Saturday, March 8, 2014

Review: "Tsotsi" a Familiar Tale from Another Place

TRASH IN MY EYE No. 168 (of 2006) by Leroy Douresseaux

Tsotsi (2005)
COUNTRY OF ORIGIN:  South Africa and the U.K.; Languages:  Zulu, Afrikaans, and others
Running time:  95 minutes (1 hour, 35 minutes)
MPAA – R for language and some violent content
DIRECTOR:  Gavin Hood
WRITER:  Gavin Hood (based upon the novel by Athol Fugard)
PRODUCER:  Peter Fudakowski
CINEMATOGRAPHER:  Lance Gewer
EDITOR:  Megan Gill
COMPOSERS:  Paul Hepker and Mark Kilian
Academy Award winner

DRAMA

Starring:  Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe, Zola, Rapulana Seiphemo, Nambitha Mpumlwana, Jerry Mofokeng, Ian Roberts, Percy Matsemela, and Thembi Nyandeni

The subject of this movie review is Tsotsi, a 2005 South African drama adapted for the screen and directed by Gavin Hood.  The film is based on the 1980 novel, Tsotsi, from author Athol Fugard.  “Tsotsi” is apparently a slang word in Johannesburg, South Africa that can be translated to mean “thug.”  Tsotsi the film follows six days in the violent life of a young Johannesburg gang leader.

Tsotsi (Presley Chweneyagae) is a ruthless hood living in an impoverished township in Johannesburg, South Africa, where he leads the trio of miscreants that make up his gang.  One night he shoots a woman (Nambitha Mpumlwana) in a well-to-do suburban neighborhood and drives off in her car, but he discovers that he isn’t alone.  The woman’s infant son is in the backseat, so he grudgingly takes the infant to his humble abode.  Through his efforts to care for the baby, Tsotsi (his nickname is urban slang that loosely translates to “thug”) rediscovers compassion, self-respect, and the capacity to love, but he still struggles with his old ways.

Tsotsi won the 2006 Oscar for “Best Foreign Language Film of the Year” as a representative of South Africa. The film is sturdy and earnest, and maybe a little too melodramatic in its too obvious determination to spend a yarn of moral redemption.  Still, the film is powerful and the emotions run deep and are raw, primarily because of the lead character’s hardened criminal life.  It’s kind of hard to be sympathetic towards Tsotsi because his decisions lead to the murder of an innocent man and the wounding of several others.

What makes Tsotsi rise above preachy, well-meaning social drama is that this is basically a familiar tale, but set in an unfamiliar place with strange and exotic characters.  In that way, Tsotsi engages the viewer to discover a new way of looking at a familiar premise.  The performances are good, though not great.  Presley Chweneyagae, however, is a solid actor and carries the film like a veteran movie star.

7 of 10
B+

NOTES:
2006 Academy Awards, USA:  1 win: “Best Foreign Language Film of the Year” (South Africa)

2006 BAFTA Awards:  2 nominations:  “Best Film not in the English Language” (Gavin Hood and Peter Fudakowski) and the “Carl Foreman Award for Most Promising Newcomer” (Peter Fudakowski-producer)

2006 Golden Globes:  1 nomination for “Best Foreign Language Film” (South Africa)

2007 Image Awards:  1 nomination: “Outstanding Independent or Foreign Film”

Monday, August 07, 2006

Updated:  Thursday, March 06, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Thursday, March 6, 2014

Review: Asa Butterfield the Best Player in "Ender's Game"

TRASH IN MY EYE No. 10 (of 2014) by Leroy Douresseaux

Ender’s Game (2013)
Running time:  114 minutes (1 hour, 54 minutes)
MPAA – PG-13 for some violence, sci-fi action and thematic material
DIRECTOR:  Gavin Hood
WRITER:  Gavin Hood (based on the novel by Orson Scott Card)
PRODUCERS:  Orson Scott Card, Robert Chartoff, Lynn Hendee, Alex Kurtzman, Linda McDonough, Roberto Orci, Gigi Pritzker, and Ed Ulbrich
CINEMATOGRAHER: Donald A. McAlpine
EDITORS:  Lee Smith and Zach Staenberg
COMPOSER:  Steve Jablonsky

SCI-FI/DRAMA

Starring:  Asa Butterfield, Harrison Ford, Hailee Steinfeld, Abigail Breslin, Ben Kingsley, Viola Davis, Aramis Knight, Suraj Partha, Moises Arias, Khylin Rhambo, Jimmy “Jax” Pinchak, Nonso Anozie, and Conor Carroll

Ender’s Game is a 2013 science fiction and drama film from director Gavin Hood.  It is based on the 1985 award-winning novel, Ender’s Game, by Orson Scott Card.  Ender’s Game the film focuses on a boy who is recruited to lead the new fight against an alien race that nearly annihilated the human race in a previous invasion.

Ender’s Game opens in the year 2086.  An alien species called the Formics (or “Buggers”) have invaded Earth and only a legendary commander, Mazer Rackham, manages to stop the invasion, by great sacrifice.  The story jumps ahead 50 years.  Young cadet, Andrew “Ender” Wiggin (Asa Butterfield), has attracted the attention of Colonel Hyrum Graff (Harrison Ford) and Major Gwen Anderson (Viola Davis) from International Fleet, the organization that leads the fight against the Formics.

Graff and Anderson offer Ender a spot in Battle School, the place where he would be trained to lead the battle against the Formics.  Graff has the highest hopes for the boy.  However, the very things that makes him attractive:  his intelligence, ruthlessness, and empathy, may also cause him to fail.

Although I have been planning to do so for a long time, I have yet to read Ender’s Game the novel.  I think I even once had a two-volume edition of the novel and its sequel (Speaker for the Dead) that I bought from the Science Fiction Book Club.  From what I’ve read, much about the novel is left out of Gavin Hood’s film adaptation.

That may explain why Ender’s Game the film seems shallow and superficial.  It is an entertaining movie.  It even raises some issues that have real-world relevance:  child soldiers, war-mongering military institutions, lying governments, etc.  When it comes to military training and science fiction, the narrative simply offers the familiar.  It is as if the filmmakers did not want to offer the audience anything new for fear of making them avoid Ender’s Game.  As I watched this movie, I often thought, “There’s something missing here that I want to see.”

Another problem is that the film never really delves into the characters beyond Ender Wiggin.  The female characters fare the worst.  Ender’s female academy mate, Petra Arkanian (Hailee Steinfeld), and Ender’s sister, Valentine (Abigail Breslin), are wasted.  Because of her immense talent and skill, Viola Davis makes every moment that she is on screen as Major Anderson powerful.  The latter half of the movie sorely misses what Davis brings to the film.  By the way, Harrison Ford is not good here, or, to be put it nicely, is perhaps miscast as Graff.

Asa Butterfield is the champion here, creating Ender’s Game’s most powerful moments by making the rest of the cast rise to the level of his game.  I found that he glued my attention to this story.  There are several scenes in which he gives this movie an emotional charge when it really needs it.  There is depth and layers to his performance as Ender Wiggin.  Butterfield is the reason to see Ender’s Game.  He makes me want to see a sequel to this movie and to also follow his career.

6 of 10
B

Thursday, March 06, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Wednesday, March 5, 2014

Transformers: Age of Extinction "The Rules Have Changed" Poster
































The rules have changed.

Official Transformers YouTube: https://www.youtube.com/user/TransformersMovie

In theaters 06.27.14

Official site: TransformersMovie.com

Official Facebook: https://www.facebook.com/transformersmovie

Official Twitter: https://twitter.com/transformers

Mark Wahlberg as "Cade" in New Transformers: Age of Extinction Poster


































Mark Wahlberg as "Cade."

Official Transformers YouTube: https://www.youtube.com/user/TransformersMovie

In theaters 06.27.14

Official site: TransformersMovie.com

Official Facebook: https://www.facebook.com/transformersmovie

Official Twitter: https://twitter.com/transformers

Warner Bros. Announces Cast Additions to "Entourage" Movie

“Entourage” Expands as Additional Cast Joins the Film, Now in Production

BURBANK, Calif.--(BUSINESS WIRE)--Debi Mazar, Rex Lee, Constance Zimmer, Nora Dunn and Emily Ratajkowski have joined the cast of Warner Bros. Pictures’ theatrical feature “Entourage.” Mazar, Lee, Zimmer and Dunn will reprise their roles as Shauna, Lloyd, Dana Gordon and Dr. Marcus from the HBO hit series, and Ratajkowski will appear as herself in the film, which began principal photography in Los Angeles on February 19.

“Entourage” will open in theaters nationwide on Friday, June 12, 2015.

Written and directed by series creator Doug Ellin, the big-screen version of the award-winning show stars Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara and Jeremy Piven in their original roles, as well as Billy Bob Thornton and Haley Joel Osment as Larsen and Travis McCredle. The film also reunites series regulars Perrey Reeves as Ari Gold’s wife, Emmanuelle Chriqui as Sloan, and Rhys Coiro as Billy Walsh.

“Entourage” is produced by Mark Wahlberg, Stephen Levinson and Doug Ellin, with Wayne Carmona serving as executive producer. The creative filmmaking team includes director of photography Steve Fierberg, production designer Chase Harlan, and costume designer Olivia Miles-Payne, all of whom worked on the long-running HBO series.

Movie star Vincent Chase (Adrian Grenier), together with his boys, Eric (Kevin Connolly), Turtle (Jerry Ferrara) and Johnny (Kevin Dillon), are back…and back in business with super agent-turned-studio head Ari Gold (Jeremy Piven). Some of their ambitions have changed, but the bond between them remains strong as they navigate the capricious and often cutthroat world of Hollywood.

In addition to Los Angeles, “Entourage” will also film on location in Miami, Florida.

“Entourage” is a presentation of Warner Bros. Pictures, in association with Home Box Office. The film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.


Tuesday, March 4, 2014

Review: "The Lone Ranger" is a Little Bit Stranger

TRASH IN MY EYE No. 9 (of 2014) by Leroy Douresseaux

The Lone Ranger (2013)
Running time:  149 minutes (2 hours, 29 minutes)
MPAA – PG-13 for sequences of intense action and violence, and some suggestive material
DIRECTOR:  Gore Verbinski
WRITERS:  Justine Haythe and Ted Elliot & Terry Rossio; from Justine Haythe and Ted Elliot and Terry Rossio
PRODUCERS:  Jerry Bruckheimer and Gore Verbinski
CINEMATOGRAPHER:  Bojan Bazelli
EDITORS:  James Haygood and Craig Wood
COMPOSER:  Hans Zimmer
Academy Award nominee

WESTERN/ACTION with elements of fantasy

Starring:  Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson, Ruth Wilson, Helena Bonham Carter, James Badge Dale, Bryant Prince, Barry Pepper, Leon Rippy, Stephen Root, Terry Treadaway, Saginaw Grant, Joaquin Cosio, James Frain, Leonard Earl Howze, Grover Coulson, and Mason Cook.

For those who don’t know:  The Lone Ranger is a fictional character that first debuted in a radio show in late January 1933.  The Lone Ranger is a Texas Ranger who fights injustice in the American Old West with the assistance of Tonto, his Native American friend.

The radio show ran from 1933 to the mid-1950s for almost 3,000 episodes.  The character is probably best-remembered for the television series, The Lone Ranger, which aired for eight seasons (1949 to 1957) for over 200 episodes on the ABC television network.  Clayton Moore starred as the Lone Ranger, and Jay Silverheels played Tonto.  The character also made several appearance in film, the last being an infamous and unsuccessful 1981 movie.  Early in the Summer of 2013, the Lone Ranger and Tonto returned to the big screen.

The Lone Ranger is a 2013 action and Western film from producer-director Gore Verbinski and producer Jerry Bruckheimer.  Starring Johnny Depp and Armie Hammer, The Lone Ranger 2013 focuses on the earliest efforts of The Lone Ranger and Tonto to end corruption in and to bring justice to the American Old West.

[A NOTE:  Since the following review is a longish one, I’ll summarize it here.  I thoroughly enjoyed The Lone Ranger 2013, and had a blast watching it.  However, it is not a traditional Western movie, just as the Pirate of the Caribbean movies are not typical pirate movies.  The Lone Ranger is funny, but quirky.  If you look past its oddness and focus on the action, you might find it to be quite entertaining.]

The Lone Ranger opens in 1933 at a fair in San Francisco.  In a sideshow, a boy named Will (Mason Cook) just happens to meet an elderly Native American who claims to be Tonto (Johnny Depp).  Learning that Will idolizes the Lone Ranger, Tonto tells the boy the story of how he first met the legendary hero.

The story moves back to 1869.  Lawyer John Reid (Armie Hammer) returns to his hometown of Colby, Texas.  He finds the Transcontinental Railroad to be the focus of attention, but railroad tycoon, Latham Cole (Tom Wilkinson), is focused on the capture of outlaw, Butch Cavendish (William Fichtner).  John joins his brother, Texas Ranger Dan Reid (James Badge Dale), who leads the search for Cavendish and his gang.

John discovers that Native American Comanche warrior, Tonto (Johnny Depp), is also searching for Cavendish, whom the Indian believes is a creature he calls “windigo.”  Events leave John a “lone Ranger,” and he is forced join Tonto in an often-contentious but effective partnership.  But can the two new partners stop a conspiracy that is bigger and older than they may realize?

I think that the movie reviews which accompanied The Lone Ranger upon its initial theatrical release back in late June 2013 can be described as mostly negative to mixed.  I unequivocally like this movie, although I will admit that it has some flaws.  For instance, I have a question that has already been asked by other critics.  What is the target audience for The Lone Ranger?

The Lone Ranger 2013 is a Western.  It has several elements that can be found throughout the history of American Western films:  brothels, construction of a railroad, cowboys and Indians, lone lawman, outlaws, quests for redemption, revenge, and the shoot ‘em up.  However, this new Lone Ranger is nothing like The Lone Ranger television series, which was a traditional Hollywood Western aimed at a general audience and relied on stock elements that were familiar to viewers of all ages.

This movie is also a comedy and action flick as much as it is a Western, but it is not reverent about the things found in many Western movies and television programs from the 1930s to the 1950s.  The film has those big, reality-bending action scenes we have come to expect of Jerry Bruckheimer movies like the Pirates of the Caribbean franchise (which also stars Johnny Depp).  As a comedy, the film sometimes mocks elements and aspects associated with The Lone Ranger franchise.  Some of the dialogue and scenes in this movie have a single purpose – be funny.

The Lone Ranger 2013 is also surprisingly quirky.  It is kind of a “weird Western,” like the films, Jonah Hex and Wild Wild West (1999).  The movie has a strange mixture of imitation Native American mysticism and quasi-occultism, with a funky supernatural twist.  Much of that is tied to violence, cannibalism in particular.

I think that in order to enjoy this film, the viewer has to focus more on the basic plot, the characters, and the big action scenes and sequences and less on the setting (the post-Civil War “Old West”) and genre (the Western).  I didn’t mind that The Lone Ranger is an unusual Western film, and I certainly like the plot, characters, and action set pieces.

Also, Armie Hammer turned out to fit in this movie better than I thought he would.  Still, to me, it seems as if he can never make his character, John Reid/The Lone Ranger, escape the tremendous shadow cast by Johnny Depp’s Tonto.  Depp owns this movie, and that is a bigger problem for this movie than anything else.  It is more about Tonto than it is about The Lone Ranger.  In fact, whenever the story switched to other characters, I could feel myself chomping-at-the-bits for the movie to go back to Depp/Tonto.

I have to admit that I wish that we get a sequel to The Lone Ranger.  That is unlikely, as this movie is considered a box office disappointment and, to some, a flop.

7 of 10
B+

NOTES:
2014 Academy Awards, USA:  2 nominations:  ‘Best Achievement in Makeup and Hairstyling” (Joel Harlow and Gloria Pasqua Casny) and “Best Achievement in Visual Effects” (Tim Alexander, Gary Brozenich, Edson Williams, and John Frazier)

2014 Razzie Awards:  1 win: “Worst Remake, Rip-Off or Sequel;” 4 nominations: “Worst Picture,” “Worst Actor” (Johnny Depp), “Worst Director” (Gore Verbinski), and “Worst Screenplay” (Ted Elliott-screen story and screenplay, Justin Haythe-screen story and screenplay, and Terry Rossio-screen story and screenplay)

Tuesday, March 04, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.