by Amos Semien
The Toronto Film Critics Association (TFCA) was established in 1997 and is comprised of Toronto based journalists and broadcasters who specialize in film criticism and commentary. All major dailies, weeklies and a variety of other print and electronic outlets are represented.
The Toronto Film Critics Association announced the 2013 TFCA Awards back on Monday, December 16, 2013. Inside Llewyn Davis won two top prizes in 2013 awards of the Toronto Film Critics Association. Joel and Ethan Coen’s tale of a folk singer making his way through Greenwich Village, 1961, won “Best Picture” and “Best Actor” (Oscar Isaac).
The 2013 TFCA Awards were presented at a gala dinner at Toronto’s Carlu on Tuesday, January 7, 2014, hosted by Cameron Bailey, Artistic Director of the Toronto International Film Festival. At the dinner, the documentary, Watermark, was revealed as the winner of the Rogers Best Canadian Film Award, which carries a record-setting $100,000 cash prize, the richest arts award in the country. The awards was presented to the Watermark’s director’s, Jennifer Baichwal and Edward Burtynsky. The runners-up will each receive $5,000.
Under the TFCA’s guidelines, contenders eligible for the 2013 awards include films released in Canada in 2013 plus films that qualify for the 2013 Oscars and have Canadian distribution scheduled by the end of February 2014.
The full list of 2013Toronto Film Critics Association Awards winners and runners-up:
BEST PICTURE: “Inside Llewyn Davis” (Mongrel Media)
Runners-up:
“Her” (Warner Bros.)
“12 Years a Slave” (Fox Searchlight)
BEST ACTOR: Oscar Isaac, “Inside Llewyn Davis”
Runners-up
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club”
BEST ACTRESS: Cate Blanchett, “Blue Jasmine”
Runners-up
Julie Delpy, “Before Midnight”
Greta Gerwig, “Frances Ha”
BEST SUPPORTING ACTOR: Jared Leto, “Dallas Buyers Club”
Runners-up
Michael Fassbender, “12 Years a Slave”
James Franco, “Spring Breakers”
BEST SUPPORTING ACTRESS: Jennifer Lawrence, “American Hustle”
Runners-up
Lupita Nyong’o, “12 Years a Slave”
June Squibb, “Nebraska”
BEST DIRECTOR: Alfonso Cuarón, “Gravity”
Runners-up
Joel Coen & Ethan Coen, “Inside Llewyn Davis”
Steve McQueen, “12 Years a Slave”
BEST SCREENPLAY, ADAPTED OR ORIGINAL: Spike Jonze, “Her”
Runners-up
Richard Linklater, Ethan Hawke & Julie Delpy, “Before Midnight”
Joel Coen & Ethan Coen, “Inside Llewyn Davis”
BEST FIRST FEATURE: “Neighboring Sounds”, directed by Kleber Mendonça Filho
Runners-up
“Fruitvale Station”, directed by Ryan Coogler
“In a World …”, directed by Lake Bell
BEST ANIMATED FEATURE: “The Wind Rises” (Touchstone Pictures)
Runners-up
“The Croods” (20th Century Fox)
“Frozen” (Walt Disney Pictures)
BEST FOREIGN-LANGUAGE FILM: “A Touch of Sin” (Films We Like)
Runners-up
“Blue Is the Warmest Color” (Mongrel Media)
“The Hunt” (Mongrel Media)
BMO ALLAN KING DOCUMENTARY AWARD: “The Act of Killing” (Films We Like)
Runners-up
“Leviathan” (Films We Like)
“Tim’s Vermeer” (Mongrel Media)
ROGERS BEST CANADIAN FILM AWARD FINALISTS
“Watermark” (Mongrel Media) – WINNER - $100,000 przie
Runners-up ($5,000 to each):
“The Dirties” (Phase 4 Films)
“Gabrielle” (Entertainment One)
www.torontofilmcritics.com
--------------------------------
Saturday, January 11, 2014
Friday, January 10, 2014
2014 Scientific and Technical Achievement Academy Award Recipients Announced
19 Scientific And Technical Achievements To Be Honored With Academy Awards®
Peter W. Anderson to receive Gordon E. Sawyer Award; Charles “Tad” Marburg to receive John A. Bonner Medal of Commendation
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced that 19 scientific and technical achievements represented by 52 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 15, at The Beverly Hills Hotel.
In addition, visual effects supervisor and director of photography Peter W. Anderson will receive the Gordon E. Sawyer Award (an Oscar® statuette) for technological contributions that have brought credit to the industry. Post-production and distribution executive Charles “Tad” Marburg will receive the John A. Bonner Medal of Commendation for outstanding service and dedication in upholding the high standards of the Academy.
For the first time in the history of the Scientific and Technical Awards, a large number of individuals, collectively, will be recognized with an Academy Award® of Merit (an Oscar statuette). The award is dedicated to “all those who built and operated film laboratories, for over a century of service to the motion picture industry.”
“This year’s honorees have in a myriad of ways enabled today’s moviegoing experience,” said Richard Edlund, Academy Award-winning visual effects artist and Scientific and Technical Awards Committee Chair. “Their efforts have advanced not only the art and science of motion pictures, but the work of countless global industries.”
Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2013. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.
The Academy Awards for scientific and technical achievements are:
TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES)
To Olivier Maury, Ian Sachs and Dan Piponi for the creation of the ILM Plume system that simulates and renders fire, smoke and explosions for motion picture visual effects.
The unique construction of this system combines fluid solving and final image rendering on the GPU (Graphics Processing Unit) hardware without needing an intermediate step involving the CPU. This innovation reduces turnaround time, resulting in significant efficiency gains for the ILM effects department.
To Ronald D. Henderson for the development of the FLUX gas simulation system.
The use of the Fast Fourier Transform for solving partial differential equations allows FLUX a greater level of algorithmic efficiency when multi-threading on modern hardware. This innovation enables the creation of very high-resolution fluid effects while maintaining fast turnaround times.
To Andrew Camenisch, David Cardwell and Tibor Madjar for the concept and design, and to Csaba Kohegyi and Imre Major for the implementation of the Mudbox software.
Mudbox provides artists powerful new design capabilities that significantly advance the state of the art in multi-resolution digital sculpting for film production.
To Martin Hill, Jon Allitt and Nick McKenzie for the creation of the spherical harmonics-based efficient lighting system at Weta Digital.
The spherical harmonics lighting pipeline precomputes and reuses a smooth approximation of time-consuming visibility calculations. This enables artists to quickly see the results of changing lights, materials and set layouts in scenes with extremely complex geometry.
To Florian Kainz, Jeffery Yost, Philip Hubbard and Jim Hourihan for the architecture and development of the Zeno application framework.
For more than a decade, Zeno’s flexible and robust design has allowed the creation of a broad range of Academy Award-winning visual effects toolsets at ILM.
To Peter Huang and Chris Perry for their architectural contributions to, and to Hans Rijpkema and Joe Mancewicz for the core engineering of, the Voodoo application framework.
For more than a decade, Voodoo’s unique design concepts have enabled a broad range of character animation toolsets to be developed at Rhythm & Hues.
To Matt Pharr, Greg Humphreys and Pat Hanrahan for their formalization and reference implementation of the concepts behind physically based rendering, as shared in their book Physically Based Rendering.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. First published in 2004, Physically Based Rendering is both a textbook and a complete source-code implementation that has provided a widely adopted practical roadmap for most physically based shading and lighting systems used in film production.
To Dr. Peter Hillman for the long-term development and continued advancement of innovative, robust and complete toolsets for deep compositing.
Dr. Hillman’s ongoing contributions to standardized techniques and a common deep image file format have enabled advanced compositing workflows across the digital filmmaking industry.
To Colin Doncaster, Johannes Saam, Areito Echevarria, Janne Kontkanen and Chris Cooper for the development, prototyping and promotion of technologies and workflows for deep compositing.
Their contributions include early advancements in key deep compositing features such as layer and holdout-order independence, spatial and intra-element color correction, post-render depth of field, and precise blending of complex layer edges.
To Thomas Lokovic and Eric Veach for their influential research and publication of the fundamental concepts of deep shadowing technology.
Providing a functional and efficient model for the storage of deep opacity information, this technology was widely adopted as the foundation of early deep compositing pipelines.
To Gifford Hooper and Philip George of HoverCam for the continuing development of the Helicam miniature helicopter camera system.
The current Helicam system is a high-speed, extremely maneuverable, turbine-engine, radio-controlled miniature helicopter that supports professional film and digital cinema cameras. Helicam provides a wide range of stabilized, remotely operated pan, tilt and roll capabilities, achieving shots impossible for full-size helicopters.
To John Frazier, Chuck Gaspar and Clay Pinney for the design and development of the Pneumatic Car Flipper.
This self-contained high-pressure pneumatic device safely launches a stationary full-sized car on a predetermined trajectory. The precision of operation enhances the safety of performers, and the physical design allows a rapid setup and strike.
To Joshua Pines, David Reisner, Lou Levinson, Curtis Clark, ASC, and David Register for the development of the American Society of Cinematographers Color Decision List technology.
The ASC CDL unifies color correction principles for use on- and off-set, providing for the faithful reproduction of color values across a variety of color correction devices. This technology provides basic image-processing mathematics that translate the lift, gamma and gain settings to a set of common color values to help preserve the cinematographer’s intent throughout production.
To Jeremy Selan for the development of the OpenColorIO color management framework.
OpenColorIO is an open source framework that enables consistent color visualization of motion picture imagery across multiple facilities and numerous software applications.
SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)
To Ofer Alon for the design and implementation of the ZBrush software tool for multi-resolution sculpting of digital models.
ZBrush pioneered multi-resolution digital sculpting, transforming how artists conceive and realize their final designs. ZBrush has enabled artists to create models far more quickly and with much greater detail than previous approaches.
To Eric Veach for his foundational research on efficient Monte Carlo path tracing for image synthesis.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. In his 1997 Ph.D. thesis and related publications, Veach formalized the principles of Monte Carlo path tracing and introduced essential optimization techniques, such as multiple importance sampling, which make physically based rendering computationally feasible.
To Andre Gauthier, Benoit Sevigny, Yves Boudreault and Robert Lanciault for the design and implementation of the FiLMBOX software application.
FiLMBOX, the foundation of MotionBuilder, enables the real-time processing and control of devices and animation. For over two decades, its innovative architecture has been a basis for the development and evolution of new techniques in filmmaking, such as virtual production.
To Emmanuel Prevenaire, Jan Sperling, Etienne Brandt and Tony Postiau for their development of the Flying-Cam SARAH 3.0 system.
This battery-powered, radio-controlled, miniature helicopter camera system employs computer-assisted piloting and tele-operation in an airframe that utilizes GPS-assisted flight controls for aerial filming of unparalleled sophistication. Flying-Cam SARAH achieves shots impossible for full-size helicopters, cable systems or other traditional camera support devices.
ACADEMY AWARD® OF MERIT (OSCAR® STATUETTE)
To all those who built and operated film laboratories, for over a century of service to the motion picture industry.
Lab employees have contributed extraordinary efforts to achieve filmmakers’ artistic expectations for special film processing and the production of billions of feet of release prints per year. This work has allowed an expanded motion picture audience and unequaled worldwide cinema experience.
GORDON E. SAWYER AWARD (OSCAR STATUETTE): Peter W. Anderson
Presented to an individual in the motion picture industry whose technological contributions have brought credit to the industry.
JOHN A. BONNER MEDAL OF COMMENDATION (MEDALLION): Charles “Tad” Marburg
Presented in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.
Portions of the Scientific and Technical Awards Presentation will be included in the Oscar telecast.
Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network. The presentation, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.
Peter W. Anderson to receive Gordon E. Sawyer Award; Charles “Tad” Marburg to receive John A. Bonner Medal of Commendation
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced that 19 scientific and technical achievements represented by 52 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 15, at The Beverly Hills Hotel.
In addition, visual effects supervisor and director of photography Peter W. Anderson will receive the Gordon E. Sawyer Award (an Oscar® statuette) for technological contributions that have brought credit to the industry. Post-production and distribution executive Charles “Tad” Marburg will receive the John A. Bonner Medal of Commendation for outstanding service and dedication in upholding the high standards of the Academy.
For the first time in the history of the Scientific and Technical Awards, a large number of individuals, collectively, will be recognized with an Academy Award® of Merit (an Oscar statuette). The award is dedicated to “all those who built and operated film laboratories, for over a century of service to the motion picture industry.”
“This year’s honorees have in a myriad of ways enabled today’s moviegoing experience,” said Richard Edlund, Academy Award-winning visual effects artist and Scientific and Technical Awards Committee Chair. “Their efforts have advanced not only the art and science of motion pictures, but the work of countless global industries.”
Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2013. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.
The Academy Awards for scientific and technical achievements are:
TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES)
To Olivier Maury, Ian Sachs and Dan Piponi for the creation of the ILM Plume system that simulates and renders fire, smoke and explosions for motion picture visual effects.
The unique construction of this system combines fluid solving and final image rendering on the GPU (Graphics Processing Unit) hardware without needing an intermediate step involving the CPU. This innovation reduces turnaround time, resulting in significant efficiency gains for the ILM effects department.
To Ronald D. Henderson for the development of the FLUX gas simulation system.
The use of the Fast Fourier Transform for solving partial differential equations allows FLUX a greater level of algorithmic efficiency when multi-threading on modern hardware. This innovation enables the creation of very high-resolution fluid effects while maintaining fast turnaround times.
To Andrew Camenisch, David Cardwell and Tibor Madjar for the concept and design, and to Csaba Kohegyi and Imre Major for the implementation of the Mudbox software.
Mudbox provides artists powerful new design capabilities that significantly advance the state of the art in multi-resolution digital sculpting for film production.
To Martin Hill, Jon Allitt and Nick McKenzie for the creation of the spherical harmonics-based efficient lighting system at Weta Digital.
The spherical harmonics lighting pipeline precomputes and reuses a smooth approximation of time-consuming visibility calculations. This enables artists to quickly see the results of changing lights, materials and set layouts in scenes with extremely complex geometry.
To Florian Kainz, Jeffery Yost, Philip Hubbard and Jim Hourihan for the architecture and development of the Zeno application framework.
For more than a decade, Zeno’s flexible and robust design has allowed the creation of a broad range of Academy Award-winning visual effects toolsets at ILM.
To Peter Huang and Chris Perry for their architectural contributions to, and to Hans Rijpkema and Joe Mancewicz for the core engineering of, the Voodoo application framework.
For more than a decade, Voodoo’s unique design concepts have enabled a broad range of character animation toolsets to be developed at Rhythm & Hues.
To Matt Pharr, Greg Humphreys and Pat Hanrahan for their formalization and reference implementation of the concepts behind physically based rendering, as shared in their book Physically Based Rendering.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. First published in 2004, Physically Based Rendering is both a textbook and a complete source-code implementation that has provided a widely adopted practical roadmap for most physically based shading and lighting systems used in film production.
To Dr. Peter Hillman for the long-term development and continued advancement of innovative, robust and complete toolsets for deep compositing.
Dr. Hillman’s ongoing contributions to standardized techniques and a common deep image file format have enabled advanced compositing workflows across the digital filmmaking industry.
To Colin Doncaster, Johannes Saam, Areito Echevarria, Janne Kontkanen and Chris Cooper for the development, prototyping and promotion of technologies and workflows for deep compositing.
Their contributions include early advancements in key deep compositing features such as layer and holdout-order independence, spatial and intra-element color correction, post-render depth of field, and precise blending of complex layer edges.
To Thomas Lokovic and Eric Veach for their influential research and publication of the fundamental concepts of deep shadowing technology.
Providing a functional and efficient model for the storage of deep opacity information, this technology was widely adopted as the foundation of early deep compositing pipelines.
To Gifford Hooper and Philip George of HoverCam for the continuing development of the Helicam miniature helicopter camera system.
The current Helicam system is a high-speed, extremely maneuverable, turbine-engine, radio-controlled miniature helicopter that supports professional film and digital cinema cameras. Helicam provides a wide range of stabilized, remotely operated pan, tilt and roll capabilities, achieving shots impossible for full-size helicopters.
To John Frazier, Chuck Gaspar and Clay Pinney for the design and development of the Pneumatic Car Flipper.
This self-contained high-pressure pneumatic device safely launches a stationary full-sized car on a predetermined trajectory. The precision of operation enhances the safety of performers, and the physical design allows a rapid setup and strike.
To Joshua Pines, David Reisner, Lou Levinson, Curtis Clark, ASC, and David Register for the development of the American Society of Cinematographers Color Decision List technology.
The ASC CDL unifies color correction principles for use on- and off-set, providing for the faithful reproduction of color values across a variety of color correction devices. This technology provides basic image-processing mathematics that translate the lift, gamma and gain settings to a set of common color values to help preserve the cinematographer’s intent throughout production.
To Jeremy Selan for the development of the OpenColorIO color management framework.
OpenColorIO is an open source framework that enables consistent color visualization of motion picture imagery across multiple facilities and numerous software applications.
SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)
To Ofer Alon for the design and implementation of the ZBrush software tool for multi-resolution sculpting of digital models.
ZBrush pioneered multi-resolution digital sculpting, transforming how artists conceive and realize their final designs. ZBrush has enabled artists to create models far more quickly and with much greater detail than previous approaches.
To Eric Veach for his foundational research on efficient Monte Carlo path tracing for image synthesis.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. In his 1997 Ph.D. thesis and related publications, Veach formalized the principles of Monte Carlo path tracing and introduced essential optimization techniques, such as multiple importance sampling, which make physically based rendering computationally feasible.
To Andre Gauthier, Benoit Sevigny, Yves Boudreault and Robert Lanciault for the design and implementation of the FiLMBOX software application.
FiLMBOX, the foundation of MotionBuilder, enables the real-time processing and control of devices and animation. For over two decades, its innovative architecture has been a basis for the development and evolution of new techniques in filmmaking, such as virtual production.
To Emmanuel Prevenaire, Jan Sperling, Etienne Brandt and Tony Postiau for their development of the Flying-Cam SARAH 3.0 system.
This battery-powered, radio-controlled, miniature helicopter camera system employs computer-assisted piloting and tele-operation in an airframe that utilizes GPS-assisted flight controls for aerial filming of unparalleled sophistication. Flying-Cam SARAH achieves shots impossible for full-size helicopters, cable systems or other traditional camera support devices.
ACADEMY AWARD® OF MERIT (OSCAR® STATUETTE)
To all those who built and operated film laboratories, for over a century of service to the motion picture industry.
Lab employees have contributed extraordinary efforts to achieve filmmakers’ artistic expectations for special film processing and the production of billions of feet of release prints per year. This work has allowed an expanded motion picture audience and unequaled worldwide cinema experience.
GORDON E. SAWYER AWARD (OSCAR STATUETTE): Peter W. Anderson
Presented to an individual in the motion picture industry whose technological contributions have brought credit to the industry.
JOHN A. BONNER MEDAL OF COMMENDATION (MEDALLION): Charles “Tad” Marburg
Presented in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.
Portions of the Scientific and Technical Awards Presentation will be included in the Oscar telecast.
Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network. The presentation, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.
Black Film Critics Name "12 Years a Slave" Best Picture of 2013
by Amos Semien
The Black Film Critics Circle named 12 Years a Slave the "Best Picture" of 2013. The film claimed six BRCC awards, including "Best Director" (Steve McQueen) and "Best Actor" (Chiwetel Ejiofor). Going against the 2013 awards pack, the BFCC named Brie Larson as "Best Actress" for Short Term 12.
The Black Film Critics Circle (BFCC) was founded in 2010 and is a membership organization comprised of film critics of color from daily newspapers, weekly newspapers, magazines, radio, television and qualifying on-line publications.
2013 Black Film Critics Circle Awards:
Best Picture: "12 Years a Slave"
Best Director: Steve McQueen, "12 Years a Slave"
Best Actor: Chiwetel Ejiofor, "12 Years a Slave"
Best Actress: Brie Larson, "Short Term 12"
Best Supporting Actor: Jared Leto, "Dallas Buyers Club"
Best Supporting Actress: Lupita Nyong’o, "12 Years a Slave"
Best Adapted Screenplay: "12 Years a Slave"
Best Original Screenplay: "American Hustle"
Best Cinematography: "Gravity"
Best Animated Film: "Frozen"
Best Documentary: "20 Feet from Stardom"
Best Foreign Film: "Blue is the Warmest Color"
Best Ensemble: "12 Years a Slave"
----------------------------------------------------------
The Black Film Critics Circle named 12 Years a Slave the "Best Picture" of 2013. The film claimed six BRCC awards, including "Best Director" (Steve McQueen) and "Best Actor" (Chiwetel Ejiofor). Going against the 2013 awards pack, the BFCC named Brie Larson as "Best Actress" for Short Term 12.
The Black Film Critics Circle (BFCC) was founded in 2010 and is a membership organization comprised of film critics of color from daily newspapers, weekly newspapers, magazines, radio, television and qualifying on-line publications.
2013 Black Film Critics Circle Awards:
Best Picture: "12 Years a Slave"
Best Director: Steve McQueen, "12 Years a Slave"
Best Actor: Chiwetel Ejiofor, "12 Years a Slave"
Best Actress: Brie Larson, "Short Term 12"
Best Supporting Actor: Jared Leto, "Dallas Buyers Club"
Best Supporting Actress: Lupita Nyong’o, "12 Years a Slave"
Best Adapted Screenplay: "12 Years a Slave"
Best Original Screenplay: "American Hustle"
Best Cinematography: "Gravity"
Best Animated Film: "Frozen"
Best Documentary: "20 Feet from Stardom"
Best Foreign Film: "Blue is the Warmest Color"
Best Ensemble: "12 Years a Slave"
----------------------------------------------------------
African-American Film Critics Crown "12 Years a Slave" Best of 2013
by Amos Semien
The African-American Film Critics Association named director Steve McQueen's 12 Years a Slave the "Best Film" of 2013, with McQueen also receiving the "Best Director" prize. Many other critics organizations have named Chiwetel Ejiofor and Lupita Nyong'o of 12 Years a Slave best actor and best supporting actress, respectively. However, the AAFCA went with two of the cast members of Lee Daniels: The Butler as "Best Actor" (Forest Whitaker) and "Best Supporting Actor" (Oprah Winfrey). I've included the text of the press release with which the AAFCA announced its 2013 film awards at the bottom of this post.
The African-American Film Critics Association (AAFCA) is a group of African-American film critics that give various awards for excellence in film at the end of each year. The association was founded in 2003 by Gil L. Robertson IV and Shawn Edwards.
2013 African-American Film Critics Association Awards winners:
Best Actor Forest Whitaker, Lee Daniels: The Butler (TWC)
Best Actress Sandra Bullock, Gravity (Warner Bros.)
Best Supporting Actress Oprah Winfrey, Lee Daniels: The Butler (TWC)
Best Supporting Actor Jared Leto, Dallas Buyers Club (Focus Features)
Best World Cinema Mother of George (Oscilloscope Laboratories)
Breakout Performance Lupita Nyong’o, 12 Years a Slave (Fox Searchlight)
Best Director Steve McQueen, 12 Years a Slave (Fox Searchlight)
Best Screenplay John Ridley, 12 Years a Slave (Fox Searchlight)
Best Music Raphael Sadiq, Black Nativity (RCA Inspirational)
Best Independent Film Fruitvale Station (TWC)
Best Animation Frozen (Walt Disney Pictures)
Best Documentary American Promise (Rada Film Group)
The African-American Film Critics Association’s Top Ten Films of 2013 are as follows in order of distinction:
1. 12 Years a Slave
2. Lee Daniels: The Butler
3. Mandela: Long Walk to Freedom
4. American Hustle
5. Gravity
6. Fruitvale Station
7. Dallas Buyers Club
8. Saving Mr. Banks
9. Out of the Furnace
10. 42
---------------------------------------------------
Press Release:
AFRICAN-AMERICAN FILM CRITICS ASSOCIATION NAMES 12 YEARS A SLAVE AS TOP FILM OF 2013
Forest Whitaker, Sandra Bullock, Oprah Winfrey and Jared Leto Also Receive Wins from the Nation’s Premiere African American Critics Group
Los Angeles, CA (December 13, 2013) – The African-American Film Critics Association (AAFCA) has named 12 Years a Slave as the Best Picture of 2013. The Fox Searchlight film’s also earned Best Director, Best Screenplay and Best Newcomer honors for Steve McQueen, John Ridley and Lupita Nyong’o. The organization, which represents the leading African-American film critics nationwide, will formally present its awards during a private ceremony on Friday, January 31, 2014 hosted by Orlando Jones at the Taglyan Complex in Hollywood, CA.
In the acting categories, Forest Whitaker won Best Actor for his performance in Lee Daniels: The Butler and Sandra Bullock was named Best Actress for Gravity. Oprah Winfrey received Best Supporting Actress 2013 for her role in The Butler and Jared Leto earned Best Supporting Actor 2013 for his performance in Dallas Buyers Club.
Rounding out the 2013 AAFCA Award winners are Fruitvale Station, for Best Independent Film, Frozen Best Animated Feature; Mother of George, for Best World Cinema and American Promise, from Joe Brewster and Michèle Stephenson. Producer Raphael Saadiq won in the Best Music category for Black Nativity.
As previously announced, AAFCA’s Special Achievement honors will be awarded to AMPAS President Cheryl Boone Isaacs, TWC’s Bob and Harvey Weinstein, FOX SEARCHLIGHT’s Zola Mashariki and DGA’s President Paris Barclay. AAFCA’s Inaugural Roger Ebert Award will be given to Justin Chang of Variety. “The film industry reached an incredibly high benchmark in 2013 in terms of the level of performance and diversity on screen,” says AAFCA President and Founder, Gil Robertson. “From the dramatic and heartwarming performances given by Whitaker and Winfrey, to Jared Leto’s incredible transformation as a transgender, the performances this year represented some of the finest examples of the acting craft.”
The organization’s Top Ten list of films includes 12 Years a Slave, Lee Daniels: The Butler, Gravity, American Hustle and Mandela. “Hollywood did an excellent job in providing filmgoers with excellent examples of cinema that examine the core of the humanity. We hope this trend continues,” says AAFCA’s East Coast V.P. Daryle Lockhart, owner of Black Box Office.com.
About AAFCA
The African-American Film Critics Association (AAFCA) is the premiere organization of African-American film media professionals. Founded in 2003, AAFCA’s members represent a geographically diverse cross-section of media covering the cinematic arts. The organization honors excellence in cinema by creating awareness for films with universal appeal to black communities, while emphasizing film about the black experience and those produced written, directed and starring performers of African descent. The association actively reviews the quality and standard of black talent, content and media coverage. AAFCA also supports the development of future black film critics and filmmakers. AAFCA is based in Los Angeles.
END of release
The African-American Film Critics Association named director Steve McQueen's 12 Years a Slave the "Best Film" of 2013, with McQueen also receiving the "Best Director" prize. Many other critics organizations have named Chiwetel Ejiofor and Lupita Nyong'o of 12 Years a Slave best actor and best supporting actress, respectively. However, the AAFCA went with two of the cast members of Lee Daniels: The Butler as "Best Actor" (Forest Whitaker) and "Best Supporting Actor" (Oprah Winfrey). I've included the text of the press release with which the AAFCA announced its 2013 film awards at the bottom of this post.
The African-American Film Critics Association (AAFCA) is a group of African-American film critics that give various awards for excellence in film at the end of each year. The association was founded in 2003 by Gil L. Robertson IV and Shawn Edwards.
2013 African-American Film Critics Association Awards winners:
Best Actor Forest Whitaker, Lee Daniels: The Butler (TWC)
Best Actress Sandra Bullock, Gravity (Warner Bros.)
Best Supporting Actress Oprah Winfrey, Lee Daniels: The Butler (TWC)
Best Supporting Actor Jared Leto, Dallas Buyers Club (Focus Features)
Best World Cinema Mother of George (Oscilloscope Laboratories)
Breakout Performance Lupita Nyong’o, 12 Years a Slave (Fox Searchlight)
Best Director Steve McQueen, 12 Years a Slave (Fox Searchlight)
Best Screenplay John Ridley, 12 Years a Slave (Fox Searchlight)
Best Music Raphael Sadiq, Black Nativity (RCA Inspirational)
Best Independent Film Fruitvale Station (TWC)
Best Animation Frozen (Walt Disney Pictures)
Best Documentary American Promise (Rada Film Group)
The African-American Film Critics Association’s Top Ten Films of 2013 are as follows in order of distinction:
1. 12 Years a Slave
2. Lee Daniels: The Butler
3. Mandela: Long Walk to Freedom
4. American Hustle
5. Gravity
6. Fruitvale Station
7. Dallas Buyers Club
8. Saving Mr. Banks
9. Out of the Furnace
10. 42
---------------------------------------------------
Press Release:
AFRICAN-AMERICAN FILM CRITICS ASSOCIATION NAMES 12 YEARS A SLAVE AS TOP FILM OF 2013
Forest Whitaker, Sandra Bullock, Oprah Winfrey and Jared Leto Also Receive Wins from the Nation’s Premiere African American Critics Group
Los Angeles, CA (December 13, 2013) – The African-American Film Critics Association (AAFCA) has named 12 Years a Slave as the Best Picture of 2013. The Fox Searchlight film’s also earned Best Director, Best Screenplay and Best Newcomer honors for Steve McQueen, John Ridley and Lupita Nyong’o. The organization, which represents the leading African-American film critics nationwide, will formally present its awards during a private ceremony on Friday, January 31, 2014 hosted by Orlando Jones at the Taglyan Complex in Hollywood, CA.
In the acting categories, Forest Whitaker won Best Actor for his performance in Lee Daniels: The Butler and Sandra Bullock was named Best Actress for Gravity. Oprah Winfrey received Best Supporting Actress 2013 for her role in The Butler and Jared Leto earned Best Supporting Actor 2013 for his performance in Dallas Buyers Club.
Rounding out the 2013 AAFCA Award winners are Fruitvale Station, for Best Independent Film, Frozen Best Animated Feature; Mother of George, for Best World Cinema and American Promise, from Joe Brewster and Michèle Stephenson. Producer Raphael Saadiq won in the Best Music category for Black Nativity.
As previously announced, AAFCA’s Special Achievement honors will be awarded to AMPAS President Cheryl Boone Isaacs, TWC’s Bob and Harvey Weinstein, FOX SEARCHLIGHT’s Zola Mashariki and DGA’s President Paris Barclay. AAFCA’s Inaugural Roger Ebert Award will be given to Justin Chang of Variety. “The film industry reached an incredibly high benchmark in 2013 in terms of the level of performance and diversity on screen,” says AAFCA President and Founder, Gil Robertson. “From the dramatic and heartwarming performances given by Whitaker and Winfrey, to Jared Leto’s incredible transformation as a transgender, the performances this year represented some of the finest examples of the acting craft.”
The organization’s Top Ten list of films includes 12 Years a Slave, Lee Daniels: The Butler, Gravity, American Hustle and Mandela. “Hollywood did an excellent job in providing filmgoers with excellent examples of cinema that examine the core of the humanity. We hope this trend continues,” says AAFCA’s East Coast V.P. Daryle Lockhart, owner of Black Box Office.com.
About AAFCA
The African-American Film Critics Association (AAFCA) is the premiere organization of African-American film media professionals. Founded in 2003, AAFCA’s members represent a geographically diverse cross-section of media covering the cinematic arts. The organization honors excellence in cinema by creating awareness for films with universal appeal to black communities, while emphasizing film about the black experience and those produced written, directed and starring performers of African descent. The association actively reviews the quality and standard of black talent, content and media coverage. AAFCA also supports the development of future black film critics and filmmakers. AAFCA is based in Los Angeles.
END of release
Thursday, January 9, 2014
"Gravity" Leads 2014 BAFTA Nominations - Complete List
by Amos Semien
The British Academy Film Awards (also known as the BAFTAs) are presented in an annual award show hosted by the British Academy of Film and Television Arts (BAFTA). They are the British counterpart of the Oscars.
Previously known as the Orange British Academy Film Awards, they are now known as the EE British Academy Film Awards. The British telecommunications company, EE, replaces Orange as the title sponsor of the awards.
Wednesday, January 08, 2014, the nominations for the EE British Academy Film Awards in 2014 were announced. Gravity received 11 nominations. 12 Years a Slave and American Hustle were each nominated in ten categories. Captain Phillips received nine nominations. Behind the Candelabra and Saving Mr. Banks are each nominated five times.
Isn’t Behind the Candelabra a TV movie, you ask? Yes, it is, debuting on HBO in May 2013, and, as such, it is not eligible for the Oscars. However, Behind the Candelabra made its United Kingdom debut in theatres, beginning June 7, 2013, which makes it a theatrical release and thus, eligible for the BAFTA film awards.
The nominees for the EE Rising Star Award were announced earlier this week, and the nominees are Dane DeHaan, George MacKay, Lupita Nyong’o, Will Poulter and Léa Seydoux. This audience award is voted for by the British public and presented to an actor or actress who has demonstrated exceptional talent and promise.
The EE British Academy Film Awards take place on Sunday, February 16, 2014 at the Royal Opera House, Covent Garden, London. The ceremony will be hosted by Stephen Fry and will be broadcast exclusively on BBC One and BBC One HD, preceded by a red carpet show on BBC Three. The ceremony is also broadcast in all major territories around the world.
[BAFTA Statement: Nominations are correct at the time of going to print. BAFTA reserves the right to make changes to the names listed at any time up until 16 February 2014.]
The 2014 BAFTA Award nominations:
BEST FILM:
12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen
AMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon
CAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De Luca
GRAVITY Alfonso Cuarón, David Heyman
PHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward
OUTSTANDING BRITISH FILM:
GRAVITY Alfonso Cuarón, David Heyman, Jonás Cuarón
MANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William Nicholson
PHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff Pope
RUSH Ron Howard, Andrew Eaton, Peter Morgan
SAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue Smith
THE SELFISH GIANT: Clio Barnard, Tracy O’Riordan
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER:
COLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good Vibrations
KELLY MARCEL (Writer) Saving Mr. Banks
KIERAN EVANS (Director/Writer) Kelly + Victor
PAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in Peril
SCOTT GRAHAM (Director/Writer) Shell
FILM NOT IN THE ENGLISH LANGUAGE:
THE ACT OF KILLING Joshua Oppenheimer, Signe Byrge Sørensen
BLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent Maraval
THE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca Cima
METRO MANILA Sean Ellis, Mathilde Charpentier
WADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul
DOCUMENTARY:
THE ACT OF KILLING Joshua Oppenheimer
THE ARMSTRONG LIE Alex Gibney
BLACKFISH Gabriela Cowperthwaite
TIM’S VERMEER Teller, Penn Jillette, Farley Ziegler
WE STEAL SECRETS: THE STORY OF WIKILEAKS Alex Gibney
ANIMATED FILM:
DESPICABLE ME 2 Chris Renaud, Pierre Coffin
FROZEN Chris Buck, Jennifer Lee
MONSTERS UNIVERSITY Dan Scanlon
DIRECTOR:
12 YEARS A SLAVE Steve McQueen
AMERICAN HUSTLE David O. Russell
CAPTAIN PHILLIPS Paul Greengrass
GRAVITY Alfonso Cuarón
THE WOLF OF WALL STREET Martin Scorsese
ORIGINAL SCREENPLAY:
AMERICAN HUSTLE Eric Warren Singer, David O. Russell
BLUE JASMINE Woody Allen
GRAVITY Alfonso Cuarón, Jonás Cuarón
INSIDE LLEWYN DAVIS Joel Coen, Ethan Coen
NEBRASKA Bob Nelson
ADAPTED SCREENPLAY:
12 YEARS A SLAVE John Ridley
BEHIND THE CANDELABRA Richard LaGravenese
CAPTAIN PHILLIPS Billy Ray
PHILOMENA Steve Coogan, Jeff Pope
THE WOLF OF WALL STREET Terence Winter
LEADING ACTOR:
BRUCE DERN Nebraska
CHIWETEL EJIOFOR 12 Years a Slave
CHRISTIAN BALE American Hustle
LEONARDO DICAPRIO The Wolf of Wall Street
TOM HANKS Captain Phillips
LEADING ACTRESS:
AMY ADAMS American Hustle
CATE BLANCHETT Blue Jasmine
EMMA THOMPSON Saving Mr. Banks
JUDI DENCH Philomena
SANDRA BULLOCK Gravity
SUPPORTING ACTOR:
BARKHAD ABDI Captain Phillips
BRADLEY COOPER American Hustle
DANIEL BRÜHL Rush
MATT DAMON Behind the Candelabra
MICHAEL FASSBENDER 12 Years a Slave
SUPPORTING ACTRESS:
JENNIFER LAWRENCE American Hustle
JULIA ROBERTS August: Osage County
LUPITA NYONG’O 12 Years a Slave
OPRAH WINFREY The Butler
SALLY HAWKINS Blue Jasmine
ORIGINAL MUSIC:
12 YEARS A SLAVE Hans Zimmer
THE BOOK THIEF John Williams
CAPTAIN PHILLIPS Henry Jackman
GRAVITY Steven Price
SAVING MR. BANKS Thomas Newman
CINEMATOGRAPHY:
12 YEARS A SLAVE Sean Bobbitt
CAPTAIN PHILLIPS Barry Ackroyd
GRAVITY Emmanuel Lubezki
INSIDE LLEWYN DAVIS Bruno Delbonnel
NEBRASKA Phedon Papamichael
EDITING:
12 YEARS A SLAVE Joe Walker
CAPTAIN PHILLIPS Christopher Rouse
GRAVITY Alfonso Cuarón, Mark Sanger
RUSH Dan Hanley, Mike Hill
THE WOLF OF WALL STREET Thelma Schoonmaker
PRODUCTION DESIGN:
12 YEARS A SLAVE Adam Stockhausen, Alice Baker
AMERICAN HUSTLE Judy Becker, Heather Loeffler
BEHIND THE CANDELABRA Howard Cummings
GRAVITY Andy Nicholson, Rosie Goodwin, Joanne Woodlard
THE GREAT GATSBY Catherine Martin, Beverley Dunn
COSTUME DESIGN:
AMERICAN HUSTLE Michael Wilkinson
BEHIND THE CANDELABRA Ellen Mirojnick
THE GREAT GATSBY Catherine Martin
THE INVISIBLE WOMAN Michael O’Connor
SAVING MR. BANKS Daniel Orlandi
MAKE UP & HAIR:
AMERICAN HUSTLE Evelyne Noraz, Lori McCoy-Bell
BEHIND THE CANDELABRA Kate Biscoe, Marie Larkin
THE BUTLER Debra Denson, Beverly Jo Pryor, Candace Neal
THE GREAT GATSBY Maurizio Silvi, Kerry Warn
THE HOBBIT: THE DESOLATION OF SMAUG Peter Swords King, Richard Taylor, Rick Findlater
SOUND:
ALL IS LOST Richard Hymns, Steve Boeddeker, Brandon Proctor, Micah Bloomberg, Gillian Arthur
CAPTAIN PHILLIPS Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, Oliver Tarney
GRAVITY Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, Chris Munro
INSIDE LLEWYN DAVIS Peter F. Kurland, Skip Lievsay, Greg Orloff
RUSH Danny Hambrook, Martin Steyer, Stefan Korte, Markus Stemler, Frank Kruse
SPECIAL VISUAL EFFECTS:
GRAVITY Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki Penny
THE HOBBIT: THE DESOLATION OF SMAUG Joe Letteri, Eric Saindon, David Clayton, Eric Reynolds
IRON MAN 3 Bryan Grill, Christopher Townsend, Guy Williams, Dan Sudick
PACIFIC RIM Hal Hickel, John Knoll, Lindy De Quattro, Nigel Sumner
STAR TREK INTO DARKNESS Ben Grossmann, Burt Dalton, Patrick Tubach, Roger Guyett
BRITISH SHORT ANIMATION:
EVERYTHING I CAN SEE FROM HERE Bjorn-Erik Aschim, Friederike Nicolaus, Sam Taylor
I AM TOM MOODY Ainslie Henderson
SLEEPING WITH THE FISHES James Walker, Sarah Woolner, Yousif Al-Khalifa
BRITISH SHORT FILM:
ISLAND QUEEN Ben Mallaby, Nat Luurtsema
KEEPING UP WITH THE JONESES Megan Rubens, Michael Pearce, Selina Lim
ORBIT EVER AFTER Chee-Lan Chan, Jamie Stone, Len Rowles
ROOM 8 James W. Griffiths, Sophie Venner
SEA VIEW Anna Duffield, Jane Linfoot
THE EE RISING STAR AWARD (voted for by the public):
DANE DEHAAN
GEORGE MACKAY
LUPITA NYONG’O
WILL POULTER
LÉA SEYDOUX
http://www.bafta.org/
END
The British Academy Film Awards (also known as the BAFTAs) are presented in an annual award show hosted by the British Academy of Film and Television Arts (BAFTA). They are the British counterpart of the Oscars.
Previously known as the Orange British Academy Film Awards, they are now known as the EE British Academy Film Awards. The British telecommunications company, EE, replaces Orange as the title sponsor of the awards.
Wednesday, January 08, 2014, the nominations for the EE British Academy Film Awards in 2014 were announced. Gravity received 11 nominations. 12 Years a Slave and American Hustle were each nominated in ten categories. Captain Phillips received nine nominations. Behind the Candelabra and Saving Mr. Banks are each nominated five times.
Isn’t Behind the Candelabra a TV movie, you ask? Yes, it is, debuting on HBO in May 2013, and, as such, it is not eligible for the Oscars. However, Behind the Candelabra made its United Kingdom debut in theatres, beginning June 7, 2013, which makes it a theatrical release and thus, eligible for the BAFTA film awards.
The nominees for the EE Rising Star Award were announced earlier this week, and the nominees are Dane DeHaan, George MacKay, Lupita Nyong’o, Will Poulter and Léa Seydoux. This audience award is voted for by the British public and presented to an actor or actress who has demonstrated exceptional talent and promise.
The EE British Academy Film Awards take place on Sunday, February 16, 2014 at the Royal Opera House, Covent Garden, London. The ceremony will be hosted by Stephen Fry and will be broadcast exclusively on BBC One and BBC One HD, preceded by a red carpet show on BBC Three. The ceremony is also broadcast in all major territories around the world.
[BAFTA Statement: Nominations are correct at the time of going to print. BAFTA reserves the right to make changes to the names listed at any time up until 16 February 2014.]
The 2014 BAFTA Award nominations:
BEST FILM:
12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen
AMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon
CAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De Luca
GRAVITY Alfonso Cuarón, David Heyman
PHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward
OUTSTANDING BRITISH FILM:
GRAVITY Alfonso Cuarón, David Heyman, Jonás Cuarón
MANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William Nicholson
PHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff Pope
RUSH Ron Howard, Andrew Eaton, Peter Morgan
SAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue Smith
THE SELFISH GIANT: Clio Barnard, Tracy O’Riordan
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER:
COLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good Vibrations
KELLY MARCEL (Writer) Saving Mr. Banks
KIERAN EVANS (Director/Writer) Kelly + Victor
PAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in Peril
SCOTT GRAHAM (Director/Writer) Shell
FILM NOT IN THE ENGLISH LANGUAGE:
THE ACT OF KILLING Joshua Oppenheimer, Signe Byrge Sørensen
BLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent Maraval
THE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca Cima
METRO MANILA Sean Ellis, Mathilde Charpentier
WADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul
DOCUMENTARY:
THE ACT OF KILLING Joshua Oppenheimer
THE ARMSTRONG LIE Alex Gibney
BLACKFISH Gabriela Cowperthwaite
TIM’S VERMEER Teller, Penn Jillette, Farley Ziegler
WE STEAL SECRETS: THE STORY OF WIKILEAKS Alex Gibney
ANIMATED FILM:
DESPICABLE ME 2 Chris Renaud, Pierre Coffin
FROZEN Chris Buck, Jennifer Lee
MONSTERS UNIVERSITY Dan Scanlon
DIRECTOR:
12 YEARS A SLAVE Steve McQueen
AMERICAN HUSTLE David O. Russell
CAPTAIN PHILLIPS Paul Greengrass
GRAVITY Alfonso Cuarón
THE WOLF OF WALL STREET Martin Scorsese
ORIGINAL SCREENPLAY:
AMERICAN HUSTLE Eric Warren Singer, David O. Russell
BLUE JASMINE Woody Allen
GRAVITY Alfonso Cuarón, Jonás Cuarón
INSIDE LLEWYN DAVIS Joel Coen, Ethan Coen
NEBRASKA Bob Nelson
ADAPTED SCREENPLAY:
12 YEARS A SLAVE John Ridley
BEHIND THE CANDELABRA Richard LaGravenese
CAPTAIN PHILLIPS Billy Ray
PHILOMENA Steve Coogan, Jeff Pope
THE WOLF OF WALL STREET Terence Winter
LEADING ACTOR:
BRUCE DERN Nebraska
CHIWETEL EJIOFOR 12 Years a Slave
CHRISTIAN BALE American Hustle
LEONARDO DICAPRIO The Wolf of Wall Street
TOM HANKS Captain Phillips
LEADING ACTRESS:
AMY ADAMS American Hustle
CATE BLANCHETT Blue Jasmine
EMMA THOMPSON Saving Mr. Banks
JUDI DENCH Philomena
SANDRA BULLOCK Gravity
SUPPORTING ACTOR:
BARKHAD ABDI Captain Phillips
BRADLEY COOPER American Hustle
DANIEL BRÜHL Rush
MATT DAMON Behind the Candelabra
MICHAEL FASSBENDER 12 Years a Slave
SUPPORTING ACTRESS:
JENNIFER LAWRENCE American Hustle
JULIA ROBERTS August: Osage County
LUPITA NYONG’O 12 Years a Slave
OPRAH WINFREY The Butler
SALLY HAWKINS Blue Jasmine
ORIGINAL MUSIC:
12 YEARS A SLAVE Hans Zimmer
THE BOOK THIEF John Williams
CAPTAIN PHILLIPS Henry Jackman
GRAVITY Steven Price
SAVING MR. BANKS Thomas Newman
CINEMATOGRAPHY:
12 YEARS A SLAVE Sean Bobbitt
CAPTAIN PHILLIPS Barry Ackroyd
GRAVITY Emmanuel Lubezki
INSIDE LLEWYN DAVIS Bruno Delbonnel
NEBRASKA Phedon Papamichael
EDITING:
12 YEARS A SLAVE Joe Walker
CAPTAIN PHILLIPS Christopher Rouse
GRAVITY Alfonso Cuarón, Mark Sanger
RUSH Dan Hanley, Mike Hill
THE WOLF OF WALL STREET Thelma Schoonmaker
PRODUCTION DESIGN:
12 YEARS A SLAVE Adam Stockhausen, Alice Baker
AMERICAN HUSTLE Judy Becker, Heather Loeffler
BEHIND THE CANDELABRA Howard Cummings
GRAVITY Andy Nicholson, Rosie Goodwin, Joanne Woodlard
THE GREAT GATSBY Catherine Martin, Beverley Dunn
COSTUME DESIGN:
AMERICAN HUSTLE Michael Wilkinson
BEHIND THE CANDELABRA Ellen Mirojnick
THE GREAT GATSBY Catherine Martin
THE INVISIBLE WOMAN Michael O’Connor
SAVING MR. BANKS Daniel Orlandi
MAKE UP & HAIR:
AMERICAN HUSTLE Evelyne Noraz, Lori McCoy-Bell
BEHIND THE CANDELABRA Kate Biscoe, Marie Larkin
THE BUTLER Debra Denson, Beverly Jo Pryor, Candace Neal
THE GREAT GATSBY Maurizio Silvi, Kerry Warn
THE HOBBIT: THE DESOLATION OF SMAUG Peter Swords King, Richard Taylor, Rick Findlater
SOUND:
ALL IS LOST Richard Hymns, Steve Boeddeker, Brandon Proctor, Micah Bloomberg, Gillian Arthur
CAPTAIN PHILLIPS Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, Oliver Tarney
GRAVITY Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, Chris Munro
INSIDE LLEWYN DAVIS Peter F. Kurland, Skip Lievsay, Greg Orloff
RUSH Danny Hambrook, Martin Steyer, Stefan Korte, Markus Stemler, Frank Kruse
SPECIAL VISUAL EFFECTS:
GRAVITY Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki Penny
THE HOBBIT: THE DESOLATION OF SMAUG Joe Letteri, Eric Saindon, David Clayton, Eric Reynolds
IRON MAN 3 Bryan Grill, Christopher Townsend, Guy Williams, Dan Sudick
PACIFIC RIM Hal Hickel, John Knoll, Lindy De Quattro, Nigel Sumner
STAR TREK INTO DARKNESS Ben Grossmann, Burt Dalton, Patrick Tubach, Roger Guyett
BRITISH SHORT ANIMATION:
EVERYTHING I CAN SEE FROM HERE Bjorn-Erik Aschim, Friederike Nicolaus, Sam Taylor
I AM TOM MOODY Ainslie Henderson
SLEEPING WITH THE FISHES James Walker, Sarah Woolner, Yousif Al-Khalifa
BRITISH SHORT FILM:
ISLAND QUEEN Ben Mallaby, Nat Luurtsema
KEEPING UP WITH THE JONESES Megan Rubens, Michael Pearce, Selina Lim
ORBIT EVER AFTER Chee-Lan Chan, Jamie Stone, Len Rowles
ROOM 8 James W. Griffiths, Sophie Venner
SEA VIEW Anna Duffield, Jane Linfoot
THE EE RISING STAR AWARD (voted for by the public):
DANE DEHAAN
GEORGE MACKAY
LUPITA NYONG’O
WILL POULTER
LÉA SEYDOUX
http://www.bafta.org/
END
Cinematographers Announce 2014 ASC Award Nominations with 7 Nominees
by Amos Semien
The American Society of Cinematographers has announced the nominations for the 28th installment of its annual awards honoring outstanding achievement in the field of motion picture cinematography. I have included the press release from the organization.
The American Society of Cinematographers (ASC) is an educational, cultural, and professional organization, but it is not a labor union or a guild. On its website, the organization says that it is “a non-profit association dedicated to advancing the art of filmmaking.” ASC membership is by invitation, based on an individual’s body of work, and invitations are extended only to directors of photography (D.o.P.) and special effects experts with distinguished credits in the film industry.
ASC members can put the letters A.S.C. after their names and membership is a mark of prestige and distinction and has become one of the highest honors that can be bestowed upon a professional cinematographer. The current membership roster comprises 302 cinematographers from about 20 different countries. The ASC also has more than 150 associate members, who work in ancillary sectors of the industry. They are invited to join because of their contributions to the art and craft of motion pictures. ASC also publishes the magazine, American Cinematographer.
Press release:
The American Society of Cinematographers (ASC) has announced nominations in the theatrical motion picture category of the 28th Annual ASC Awards for Outstanding Achievement. The winner will be revealed at the awards ceremony on Saturday, February 1, 2014, at the Hollywood & Highland Ray Dolby Ballroom.
28th Annual ASC Awards (2014) nominations:
Sean Bobbitt, BSC for 12 Years a Slave
Barry Ackroyd, BSC for Captain Phillips
Philippe Le Sourd for The Grandmaster
Emmanuel Lubezki, ASC, AMC for Gravity
Bruno Delbonnel, ASC, AFC for Inside Llewyn Davis
Phedon Papamichael, ASC for Nebraska
Roger Deakins, ASC, BSC for Prisoners
“Our members believe these cinematographers have set the contemporary standard for artful, theatrical motion picture cinematography,” says ASC President Richard Crudo. “They have mastered a complex craft which contributes vitally to the storytelling process, and augments the intentions of everyone involved with the production.”
Traditionally, the organization selects five nominees, but a three-way tie this year boosts that number to seven.
This year’s nomination brings Deakins’ total to 12. He won last year for Skyfall, and previously for The Shawshank Redemption (1995) and The Man Who Wasn’t There (2002). His other nominations were for Fargo (1997), Kundun (1998), O Brother, Where Art Thou? (2001), No Country for Old Men (2008), The Assassination of Jesse James by the Coward Robert Ford (2008), Revolutionary Road (2009), The Reader (2009) and True Grit (2011). He was also the recipient of the organization’s Lifetime Achievement Award in 2011.
Lubezki has won ASC Awards for The Tree of Life (2012) and for Children of Men (2007), and was also nominated in 2000 for Sleepy Hollow.
Delbonnel earned top honors for A Very Long Engagement (2005), as well as a nomination for Amélie (2002).
Ackroyd was previously nominated for The Hurt Locker (2010).
Papamichael earned previous nominations in the television movie and miniseries category for White Dwarf (1996) and Wild Palms (1994), respectively.
This is the first ASC nomination for Bobbitt and Le Sourd.
http://www.theasc.com/
END
The American Society of Cinematographers has announced the nominations for the 28th installment of its annual awards honoring outstanding achievement in the field of motion picture cinematography. I have included the press release from the organization.
The American Society of Cinematographers (ASC) is an educational, cultural, and professional organization, but it is not a labor union or a guild. On its website, the organization says that it is “a non-profit association dedicated to advancing the art of filmmaking.” ASC membership is by invitation, based on an individual’s body of work, and invitations are extended only to directors of photography (D.o.P.) and special effects experts with distinguished credits in the film industry.
ASC members can put the letters A.S.C. after their names and membership is a mark of prestige and distinction and has become one of the highest honors that can be bestowed upon a professional cinematographer. The current membership roster comprises 302 cinematographers from about 20 different countries. The ASC also has more than 150 associate members, who work in ancillary sectors of the industry. They are invited to join because of their contributions to the art and craft of motion pictures. ASC also publishes the magazine, American Cinematographer.
Press release:
The American Society of Cinematographers (ASC) has announced nominations in the theatrical motion picture category of the 28th Annual ASC Awards for Outstanding Achievement. The winner will be revealed at the awards ceremony on Saturday, February 1, 2014, at the Hollywood & Highland Ray Dolby Ballroom.
28th Annual ASC Awards (2014) nominations:
Sean Bobbitt, BSC for 12 Years a Slave
Barry Ackroyd, BSC for Captain Phillips
Philippe Le Sourd for The Grandmaster
Emmanuel Lubezki, ASC, AMC for Gravity
Bruno Delbonnel, ASC, AFC for Inside Llewyn Davis
Phedon Papamichael, ASC for Nebraska
Roger Deakins, ASC, BSC for Prisoners
“Our members believe these cinematographers have set the contemporary standard for artful, theatrical motion picture cinematography,” says ASC President Richard Crudo. “They have mastered a complex craft which contributes vitally to the storytelling process, and augments the intentions of everyone involved with the production.”
Traditionally, the organization selects five nominees, but a three-way tie this year boosts that number to seven.
This year’s nomination brings Deakins’ total to 12. He won last year for Skyfall, and previously for The Shawshank Redemption (1995) and The Man Who Wasn’t There (2002). His other nominations were for Fargo (1997), Kundun (1998), O Brother, Where Art Thou? (2001), No Country for Old Men (2008), The Assassination of Jesse James by the Coward Robert Ford (2008), Revolutionary Road (2009), The Reader (2009) and True Grit (2011). He was also the recipient of the organization’s Lifetime Achievement Award in 2011.
Lubezki has won ASC Awards for The Tree of Life (2012) and for Children of Men (2007), and was also nominated in 2000 for Sleepy Hollow.
Delbonnel earned top honors for A Very Long Engagement (2005), as well as a nomination for Amélie (2002).
Ackroyd was previously nominated for The Hurt Locker (2010).
Papamichael earned previous nominations in the television movie and miniseries category for White Dwarf (1996) and Wild Palms (1994), respectively.
This is the first ASC nomination for Bobbitt and Le Sourd.
http://www.theasc.com/
END
Wednesday, January 8, 2014
John Legend to Rock Post-Oscars Party, the Governors Ball
John Legend to Perform at Governors Ball on Oscar® Sunday
BEVERLY HILLS, CA —John Legend, nine-time Grammy® Award-winning singer-songwriter, will take the stage on Oscar Sunday, March 2, at the Academy’s official post-Oscars celebration, the Governors Ball.
“John Legend is one of the industry’s most innovative and talented artists,” said Jeffrey Kurland, Costume Design Branch governor and chair of the Governors Ball. “We’re thrilled he will be joining us to celebrate this year’s achievements in film, and for what promises to be a most memorable evening.”
Legend’s critically acclaimed 2004 debut album, “Get Lifted,” garnered eight Grammy nominations and earned him a win for best R&B album. That year he also won best new artist of the year and best male R&B vocal performance for the hit single “Ordinary People.” His fourth solo album, “Love in the Future,” is nominated for best R&B album at the upcoming Grammy Awards. Legend’s songs have been included in the soundtracks of such films as “Waiting for Superman,” “Think Like a Man” and “Django Unchained.”
In 2007 Legend launched an education-focused organization, the Show Me Campaign, which works to break the cycle of poverty in both the U.S. and Africa. He also serves on the boards of several other organizations, including Stand for Children, Teach For America, the Harlem Village Academies and PopTech.
Legend will perform for the Ball’s 1,500 guests, which will include Oscar winners and nominees, show presenters and performers, and other luminaries. The Ball will be held in the Ray Dolby Ballroom on the top level of the Hollywood & Highland Center®.
Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center and televised live on the ABC Television Network. The presentation, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.
BEVERLY HILLS, CA —John Legend, nine-time Grammy® Award-winning singer-songwriter, will take the stage on Oscar Sunday, March 2, at the Academy’s official post-Oscars celebration, the Governors Ball.
“John Legend is one of the industry’s most innovative and talented artists,” said Jeffrey Kurland, Costume Design Branch governor and chair of the Governors Ball. “We’re thrilled he will be joining us to celebrate this year’s achievements in film, and for what promises to be a most memorable evening.”
Legend’s critically acclaimed 2004 debut album, “Get Lifted,” garnered eight Grammy nominations and earned him a win for best R&B album. That year he also won best new artist of the year and best male R&B vocal performance for the hit single “Ordinary People.” His fourth solo album, “Love in the Future,” is nominated for best R&B album at the upcoming Grammy Awards. Legend’s songs have been included in the soundtracks of such films as “Waiting for Superman,” “Think Like a Man” and “Django Unchained.”
In 2007 Legend launched an education-focused organization, the Show Me Campaign, which works to break the cycle of poverty in both the U.S. and Africa. He also serves on the boards of several other organizations, including Stand for Children, Teach For America, the Harlem Village Academies and PopTech.
Legend will perform for the Ball’s 1,500 guests, which will include Oscar winners and nominees, show presenters and performers, and other luminaries. The Ball will be held in the Ray Dolby Ballroom on the top level of the Hollywood & Highland Center®.
Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center and televised live on the ABC Television Network. The presentation, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.
Subscribe to:
Posts (Atom)