3D will be opening in Cinemark’s 51 XD auditoriums located throughout Latin America in the coming weeks. Guests will experience the same cutting edge 3D and XD technology that is offered to customers in the U.S.

About Cinemark Holdings, Inc.
Cinemark is a leading domestic and international motion picture exhibitor, operating 504 theatres with 5,794 screens in 40 U.S. states, Brazil, Mexico, Argentina and 10 other Latin American countries as of June 30, 2013. For more information go to www.cinemark.com.

3D Society Celebrates Box Office Success of "Gravity"

‘Gravity’ Breaks 3D Box Office Records

Next up: ‘The Hobbit,’ ‘Frozen,’ ’47 Ronin’ and ‘Thor,’ According to The International 3D & Advanced Imaging Society

LOS ANGELES--(BUSINESS WIRE)--Warner Bros. hit 3D movie ‘Gravity’ broke several records this weekend, as millions of movie fans flooded 3D cinemas worldwide. It is the first of five major studio 3D movies scheduled for 4th quarter, according to the International 3D & Advanced Imaging Society.

Directed by Alfonso Cuaron and starring Sandra Bullock and George Clooney, ‘Gravity’ generated more than $80 million dollars in worldwide box office revenues this weekend. The movie set the record for having the biggest weekend ever for a movie released in October, according to the Society.

Fans flooded 3D theaters to see the movie; 80% of US revenues were for 3D tickets, 70% internationally. These figures exceeded ‘Avatar,’ which generated 72% of its revenues in 3D, and ‘Life of Pi,’ which generated 68%.

“’Gravity’ was brilliantly conceived, written, produced and marketed for 3D, and the critics and fans have been absolutely thrilled. It’s a movie people want to see in 3D,” said Society President, Jim Chabin. “With nine of the top ten movies this year being 3D titles and an incredible lineup scheduled for 4th quarter, 3D continues to be key to box office success this year,” he added.

3D movies scheduled for November include Marvel’s ‘Thor: The Dark World.’ The first edition of the ‘Thor’ franchise in 2011 generated over $449 million dollars in worldwide box office revenues. Walt Disney Pictures’ highly anticipated animated feature ‘Frozen’ debuts on November 27, and director Peter Jackson’s second installment of ‘The Hobbit’ franchise, ‘The Desolation of Smaug,’ hits screens in December. Last year’s ‘The Hobbit: An Unexpected Journey’ generated more than $1 billion dollars in worldwide ticket sales. ‘47 Ronin,’ starring Keanu Reeves, is also scheduled for December release.

“There are more than seventy 3D movies in the pipeline for 2014-15,” added Chabin. “3D technology is advancing rapidly and movie makers are becoming bolder. And as we’ve seen with ‘Gravity,’ the 3D art form has never been more powerful -- consumers love great 3D.”

About The International 3D & Advanced Imaging Society:
The International 3D & Advanced Imaging Society is a community of content creators and professionals whose mission is to develop the arts and technologies of 3D, advanced imaging and its innovators. With over 60 companies and 800 professional members in 20 countries, the Society is open to individuals and organizations active in moving 3D and advanced imaging to an exciting new era of creative achievement and consumer support. For more information please visit: www.International3DSociety.com.

Review: "Curse of Chucky" Surprisingly Really Good

TRASH IN MY EYE No. 68 (of 2013) by Leroy Douresseaux

Curse of Chucky (2013)
Running time:  97 minutes (1 hour, 37 minutes)
MPAA – R for bloody horror violence, and for language
DIRECTOR:  Don Mancini
WRITER:  Don Mancini (based upon characters he created)
PRODUCERS:  Don Mancini and David Kirschner
CINEMATOGRAPHER:  Michael Marshall
EDITOR:  James Coblentz
COMPOSER:  Joseph LoDuca

HORROR

Starring:   Fiona Dourif, Summer Howell, A Martinez, Danielle Bisutti, Brennan Elliott, Maitland McConnell, Adam Hurtig, Chantal Quesnelle, Candace Smith, and Brad Dourif (also voice) with Jennifer Tilly and Alex Vincent

Curse of Chucky is a 2013 straight-to-video horror film from writer-director, Don Mancini.  It is the sixth movie in the Child’s Play film franchise, and the first released since 2004’s Seed of Chucky.  The film follows a young woman who suspects that a mysterious talking, red-haired doll may be the key to recent bloodshed in her home.

As Curse of Chucky begins, Nica (Fiona Dourif) signs for a mysterious package sent to her mother, Sarah Pierce (Chantal Quesnelle).  After her mother’s gruesome suicide, Nica is forced to deal with her estranged sister, Barb (Danielle Bisutti), when she visits with her husband, Ian (Brennan Elliott), nanny, Jill (Maitland McConnell), and young daughter, Alice (Summer Howell).  There is clearly tension among the adults, so Alice comforts herself with a grinning, red-haired talking doll named Chucky (voice of Brad Dourif).  After a series of strange occurrences, Nica begins to suspect that Chucky has something to do with it, especially after the killing begins...

Unlike previous “Chucky” movies, Bride of Chucky (1998) and the previously-mentioned Seed of Chucky, Curse of Chucky is not comic horror.  There is some humor, but this is essentially a slasher film.  Like many slasher films, Curse of Chucky has elements of a mystery film, with at least one character trying to figure out, “What is going on?”  Of course, we know, as the audience, that Chucky is the instigator/murderer, but there is some fun in watching the character-victims be clueless on their way to gruesome deaths.  Horror fiction sometimes offers characters that are so self-absorbed or are so focused on the melodramas in their social circles that they do not see the killer in their midst.  In this movie, the characters illicit sympathy because their problems, conflicts, and obstacles make sense – even when their difficulties are funny.

It is quite a ways into Curse of Chucky before the filmmakers let Chucky go wild, so this movie is one of those scary movies that actually gets better as it gets closer to the end.  In fact, the film has an excellent ending, and what amounts to two epilogues – two killer epilogues.  So, dear viewer, you have to watch past the credits.

As usual, Brad Dourif does stellar work as Chucky’s voice, although, this time around, he sounds a little like Danny DeVito.  Having his daughter, actress Fiona Dourif, in this film is another good choice, especially as Curse of Chucky’s story has surprising ties to the original film and some of the sequels.  Fiona is intense, and she has just enough of a crazy vibe to give the film the edgy heroine it needs in order for the story to work.

Fans of the Child’s Play movies will like Curse of Chucky, and some, like me, will like it a lot.  As a direct-to-DVD movie, Curse of Chucky could have cursed the franchise.  Instead, this entertaining horror film reminds fans of why having Chucky back is a good and necessary thing.

7 of 10
B+

Tuesday, October 08, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Seed of Chucky" Gleefully Trashy and Fun

TRASH IN MY EYE No. 139 (of 2005) by Leroy Douresseaux

Seed of Chucky (2004)
Running time:  87 minutes (1 hour, 27 minutes)
MPAA – R for strong horror violence/gore, sexual content, and language
DIRECTOR:  Don Mancini
WRITER:  Don Mancini (based upon characters he created)
PRODUCER:  Corey Sienega and David Kirschner
CINEMATOGRAPHER:  Vernon Layton, B.S.C.
EDITOR:  Chris Dickens
COMPOSER:  Pino Donaggio

HORROR/COMEDY

Starring:  Jennifer Tilly (also voice), Redman, Hannah Spearritt, John Waters, and Billy Boyd (voice) and Brad Dourif (voice), Keith-Lee Castle, and Steve Lawton

The subject of this movie review is Seed of Chucky, a 2004 comic horror film from writer-director Don Mancini.  It is the fifth movie in the Child’s Play franchise, and a direct sequel to 1998’s Bride of Chucky.  Seed of Chucky spoofs other horror films, trashy TV shows, and celebrity culture.  To date, it is the last film in the franchise to be released in theatres.

Seed of Chucky opens with a new character.  This is the now grown version of the infant creature born (at the end of Bride) of the unholy sexual union of the two killer dolls, Chucky (voice of Brad Dourif) and Tiffany (voice of Jennifer Tilly).  Six years after his birth, the doll-child is a slave to a sleazy ventriloquist named Psychs (Keith-Lee Castle), who might not really be a ventriloquist; Psychs has named the doll creature, Shitface (voice of Billy Boyd).

Trapped in Great Britain, the doll-child eventually escapes to Hollywood, where he finds Chucky and Tiffany dolls on a movie set.  He inadvertently recites the “voodoo” chant that brings Chucky and Tiffany’s spirits back to life in these movie dolls.  Tiffany and Chucky are surprised, but proud parents.  However, they discover that their doll-child is not anatomically correct.  In disagreement about Shitface’s gender, Tiffany names her Glenda, and Chucky names him Glen because he’s sure the child is a boy who will develop later.

The movie set upon which the newly formed family find themselves is a horror movie about Chucky and Tiffany’s infamous murder spree (from Bride of Chucky), and it stars Jennifer Tilly (as herself).  Tiffany is obsessed with being Tilly and thus a Hollywood star, so she hatches a plan to transfer her spirit into Tilly’s body and Chucky’s spirit Tilly’s chauffeur, Stan (Steve Lawton).  But the challenge of raising a child, especially a confused one like Glen/Glenda, stares the murderous pair right in the face and complicates their plans.  Chucky still wants to be a killer, but Tiffany wants to settle down (in Jennifer Tilly), although she must resist the urge to kill, especially when Tilly gets close to rapper-turned-movie director, Redman (as himself), to whom Tiffany takes an instant dislike.  All hell is about to break loose when Tiffany’s dreams of movie stardom clashes with Chucky’s need to kill, and Glen/Glenda is right in the middle, becoming more confused… and more dangerous.

The Child’s Play film series was, from the beginning, heavy with comedy, but the franchise turned solidly to comic horror with Bride of Chucky in 1998.  Seed of Chucky is a deliriously crazy gore fest.  Fake movie blood, steaming imitation intestines, severed limps, a blood-spurting, headless corpse, severed limps, Jennifer Tilly kissing a recently severed head, Chucky jerking off, Chucky holding a cup of his jizz, Tiffany holding a turkey baster full of Chucky’s semen while standing over Tilly’s prone body with the legs in the air, etc. all add up to a camp fest that is one of the few truly outrageously funny horror films outside of the Evil Dead series.  There is almost nothing in Seed of Chucky film that would qualify it as a scary movie, but with the explicit violence and troubling subject matter, Seed of Chucky could only be one of three things – a ghastly satire of the American nuclear family and America’s obsession with celebrity, an offensive horror flick, or a revolting comedy.  At different times in the narrative, the film tries on all three hats.

While I salute writer/director Don Mancini (who created the Child’s Play concept, while Seed’s co-producer Don Kirschner created the Chucky and Tiffany dolls) for being audacious enough to make this movie and while I also credit the studio and producers for letting Mancini put his insanity on the big screen, I am disappointed that the franchise has gotten away from Chucky as the sole antagonist.  I like Tiffany, and Jennifer Tilly’s voiceover work as Tiffany is superb played.  The fun Ms. Tilly has lampooning herself and her acting career (There are many hilarious mentions of the film Bound in which she and Gina Gershon played lovers) carries over to the viewer, but I want more killing.  Watching Chucky stalk victims excites me as much as it fills me with dread.  I root for victims – even the ones that are throwaway or underdeveloped characters, and I want more of that and less (faux) family drama.

In the final analysis, Seed of Chucky isn’t as good a horror movie as Bride of Chucky, but it’s a better comedy, and an outrageous thumb in the eye to taste and decorum.  Imagine this as a kind of underground film made palatable for a mass audience.  Think of it as a John Waters horror flick if Waters (who appears in the film as a paparazzi) made a “straight” horror movie.  I would answer the question of “is it good or bad” by saying Seed of Chucky makes me eager to see a sixth Child’s Play film.

6 of 10
B

Updated:  Monday, October 07, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Bride of Chucky" Revived the Franchise

TRASH IN MY EYE No. 130 (of 2005) by Leroy Douresseaux

Bride of Chucky (1998)
Running time:  89 minutes (1 hour, 29 minutes)
MPAA – R for strong horror violence and gore, language, and some sexual content, and brief drug use
DIRECTOR:  Ronny Yu
WRITER:  Don Mancini (based upon characters he created)
PRODUCERS:  David Kirschner and Grace Gilroy
CINEMATOGRAPHER:  Peter Pau
EDITORS:  Randolph K. Bricker and David Wu
COMPOSER:  Graeme Revell

HORROR/COMEDY

Starring:  Jennifer Tilly (also voice), Brad Dourif (voice), Nick Stabile, Katherine Heigl, Gordon Michael Woolvett, Alexis Arquette, John Ritter, and Kathy Najimy

The subject of this movie review is Bride of Chucky, a 1998 horror-comedy from director Ronny Yu.  This was the fourth movie in the Child’s Play film franchise, and the first released since 1991’s Child’s Play 3.  With Bride of Chucky, the franchise changed in tone, emphasizing black comedy and parody (of itself and other films).  The franchise also started to use the name “Chucky” in the film titles, instead of Child’s Play.

Chucky, the doll possessed by a serial killer, discovers the perfect mate to kill and revive into the body of another doll.  The fourth film in the Child’s Play series, Bride of Chucky, takes the inherent humor of the series and moves it up about three notches.  So how does Chucky (voice of Brad Dourif), the murderous doll, come back from the dead for a sequel after being killed again and again?

Chucky, of course, was once a human and the mass murderer, Charles Lee Ray, who used some kind of magic (voodoo) spell to transfer his spirit from his mortally wounded body into that of a “Chucky” doll.  Ray’s plan was to transfer his spirit into another body, but that failed over the course of three Child’s Play movies.  Now, in Bride of Chucky, Charles Lee Ray’s girlfriend, a wannabe killer named Tiffany (Jennifer Tilly), bribes a policeman to steal the “Chucky” doll (from Child’s Play 3, in which is was almost completely destroyed) from the evidence room in which it’s hidden.  After dispatching the dumb pig, Tiffany uses voodoo to revive Charles Lee Ray’s spirit and bring the Chucky doll back to life.  However, Chucky isn’t showing Tiffany the love and respect she thought he’d give her as a reward for reviving him.  Pissed off at her antics, Chucky kills Tiffany and uses the same voodoo that transferred his spirit from his dying human body into the Chucky doll (as seen in the first Child’s Play) to transfer Tiffany’s spirit into a bridal doll.

After some initial disagreements, the murderous doll couple, Chucky and Tiffany, band together and coerce two teen lovers-on-the-run, Jesse (Nick Stabile) and Jade (Katherine Heigl) to transport them to the New Jersey graveyard where Charles Lee Ray is buried.  Jesse and Jade are unaware of Chucky and Tiffany’s diabolical plan.  The evil dolls want to use a Satanic voodoo amulet on Ray’s corpse to transfer their spirits in the young lovers’ bodies.

Bride of Chucky doesn’t take itself seriously, but the movie isn’t the kind of comedy that pokes fun of slasher movie conventions and clichés.  Bride of Chucky is less like Scream and more in the vein of something like The Evil Dead.  Chucky creator Don Mancini’s script is a funny and as sarcastic and caustic as Mancini’s earlier Child’s Play scripts.  However, it is director Ronny Yu who seems to take most delight in turning up the comedy even more and transforming this entry in franchise into a gleefully insane and mean-spirited delight.  He seems to go out of his way to offend the sensibilities of even the most tolerant horror movie fans.

It’s that “don’t give a fuck” attitude, probably best exemplified in the delightful voice work of Brad Dourif as Chucky and the special effects work on the doll that makes this film series unique, and Dourif, Mancini, Yu, and the effects crew raise their game for this film.  Although there are times that this film goes too far in terms of violence and seems a bit too bloody, Bride of Chucky is a slasher movie delight, and for this horror fan, damn fun to watch.

7 of 10
B+

Updated:  Monday, October 07, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: Original "Child's Play" Still Fun

TRASH IN MY EYE No. 67 (of 2013) by Leroy Douresseaux

Child’s Play (1988)
Running time:  87 minutes (1 hour, 27 minutes)
MPAA – R
DIRECTOR:  Tom Holland
WRITERS:  Don Mancini, John Lafia, and Tom Holland; from a story by Don Mancini
PRODUCER:  David Kirschner
CINEMATOGRAPHER:  Bill Butler (D.o.P.)
EDITORS:  Roy E. Peterson and Edward Warschilka
COMPOSER:  Joe Renzetti

HORROR

Starring:  Catherine Hicks, Chris Sarandon, Alex Vincent, Brad Dourif (and also voice), Dinah Manoff, Tommy Swerdlow, Jack Colvin, Neil Giuntoli

The subject of this movie review is Child’s Play, a 1988 horror film from director Tom Holland.  It was followed by four sequels, the last being 2004’s Seed of Chucky.  In this first film, a single mother gives her young son his favorite doll for his birthday, and later discovers that it is possessed by the soul of a serial killer.

This year marks the 25th anniversary of the first theatrical release of Child’s Play (specifically November 9, 1988).  It has not been that long since I last watched the movie, but it has been awhile.  I decided to watch it again because of the upcoming release of the sixth film in the franchise, Curse of Chucky, which is a straight-to-DVD movie.

Child’s Play opens on the streets of Chicago, where homicide detective Mike Norris (Chris Sarandon) is chasing Charles Lee Ray (Brad Dourif), the serial killer known as “the Lakeshore Strangler.”  After Norris mortally wounds him, Charles uses a bizarre “Voodoo” ritual to transfer his soul into a “Good Guy” doll.

That doll, which is named “Chucky,” ends up in the possession of single-mother, Karen Barclay (Catherine Hicks).  Karen gives Chucky as a birthday present to her six-year-old son, Andy (Alex Vincent).  After the murders begin, Andy is the only one who understands that his doll is the culprit, and that Chucky is planning more murders.

I’ve said for a long time that horror movies should be horrifying or horrible.  Horrible doesn’t necessarily mean low-quality.  An inappropriate joke could be horrible, but still illicit laughter.  Child’s Play is like some screenwriter’s drunken pitch for a horror movie.  It sounds horrible on the face of it, but it works.

I think Child’s Play works so well because of the efforts of the filmmakers, cast, and crew.  On the surface, at least, they take their work quite seriously.  Alex Vincent gives a fantastic performance, the kind of convincing horror movie acting that many adult performers cannot deliver.  As Andy, Vincent’s ability to sell me on Chucky as a genuine, first-rate horror movie villain is timeless.

The adult actors in Child’s Play are also good.  I love Catherine Hicks manic turn as a hysterical mother.  The best adult performance is delivered by Brad Dourif, giving voice to Chucky.  Dourif brings Chucky to life, creating an outrageous, shameless character that rises above the material.  The reason the Child’s Play franchise keeps coming back is because of Dourif’s voice performance.  Dourif makes the first Child’s Play film an evergreen, a perennial, and a classic in the history modern horror cinema.

7 of 10
B+

Saturday, October 05, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.