Review: Disney's "Frozen" is Pixar Good

TRASH IN MY EYE No. 20 (of 2014) by Leroy Douresseaux

Frozen (2013)
Running time:  102 minutes (1 hour, 42 minutes)
MPAA – PG for some action and mild rude humor
DIRECTORS:  Chris Buck and Jennifer Lee
WRITERS:  Jennifer Lee; from a story by Jennifer Lee, Chris Buck, and Shane Morris (based on the story “The Snow Queen” by Hans Christian Andersen)
PRODUCER:  Peter Del Vecho
EDITOR:  Jeff Draheim
COMPOSER:  Christophe Beck
SONGS:  Kristen Anderson-Lopez and Robert Lopez
Academy Award winner

ANIMATION/FANTASY/ADVENTURE and COMEDY/FAMILY

Starring:  (voices) Kristin Bell, Idina Menzel, Jonathan Groff, Josh Gad, Santino Fontana, Alan Tudyk, Ciaran Hinds, Chris Williams, Stephen J. Anderson, Eva Bell, Spencer Lacey Ganus, Tyree Brown, and June Christopher

Frozen is a 2013 computer-animated musical, comedy, and fantasy film directed by Chris Buck and Jennifer Lee.  Produced by Walt Disney Animation Studios, Frozen was released theatrically in 3D.  Frozen is based on Hans Christian Andersen’s fairy tale, “The Snow Queen,” which was first published in 1844.  Frozen focuses on a young woman trying to break the curse of eternal winter, a curse started by the Snow Queen, who is her sister.

In the kingdom of Arendelle, the King and Queen have two daughters.  The older sister, Elsa, has the magical ability to create ice and snow.  The younger daughter, Anna, accidentally becomes a victim of her older sister’s power, causing a rift between the two formerly close siblings.  Years later, Elsa (Idina Menzel), is about to be crowned Queen of Arendelle.  Anna (Kristin Bell) is excited about her sister’s coronation, which will open the castle to the outside world for the first time in years.  At the coronation, a dispute between the sisters leads to Elsa loosing control of her now immense powers.  She inadvertently puts Arendelle in a deep freeze, before running away.

Anna is determined to find Elsa, now known as the “Snow Queen,” and to reconcile their relationship.  She befriends Kristoff (Jonathan Groff), a mountain man, and his reindeer, Sven, who decide to help her find the reclusive Elsa.  They are eventually joined by Olaf (Josh Gad), a joyous snowman.  Their journey is epic, but if Anna cannot reach Elsa, Arendelle will be cursed to suffer an eternal winter.

Frozen is one of the truly great animated films from Walt Disney Pictures.  It is the first computer-animated film from Walt Disney Animation Studios that is artistically and technically equal to the best computer-animated films from Pixar Animation Studios (now a subsidiary of The Walt Disney Company).  In fact, Pixar’s John Lasseter was an executive producer on and a guiding hand behind Frozen.  Everything fantastic, wonderful, magical, joyous, and poignant that people expect of the best Disney and Pixar films is more than plentiful in Frozen, one of the finest films of 2013.

The voice cast, top to bottom, is excellent.  Honestly, every voice performance seems to be superb.  Kristin Bell and Idina Menzel give bravura performances individually and together; they have the kind of screen chemistry of which many casts can only dream of having.  Of course, Menzel is a standout singing Frozen’s signature song, the Oscar-winning “Let It Go.”  Josh Gad is scene-stealing gold as the comic-relief snowman, Olaf.  I have to admit that I’d like to see Olaf again.

Frozen’s song and musical score also make it the best Disney animated musical film since The Little Mermaid, Beauty and the Beast, and Aladdin.  Kristen Anderson-Lopez and Robert Lopez’s songs for Frozen recall both the Broadway-styled numbers in Beauty and the Beast and the comic fantasy tunes of Aladdin.

Once upon a time, Walt Disney’s animated films were called “instant classics;” Frozen is an instant classic.  Also, the resolution of Elsa and Anna’s relationship separates Frozen from Disney’s other female-centric animated features.  For me, Frozen is now a personal favorite that I plan to watch repeatedly.

10 of 10

Monday, April 21, 2014


NOTES:
2014 Academy Awards, USA:  2 wins: “Best Animated Feature Film of the Year” (Chris Buck, Jennifer Lee, and Peter Del Vecho) and “Best Achievement in Music Written for Motion Pictures, Original Song” (Kristen Anderson-Lopez and Robert Lopez for the song “Let It Go”)

2014 Golden Globes, USA:  1 win: “Best Animated Feature Film” and 1 nomination: “Best Original Song - Motion Picture” (Kristen Anderson-Lopez and Robert Lopez for the song, “Let It Go”)

2014 BAFTA Awards:  1 win: “Best Animated Film” (Chris Buck and Jennifer Lee)

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Dark Horse Comics Announces "The Art of The Venture Bros."

DARK HORSE TO PUBLISH THE ART OF THE VENTURE BROS.

HIT CARTOON SERIES GOES BEHIND THE SCENES!

As rumored at San Diego Comic-Con 2013, Dark Horse Books proudly announces it will publish The Art of The Venture Bros.!

This massive coffee table book includes original artwork, character designs, storyboards, painted backgrounds, and props from every episode of The Venture Bros. to date, with accompanying commentary on the development of the series from co-creators Jackson Publick and Doc Hammer.

Check out the earliest sketches of all your favorite Venture Bros. characters and the genesis of the ideas that became some of the show’s funniest episodes.

To top it off, comedian Patton Oswalt pens a very special foreword!

The Art of The Venture Bros. is on sale October 22! Preorder your copy today at Amazon.

"Berserk: The Advent" Anime On DVD and Blu-ray

VIZ MEDIA LETS SLIP THE DOGS OF WAR FOR THE DVD AND BLU-RAY RELEASE OF BERSERK: THE GOLDEN AGE ARC III – THE ADVENT

Lone Mercenary Guts Returns To The Band Of The Hawk For A Final Quest In The Exciting Climax To The Epic Medieval Anime Action Feature Film Trilogy

VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, offers the action-packed, bloody conclusion to the BERSERK anime feature film trilogy as it announces the release of BERSERK: THE GOLDEN AGE ARC III - THE ADVENT on DVD and Blu-ray, available now.

The new release is rated ‘M’ for Mature Audiences and will carry a DVD MSRP of $19.98 U.S. / $24.98 CAN and a Blu-ray MSRP of $24.98 U.S. / $27.50 CAN. The DVD edition features Japanese and English 5.1 audio with both subbed and subtitled dialogue options. The Blu-ray version features crisp 1080p HD resolution along with Japanese and English DTS-HD audio and subbed and subtitled dialogue options.

DVD bonus features include a production art gallery, theatrical trailers, original Japanese TV spots and the ending theme, “breakthrough.” The Blu-ray edition also includes all DVD features with additional content, including a special highlight reel for the U.S. theatrical premiere of BERSERK: THE GOLDEN AGE ARC II – THE BATTLE FOR DOLDREY, outtakes from THE ADVENT and THE EGG OF THE KING, and an interview with Eiko Tanaka, President of Studio 4ºC, which produced the entire BERSERK anime trilogy.

In BERSERK: THE GOLDEN AGE ARC III - THE ADVENT, the horrifying conclusion to the Golden Age unfolds in a magnificently violent nightmare, signifying the birth of a new era. It’s been a year since Griffith’s imprisonment by the Kingdom of Midland. Once praised as the saviors of the Midland, the Band of the Hawk has been on the run and is on the brink of breaking apart. Much to everyone’s surprise, Guts returns to the Hawks, and the search for Griffith begins!

“The drama and on-screen action reaches a feverish climax in the stunning finale to the BERSERK: THE GOLDEN AGE ARC trilogy,” says Charlene Ingram, Senior Manager, Animation Marketing. “Audiences will not want to miss even a second of this stirring adventure, depicted in a lush blend of traditional and CGI animation, as the events set in motion in the previous two movies come to a head! Anime and action fans everywhere are going to delight in the violent but satisfying conclusion to the acclaimed trilogy.”

Also catch BERSERK: THE GOLDEN AGE ARC I – THE EGG OF THE KING and BERSERK: THE GOLDEN AGE ARC II- THE BATTLE FOR DOLDREY available now on DVD and Blu-ray from VIZ Media.

The BERSERK manga series, by Kentarou Miura, debuted in Japan in 1989 and quickly drew a devoted following, going on to sell more than 30 million copies worldwide. The series, still ongoing in Japan, has been published in North America and the UK, as well as in France, Germany, Italy, Spain, Russia, and Latin America. The BERSERK manga has also inspired a popular anime television series and has spawned a variety of related video games, collectable figures and toys, and music soundtracks, as well as the current BERSERK: THE GOLDEN AGE ARC film trilogy.

For more information on the BERSERK: THE GOLDEN AGE ARC film trilogy, please visit the official Facebook page at: www.facebook.com/BerserkFilm.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.

Grumble Digital Comics Indiegogo Campaign Update April 19, 2014

John Ira Thomas of Candle Light Press has contributed:

Amy Berg's "Deliver Us from Evil" is Powerful and Pointed

TRASH IN MY EYE No. 90 (of 2007) by Leroy Douresseaux

Deliver Us from Evil (2006)
Running time:  103 minutes (1 hour, 43 minutes)
MPAA – (Not rated)
WRITER/DIRECTOR:  Amy Berg
PRODUCERS:  Amy Berg, Matthew Cooke, Frank Donner, and Hermas Lassalle
CINEMATOGRAPHERS:  Jacob Kusk and Jens Schlosser
EDITOR:  Matthew Cooke
COMPOSERS:  Joseph Arthur and Mick Harvey
2007 Academy Award nominee

DOCUMENTARY – Religion and Crime

Starring:  Oliver O’Grady, Thomas Doyle, Jane Degroot, Case Degroot, Anne Jyono, Bob Jyono, Marie Jyono, and Nancy Sloan

Deliver Us from Evil is a 2006 Oscar-nominated documentary film from writer-director, Amy Berg.  The film focuses on a Catholic priest whom the Catholic Church relocated to various parishes around the United States for the better part of two decades in order to cover up his rape of dozens of children.

Berg has recently gained notoriety because of a documentary film upon which she is currently working.  The unnamed film reportedly contains sex abuse allegations made against director Bryan Singer.  Singer is best known for his work on 20th Century Fox’s X-Men film franchise and for the Oscar-winning film, The Usual Suspects.

From the late 1960s to the mid-1980s, Catholic priest, Father Oliver O’Grady moved about Northern California molesting and raping countless children.  With her unsettling documentary, Deliver Us from Evil, director Amy Berg exposes the corruption inside the Catholic Church that allowed O’Grady to abuse children (and sometimes their parents).  Berg conducts a series of disturbing interviews with the pedophile priest that seek to provide a window for the viewer into the mind of this deeply troubled man, and Berg also mixes that with his victims’ stories.

Deliver Us from Evil attempts to construct a portrait of O’Grady as a spiritual leader who moved from church parish to church parish and gained the trust of various congregations, only to later betray so many of them by abusing their children.  Berg thoroughly investigates O’Grady’s past as a priest and speaks with many of his victims and parishioners, as well as participants involved in O’Grady’s legal cases.  Later in the film, she broadens her approach to take a look at clergy abuse of children in Boston, and she interviews people who believe that the problem of abuse is international and may have begun as early as the fourth century.  Experts on theology and law speak to the doctrinal, legal, and theological issues that establish an environment for abuse.

Although the film seems to lose focus the last 20 minutes or so, Deliver Us from Evil is as mesmerizing as any great film thriller or as riveting and frightening as any great horror movie, and it exposes evil that is widespread and even more destructive.

8 of 10
A

NOTES:
2007 Academy Awards:  1 nomination for “Best Documentary, Features” (Amy Berg and Frank Donner)

Monday, June 11, 2007

Updated:  Saturday, April 19, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

VIZ Media's Neon Alley Has "Gargantia on the Verdurous Planet" Anime Series

VIZ MEDIA’S NEON ALLEY LAUNCHES THE BEAUTIFULLY ANIMATED SCI-FI ACTION SERIES GARGANTIA ON THE VERDUROUS PLANET

Catch The Entire Subtitled 13-Episode Series FOR FREE On Neon Alley Online Anime Streaming Platform!

VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, brings the intergalactic action drama – GARGANTIA ON THE VERDUROUS PLANET – to its new Neon Alley FREE online streaming anime platform.

The lushly animated 13-episode adventure was created by the famed animation studio Production I.G. and is available today in its entirety at NeonAlley.com. For $7.99 a month, U.S. fans can also access GARGANTIA ON THE VERDUROUS PLANET on mobile and digital devices through the subscription-based Hulu Plus Video-On-Demand service. The premiere of a dubbed version will follow later in the year.

In the distant future, Ledo, a young soldier from space wakes up and finds himself marooned on an ocean planet. Growing up in space, and knowing nothing but battle, he is a stranger in a strange land, full of odd customs and a foreign language, but he’s not alone. Starting a new journey on this verdurous planet, Ledo must find a way to survive and reconcile the fact that he may never be able to return home!

“GARGANTIA ON THE VERDUROUS PLANET is a gorgeous story charting young pilot Ledo’s journey of self discovery as he visits a strange and nature-filled planet ‘Earth’ for the very first time,” says Charlene Ingram, Senior Manager, Animation Marketing. “The evocative adventure delivers a substantial plot, intriguing characters and beautifully rendered animation created by Japan’s most famous anime studios. With the flexibility of the free Neon Alley streaming platform, fans can dive in and marathon the entire series at their leisure!”

Neon Alley delivers the hottest in subbed and dubbed digital anime series, simulcast world premieres, exclusive on-demand access, and a massive legacy catalog of new as well as classic favorites (in HD when available). NeonAlley.com is a premier on-demand, online destination for streaming anime content in the U.S. The service is available for FREE online and also anytime, anywhere across a wide array of different devices, including PS4, PS3, Xbox One, Xbox 360, Roku, Chromecast, and a variety of other mobile devices through the subscription-based Hulu Plus Video-On-Demand service. Additional details on Hulu Plus-enabled devices can be found at http://www.hulu.com/plus/devices.

Additional information on Neon Alley is available at: www.NeonAlley.com.

For more information on anime titles from VIZ Media, please visit: www.VIZ.com.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.

Review: "High Fidelity" is Endearing, Refreshing (Happy B'day, Nick Hornby)

TRASH IN MY EYE No. 68 (of 2003) by Leroy Douresseaux

High Fidelity (2000)
Running time:  113 minutes (1 hour, 53 minutes)
MPAA – R for language and some sexuality
DIRECTOR:  Stephen Frears
WRITERS:  D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg (based upon the book by Nick Hornby)
PRODUCERS:  Tim Bevan and Rudd Simmons
CINEMATOGRAPHER:  Seamus McGarvey
EDITOR:  Mick Audsley
COMPOSER:  Howard Shore
BAFTA Award nominee

COMEDY/DRAMA/ROMANCE

Starring: John Cusack, Iben Hejejle, Todd Louiso, Jack Black, Lisa Bonet, Catherine Zeta-Jones, Joan Cusack, Tim Robbins, Shannon Stillo, Joelle Carter, Lili Taylor, Alex Desert, and Bruce Springsteen

The subject of this movie review is High Fidelity, a 2000 comedy, drama, and romance from director Stephen Frears.  The film is based on the 1995 novel, High Fidelity, from author Nick Hornby.  High Fidelity focuses on a record store owner, who is a compulsive list maker, as he recounts his top five breakups, including the one that just occurred.

After seeing Identity, I decided to go back and see some John Cusack movies that I hadn’t seen.  I can call them “John Cusack movies” in the sense that Cusack’s personality pretty much dominates almost any film in which he stars.  He’s presence is simply quite dynamic and magnetic.  When he first came on the scene, many predicted that he’d be a huge star, and for some reason, his star isn’t as big as it should be.  However, few actors of his generation have a combination of tremendous acting talent and the sense about him that the camera loves.  Some have one or the other, but having both is rare.

In High Fidelity, John is Rob Gordon, owner of Championship Vinyl, a record store the specializes in collectible LP’s, emphasizing vinyl over compact disc, although the store does have a selection of hip and cool cd’s.  As the movie begins, his current girlfriend, Laura Lydon (Iben Hejejle) is leaving him.  So Rob, the film’s very dominate character and a compulsive list maker recounts his top five breakups, all the while trying to regain Laura’s companionship.

The film is based on a novel by Nick Hornby (the film About a Boy is also from one of his novels) and co-written by four writers including Cusack.  Although the film has a director with a pedigree, Stephen Frears (Dangerous Liaisons, The Grifters), and a Hollywood hotshot as one of its screenwriters Scott Rosenberg (Con Air), this is John Cusack’s show.  In the beginning, the character Rob is a little hard to take.  It’s easy to see why he’d have problems with women, although Rob seems to think that his problems stem from his girlfriends.  Cusack builds Rob Gordon slowly, layer upon layer, before our eyes.  Rob talks a lot, and quite a bit of him is a mystery, but Cusack brings us in really close.  He totally breaks the mythical fourth wall between fictional character/performer and viewer, and though Rob remains something of an enigma, we learn enough about him to love him and to root for him.

There are quite a few interesting characters in the film that we don’t see more of because this is Rob’s show.  They might strengthen the story, but the storytelling is still excellent solely because of Cusack’s Rob.  Laura remains as elusive as Rob is, so we might need her version of High Fidelity to get her side of the relationship.

The film is funny, touching, and in its own quirky way, very romantic.  The supporting performances give Cusack’s Rob room to do his thing and give us enough to make Rob’s environment beyond his musings interesting.  High Fidelity could have been a disaster because in many ways, Rob ain’t going anywhere.  He doesn’t have any plans, and he is unsatisfied with his life, but not enough to do something – to act, so we could have brushed him off as a loser.  I didn’t because I want to hear every word he has to say.  Kudos to Cusack for making Rob so endearing and this film so refreshing.

7 of 10
A-

NOTES:
2001 Golden Globes, USA:  1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (John Cusack)

2001 BAFTA Awards:  1 nominations:  “Best Screenplay – Adapted” (D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg)

2001 Black Reel Awards:  1 nomination: “Theatrical - Best Supporting Actress” (Lisa Bonet)

Updated:  Thursday, April 17, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.