Review: "Pacific Rim" a Big Fanboy Experience

TRASH IN MY EYE No. 78 (of 2013) by Leroy Douresseaux

Pacific Rim (2013)
Running time:  131 minutes (2 hours, 11 minutes)
MPAA – PG-13 for sequences of intense sci-fi action and violence throughout, and brief language
DIRECTOR:  Guillermo del Toro
WRITERS:  Travis Beacham and Guillermo del Toro; from a story by Travis Beacham
PRODUCERS: Guillermo del Toro, Jon Jashni, Mary Parent, and Thomas Tull
CINEMATOGRAPHER:  Guillermo Navarro (D.o.P.)
EDITORS:  Peter Amundson and John Gilroy
COMPOSER:  Ramin Djawadi

SCI-FI/FANTASY/ACTION

Starring:  Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Burn Gorman, Max Martini, Rob Kazinsky, Clifton Collins, Jr., Ron Perlman, Mana Ashida, Santiago Segura, Diego Klattenhoff, and Ellen McLain (voice)

Pacific Rim is a 2013 science fiction-action film from director Guillermo del Toro (Pan’s Labyrinth).  The film is set in a near-future where humankind fights monstrous creatures that emerge from the sea with gigantic humanoid war machines.  A former pilot and a trainee are paired up to drive one of these war machines as part of a desperate plan to save the world from an apocalypse.

Pacific Rim is set in a world in which, beginning in 2013, colossal monstrous beasts, called “Kaijus,” emerged from “the Breach” a chasm on the floor of the Pacific Ocean that opens to an inter-dimensional portal.  These Kaijus began attacking human cities, especially along the Pacific Rim.  To combat them, the Pacific Rim nations built equally colossal, robotic, humanoid war machines called “Jaegers” (think Transformers in human-like mode).  The Jaeger program is initially successful, but many are destroyed as the Kaijus grow more powerful and the frequency of their attacks increased.

By 2025, the United Nations and world governments have discontinued the Jaeger program.  However, Jaeger program commander, Stacker Pentecost (Idris Elba), has taken the four remaining Jaegers that he has, and has devised a last-ditch plan to end the war against the Kaijus by planting a thermonuclear bomb in their portal, the Breach.  Pentecost recruits former Jaeger pilot, Raleigh Becket (Charlie Hunnam), to pilot a revamped version of his old Jaeger, Gypsy Danger.  But resistance from some of his fellow pilots and his friendship with Mako Mori (Rinko Kikuchi), a Jaeger pilot wannabe, may complicate an already complicated mission.

First, I must say that I think that “Pacific Rim” is a bad title.  I don’t know what else they could have titled this movie, but that title is vague in regards to the larger story of the movie.  Anyway, I think of Pacific Rim as the ultimate fanboy movie.  If you like big science fiction and fantasy films with big special effects and that are almost entirely created by CGI (computer-generated imagery), Pacific Rim might be for you.  If you like giant robots (also called “mecha”) fighting giant monsters in what looks like a cross between mixed-martial arts and WWE-styled professional wrestling, this movie is for you.  If you like seeing disaster and destruction on an epic scale, with cities literally smashed to bits, Pacific Rim is for you.

I like Pacific Rim, but it is a little too long.  The movie runs for 131 minutes; I’d had enough after 100 minutes.  Although I am a fan of some of the cast, I also wish that the cast had more charisma.  Idris Elba is always a great film presence, as he is here.  Ron Perlman adds flair and something like an exotic spice to every movie in which he appears, and he does so in this film as Hannibal Chau.  I love seeing Charlie Day (as Dr. Newton Geiszler) because of his deft comic touch.  However, at least to me, the rest of the cast lacks the personality and charisma to carry a big genre movie like Pacific Rim.  I don’t know what people see in Charlie Hunnam.  He might be good for TV, where he stars in the cable television series, “Sons of Anarchy,” but his presence is undersized for the massive Pacific Rim.

I can overcome my reservations because I’m happy to have a Guillermo del Toro movie, the first in five years.  Pacific Rim proves that he can do big effects-laden movies, although this film lacks the level of imagination in del Toro’s previous efforts.  It is precisely his imagination, however, that makes a weird, monster movie concept like Pacific Rim work.  So the fanboy in me does like this movie, especially because of its director, which is a very fanboy thing.

7 of 10
B+

Tuesday, November 19, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Missing You, Dear Sister 2013

I have not forgotten, even 22 years later.  I won't forget.

Can you peek down from up there and spy on J.J. Abrams for me?  Send any hot tips about Star Wars to me via my dreams.

And your old pal Mickey turned 85 yesterday.

"Gravity" Now Past $500 Million in Worldwide Box Office

Warner Bros. Pictures’ “Gravity” Soars over $500 Million Worldwide

Alfonso Cuarón’s acclaimed worldwide hit, starring Sandra Bullock and George Clooney, continues to break box office records. 

BURBANK, Calif.--(BUSINESS WIRE)--Reaching another astronomical milestone, Warner Bros. Pictures’ “Gravity” crossed $500 million at the worldwide box office on Saturday, November 16, 2013. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

Directed by Alfonso Cuarón, “Gravity” has earned an astounding $240.6 million domestically and $274.3 million internationally, for an estimated worldwide total to date of $515 million, and still climbing. From the start, the film has enjoyed record-breaking domestic and international openings, most recently in the UK. It is now the highest-grossing movie ever (worldwide) for its Oscar®-winning stars, Sandra Bullock and George Clooney.

Box office results for IMAX® are also very strong, with an estimated $47.1 million domestically, and $24.2 million in 42 overseas markets, for a global total to date of $71.3 million.

In addition, 3D continues to be the format of choice for the vast majority of moviegoers who want to experience the story in the most immersive way possible. The 3D sales represent 81% of the box office domestically and have grown to 80% internationally.

The half-billion mark comes as “Gravity” prepares for two more major openings: in China on November 19, followed by Japan on December 13.

In making the announcement, Fellman said, “This is an outstanding achievement for Alfonso, Sandy and George, and the film’s extraordinary team of innovative artists. We congratulate all of those who brought to life a film that is not only creatively groundbreaking but also beloved by both critics and audiences worldwide.”

Kwan Vandenberg stated, “We are delighted that moviegoers everywhere have embraced 'Gravity' and made it into a global, cinematic event. With anticipation really high for the China and Japan openings, we are expecting even stronger international returns in the coming weeks.”

Academy Award® winners Sandra Bullock (“The Blind Side”) and George Clooney (“Syriana”) star in “Gravity,” a heart-pounding thriller that pulls you into the infinite and unforgiving realm of deep space. The film was directed by Oscar® nominee Alfonso Cuarón (“Children of Men”).

Dr. Ryan Stone (Bullock) is a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalski (Clooney) in command. But on a seemingly routine mission, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalski completely alone—tethered to nothing but each other and spiraling out into the blackness. The deafening silence tells them they have lost any link to Earth…and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left.

But the only way home may be to go further out into the terrifying expanse of space.

“Gravity” was written by Alfonso Cuarón & Jonás Cuarón, and produced by Alfonso Cuarón and David Heyman (the “Harry Potter” films). Chris deFaria, Nikki Penny and Stephen Jones served as executive producers.

The behind-the-scenes team includes multiple Oscar®-nominated director of photography Emmanuel Lubezki (“Children of Men,” “The New World”); production designer Andy Nicholson (art director “Alice in Wonderland”); editors Alfonso Cuarón and Mark Sanger (VFX editor “Children of Men”); and costume designer Jany Temime (the “Harry Potter” films). The visual effects were handled by Oscar®-nominated visual effects supervisor Tim Webber (“The Dark Knight”). The music was composed by Steven Price (“Attack the Block”).

Warner Bros. Pictures Presents an Esperanto Filmoj/Heyday Films Production, an Alfonso Cuarón Film, “Gravity.” The film is being released in 3D and 2D and IMAX®, and is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment company. This film has been rated PG-13 for intense perilous sequences, some disturbing images and brief strong language.

gravitymovie.com

Review: "Undercover Brother" Timeless and Funny

TRASH IN MY EYE No. 110 (of 2003) by Leroy Douresseaux

Undercover Brother (2002)
Running time:  86 minutes (1 hour, 26 minutes)
MPAA – PG-13 for language, sexual humor, drug content and campy violence
DIRECTOR:  Malcolm D. Lee
WRITERS:  John Ridley and Malcolm McCullers, from a story by John Ridley (based upon the Internet series by John Ridley)
PRODUCERS:  Brian Grazer, Michael Jenkinson, and Damon Lee
CINEMATOGRAPHER:  Tom Priestley Jr.
EDITOR:  William Kerr
COMPOSER:  Stanley Clarke

COMEDY/ACTION

Starring:  Eddie Griffin, Chris Kattan, Denise Richards, Aunjanue Ellis, Dave Chappelle, Chi McBride, Gary Anthony Williams, Neil Patrick Harris, Billy Dee Williams, Robert Trumbull, J.D. Hall (voice), William Taylor

The subject of this movie review is Undercover Brother, a 2002 comedy and action film from director Malcolm D. Lee.  The movie is based on an original Internet animated series created by screenwriter John Ridley.  The movie spoofs 1970s blaxploitation films and also James Bond movies via the character “Undercover Brother.”  Undercover Brother the movie focuses on a group of secret agents trying to stop “The Man” from derailing an African-American candidate’s presidential campaign.

As a comedy, Undercover Brother, a broad parody of black exploitation films and 70’s Afro-American pop culture, focuses on its characters rather than its simple storyline and straightforward, but thin plot.  A light plot is a treacherous path for a film; especially in light of how uneven previous blaxtiploitation parodies were, focusing almost entirely on skewering preconceptions rather than telling a story.

This includes Hollywood Shuffle and I’m Gonna Git you Sucka.  Both films rapidly ran out of steam, and Shuffle, which also skewered stereotypes of black people in mainstream Hollywood films, struggled with being both a comedy and social satire.  Sucka tried to be both a parody and a conventional action movie (or it certainly seemed that way) and often failed on both counts.

Undercover Brother doesn’t have any of those problems because it’s a straight yuck fest.  Any social commentary on the relationships between the skin colors is either simply coincidental or so slyly and quickly interjected that the audience will either miss it or ignore it.  Director Malcolm D. Lee (Spike Lee’s cousin and the director of The Best Man) carefully navigates the dangerous straits that are parodies.  He keeps things moving, and with a script that makes almost every word an integral part of a joke, he doesn’t have to deal with nuisances like character development.  I do have to give the film credit because the jokes are little sharper than they appear.  It’s like the mainstream gets to join the mostly black cast for the laughs, but it’s as if the creators aren’t letting them in on the entire joke because “they” might be the punch line.

In the plot, a lone black agent, Undercover Brother (Eddie Griffin), joins B.R.O.T.H.E.R.H.O.O.D., an organization engaged in a secret war against The Man (voice of J.D. Hall), an evil figure who wants to reverse the influence of African-Americans on white American culture.  The Man also wants to derail the candidacy of a promising black presidential hopeful (Billy Dee Williams) by controlling his mind.  Undercover Brother must also face off against The Man’s main henchman, Mr. Feather (Chris Kattan).  Crazed and struggling with own attraction to hip-hop culture, Mr. Feather unleashes the one weapon sure to bring a brother down, an attractive white woman in the form of White She Devil (Denise Richards).

Well, I laughed a lot, and I think that anyone who likes black exploitation films, 70’s black cinema, and movies that poke fun at such will like Brother.  The acting is good enough, although Chris Kattan and Dave Chappelle struggle with over the top characters whose routines are too long and often wear out their welcome.  Denise Richards, an underrated actress because people focus on her stunningly good looks and super fine body, is underutilized in the film.  White She Devil’s successful quest to conquer Brother is funny, the best parody and only true satire in the film, but once her part is over, she is reduced to window dressing.  It’s a shame because the dynamic between Brother, White She Devil and the savvy Sistah Girl (Aunjanue Ellis), who is not big on the idea of a black man sleeping with a white woman, is the film’s best subplot.

My reservations aside, I want to see this movie again because what it does well it does oh-so-damn well.  The filmmakers are incredibly inspired and when they’re on in this film, I laughed as hard as I’ve ever done watching any movie.  Comedy is tricky, so I can only give kudos to this solid effort.  And, hey, I have to give props for the film’s large cast of African-Americans.

7 of 10
B+

NOTES:
2003 Black Reel Awards:  6 nominations:  “Theatrical - Best Actress” (Aunjanue Ellis), “Theatrical - Best Director” (Malcolm D. Lee), “Theatrical - Best Screenplay (Original or Adapted)” (John Ridley), “Best Film Soundtrack,” “Best Film Poster,” and “Best Song” (Snoop Dogg-performer, Bootsy Collins-performer and song writer, George S. Clinton-song writer, Jerome Brailey-song writer, and Fred Wesley-performer for the song “Undercova Brother (We Got the Funk”)

Updated:  Monday, November 18, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Participant Media Pushes "The Square" in Social Media

Participant Media Enters “THE SQUARE” to Mount Social Action Campaign for Jehane Noujaim’s Gripping, Award Winning-Documentary

Film Will Bow Theatrically in Eight North American Cities on January 17, 2014 

LOS ANGELES--(BUSINESS WIRE)--Participant Media will join forces with director-producer Jehane Noujaim (Control Room; Startup.com; Rafea: Solar Mama) and producer Karim Amer (Rafea: Solar Mama) for the documentary THE SQUARE, a riveting, deeply human chronicle of the Egyptian protest movement. Participant Media will mount a comprehensive social action campaign targeting universities, cultural institutions and thought leaders across the country, with support from Participant’s digital network TakePart as well as “TakePart Live,” its live nightly talk show on Pivot, Participant’s new television network.

The first film to win the Audience Award at both the Sundance and Toronto film festivals, THE SQUARE will open theatrically in New York, Los Angeles, Chicago, San Francisco, Seattle, Washington DC, Boston and Toronto on January 17, 2014. The film is being released theatrically by Noujaim Films.

THE SQUARE is an epic documentary that tells the behind-the-headlines story of the Egyptian Revolution through the eyes of young activists who have sought for the last two years to build a better Egypt. The film captures the immediacy and intensity of the protests in Tahrir Square from the 2011 overthrow of military leader Hosni Mubarak through the ousting of Mohammed Morsi in 2013, providing a kaleidoscopic, visceral portrait of the events as they unfold before Magdy, a member of the Muslim Brotherhood, Khalid Abdalla, an Egyptian actor who played the lead in Participant’s The Kite Runner and the charismatic Ahmed, whose poetic storytelling carries the narrative. Armed with nothing more than cameras, social media, deep consciousness, and a resolute commitment to change, these young revolutionaries give us a front line perspective of the ongoing struggle fought with new weapons.

“Jehane has crafted a compelling, emotional and enlightening film that transports you to the center of Tahrir Square,” said Participant CEO Jim Berk. “We look forward to deploying all our social action resources at Participant to bring THE SQUARE to the widest possible audience.”

Noujaim said, “We made THE SQUARE in order to inspire the hearts and minds of people worldwide, and we are thrilled that Participant Media, a company that was founded on the belief that film has the power to change the world, will create and implement a social action campaign for the film.”

The deal was negotiated by Participant’s COO Jeff Ivers, with Cinetic Media’s John Sloss on behalf of the filmmakers.

About Participant Media
Participant is a global entertainment company founded in 2004 by Jeff Skoll to focus on feature film, television, publishing and digital content that inspires social change. Participant's more than 40 films include GOOD NIGHT, AND GOOD LUCK, SYRIANA, AN INCONVENIENT TRUTH, FOOD, INC., WAITING FOR ‘SUPERMAN’, THE HELP, CONTAGION and LINCOLN. Through its films, social action campaigns, digital network TakePart.com and Pivot, its new television network for Millennials, Participant seeks to entertain, encourage and empower every individual to take action.

Review: "Suspect Zero" is Not All it Can Be (Happy B'day, Henry Lennix)

TRASH IN MY EYE No. 171 (of 2004) by Leroy Douresseaux

Suspect Zero (2004)
Running time:  100 minutes (1 hour, 40 minutes)
MPAA – R for violent content, language, and some nudity
DIRECTOR:  E. Elias Merhige
WRITERS:  Zak Penn and Billy Ray; from a story by Zak Penn
PRODUCERS:  Paula Wagner, Gaye Hirsch, and E. Elias Merhige
CINEMATOGRAPHER:  Michael Chapman, ASC (D.o.P.)
EDITORS:  John Gilroy and Robert K. Lambert, A.C.E.
COMPOSER:  Clint Mansell

CRIME/MYSTERY/THRILLER with elements of horror and sci-fi

Starring:  Aaron Eckhart, Ben Kingsley, Carrie-Anne Moss, Harry Lennix, Kevin Chamberlain, Julian Reyes, Keith Campbell, William Mapother, and Buddy Joe Hooker

The subject of this movie review is Suspect Zero, a 2004 crime thriller starring Aaron Eckhart and Ben Kingsley.  The film focuses on two characters, a mysterious serial killer who is hunting other serial killers and an FBI agent who suspects there may be more to this unusual vigilante than anyone can imagine.

A traveling salesman is found dead in his car just across the Arizona/New Mexico state line, and the killer performed some kind of ritual on the victim’s body.  The FBI and police wonder if there are others.  A second murder victim, a sixth-grade teacher from Boulder, Colorado, is found bound and gagged in the trunk of the car.  His killer also marked his body, so the police wonder if the two murders are connected.

FBI Agent Thomas Mackelway (Aaron Eckhart) isn’t sure, but he knows that the third murder is a personal message from the killer to him.  The victim is Raymond Starkey (Keith Campbell), a rapist/murder who escaped justice after Mackelway illegally goes to Mexico and does his Dirty-Harry-doesn’t-have-to-follow-the-rules routine that gets his case thrown out and lets Mackelway slip from the crack of Lady Justice’s butt cheeks.

Before long Agent Mackelway believes that the murderer is a man named Benjamin O’Ryan (Sir Ben Kingsley), and O’Ryan is either taunting him or helping him.  Mackelway’s past comes back to haunt him in the form of his ex-partner FBI Agent Fran Kulok (Carrie-Anne Moss).  He’ll need her to support him as the pressure mounts, and mysterious images…or could they be messages start to blossom in his mind as he tries to solve the riddle of Ryan and the next killer Ryan is hunting, the ultimate serial killer, Suspect Zero.

If, as the saying goes, the devil is in the details, it’s those devilish details that keep the mystery thriller, Suspect Zero, from becoming a great mystery thriller, but as the film is, it’s a damn good mystery thriller when all is said and done.  The film’s lone problem is its biggest, the slightly-more-than-paper-thin characters.  The character we get the most information about is Eckhart’s Mackelway, enough to find his plight and mission intriguing.  The script doesn’t give us enough to really enjoy and embrace him, and he’s the good guy, an enjoyable, embraceable kind of guy.  However, concerning Mackelway’s colleagues and the rest of the cast, we get next to nothing, just enough about them to move the plot.  There’s so little chemistry between Eckhart’s Mackelway and Ms. Moss’ Fran Kulok that if the filmmakers had replaced Kulok with a gay lover we still wouldn’t notice the character.

While the plot is the film’s strongpoint, the script isn’t.  It’s more or less a vehicle to move along genre conventions and to move the movie from one mystery, one murder, or one scary moment to the next.  It seems as if writer Zak Penn’s original script that he finished in 1997 was really a novel.  Screenwriter Billy Ray’s revisions tried to bring the novel back down to being a movie that runs just under two hours at the cost of characterization.  Luckily, both writers have made a career of composing actions and thrills for film so the missteps still make for a riveting movie.

When all is said and done and we look past the warts and all, Suspect Zero is not bad or great, but pretty good.  If you don’t mind the intense concentration this film’s oblique concepts and storytelling requires of you, and you accept that this is one of those times when you just can’t sit back and not think, then Suspect Zero will rock your recliner even if it doesn’t rock your world.

6 of 10
B

Updated: Saturday, November 16, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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"The Hobbit" Part 2 Soundtrack Arrives December 10, 2013

The Hobbit: The Desolation of Smaug Original Motion Picture Soundtrack 2 CD Set Due December 10th from WaterTower Music

Featuring Original Music by Academy Award® Winner Howard Shore

With An Original Song I See Fire Performed by GRAMMY-Nominated Singer-Songwriter Ed Sheeran

2 CD Special Edition Soundtrack Also Available

LOS ANGELES--(BUSINESS WIRE)--WaterTower Music today announced details of the soundtrack to “The Hobbit: The Desolation of Smaug,” a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), the second in a trilogy of films by Academy Award®-winning filmmaker Peter Jackson adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. The soundtrack will be released on December 10, 2013, three days before the December 13 release of the film, and will be available both digitally and as a 2 CD set. A Special Edition soundtrack, featuring twelve extended tracks, a bonus track, expanded liner notes and interactive sheet music will also be available. Fans will be able to preorder the album at both iTunes and Amazon on November 5.

The Hobbit: The Desolation of Smaug Original Motion Picture Soundtrack features the music of Howard Shore, one of film music’s most respected, honored, and active composers and conductors. “I’m looking forward to introducing you to Smaug,” exclaimed Shore, who previously worked with director Peter Jackson on The Lord of the Rings Trilogy and on The Hobbit: An Unexpected Journey.

Jackson added, “Howard Shore's music soars and enriches way beyond its connection to our images, a unique sound like no other. He truly has created an epic musical world of his own.”

Shore’s music for The Lord of the Rings Trilogy has been performed in numerous concerts internationally. In 2003 he conducted the New Zealand Symphony Orchestra and Chorus in the world premiere of The Lord of the Rings Symphony in Wellington, New Zealand. Since then, the work has been performed nearly 300 times by the world’s most prestigious orchestras, and has been the subject of a book, The Music of The Lord of the Rings Films: A Comprehensive Account of Howard Shore's Scores.

Howard Shore’s music for The Lord of the Rings Trilogy stands as his most towering achievement to date, garnering three Academy Awards® for his music for those films, two for Best Original Score, and one for Best Original Song. Shore has also won numerous other honors for his film work, including four Grammys and three Golden Globe Awards, the Career Achievement for Music Composition Award from the National Board of Review of Motion Pictures, New York Chapter’s Recording Academy Honors, ASCAP’s Henry Mancini Award, the Frederick Loewe Award and the Max Steiner Award from the city of Vienna. He holds honorary doctorates from Berklee College of Music and York University, and is an Officier de l’ordre des Arts et des Lettres de la France and the recipient of the Governor General’s Performing Arts Award in Canada.

Included on the soundtrack is I See Fire, a new song created for the film by Ed Sheeran, the 22-year old British singer/songwriter and multi-platinum global phenomenon who was nominated in the prestigious “Song of the Year” category at this year’s 55th Annual Grammy Awards. Sheeran is also a two-time BRIT Award winner and recipient of the highly esteemed Ivor Novello award for best song musically and lyrically in the UK. “It was such an honor working with Peter Jackson on this song,” Sheeran says. “Not only is he one of my favorite directors of my favorite films, The Hobbit was the first book I ever read as a child, so it means a lot that I get to produce music for the motion picture.”

Elaborating on the collaboration with Jackson, as well as filmmakers Fran Walsh and Philippa Boyens, Sheeran stated, “I was allowed complete freedom to create what I thought was fitting for the film, which is very rare, and Peter, Fran and Philippa were always on hand to give notes and pointers. The entire team down in New Zealand was out of this world. The film is amazing, I'm still geeking out that I've done a song for a Peter Jackson film set in Middle-earth!”

“Ed Sheeran is a true Tolkien fan, and also happens to be a brilliant singer-songwriter,” offered Peter Jackson. “I See Fire is Ed's emotional response to the film. It's perfect.”

“It is an honor to once again work with the tremendous Howard Shore, who has created the musical voice of Peter Jackson’s iconic The Hobbit and The Lord of The Rings films from the beginning,” stated WaterTower Music head Jason Linn. “And we are thrilled that the stars aligned for this collaboration with Ed Sheeran and his truly inspired original song for our soundtrack. WaterTower anticipates another exciting and successful soundtrack journey with these two exceptional musicians.”

The Hobbit: The Desolation of Smaug Original Motion Picture Soundtrack will be released on December 10, 2013. The track list is as follows:

DISC 1
1. The Quest for Erebor
2. Wilderland
3. A Necromancer (Bonus Track) *
4. The House of Beorn **
5. Mirkwood **
6. Flies and Spiders **
7. The Woodland Realm **
8. Feast of Starlight
9. Barrels Out of Bond
10. The Forest River **
11. Bard, a Man of Lake-town **
12. The High Fells **
13. The Nature of Evil
14. Protector of the Common Folk
15. Beyond the Forest

DISC 2
1. Thrice Welcome
2. Girion, Lord of Dale **
3. Durin's Folk **
4. In the Shadow of the Mountain
5. A Spell of Concealment **
6. On the Doorstep
7. The Courage of Hobbits
8. Inside Information
9. Kingsfoil
10. A Liar and a Thief
11. The Hunters **
12. Smaug **
13. My Armor Is Iron
14. I See Fire performed by Ed Sheeran

* Bonus track available on Special Edition Soundtrack only

** Extended Versions of these songs Available on Special Edition Soundtrack only

From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: The Desolation of Smaug,” the second in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien.

The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”

The screenplay for “The Hobbit: The Desolation of Smaug” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.

Under Jackson’s direction, “The Hobbit: The Desolation of Smaug” was shot in 3D 48 frames-per-second and will be released in High Frame Rate 3D (HFR 3D) in select theaters, other 2D and 3D formats, and IMAX®.

New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: The Desolation of Smaug.” The film is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM. www.thehobbit.com

WaterTower Music, the in house music label for Warner Bros., has been releasing recorded music since 2001. Distributed through InGrooves Fontana, WTM has released over 150 titles, including the film soundtracks to “The Hobbit: An Unexpected Journey,” “Gravity,” “Man of Steel,” “The Dark Knight Rises,” “Game of Thrones,” and “The Great Gatsby Jazz Recordings,” among others.