Oscar Nominee Review: "Captain Phillips"

TRASH IN MY EYE No. 14 (of 2014) by Leroy Douresseaux

Captain Phillips (2013)
Running time:  134 minutes (2 hours, 14 minutes)
MPAA – PG-13 for sustained intense sequences of menace, some violence with bloody images, and for substance use
DIRECTOR:  Paul Greengrass
WRITER:  Billy Ray (A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea by Richard Phillips and Stephan Talty)
PRODUCERS:  Dana Brunetti, Michael De Luca, and Scott Rudin
CINEMATOGRAPHER:  Barry Ackroyd (D.o.P.)
EDITOR:  Christopher Rouse
COMPOSER:  Henry Jackman
Academy Award nominee

THRILLER/DRAMA

Starring:  Tom Hanks, Barkhad Abdi, Catherine Keener, Barkhad Abdirahman, Faysal Ahmed, Mahat M. Ali, Michael Chernus, David Warshofsky, Corey Johnson, Chris Mulkey, and Issak Farah Samatar

Captain Phillips is a 2013 thriller and drama from director Paul Greengrass.  The film is an adaptation of A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea by Richard Phillips and Stephan Talty.  The movie dramatizes the 2009 hijacking of the US-flagged MV Maersk Alabama by Somali pirates, the first American cargo ship to be hijacked in two hundred years.  Academy Award-winning actor Kevin Spacey is one of the film’s executive producers.

The film begins with Captain Richard “Rich” Phillips (Tom Hanks) taking command of the MV Maersk Alabama.  This unarmed container ship is scheduled to sail from the Port of Salalah (in the city of Salalah, Oman) through the Gulf of Aden to Mombasa, Kenya.  After an alert concerning pirate activity around the Horn of Africa, Captain Phillips orders strict security precautions on the vessel and carries out practice drills.  In fact, during those drills, two skiffs containing Somali pirates chase the Alabama.

One group of pirates is eventually successful and actually boards and takes control of the Alabama.  The skiff’s captain, Abduwali Muse (Barkhad Abdi), and his cohorts:  Adan Bilal (Barkhad Abdirahman), Walid Elmi (Mahat M. Ali), and Nour Najee (Faysal Ahmed), plan to ransom the ship and its crew for millions of dollars.  Captain Phillips has called for help, but can he stall the pirates before they start killing his crew?

Audiences can practically always count on director Paul Greengrass to deliver a riveting film and an edge-of-your-seat thriller with each of his movies.  Greengrass’ films aren’t the average run-of-the-mill action thrillers; they’re smart and filled with strong characters facing real-world dilemmas.  Captain Phillips is Greengrass’ best film since his Jason Bourne movies.  Greengrass gets a championship effort from his editor Christopher Rouse, who delivers a film that gets better and better, more engaging, more entrancing with each minute.

Although, Tom Hanks is the star and Rich Phillips is the title character and focus, in some way, Captain Phillips is also about Abduwali Muse.  First-time actor, Barkhad Abdi, delivers a superb performance.  Abdi’s acting is especially impressive as the film only focuses on Muse’s personality in the context of what comes out of his actions.  Since Muse does not get to show himself as a fully-developed human, Abdi has to sell him as a three-dimensional villain who only reveals his intentions (getting a ransom), and little beyond that.  I can see why Abdi earned such acclaim and an Oscar nomination to go with a BAFTA win as best supporting actor.

This is pretty much the same with Captain Phillips.  His motivation, conflicts, and dilemmas are seen only in the context of him being a captain of a ship and also a captain of a ship that is under duress.  Tom Hanks is known for playing characters that are totally or mostly open to the audience.  As Phillips, Hanks erects a wall that makes it only easy to feel sympathy, pity, and fear for Phillips.  However, Hanks is so good that he still manages to deliver some fantastic acting – something that is more performance art than it is performance of a character.

All of Captain Phillips is good, but the last forty minutes are a doozy.  The rescue operation makes a very good film a truly exceptional film.  I wish more thrillers were like Captain Phillips.

9 of 10
A

Tuesday, March 25, 2014


NOTES:
2014 Academy Awards, USA:  6 nominations: “Best Motion Picture of the Year” (Scott Rudin, Dana Brunetti, and Michael De Luca), “Best Performance by an Actor in a Supporting Role” (Barkhad Abdi), “Best Writing, Adapted Screenplay” (Billy Ray), “Best Achievement in Film Editing” (Christopher Rouse), “Best Achievement in Sound Editing” (Oliver Tarney), and “Best Achievement in Sound Mixing” (Chris Burdon, Mark Taylor, Mike Prestwood Smith, and Chris Munro)

2014 Golden Globes, USA:  4 nominations: “Best Motion Picture – Drama,” “Best Performance by an Actor in a Motion Picture – Drama” (Tom Hanks), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Barkhad Abdi), and “Best Director - Motion Picture” (Paul Greengrass)

2014 BAFTA Awards:  1 win: “Best Supporting Actor” (Barkhad Abdi); 8 nominations: “Best Film” (Scott Rudin, Dana Brunetti, and Michael De Luca), “David Lean Award for Direction” (Paul Greengrass), “Best Leading Actor” (Tom Hanks), “Anthony Asquith Award for Film Music” (Henry Jackman), “Best Adapted Screenplay” (Billy Ray), “Best Cinematography” (Barry Ackroyd), “Best Editing” (Christopher Rouse), “Best Sound” (Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, and Oliver Tarney)

2014 Black Reel Awards:  2 wins: “Outstanding Supporting Actor, Motion Picture” (Barkhad Abdi) and “Outstanding Breakthrough Performance, Male” (Barkhad Abdi)


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Dwayne Johnson's "Hercules" Debuts a Trailer

Watch the official teaser trailer for HERCULES starring Dwayne Johnson: http://youtu.be/4JZhGYrgCPg

Paramount Pictures and Metro-Goldwyn-Mayer Pictures’ film HERCULES, starring Dwayne Johnson, bows on July 25th.  Based on Radical Comics’ Hercules by Steve Moore, this ensemble-action film is a revisionist take on the classic myth, HERCULES. The epic action film also stars Golden Globe Winner Ian McShane, Rufus Sewell, Joseph Fiennes, Peter Mullan and Academy Award®-nominee John Hurt.

In theaters July 25th

Official Website: http://www.mightyhercules.com/
Official Twitter: https://twitter.com/herculesmovie
Official Facebook:https://www.facebook.com/hercules
#HerculesMovie

Bruce Campbell Emcees Horror Fest in March 2015

Wizard World Chicago Presents: Bruce Campbell's Horror Fest March 6-8, 2015

'The Evil Dead,' 'Army of Darkness' Star To Emcee Full Three-Day Event Celebrating Everything Horror; Many Other Genre Stars, Directors, Writers To Attend; New Content To Be Available On Wizard World's Cinedigm Channel

ROSEMONT, Ill.--(BUSINESS WIRE)--It will be a Wizard World show like fans have never seen when the one and only Bruce Campbell emcees an entire weekend of horror at Wizard World Chicago Presents: Bruce Campbell's Horror Fest, March 6-8, 2015, at the Donald E. Stephens Convention Center in Rosemont, Ill. The Army of Darkness and The Evil Dead star puts on what many fans agree is the best programming panel at most Wizard World shows; now fans can get even more of one of the best pure entertainers on the circuit, signing, posing for photos and moderating multiple panels all weekend long.

With the focus on horror, fans can expect to see some of their favorite genre stars, directors and writers from great television shows, movies, graphic novels and comics. It's a celebration of all things horror, and Bruce will be inviting some of the many superstars he’s worked with over the years. Special guest announcements to follow as they are secured.

The full three-day event, produced by Wizard World, Inc. (OTCBB: WIZD), which conducts pop culture conventions and Comic Cons across the country, including Wizard World Chicago Comic Con (August 21-24, 2014; August 20-23, 2015), will also feature nighttime events like concerts, costume contests, movie screenings and more. It's all horror all the time, with the Wizard World touch.

Additionally, content from Wizard World Chicago Presents: Bruce Campbell's Horror Fest will be available as part of the recently announced Wizard World channel with Cinedigm (NASDAQ: CIDM), the largest distributor of non-theatrical content in the U.S., upon its launch.

“We are thrilled to add a second Chicago event at a venue where we have achieved much success over the years,” says John Macaluso, Wizard World CEO. “And teaming up with the great Bruce Campbell to put on the ultimate horror event really gives the fans a reason to come out to the Donald E. Stephens Center twice a year!”

“This is really a dream come true for me,” says Campbell. “I have always wanted to be part of a great organization and run a top-notch horror convention that sees my vision of what it could be. The fans have supported me all these years, so I look forward to giving back and providing a unique experience.”

About Wizard World:
Wizard World (OTCBB: WIZD) produces Comic Cons and pop culture conventions across North America that celebrate graphic novels, comic books, movies, TV shows, gaming, technology, toys and social networking. The events often feature celebrities from movies and TV, artists and writers, and events such as premieres, gaming tournaments, panels, and costume contests.

The full event schedule can be found at www.wizardworld.com.

Wizard World 2014 Schedule:

January 24-26 – Wizard World Portland Comic Con
February 7-9 – Wizard World New Orleans Comic Con
March 7-9 – Wizard World Sacramento Comic Con
March 28-30 – Wizard World Louisville Comic Con
April 4-6 – Wizard World St. Louis Comic Con
May 2-4 – Wizard World Minneapolis Comic Con
May 30-June 1 – Wizard World Atlanta Comic Con
June 19-22 – Wizard World Philadelphia Comic Con
August 1-3 – Wizard World San Antonio Comic Con
August 21-24 – Wizard World Chicago Comic Con
September 12-14 – Wizard World Richmond Comic Con
September 26-28 – Wizard World Nashville Comic Con
October 2-4 – Wizard World Austin Comic Con
October 31-November 2 – Wizard World Ohio Comic Con
November 7-9 – Wizard World Tulsa Comic Con
November 21-23 – Wizard World Reno Comic Con
Wizard World's 2015 Schedule To Be Announced Shortly

"Hustle" and "Wolf" Lead 2014 MTV Movie Award Nominations - Complete List

by Amos Semien

The MTV Movie Awards began in 1992.  I cared as much then as I do now, and that’s very little.  I have probably watched less than half an hour combined of all the award telecasts, although I might watch more this year.

The nominations for the 2014 MTV Movie Awards were revealed on Thursday, March 6, 2014.  The nominations feature a mix of the year’s biggest blockbusters (The Hunger Games: Catching Fire, The Hobbit: The Desolation of Smaug, and We’re the Millers) and the movie award season favorites (12 Years a Slave and Dallas Buyers Club).  American Hustle and The Wolf of Wall Street lead the nomination with eight apiece.

Fans can vote by going to the website: http://www.mtv.com/ontv/movieawards/

The 2014 MTV Movie Awards will be held on Sunday, April 13, 2014 at 9:00 p.m. ET/PT.  The ceremony will be hosted by Conan O'Brien.

The 2013 MTV Movie Awards complete list of nominees:

MOVIE OF THE YEAR
• "12 Years a Slave"
• "American Hustle"
• "The Hobbit: The Desolation of Smaug"
• "The Hunger Games: Catching Fire"
• "The Wolf of Wall Street"

BEST FEMALE PERFORMANCE
• Amy Adams — "American Hustle"
• Jennifer Aniston — "We're the Millers"
• Sandra Bullock — "Gravity"
• Jennifer Lawrence — "The Hunger Games: Catching Fire"
• Lupita Nyong'o — "12 Years a Slave"

BEST MALE PERFORMANCE
• Bradley Cooper — "American Hustle"
• Leonardo DiCaprio — "The Wolf of Wall Street"
• Chiwetel Ejiofor — "12 Years a Slave"
• Josh Hutcherson — "The Hunger Games: Catching Fire"
• Matthew McConaughey — "Dallas Buyers Club"

BREAKTHROUGH PERFORMANCE
• Liam James — "The Way Way Back"
• Michael B. Jordan — "Fruitvale Station"
• Will Poulter— "We're the Millers"
• Margot Robbie — "The Wolf of Wall Street"
• Miles Teller — "The Spectacular Now"

BEST KISS
• Jennifer Lawrence and Amy Adams — "American Hustle"
• Joseph Gordon-Levitt and Scarlett Johansson — "Don Jon"
• James Franco, Ashley Benson and Vanessa Hudgens — "Spring Breakers"
• Shailene Woodley and Miles Teller — "The Spectacular Now"
• Emma Roberts, Jennifer Aniston and Will Poulter — "We're the Millers"

BEST FIGHT
• "Anchorman 2: The Legend Continues" — Will Ferrell, Paul Rudd, David Koechner and Steve Carell vs. James Marsden vs. Sacha Baron Cohen vs. Kanye West vs. Tina Fey and Amy Poehler vs. Jim Carrey and Marion Cotillard vs. Will Smith vs. Liam Neeson and John C. Reilly vs. Greg Kinnear
• "Identity Thief" — Jason Bateman vs. Melissa McCarthy
• "The Hobbit: The Desolation of Smaug" — Orlando Bloom and Evangeline Lilly vs. Orcs
• "The Hunger Games: Catching Fire" — Jennifer Lawrence, Josh Hutcherson and Sam Claflin vs. Mutant Monkeys
• "This is the End" — Jonah Hill vs. James Franco and Seth Rogen

BEST COMEDIC PERFORMANCE
• Kevin Hart — "Ride Along"
• Jonah Hill — "The Wolf of Wall Street"
• Johnny Knoxville — "Jackass Presents: Bad Grandpa"
• Melissa McCarthy — "The Heat"
• Jason Sudeikis — "We're the Millers"

BEST SCARED-AS-S**T PERFORMANCE
• Rose Byrne — "Insidious: Chapter 2"
• Jessica Chastain — "Mama"
• Vera Farmiga — "The Conjuring"
• Ethan Hawke — "The Purge"
• Brad Pitt — "World War Z"

BEST ON-SCREEN DUO
• Amy Adams and Christian Bale — "American Hustle"
• Matthew McConaughey and Jared Leto — "Dallas Buyers Club"
• Vin Diesel and Paul Walker — "Fast & Furious 6"
• Ice Cube and Kevin Hart — "Ride Along"
• Jonah Hill and Leonardo DiCaprio — "The Wolf of Wall Street"

BEST SHIRTLESS PERFORMANCE
• Jennifer Aniston — "We're the Millers"
• Sam Claflin — "The Hunger Games: Catching Fire"
• Leonardo DiCaprio — "The Wolf of Wall Street"
• Zac Efron — "That Awkward Moment"
• Chris Hemsworth — "Thor: The Dark World"

#WTF MOMENT
• The RV Crash — "Anchorman 2: The Legend Continues"
• The Beauty Pageant — "Jackass Presents: Bad Grandpa"
• Car Sex — "The Counselor"
• The Lude Scene — "The Wolf of Wall Street"
• Danny's New Pet — "This is the End"

BEST VILLAIN
• Barkhad Abdi — "Captain Phillips"
• Benedict Cumberbatch — "Star Trek into Darkness"
• Michael Fassbender — "12 Years a Slave"
• Mila Kunis — "Oz The Great and Powerful"
• Donald Sutherland — "The Hunger Games: Catching Fire"

BEST ON-SCREEN TRANSFORMATION
• Christian Bale — "American Hustle"
• Elizabeth Banks — "The Hunger Games: Catching Fire"
• Orlando Bloom — "The Hobbit: The Desolation of Smaug"
• Jared Leto — "Dallas Buyers Club"
• Matthew McConaughey — "Dallas Buyers Club"

BEST MUSICAL MOMENT
• Backstreet Boys, Jay Baruchel, Seth Rogen and Craig Robinson Peform in Heaven — "This is the End"
• Jennifer Lawrence Sings "Live & Let Die' — "American Hustle"
• Leonardo DiCaprio Pops and Locks — "The Wolf of Wall Street"
• Melissa McCarthy Sings "Barracuda" — "Identity Thief"
• Will Poulter Sing "Waterfalls" — "We're the Millers"

BEST CAMEO PERFORMANCE
• Robert De Niro — "American Hustle"
• Amy Poehler and Tina Fey — "Anchorman 2: The Legend Continues"
• Kanye West — "Anchorman 2: The Legend Continues"
• Joan Rivers — "Iron Man 3"
• Rihanna — "This is the End"

BEST HERO
• Henry Cavill as Clark Kent — "Man of Steel"
• Robert Downey Jr. as Iron Man — "Iron Man 3"
• Martin Freeman as Bilbo Baggins — "The Hobbit: The Desolation of Smaug"
• Chris Hemsworth as Thor — "Thor: The Dark World"
• Channing Tatum as John Cale — "White House Down"


--------------------------------

Review: "Seven Samurai" is One of the Best Films Ever (Happy B'day, Akira Kurosawa)

TRASH IN MY EYE No. 81 (of 2006) by Leroy Douresseaux

Shichinin no samurai (1954) – B&W
Seven Samurai (1954) – USA title
COUNTRY OF ORIGIN:  Japan
Running time:  206 minutes (3 hours, 26 minutes) - USA restored version
DIRECTOR/EDITOR:  Akira Kurosawa
WRITERS:  Shinobu Hashimoto, Hideo Oguni, and Akira Kurosawa
PRODUCER:  Sojiro Motoki
CINEMATOGRAPHER:  Asakasu Nakai
COMPOSER:  Fumio Hayasaka
Academy Award nominee

DRAMA/HISTORICAL/MARTIAL ARTS/ACTION

Starring:  Takashi Shimura, Toshirô Mifune, Yoshio Inaba, Seiji  Miyaguchi, Minoru Chiaki, Daisuke Katô, Isao Kimura, Keiko Tsushima, Kamatari Fujiwara, Yoshio Kosugi, Bokuzen Hidari, Yoshio Tsuchiya, Yukiko Shimazaki, and Kokuten Kodo

The subject of this movie review is Seven Samurai (original Japanese title: Shichinin no samurai), a 1954 samurai drama and period adventure film from director Akira Kurosawa.  Set during Japan’s Sengoku period (warring states period), the film focuses on a poor village, the bandits that attack the village, and the seven unemployed samurai that the villagers recruit to help defend themselves.

Not only do I consider Seven Samurai to be one of the ten best films every made, but I also love it as one of my all-time favorite movies.  I was surprised to learn that the film is believed to have contributed structural narrative innovations to film storytelling or was among the first to use those innovations.  That’s great, but I don’t need that information on innovations to know that Kurosawa’s film overwhelms me.

Late 16th century, Japan:  a small farming village finds itself annually besieged by bandits, who usually arrive just after harvest so that they can steal the villagers’ crops.  Tired of being beaten into starvation, a small group of farmers leaves the village and heads for a town in hopes of convincing a large number of samurai to defend their village from the encroaching bandits.  The farmers happen upon a scene wherein a master samurai, Kambei (Takashi Shimura), disguises himself as a monk in order to save a child kidnapped by a madman.

Impressed by his bravery, the villagers convince Kambei to help their village, although the only payment that the farmers can offer the samurai is enough rice to eat.  Kambei and the farmers make the same offer to a number of samurai, many of whom are greatly insulted by the offer.  However, six others eventually accept, including a scruffy ronin (Toshirô Mifune) and a novice samurai.  The seven samurai and the farmers return to the village, where together they build the rest of the villagers into a militia, while the bandits lurk in the nearby forest.  Eventually, the bandits’ raids on the village begin, and it culminates in an epic, bloody battle pitting the samurai and villagers against the bandits.

Akira Kurosawa’s Seven Samurai is one of the ultimate auteur films, coming from a director, who like Stanley Kubrick, is an ultimate auteur.  It’s hard to believe that there is anything on the screen that Kurosawa didn’t want, and everything is so carefully considered:  the composition of scenes, the cinematographer, the execution of the action, the editing, the lighting, etc.  The film filled my senses, controlled my emotions, and had my mind on overdrive as I tried to figure out the next move, the next scene, or the narrative flow.  I have found very few films to so move me with such power, exhilaration, fear, anticipation, and Seven Samurai even has a few laughs.

If you’re looking for flying, super powered samurai, this isn’t it.  If you want an epic film about honor, sacrifice, and duty set in a romantic past, Seven Samurai is it.  This is easily one of the ten best motion pictures ever made.

10 of 10

NOTES:
1957 Academy Awards:  2 nominations:  “Best Art Direction-Set Decoration, Black-and-White (Takashi Matsuyama) and “Best Costume Design, Black-and-White” (Kôhei Ezaki)

1956 BAFTA Awards:  3 nominations:  “Best Film from any Source (Japan), “Best Foreign Actor” (Toshirô Mifune of Japan), and “Best Foreign Actor” (Takashi Shimura from Japan)

Friday, April 21, 2006

Updated:  Sunday, March 23, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: Reese Witherspoon is the Heart of "Legally Blonde" (Happy B'day, Reese Witherspoon)

TRASH IN MY EYE No. 115 (of 2003) by Leroy Douresseaux

Legally Blonde (2001)
Running time:  96 minutes (1 hour, 36 minutes)
MPAA – PG-13 for language and sexual references
DIRECTOR:  Robert Luketic
WRITERS:  Karen McCullah and Kirsten Smith (based upon the novel by Amanda Brown)
PRODUCERS:  Ric Kidney and Marc Platt
CINEMATOGRAPHER:  Anthony B. Richmond (D.o.P.)
EDITORS:  Anita Brandt Burgoyne and Garth Craven
COMPOSER:  Rolfe Kent
Golden Globe nominee

COMEDY with elements of romance

Starring:  Reese Witherspoon, Luke Wilson, Selma Blair, Matthew Davis, Victor Garber, Jennifer Coolidge, Holland Taylor, Ali Larter, Bruce Thomas, and Raquel Welch

The subject of this movie review is Legally Blonde, a 2001 comedy starring Reese Witherspoon.  The film is based on the 2001 novel, Legally Blonde, from author Amanda Brown.  The film focuses on a blonde sorority queen who follows her ex-boyfriend to law school after he dumps her and discovers that she has more legal savvy than she or anyone ever imagined.

Legally Blonde is trash.  Let’s get that straight, so we don’t fool ourselves.  Another fish out of water story with the stereotypical dumb blonde, sorority/fraternity cardboard cutouts, Ivy League elitists, lecherous bosses etc.  It does have one redeeming element – the incomparable and very talented Reese Witherspoon.

Ms. Witherspoon is Elle Wood, a blonde sorority queen, fully prepared to receive an engagement ring from her boyfriend Warner (Matthew Davis), when he suddenly dumps her, pleading that he needs someone smarter than her – someone who would better fit his law career and political ambitions.  Elle decides to follow Warner to Harvard Law School in order to win him back.  Of course, Harvard admits her so that we can even have a movie, although, in reality, they would have ignored her.  But one can understand that Reese/Elle’s charm and bubbly personality not mention her knockout body, would win over even the most conservative and pickiest college admissions officers.

Ms. Witherspoon is a talented actress, and, not only is she likeable, she is outright engaging and has an aura of pure friendliness.  Her movies are a win-win situation for the audience.  Legally Blonde is unadulterated B-movie material that she elevates to uproarious comedy.  Being funny isn’t enough.  The audience has to like her, and she has to sell them on her personality because the movie is all about her.  She does the job winningly.  Notice how I can’t stop gushing.

What else is there to say?  Sometimes, the star is the movie, and the star is so good that she can make a diamond out of a handful of coal dust.  Even when the movie stumbles, Ms. Witherspoon is still a delight to watch.

6 of 10
B

NOTES:
2002 Golden Globe (USA):  2 nominations: “Best Motion Picture - Comedy or Musical” and “Best Performance by an Actress in a Motion Picture - Comedy or Musical” (Reese Witherspoon)

Updated:  Saturday, March 22, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Legally Blonde 2" is Officially Bad

TRASH IN MY EYE No. 116 (of 2003) by Leroy Douresseaux

Legally Blonde 2: Red, White & Blonde (2003)
Running time:  95 minutes (1 hour, 35 minutes)
MPAA – PG-13 for some sex-related humor
DIRECTOR:  Charles Herman-Wurmfeld
WRITERS:  Kate Kondell; from a story by Eve Ahlert, Dennis Drake, and Kate Kondell (based upon characters created by Amanda Brown)
PRODUCERS:  David Nicksay and Marc Platt
CINEMATOGRAPHER:  Elliot Davis (D.o.P.)
EDITOR:  Peter Teschner
COMPOSER:  Rolfe Kent

COMEDY

Starring:  Reese Witherspoon, Sally Field, Regina King, Jennifer Coolidge, Bruce McGill, Dana Ivey, Bob Newhart, Luke Wilson, J Barton, and Alanna Ubach

The subject of this movie review is Legally Blonde 2: Red, White & Blonde, a 2003 comedy starring Reese Witherspoon.  The film is a sequel to the 2001 film, Legally Blonde, which also starred Witherspoon.  In the sequel, Elle Woods heads to Washington D.C. in order to join a congresswoman’s staff and to try and get a bill that bans animal testing passed into law.

If the summer of 2003 tells Hollywood film studios anything it is that sequels don’t always succeed commercially or artistically.  Of course, studio bosses have known that for a while, but to them making sequels seems like a safe bet.  A sequel is a known property with brand awareness, and with the ridiculous cost of making and marketing a movie rising to absurd heights monthly, they go for the safe bet.

Legally Blonde 2: Red, White & Blonde will more than likely make a profit for MGM, even with the kind of tricky accounting the film studios usually invoke to claim that their films are flops so they don’t have to honor profit sharing agreements with actors and producers.  Artistically, it’s not even worth talking about, as an examination of subject matter, theme, and characters is an utter waste of time.

As for it’s entertainment value (you know, the simple judgment of whether you like it), Legally Blonde 2 has none.  I’m quite sure that somewhere there are people who really like this, and I did laugh a sort of painful, dry, desperate-to-find-something-to-justify-the-cost-of-my-ticket laugh a few times.  However, I left the theatre ashamed, praying that no one would ask me what movie I’d just left.  I don’t know what would have been worse, having some nappy-headed homeboy call me a faggot for seeing it or having one of the theatre’s employees laugh at me behind my back because they knew.  Lord, they knew how bad it was.  And they never told me.

There’s a plot, or something like a plot, but right now I only feeling like telling you that this film is just plain awful.  Elle Woods (Reese Witherspoon) goes to Washington D.C. to work for her friend Rep. Victoria Rudd (Sally Field) so that Elle can fight for a law that outlaws cosmetic companies from testing their products on animals.  Apparently, it’s okay for Reese and her studio compatriots to test poisonous cinema products on us.  Regina King plays the most pathetic traitorous Negro since Billy Dee played Lando in The Empire Strikes Back, but at least she was better than the rest of the supporting cast, whom the film reduced to playing naked paper dolls.  Sally Field, her face shockingly showing such age and wear, looked as if she wanted to cry every time she had to be in front of the camera.  I feel you, sista girl.

1 of 10
D-

Updated:  Saturday, March 22, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.