"Moribito: Guardian of the Spirit" Coming to Neon Alley

VIZ MEDIA ANNOUNCES LICENSE ACQUISITION OF MORIBITO: GUARDIAN OF THE SPIRIT ANIME SERIES AND DEBUT ON NEON ALLEY

Anime Fantasy Action Series About A Wandering Warrior And A Fallen Prince Launches This Month On VIZ Media’s Innovative 24/7 Anime Channel Neon Alley

VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, opens 2014 with the announcement of the mid-season Neon Alley debut of MORIBITO: GUARDIAN OF THE SPIRIT on Friday, January 17th at 10:30PM (PST). The 26-episode fantasy/action anime series is rated ‘TV-14’ and new installments will debut every Friday.

VIZ Media has also acquired the North American home video and web streaming rights for MORIBITO: GUARDIAN OF THE SPIRIT and plans to release the complete series on DVD and Blu-ray in 2014.

MORIBITO: GUARDIAN OF THE SPIRIT is based on a bestselling collection of Japanese fantasy novels by author Nahoko Uehashi. The anime series tells the story of Balsa, a nomadic warrior who has vowed to atone for eight deaths in her past by saving an equivalent number of lives. On her journey, she saves a fallen prince who carries the burden of a sacred spirit – one who has the power to save the world and bring new life to a broken empire.  But, she must first protect the Prince from those who would do him harm – including his own father, the Emperor, who has ordered his assassination!

Neon Alley is VIZ Media’s innovative 24-hour English-dubbed linear anime channel that is available for general web access as well as for the Xbox 360® and Xbox LIVE® and the PlayStation®3 (PS3™) gaming system and the PlayStation®Network. Fans can also take advantage of the platform’s Video-On Demand “Catch Up” option which offers the flexibility to watch shows such as MORIBITO anytime. The “Catch Up” option also allows viewers to search for specific content by individual series or by latest additions.

“MORIBITO: GUARDIAN OF THE SPIRIT is the latest addition to the Neon Alley anime roster and we are very excited to kick off 2014 with this critically acclaimed action packed adventure that was developed by the famed animation studio Production I.G.,” says Charlene Ingram, Senior Animation Marketing Manager. “Balsa and Prince Chagum embark on a dangerous quest to discover the Prince’s mysterious connection to a legendary water spirit with the power to destroy his kingdom, or save it. Tune in every week for new episodes and also look forward to the forthcoming release of the series on DVD and Blu-ray later this year!”

“Working with VIZ Media is truly a pleasure, and as the group continues to expand Neon Alley, we are pleased to look into our library and make more quality titles available,” comments Mr. Yuma Sakata, President and CEO, Dentsu Entertainment USA.

Neon Alley’s diverse programming schedule includes a mix of action, adventure, sci-fi, supernatural, fantasy, and horror anime, all uncut and dubbed into English and presented in HD (when available), for a low monthly subscription rate of only $6.99.

For more information on Neon Alley, please visit www.NeonAlley.com.

For more information about other anime titles from VIZ Media, please visit: www.viz.com.

For more information about Dentsu Entertainment, please visit www.DentsuEntertainment.com.

About Dentsu Entertainment USA, Inc.
Dentsu Entertainment USA, Inc. was formed in 2010 as a wholly owned subsidiary of Dentsu Inc. (Tokyo Stock Exchange, Code 4324).  Dentsu Inc. is the world's largest advertising agency brand, and a leading producer of Japanese animation, with over 37,000 full-time employees and more than 700 subsidiaries and affiliates worldwide.  Dentsu Entertainment USA develops original animation programming and media content for domestic and international markets, and manages licensing programs for new and existing properties.  Current projects include Chub City®, featuring evolved vehicles and savvy young drivers, currently in development as an animated series; LBX™ (a.k.a. "The Little Battlers eXperience"), a highly successful animation, video game and toy franchise, based on miniature customizable robots;  Deltora Quest®, a 52-episode animated series airing globally, and based on the international top-selling fantasy-adventure book series of the same name; and Monsuno®, an innovative toy line and animated boys action adventure series currently airing on Nickelodeon, Nicktoons and free-to-air channels in more than 150 countries.  Dentsu Entertainment USA is headquartered in Santa Monica, CA.  For more information, please visit www.DentsuEntertainment.com.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.  Learn more about VIZ Media, anime and manga at www.VIZ.com.

American Cinema Editors Announce 2014 "Eddie Award" Nominations

by Amos Semien

The American Cinema Editors (ACE) is an honorary society of motion picture editors founded in 1950.  According to the group’s website, film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.  Since 1962, ACE has given its own annual award of merit, the Eddie Award.

The nominations for the 2014 ACE Eddie Awards were announced Friday, January 10, 2014.  The winners will be announced at a ceremony on Friday, February 7, 2014.

NOMINEES FOR 64th ANNUAL ACE EDDIE AWARDS (for the year in film 2013):

BEST EDITED FEATURE FILM (DRAMATIC):
12 Years a Slave - Joe Walker

Captain Phillips - Chris Rouse, A.C.E.

Gravity - Alfonso Cuarón & Mark Sanger

Her - Eric Zumbrunnen, A.C.E. & Jeff Buchanan

Saving Mr. Banks - Mark Livolsi, A.C.E.

BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
American Hustle - Jay Cassidy, A.C.E., Crispin Struthers & Alan Baumgarten, A.C.E.

August: Osage County - Stephen Mirrione, A.C.E.

Inside Llewyn Davis - Roderick Jaynes

Nebraska - Kevin Tent, A.C.E.

The Wolf of Wall Street - Thelma Schoonmaker, A.C.E.

BEST EDITED ANIMATED FEATURE FILM:
Despicable Me 2 - Gregory Perler, A.C.E.

Frozen - Jeff Draheim

Monsters University - Greg Snyder

BEST EDITED DOCUMENTARY (FEATURE):
20 Feet from Stardom - Douglas Blush, Kevin Klauber & Jason Zeldes

Blackfish - Eli Despres

Tim’s Vermeer - Patrick Sheffield

BEST EDITED DOCUMENTARY (TELEVISION):
American Masters: Jimi Hendrix: Hear My Train a Comin’ - Stephen Ellis, Gordon Mason & Phil McDonald

American Winter - Aaron I. Butler

The Assassination of President Kennedy - Chris A. Peterson

BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
30 Rock: “Hogcock! / Last Lunch” - Meg Reticker / Ken Eluto, A.C.E.

Arrested Development: “Flight of the Phoenix” - Kabir Akhtar & A.J. Dickerson

The Office: “Finale” - David Rogers & Claire Scanlon

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
Breaking Bad: “Buried” - Skip MacDonald A.C.E. & Sharidan Williams-Sotelo

Breaking Bad: “Felina”- Skip MacDonald A.C.E.

Breaking Bad: “Granite State” - Kelley Dixon, A.C.E. & Chris McCaleb

Breaking Bad: “Ozymandias”- Skip MacDonald A.C.E.

The Good Wife: “Hitting the Fan” - Scott Vickrey, A.C.E.

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
Game of Thrones: “The Rains of Castamere” - Oral Norrie Ottey

Homeland: “Big Man in Tehran” - Terry Kelley, A.C.E.

House of Cards: “Chapter 1” - Kirk Baxter, A.C.E.

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
American Horror Story: Asylum: “The Name Game” - Stewart Schill, A.C.E.

Behind the Candelabra - Mary Ann Bernard

Phil Spector -Barbara Tulliver, A.C.E.

BEST EDITED NON-SCRIPTED SERIES:
Anthony Bourdain: Parts Unknown: Tokyo - Nick Brigden

Beyond Scared Straight: “The Return of Hustle Man” - Rob Goubeaux, A.C.E., Mark S. Andrew, A.C.E., Paul J. Coyne, A.C.E., Jennifer Nelson, Martin Skibosh, Trevor Campbell

Deadliest Catch: “Mutiny on the Bering Sea” - Josh Earl, A.C.E.  Alex Durham, Rob Butler

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Marvel's Thor to Crash 86th Academy Award Nominations Announcement

Chris Hemsworth to Join Academy President Cheryl Boone Isaacs for Oscar® Nominations

BEVERLY HILLS, CA — Actor Chris Hemsworth and Academy of Motion Picture Arts and Sciences President Cheryl Boone Isaacs will announce the 86th Academy Awards® nominations  on Thursday, January 16. The Oscars® will air Sunday, March 2, 2014, live on ABC.

Boone Isaacs and Hemsworth will unveil the nominations at a 5:38 a.m. PT live news conference at the Academy’s Samuel Goldwyn Theater in Beverly Hills, where hundreds of media representatives from around the world will be gathered.  Nominations information for all categories will be distributed simultaneously to news media in attendance and via the Internet on the official Academy Awards website, www.oscar.com.

Hemsworth made his feature film debut in 2009’s “Star Trek,” but it was his title role in “Thor” two years later that propelled him to worldwide prominence.  He reprised the character in the Marvel blockbusters “The Avengers” and “Thor: The Dark World.”  Hemsworth’s other feature credits include “Snow White and the Huntsman” and “Rush,” and he has starring roles in “Cyber” and “In the Heart of the Sea,” both due out next year.

Academy Awards for outstanding film achievements of 2013 will be presented on Oscar® Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network.  The presentation, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.

Toronto Film Critics Choose "Inside Llewyn Davis" and "Watermark"

by Amos Semien

The Toronto Film Critics Association (TFCA) was established in 1997 and is comprised of Toronto based journalists and broadcasters who specialize in film criticism and commentary.  All major dailies, weeklies and a variety of other print and electronic outlets are represented.

The Toronto Film Critics Association announced the 2013 TFCA Awards back on Monday, December 16, 2013.  Inside Llewyn Davis won two top prizes in 2013 awards of the Toronto Film Critics Association.  Joel and Ethan Coen’s tale of a folk singer making his way through Greenwich Village, 1961, won “Best Picture” and “Best Actor” (Oscar Isaac).

The 2013 TFCA Awards were presented at a gala dinner at Toronto’s Carlu on Tuesday, January 7, 2014, hosted by Cameron Bailey, Artistic Director of the Toronto International Film Festival.  At the dinner, the documentary, Watermark, was revealed as the winner of the Rogers Best Canadian Film Award, which carries a record-setting $100,000 cash prize, the richest arts award in the country.  The awards was presented to the Watermark’s director’s, Jennifer Baichwal and Edward Burtynsky.  The runners-up will each receive $5,000.

Under the TFCA’s guidelines, contenders eligible for the 2013 awards include films released in Canada in 2013 plus films that qualify for the 2013 Oscars and have Canadian distribution scheduled by the end of February 2014.

The full list of 2013Toronto Film Critics Association Awards winners and runners-up:

BEST PICTURE: “Inside Llewyn Davis” (Mongrel Media)

Runners-up:
“Her” (Warner Bros.)
“12 Years a Slave” (Fox Searchlight)

BEST ACTOR: Oscar Isaac, “Inside Llewyn Davis”

Runners-up
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club”

BEST ACTRESS: Cate Blanchett, “Blue Jasmine”

Runners-up
Julie Delpy, “Before Midnight”
Greta Gerwig, “Frances Ha”

BEST SUPPORTING ACTOR: Jared Leto, “Dallas Buyers Club”

Runners-up
Michael Fassbender, “12 Years a Slave”
James Franco, “Spring Breakers”

BEST SUPPORTING ACTRESS: Jennifer Lawrence, “American Hustle”

Runners-up
Lupita Nyong’o, “12 Years a Slave”
June Squibb, “Nebraska”

BEST DIRECTOR: Alfonso Cuarón, “Gravity”

Runners-up
Joel Coen & Ethan Coen, “Inside Llewyn Davis”
Steve McQueen, “12 Years a Slave”

BEST SCREENPLAY, ADAPTED OR ORIGINAL: Spike Jonze, “Her”

Runners-up
Richard Linklater, Ethan Hawke & Julie Delpy, “Before Midnight”
Joel Coen & Ethan Coen, “Inside Llewyn Davis”

BEST FIRST FEATURE: “Neighboring Sounds”, directed by Kleber Mendonça Filho

Runners-up
“Fruitvale Station”, directed by Ryan Coogler
“In a World …”, directed by Lake Bell

BEST ANIMATED FEATURE: “The Wind Rises” (Touchstone Pictures)

Runners-up
“The Croods” (20th Century Fox)
“Frozen” (Walt Disney Pictures)

BEST FOREIGN-LANGUAGE FILM:  “A Touch of Sin” (Films We Like)

Runners-up
“Blue Is the Warmest Color” (Mongrel Media)
 “The Hunt” (Mongrel Media)

BMO ALLAN KING DOCUMENTARY AWARD: “The Act of Killing” (Films We Like)

Runners-up
“Leviathan” (Films We Like)
“Tim’s Vermeer” (Mongrel Media)

ROGERS BEST CANADIAN FILM AWARD FINALISTS
“Watermark” (Mongrel Media) – WINNER - $100,000 przie

Runners-up ($5,000 to each):
“The Dirties” (Phase 4 Films)
“Gabrielle” (Entertainment One)

www.torontofilmcritics.com

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2014 Scientific and Technical Achievement Academy Award Recipients Announced

19 Scientific And Technical Achievements To Be Honored With Academy Awards®

Peter W. Anderson to receive Gordon E. Sawyer Award; Charles “Tad” Marburg to receive John A. Bonner Medal of Commendation

BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced that 19 scientific and technical achievements represented by 52 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 15, at The Beverly Hills Hotel.

In addition, visual effects supervisor and director of photography Peter W. Anderson will receive the Gordon E. Sawyer Award (an Oscar® statuette) for technological contributions that have brought credit to the industry.  Post-production and distribution executive Charles “Tad” Marburg will receive the John A. Bonner Medal of Commendation for outstanding service and dedication in upholding the high standards of the Academy.

For the first time in the history of the Scientific and Technical Awards, a large number of individuals, collectively, will be recognized with an Academy Award® of Merit (an Oscar statuette). The award is dedicated to “all those who built and operated film laboratories, for over a century of service to the motion picture industry.”

“This year’s honorees have in a myriad of ways enabled today’s moviegoing experience,” said Richard Edlund, Academy Award-winning visual effects artist and Scientific and Technical Awards Committee Chair. “Their efforts have advanced not only the art and science of motion pictures, but the work of countless global industries.”

Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2013. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.

The Academy Awards for scientific and technical achievements are: 

TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES)

To Olivier Maury, Ian Sachs and Dan Piponi for the creation of the ILM Plume system that simulates and renders fire, smoke and explosions for motion picture visual effects.
The unique construction of this system combines fluid solving and final image rendering on the GPU (Graphics Processing Unit) hardware without needing an intermediate step involving the CPU. This innovation reduces turnaround time, resulting in significant efficiency gains for the ILM effects department.

To Ronald D. Henderson for the development of the FLUX gas simulation system.
The use of the Fast Fourier Transform for solving partial differential equations allows FLUX a greater level of algorithmic efficiency when multi-threading on modern hardware. This innovation enables the creation of very high-resolution fluid effects while maintaining fast turnaround times.

To Andrew Camenisch, David Cardwell and Tibor Madjar for the concept and design, and to Csaba Kohegyi and Imre Major for the implementation of the Mudbox software.
Mudbox provides artists powerful new design capabilities that significantly advance the state of the art in multi-resolution digital sculpting for film production.

To Martin Hill, Jon Allitt and Nick McKenzie for the creation of the spherical harmonics-based efficient lighting system at Weta Digital. 
The spherical harmonics lighting pipeline precomputes and reuses a smooth approximation of time-consuming visibility calculations. This enables artists to quickly see the results of changing lights, materials and set layouts in scenes with extremely complex geometry.

To Florian Kainz, Jeffery Yost, Philip Hubbard and Jim Hourihan for the architecture and development of the Zeno application framework. 
For more than a decade, Zeno’s flexible and robust design has allowed the creation of a broad range of Academy Award-winning visual effects toolsets at ILM.

To Peter Huang and Chris Perry for their architectural contributions to, and to Hans Rijpkema and Joe Mancewicz for the core engineering of, the Voodoo application framework.
For more than a decade, Voodoo’s unique design concepts have enabled a broad range of character animation toolsets to be developed at Rhythm & Hues.

To Matt Pharr, Greg Humphreys and Pat Hanrahan for their formalization and reference implementation of the concepts behind physically based rendering, as shared in their book Physically Based Rendering.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. First published in 2004, Physically Based Rendering is both a textbook and a complete source-code implementation that has provided a widely adopted practical roadmap for most physically based shading and lighting systems used in film production.

To Dr. Peter Hillman for the long-term development and continued advancement of innovative, robust and complete toolsets for deep compositing.
Dr. Hillman’s ongoing contributions to standardized techniques and a common deep image file format have enabled advanced compositing workflows across the digital filmmaking industry.

To Colin Doncaster, Johannes Saam, Areito Echevarria, Janne Kontkanen and Chris Cooper for the development, prototyping and promotion of technologies and workflows for deep compositing.
Their contributions include early advancements in key deep compositing features such as layer and holdout-order independence, spatial and intra-element color correction, post-render depth of field, and precise blending of complex layer edges.

To Thomas Lokovic and Eric Veach for their influential research and publication of the fundamental concepts of deep shadowing technology.
Providing a functional and efficient model for the storage of deep opacity information, this technology was widely adopted as the foundation of early deep compositing pipelines.

To Gifford Hooper and Philip George of HoverCam for the continuing development of the Helicam miniature helicopter camera system.
The current Helicam system is a high-speed, extremely maneuverable, turbine-engine, radio-controlled miniature helicopter that supports professional film and digital cinema cameras. Helicam provides a wide range of stabilized, remotely operated pan, tilt and roll capabilities, achieving shots impossible for full-size helicopters.

To John Frazier, Chuck Gaspar and Clay Pinney for the design and development of the Pneumatic Car Flipper.
This self-contained high-pressure pneumatic device safely launches a stationary full-sized car on a predetermined trajectory. The precision of operation enhances the safety of performers, and the physical design allows a rapid setup and strike.

To Joshua Pines, David Reisner, Lou Levinson, Curtis Clark, ASC, and David Register for the development of the American Society of Cinematographers Color Decision List technology.
The ASC CDL unifies color correction principles for use on- and off-set, providing for the faithful reproduction of color values across a variety of color correction devices. This technology provides basic image-processing mathematics that translate the lift, gamma and gain settings to a set of common color values to help preserve the cinematographer’s intent throughout production.

To Jeremy Selan for the development of the OpenColorIO color management framework.
OpenColorIO is an open source framework that enables consistent color visualization of motion picture imagery across multiple facilities and numerous software applications.

SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)

To Ofer Alon for the design and implementation of the ZBrush software tool for multi-resolution sculpting of digital models.
ZBrush pioneered multi-resolution digital sculpting, transforming how artists conceive and realize their final designs. ZBrush has enabled artists to create models far more quickly and with much greater detail than previous approaches.

To Eric Veach for his foundational research on efficient Monte Carlo path tracing for image synthesis.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. In his 1997 Ph.D. thesis and related publications, Veach formalized the principles of Monte Carlo path tracing and introduced essential optimization techniques, such as multiple importance sampling, which make physically based rendering computationally feasible.

To Andre Gauthier, Benoit Sevigny, Yves Boudreault and Robert Lanciault for the design and implementation of the FiLMBOX software application.
FiLMBOX, the foundation of MotionBuilder, enables the real-time processing and control of devices and animation. For over two decades, its innovative architecture has been a basis for the development and evolution of new techniques in filmmaking, such as virtual production.

To Emmanuel Prevenaire, Jan Sperling, Etienne Brandt and Tony Postiau for their development of the Flying-Cam SARAH 3.0 system.
This battery-powered, radio-controlled, miniature helicopter camera system employs computer-assisted piloting and tele-operation in an airframe that utilizes GPS-assisted flight controls for aerial filming of unparalleled sophistication. Flying-Cam SARAH achieves shots impossible for full-size helicopters, cable systems or other traditional camera support devices.

ACADEMY AWARD® OF MERIT (OSCAR® STATUETTE)

To all those who built and operated film laboratories, for over a century of service to the motion picture industry.
Lab employees have contributed extraordinary efforts to achieve filmmakers’ artistic expectations for special film processing and the production of billions of feet of release prints per year. This work has allowed an expanded motion picture audience and unequaled worldwide cinema experience.

GORDON E. SAWYER AWARD (OSCAR STATUETTE): Peter W. Anderson
Presented to an individual in the motion picture industry whose technological contributions have brought credit to the industry.

JOHN A. BONNER MEDAL OF COMMENDATION (MEDALLION): Charles “Tad” Marburg
Presented in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

Portions of the Scientific and Technical Awards Presentation will be included in the Oscar telecast.

Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network.  The presentation, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.

Black Film Critics Name "12 Years a Slave" Best Picture of 2013

by Amos Semien

The Black Film Critics Circle named 12 Years a Slave the "Best Picture" of 2013.  The film claimed six BRCC awards, including "Best Director" (Steve McQueen) and "Best Actor" (Chiwetel Ejiofor).  Going against the 2013 awards pack, the BFCC named Brie Larson as "Best Actress" for Short Term 12.

The Black Film Critics Circle (BFCC) was founded in 2010 and is a membership organization comprised of film critics of color from daily newspapers, weekly newspapers, magazines, radio, television and qualifying on-line publications.

2013 Black Film Critics Circle Awards:

Best Picture: "12 Years a Slave"

Best Director: Steve McQueen, "12 Years a Slave"

Best Actor: Chiwetel Ejiofor, "12 Years a Slave"

Best Actress: Brie Larson, "Short Term 12"

Best Supporting Actor: Jared Leto, "Dallas Buyers Club"

Best Supporting Actress: Lupita Nyong’o, "12 Years a Slave"

Best Adapted Screenplay: "12 Years a Slave"

Best Original Screenplay: "American Hustle"

Best Cinematography: "Gravity"

Best Animated Film: "Frozen"

Best Documentary: "20 Feet from Stardom"

Best Foreign Film: "Blue is the Warmest Color"

Best Ensemble: "12 Years a Slave"

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African-American Film Critics Crown "12 Years a Slave" Best of 2013

by Amos Semien

The African-American Film Critics Association named director Steve McQueen's 12 Years a Slave the "Best Film" of 2013, with McQueen also receiving the "Best Director" prize.  Many other critics organizations have named Chiwetel Ejiofor and Lupita Nyong'o of 12 Years a Slave best actor and best supporting actress, respectively.  However, the AAFCA went with two of the cast members of Lee Daniels: The Butler as "Best Actor" (Forest Whitaker) and "Best Supporting Actor" (Oprah Winfrey).  I've included the text of the press release with which the AAFCA announced its 2013 film awards at the bottom of this post.

The African-American Film Critics Association (AAFCA) is a group of African-American film critics that give various awards for excellence in film at the end of each year.  The association was founded in 2003 by Gil L. Robertson IV and Shawn Edwards.

2013 African-American Film Critics Association Awards winners:

Best Actor                               Forest Whitaker, Lee Daniels: The Butler (TWC)

Best Actress                            Sandra Bullock, Gravity (Warner Bros.)

Best Supporting Actress         Oprah Winfrey, Lee Daniels: The Butler (TWC)

Best Supporting Actor            Jared Leto, Dallas Buyers Club (Focus Features)

Best World Cinema                Mother of George (Oscilloscope Laboratories)

Breakout Performance            Lupita Nyong’o, 12 Years a Slave (Fox Searchlight)

Best Director                           Steve McQueen, 12 Years a Slave (Fox Searchlight)

Best Screenplay                      John Ridley, 12 Years a Slave (Fox Searchlight)

Best Music                              Raphael Sadiq, Black Nativity (RCA Inspirational)

Best Independent Film           Fruitvale Station (TWC)

Best Animation                       Frozen (Walt Disney Pictures)

Best Documentary                  American Promise (Rada Film Group)

The African-American Film Critics Association’s Top Ten Films of 2013 are as follows in order of distinction:

1. 12 Years a Slave

2. Lee Daniels: The Butler

3. Mandela: Long Walk to Freedom

4. American Hustle

5. Gravity

6. Fruitvale Station

7.  Dallas Buyers Club

8. Saving Mr. Banks

9. Out of the Furnace

10. 42


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Press Release:

AFRICAN-AMERICAN FILM CRITICS ASSOCIATION NAMES 12 YEARS A SLAVE AS TOP FILM OF 2013

Forest Whitaker, Sandra Bullock, Oprah Winfrey and Jared Leto Also Receive Wins from the Nation’s Premiere African American Critics Group

Los Angeles, CA (December 13, 2013) – The African-American Film Critics Association (AAFCA) has named 12 Years a Slave as the Best Picture of 2013.  The Fox Searchlight film’s also earned Best Director, Best Screenplay and Best Newcomer honors for Steve McQueen, John Ridley and Lupita Nyong’o. The organization, which represents the leading African-American film critics nationwide, will formally present its awards during a private ceremony on Friday, January 31, 2014 hosted by Orlando Jones at the Taglyan Complex in Hollywood, CA.

In the acting categories, Forest Whitaker won Best Actor for his performance in Lee Daniels: The Butler and Sandra Bullock was named Best Actress for Gravity. Oprah Winfrey received Best Supporting Actress 2013 for her role in The Butler and Jared Leto earned Best Supporting Actor 2013 for his performance in Dallas Buyers Club.

Rounding out the 2013 AAFCA Award winners are Fruitvale Station, for Best Independent Film, Frozen Best Animated Feature; Mother of George, for Best World Cinema and American Promise, from Joe Brewster and Michèle Stephenson.  Producer Raphael Saadiq won in the Best Music category for Black Nativity.

As previously announced, AAFCA’s Special Achievement honors will be awarded to AMPAS President Cheryl Boone Isaacs, TWC’s Bob and Harvey Weinstein, FOX SEARCHLIGHT’s Zola Mashariki and DGA’s President Paris Barclay. AAFCA’s Inaugural Roger Ebert Award will be given to Justin Chang of Variety.  “The film industry reached an incredibly high benchmark in 2013 in terms of the level of performance and diversity on screen,” says AAFCA President and Founder, Gil Robertson. “From the dramatic and heartwarming performances given by Whitaker and Winfrey, to Jared Leto’s incredible transformation as a transgender, the performances this year represented some of the finest examples of the acting craft.”

The organization’s Top Ten list of films includes 12 Years a Slave, Lee Daniels: The Butler, Gravity, American Hustle and Mandela.  “Hollywood did an excellent job in providing filmgoers with excellent examples of cinema that examine the core of the humanity. We hope this trend continues,” says AAFCA’s East Coast V.P. Daryle Lockhart, owner of Black Box Office.com.

About AAFCA
The African-American Film Critics Association (AAFCA) is the premiere organization of African-American film media professionals. Founded in 2003, AAFCA’s members represent a geographically diverse cross-section of media covering the cinematic arts. The organization honors excellence in cinema by creating awareness for films with universal appeal to black communities, while emphasizing film about the black experience and those produced written, directed and starring performers of African descent. The association actively reviews the quality and standard of black talent, content and media coverage. AAFCA also supports the development of future black film critics and filmmakers. AAFCA is based in Los Angeles.

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