JACK BLACK STARS IN GOOSEBUMPS DIRECTED BY ROB LETTERMAN ALSO STARRING DYLAN MINNETTE AND ODEYA RUSH
Principal photography has commenced on Goosebumps, starring Jack Black. Rob Letterman directs the film from a screenplay by Darren Lemke and Mike White and a story by Scott Alexander & Larry Karaszewski and Darren Lemke, based on the Goosebumps book series published by Scholastic and written by R. L. Stine. The producers are Neal H. Moritz and Deborah Forte. Executive producers are Bill Bannerman and Tania Landau. The film will be released on March 23, 2016.
Also starring in Goosebumps are Dylan Minnette, Odeya Rush, Amy Ryan, Jillian Bell, Ryan Lee, and Ken Marino.
In Goosebumps, upset about moving from a big city to a small town, teenager Zach Cooper (Dylan Minnette) finds a silver lining when he meets the beautiful girl, Hannah (Odeya Rush), living right next door. But every silver lining has a cloud, and Zach’s comes when he learns that Hannah has a mysterious dad who is revealed to be R. L. Stine (Jack Black), the author of the bestselling Goosebumps series. It turns out that there is a reason why Stine is so strange… he is a prisoner of his own imagination – the monsters that his books made famous are real, and Stine protects his readers by keeping them locked up in their books. When Zach unintentionally unleashes the monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach, and Hannah to get all of them back in the books where they belong.
The production films in and around Conyers, Madison, and Atlanta, Georgia, notably in the counties of Morgan, Rockdale, Cobb, and DeKalb.
Scholastic has sold over 350 million Goosebumps books worldwide in 32 languages since the series introduction in 1992, earning critical acclaim and dominating global best seller lists. R.L. Stine has been recognized as one of the bestselling children’s authors in history.
The production’s creative team also includes director of photography Javier Aguirresarobe, production designer Sean Haworth, editor Jim May, and costume designer Judianna Makovsky.
ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.
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Monday, April 28, 2014
Sony Sets "Goosebumps" Movie for March 2016
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Sunday, April 27, 2014
Grumble #2 Indiegogo Campaign Begins Week 4
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Review: "When the Sky Falls" Means Well (Happy B'ay, Kevin McNally)
TRASH IN MY EYE No. 73 (of 2004) by Leroy Douresseaux
When the Sky Falls (2000)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – R for brutal violence, strong language, drug content and some sexuality
DIRECTOR: John Mackenzie
WRITERS: Ronan Gallagher, Colum McCann, and Michael Sheridan; with additional dialogue by Guy Andrews
PRODUCERS: Nigel Warren Green and Michael Wearing
CINEMATOGRAPHER: Seamus Deasy
EDITOR: Graham Walker
COMPOSER: Pol Brennan
CRIME/DRAMA
Starring: Joan Allen, Patrick Bergin, Liam Cunningham, Kevin McNally, Jimmy Smallhourne, Gerard Mannix Flynn, Jason Barry, Pete Postlethwaite, Des McAleer, Owen Roe, Gavin Kelty, and Ruaidhrí Conroy
The subject of this movie review is When the Sky Falls, a 2000 crime drama directed by the late John Mackenzie. The film is a fictional account of a real-life Irish investigative reporter’s battle with a Dublin drug lord. This film stars one of my favorite actors, Joan Allen, and Kevin McNally, an actor of whom I became a fan after his roles in the Pirates of the Caribbean films. When the Sky Falls did not receive a theatrical release in the United States, although it is partly a U.S. production.
When the Sky Falls, a fact-based drama, focuses on Sinead Hamilton (Joan Allen), a reporter who invades the drug underworld of Dublin, Ireland. Mackey (Patrick Bergin), the police officer who helps her, is mostly ineffectual because bureaucracy and lack of resources tie his hands. Her husband, Tom (Kevin McNally), doesn’t particularly care about her work, but he supports her.
Sinead consorts with Mickey O’Fagan (Jimmy Smallhourne), minor thug who just might lead her to the big fish, Dave Hackett (Gerard Flynn), a brutal drug boss. Add the Irish Republican Army to the danger mix, and you have a lone woman as a crusading reporter headed for doom.
The film is based upon the story of real life Dublin reporter Veronica Guerin with Sinead Hamilton as the fictional version of her, and for all the drama of the last year of Ms. Guerin’s short life, When the Sky Falls is rather tepid. Although the film is less than two hours long, it drifts from one genre to another.
At moments, it’s a fairly intense crime thriller about a woman going after greedy men who would see the whole of Dublin addicted to heroin so that they could be fabulously wealthy. At other times, it’s a clunky and clumsy crime drama about cops willing to go to any extreme to nail a criminal; that is whenever Patrick Bergin’s Mackey takes over the story. It’s also a lame, movie of the week melodrama about a crusading reporter whenever Sinead Hamilton visits the offices of the newspaper for which she writes.
Anyone of the three storylines could have made a good film at a running time of one hundred and six minutes. As it is, the subplots and storylines crowd the movie, and the filmmakers don’t do any of them justice. The cast is mostly good, but seem to run on simmer and slow burn, lest they really let loose and chew up the scenery. Dog forbid this movie should be as passionate as its real life subject matter. I like Joan Allen, but this is one of her weaker performances – decent, but the kind of low wattage thing we can get from a TV movie. When the Sky Falls is a fairly good film, but if you don’t see it, you won’t be missing anything important.
5 of 10
B-
Updated: Sunday, April 27, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
When the Sky Falls (2000)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – R for brutal violence, strong language, drug content and some sexuality
DIRECTOR: John Mackenzie
WRITERS: Ronan Gallagher, Colum McCann, and Michael Sheridan; with additional dialogue by Guy Andrews
PRODUCERS: Nigel Warren Green and Michael Wearing
CINEMATOGRAPHER: Seamus Deasy
EDITOR: Graham Walker
COMPOSER: Pol Brennan
CRIME/DRAMA
Starring: Joan Allen, Patrick Bergin, Liam Cunningham, Kevin McNally, Jimmy Smallhourne, Gerard Mannix Flynn, Jason Barry, Pete Postlethwaite, Des McAleer, Owen Roe, Gavin Kelty, and Ruaidhrí Conroy
The subject of this movie review is When the Sky Falls, a 2000 crime drama directed by the late John Mackenzie. The film is a fictional account of a real-life Irish investigative reporter’s battle with a Dublin drug lord. This film stars one of my favorite actors, Joan Allen, and Kevin McNally, an actor of whom I became a fan after his roles in the Pirates of the Caribbean films. When the Sky Falls did not receive a theatrical release in the United States, although it is partly a U.S. production.
When the Sky Falls, a fact-based drama, focuses on Sinead Hamilton (Joan Allen), a reporter who invades the drug underworld of Dublin, Ireland. Mackey (Patrick Bergin), the police officer who helps her, is mostly ineffectual because bureaucracy and lack of resources tie his hands. Her husband, Tom (Kevin McNally), doesn’t particularly care about her work, but he supports her.
Sinead consorts with Mickey O’Fagan (Jimmy Smallhourne), minor thug who just might lead her to the big fish, Dave Hackett (Gerard Flynn), a brutal drug boss. Add the Irish Republican Army to the danger mix, and you have a lone woman as a crusading reporter headed for doom.
The film is based upon the story of real life Dublin reporter Veronica Guerin with Sinead Hamilton as the fictional version of her, and for all the drama of the last year of Ms. Guerin’s short life, When the Sky Falls is rather tepid. Although the film is less than two hours long, it drifts from one genre to another.
At moments, it’s a fairly intense crime thriller about a woman going after greedy men who would see the whole of Dublin addicted to heroin so that they could be fabulously wealthy. At other times, it’s a clunky and clumsy crime drama about cops willing to go to any extreme to nail a criminal; that is whenever Patrick Bergin’s Mackey takes over the story. It’s also a lame, movie of the week melodrama about a crusading reporter whenever Sinead Hamilton visits the offices of the newspaper for which she writes.
Anyone of the three storylines could have made a good film at a running time of one hundred and six minutes. As it is, the subplots and storylines crowd the movie, and the filmmakers don’t do any of them justice. The cast is mostly good, but seem to run on simmer and slow burn, lest they really let loose and chew up the scenery. Dog forbid this movie should be as passionate as its real life subject matter. I like Joan Allen, but this is one of her weaker performances – decent, but the kind of low wattage thing we can get from a TV movie. When the Sky Falls is a fairly good film, but if you don’t see it, you won’t be missing anything important.
5 of 10
B-
Updated: Sunday, April 27, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
2000,
biopic,
Crime,
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Sony Pictures Classics Sets "Foxcatcher" For November 14 2014
SONY PICTURES CLASSICS TO RELEASE FOXCATCHER ON NOVEMBER 14
Sony Pictures Classics announced today that they will release Bennett Miller's FOXCATCHER in the United States on November 14. The film will premiere in the In Competition Section at the 2014 Cannes Film Festival.
Directed by Bennett Miller (MONEYBALL, CAPOTE), FOXCATCHER tells the gripping, true story of Olympic Wrestling Champion brothers Mark Schultz (Tatum) and Dave Schultz (Ruffalo) and their relationship with the eccentric John du Pont (Carell), heir to the du Pont Chemical fortune that led to murder.
The film is produced by Megan Ellison under her company Annapurna Pictures, as well as, Miller, Jon Kilik, and Anthony Bregman. Miller’s prestigious cast includes Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller, and Anthony Michael Hall. The film was written by E. Max Frye (SOMETHING WILD, AMOS & ANDREW) and Dan Futterman (CAPOTE), the Cinematographer is Greig Fraser (ZERO DARK THIRTY), and the Production Designer is Jess Gonchor (NO COUNTRY FOR OLD MEN, MONEYBALL, TRUE GRIT, CAPOTE).
ABOUT SONY PICTURES CLASSICS
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.
Barker and Bernard have released prestigious films that have won 32 Academy Awards® (28 of those at Sony Pictures Classics) and have garnered 140 Academy Award® nominations (114 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, and CROUCHING TIGER, HIDDEN DRAGON.
ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.
Sony Pictures Classics announced today that they will release Bennett Miller's FOXCATCHER in the United States on November 14. The film will premiere in the In Competition Section at the 2014 Cannes Film Festival.
Directed by Bennett Miller (MONEYBALL, CAPOTE), FOXCATCHER tells the gripping, true story of Olympic Wrestling Champion brothers Mark Schultz (Tatum) and Dave Schultz (Ruffalo) and their relationship with the eccentric John du Pont (Carell), heir to the du Pont Chemical fortune that led to murder.
The film is produced by Megan Ellison under her company Annapurna Pictures, as well as, Miller, Jon Kilik, and Anthony Bregman. Miller’s prestigious cast includes Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller, and Anthony Michael Hall. The film was written by E. Max Frye (SOMETHING WILD, AMOS & ANDREW) and Dan Futterman (CAPOTE), the Cinematographer is Greig Fraser (ZERO DARK THIRTY), and the Production Designer is Jess Gonchor (NO COUNTRY FOR OLD MEN, MONEYBALL, TRUE GRIT, CAPOTE).
ABOUT SONY PICTURES CLASSICS
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.
Barker and Bernard have released prestigious films that have won 32 Academy Awards® (28 of those at Sony Pictures Classics) and have garnered 140 Academy Award® nominations (114 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, and CROUCHING TIGER, HIDDEN DRAGON.
ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.
Labels:
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Saturday, April 26, 2014
Review: "Barnyard" Surprises (Happy B'day, Kevin James)
TRASH IN MY EYE No. 199 (of 2006) by Leroy Douresseaux
Barnyard (2006)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – PG for some mild peril and rude humor
WRITER/DIRECTOR: Steve Oedekerk
PRODUCERS: Pam Marsden, Steve Oedekerk, and Paul Marshal
EDITORS: Billy Weber and Paul Calder
COMPOSER: John Debney
ANIMATION/FANTASY/COMEDY/FAMILY
Starring: (voices) Kevin James, Courteney Cox, Sam Elliot, Danny Glover, Wanda Sykes, Andie MacDowell, David Koechner, Jeff Garcia, Cam Clarke, Rob Paulsen, Tino Insana, Laraine Newman, John DiMaggio, and Fred Tatasciore
The subject of this movie review is Barnyard, a 2006 computer-animated comedy and family film from writer-director Steve Oedekerk and Paramount Pictures. The film is also known as Barnyard: The Original Party Animals, and yielded a spin-off animated television series, Back to the Barnyard, in 2007. Barnyard, which features a group of anthropomorphic animals, focuses on a carefree cow that resists the call that he be the animal in charge of a barnyard.
In a barnyard of walking and talking animals, Otis the Cow (Kevin James) is the party animal. Otis and his friends: Pip (Jeff Garcia) the mouse, Freddy (Cam Clarke) the ferret, Peck (Rob Paulsen) the rooster, and Pig (Tino Insana) the pig are world-class pranksters out for a laugh. Otis’ father, Ben (Sam Elliot), however, wants his son to be like him – the cow who makes sure the barnyard runs on all cylinders and the cow who protects the barnyard’s denizens from their common enemy, a pack of coyotes led by the malevolent and conniving Dag (David Koechner).
Otis, who is in a state of perpetual arrested development, is not interested, but when Ben is no longer able to lead and protect, the responsibility falls on Otis. It’s not an easy fit, and he struggles with the tension between a sense of duty and an urge to run away. There is, however, a pretty girl cow, Daisy (Courtney Cox) and the crafty Miles the Mule (Danny Glover) who just may give Otis the impetus to take the mantle of leadership. He’ll need the encouragement because Dag is plotting to make a major attack on the barnyard.
With its August 4 release date, Paramount Pictures/Nickelodeon Movies’ computer animated feature, Barnyard: The Original Party Animals was the eighth computer animated feature film to debut in U.S. theatres. Barnyard is a story about taking responsibility and honoring obligations – a staple of computer animated family fare, but other than that, Barnyard looks different from the rest of its cartoon brethren.
As far as plot and character, Barnyard is mediocre and mildly entertaining. The animation, however, is quite good. The characters have a rubbery texture, so they look more like cartoon characters than computer rendered characters. The story’s setting and environments personify 3-D animation. Watching this film, it becomes evident that it is indeed taking place in a world of space and depth rather than in the traditional “flat” world of hand drawn animation. It’s not that any of this looks real; it just doesn’t look flat, so the action looks like actual action. When characters move, it looks like the figures are really moving.
Barnyard is a pretty and colorful animated feature, which makes up for the average narrative and voice acting. Only Sam Elliot as Ben, Danny Glover as Miles, and Wanda Sykes as Bessie the Cow give voice performances that come across with any richness. This is a typical children’s animated feature, filled as it is with funny animal supporting characters that spout line after line of silliness. Barnyard’s simple story and childish and raucous humor explains why it has long legs at the box office. It’s actually a family movie that the family can enjoy together. Barnyard: The Original Party Animals is unashamedly for children. Still, there are enough risqué gags, bathroom humor, and innuendo to keep teenagers interested and adults chuckling.
5 of 10
B-
Monday, September 18, 2006
Updated: Saturday, April 26, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Barnyard (2006)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – PG for some mild peril and rude humor
WRITER/DIRECTOR: Steve Oedekerk
PRODUCERS: Pam Marsden, Steve Oedekerk, and Paul Marshal
EDITORS: Billy Weber and Paul Calder
COMPOSER: John Debney
ANIMATION/FANTASY/COMEDY/FAMILY
Starring: (voices) Kevin James, Courteney Cox, Sam Elliot, Danny Glover, Wanda Sykes, Andie MacDowell, David Koechner, Jeff Garcia, Cam Clarke, Rob Paulsen, Tino Insana, Laraine Newman, John DiMaggio, and Fred Tatasciore
The subject of this movie review is Barnyard, a 2006 computer-animated comedy and family film from writer-director Steve Oedekerk and Paramount Pictures. The film is also known as Barnyard: The Original Party Animals, and yielded a spin-off animated television series, Back to the Barnyard, in 2007. Barnyard, which features a group of anthropomorphic animals, focuses on a carefree cow that resists the call that he be the animal in charge of a barnyard.
In a barnyard of walking and talking animals, Otis the Cow (Kevin James) is the party animal. Otis and his friends: Pip (Jeff Garcia) the mouse, Freddy (Cam Clarke) the ferret, Peck (Rob Paulsen) the rooster, and Pig (Tino Insana) the pig are world-class pranksters out for a laugh. Otis’ father, Ben (Sam Elliot), however, wants his son to be like him – the cow who makes sure the barnyard runs on all cylinders and the cow who protects the barnyard’s denizens from their common enemy, a pack of coyotes led by the malevolent and conniving Dag (David Koechner).
Otis, who is in a state of perpetual arrested development, is not interested, but when Ben is no longer able to lead and protect, the responsibility falls on Otis. It’s not an easy fit, and he struggles with the tension between a sense of duty and an urge to run away. There is, however, a pretty girl cow, Daisy (Courtney Cox) and the crafty Miles the Mule (Danny Glover) who just may give Otis the impetus to take the mantle of leadership. He’ll need the encouragement because Dag is plotting to make a major attack on the barnyard.
With its August 4 release date, Paramount Pictures/Nickelodeon Movies’ computer animated feature, Barnyard: The Original Party Animals was the eighth computer animated feature film to debut in U.S. theatres. Barnyard is a story about taking responsibility and honoring obligations – a staple of computer animated family fare, but other than that, Barnyard looks different from the rest of its cartoon brethren.
As far as plot and character, Barnyard is mediocre and mildly entertaining. The animation, however, is quite good. The characters have a rubbery texture, so they look more like cartoon characters than computer rendered characters. The story’s setting and environments personify 3-D animation. Watching this film, it becomes evident that it is indeed taking place in a world of space and depth rather than in the traditional “flat” world of hand drawn animation. It’s not that any of this looks real; it just doesn’t look flat, so the action looks like actual action. When characters move, it looks like the figures are really moving.
Barnyard is a pretty and colorful animated feature, which makes up for the average narrative and voice acting. Only Sam Elliot as Ben, Danny Glover as Miles, and Wanda Sykes as Bessie the Cow give voice performances that come across with any richness. This is a typical children’s animated feature, filled as it is with funny animal supporting characters that spout line after line of silliness. Barnyard’s simple story and childish and raucous humor explains why it has long legs at the box office. It’s actually a family movie that the family can enjoy together. Barnyard: The Original Party Animals is unashamedly for children. Still, there are enough risqué gags, bathroom humor, and innuendo to keep teenagers interested and adults chuckling.
5 of 10
B-
Monday, September 18, 2006
Updated: Saturday, April 26, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
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Iconic Barbie Doll Headed to the Big Screen in a Live-Action Comedy
SONY PICTURES ENTERTAINMENT AND MATTEL ANNOUNCE PLAN TO BRING THE ICONIC CHARACTER OF BARBIE TO LIFE ON SCREEN
Live-Action Comedy Set to Begin Production End of Year Sony Pictures Entertainment’s Next Global Franchise to be Produced by Walter F. Parkes and Laurie MacDonald and written by Jenny Bicks
Sony Pictures Entertainment, Mattel and Parkes+MacDonald/Image Nation today announced a partnership on a live-action comedy featuring the beloved and dynamic icon Barbie. The studio sees this as its next big, global franchise and plans to go into production by the end of the year. Written by Jenny Bicks and produced by Walter F. Parkes and Laurie MacDonald, the film will be executive produced by Parkes+MacDonald’s president Marc Resteghini alongside Julia Pistor, who will executive produce for Mattel’s Playground Productions.
From princess to president, mermaid to movie star, Barbie® has done it all – through her more than 150 careers, she has gained valuable experiences and shown her fans that anything is possible for a modern woman. In her live-action big screen debut, Barbie will inhabit many of these roles, utilizing her personal and professional skills to inspire change in the lives of everyone around her. This comedic and contemporary film marks the second collaboration between Sony Pictures and Mattel, which are currently developing a film adaptation of Masters of the Universe, based on Mattel’s popular action figures.
Commenting on the announcement, Hannah Minghella, Columbia Pictures’ president of Production, said "We’ve always thought that the Barbie story had great potential, but a universe of possibilities opened up when Jenny, Walter and Laurie brought us their unexpected, clever, and truly funny concept. It captures everything that has made Barbie a classic for generation after generation while also standing on its own, establishing Barbie as a truly original screen character. We’re confident that Barbie will delight audiences, no matter where her adventures take her."
Parkes and MacDonald added, "While it's an overused word, Barbie truly is a legend, a cultural symbol whose career choices have been as unlimited as her wardrobe. She is about empowerment, but never at the expense of fun. Our hope is to capture all of these aspects of Barbie in a modern take of the character that can appeal to moviegoers of all ages."
"Barbie has entertained children and inspired their imagination and creativity for more than 50 years. Now is the right time in Barbie’s celebrated history for her to star in a live-action, contemporary comedy that brings her playful personality to life for generations of fans," said Tim Kilpin, EVP Global Brands, Mattel.
The deal was brokered by CAA on behalf of Mattel and Parkes+MacDonald, by UTA on behalf of Jenny Bicks and by Michael Marshall for Sony Pictures Entertainment.
JENNY BICKS most recently served as a writer and executive producer of the Showtime series "The Big C." She was also a writer/executive producer of the series "Men in Trees" and writer/co-executive producer of "Sex and the City." She most recently co-wrote Rio 2 and also wrote the feature film What a Girl Wants.
WALTER F. PARKES and LAURIE MacDONALD are the husband and wife team who hold the unique distinction of having helped to create DreamWorks, the first new studio in five decades, as well as being two of the most active producers working today. Films produced or executive-produced by Parkes & MacDonald include Gladiator, Amistad, Men In Black I & II, Minority Report, The Mask of Zorro, Catch Me If You Can, Lemony Snicket’s A Series of Unfortunate Events, The Terminal, Road to Perdition, The Ring, The Kite Runner, and Stephen Sondheim’s musical thriller, Sweeney Todd: The Demon Barber of Fleet Street, among many others. In total, films produced or executive-produced by Parkes and MacDonald have earned in excess of $6 billion in worldwide box office. They most recently produced Men in Black 3 and Flight.
ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.
ABOUT MATTEL
The Mattel family of companies (Nasdaq: MAT) is the worldwide leader in the design, manufacture and marketing of toys and family products. Mattel’s portfolio of best-selling brands includes Barbie®, the most popular fashion doll ever produced, Hot Wheels®, Monster High®, American Girl®, Thomas & Friends® and Fisher-Price® brands, including Little People® and Power Wheels®, as well as a wide array of entertainment-inspired toy lines. In 2013, Mattel was named one of the "World's Most Ethical Companies" by Ethisphere Magazine and is also ranked No. 2 on Corporate Responsibility Magazine's "100 Best Corporate Citizens" list. With worldwide headquarters in El Segundo, Calif., Mattel’s companies employ nearly 30,000 people in 40 countries and territories and sell products in more than 150 nations. At Mattel, we are Creating the Future of Play. Visit us at www.mattel.com, www.facebook.com/mattel, or www.twitter.com/mattel
Live-Action Comedy Set to Begin Production End of Year Sony Pictures Entertainment’s Next Global Franchise to be Produced by Walter F. Parkes and Laurie MacDonald and written by Jenny Bicks
Sony Pictures Entertainment, Mattel and Parkes+MacDonald/Image Nation today announced a partnership on a live-action comedy featuring the beloved and dynamic icon Barbie. The studio sees this as its next big, global franchise and plans to go into production by the end of the year. Written by Jenny Bicks and produced by Walter F. Parkes and Laurie MacDonald, the film will be executive produced by Parkes+MacDonald’s president Marc Resteghini alongside Julia Pistor, who will executive produce for Mattel’s Playground Productions.
From princess to president, mermaid to movie star, Barbie® has done it all – through her more than 150 careers, she has gained valuable experiences and shown her fans that anything is possible for a modern woman. In her live-action big screen debut, Barbie will inhabit many of these roles, utilizing her personal and professional skills to inspire change in the lives of everyone around her. This comedic and contemporary film marks the second collaboration between Sony Pictures and Mattel, which are currently developing a film adaptation of Masters of the Universe, based on Mattel’s popular action figures.
Commenting on the announcement, Hannah Minghella, Columbia Pictures’ president of Production, said "We’ve always thought that the Barbie story had great potential, but a universe of possibilities opened up when Jenny, Walter and Laurie brought us their unexpected, clever, and truly funny concept. It captures everything that has made Barbie a classic for generation after generation while also standing on its own, establishing Barbie as a truly original screen character. We’re confident that Barbie will delight audiences, no matter where her adventures take her."
Parkes and MacDonald added, "While it's an overused word, Barbie truly is a legend, a cultural symbol whose career choices have been as unlimited as her wardrobe. She is about empowerment, but never at the expense of fun. Our hope is to capture all of these aspects of Barbie in a modern take of the character that can appeal to moviegoers of all ages."
"Barbie has entertained children and inspired their imagination and creativity for more than 50 years. Now is the right time in Barbie’s celebrated history for her to star in a live-action, contemporary comedy that brings her playful personality to life for generations of fans," said Tim Kilpin, EVP Global Brands, Mattel.
The deal was brokered by CAA on behalf of Mattel and Parkes+MacDonald, by UTA on behalf of Jenny Bicks and by Michael Marshall for Sony Pictures Entertainment.
JENNY BICKS most recently served as a writer and executive producer of the Showtime series "The Big C." She was also a writer/executive producer of the series "Men in Trees" and writer/co-executive producer of "Sex and the City." She most recently co-wrote Rio 2 and also wrote the feature film What a Girl Wants.
WALTER F. PARKES and LAURIE MacDONALD are the husband and wife team who hold the unique distinction of having helped to create DreamWorks, the first new studio in five decades, as well as being two of the most active producers working today. Films produced or executive-produced by Parkes & MacDonald include Gladiator, Amistad, Men In Black I & II, Minority Report, The Mask of Zorro, Catch Me If You Can, Lemony Snicket’s A Series of Unfortunate Events, The Terminal, Road to Perdition, The Ring, The Kite Runner, and Stephen Sondheim’s musical thriller, Sweeney Todd: The Demon Barber of Fleet Street, among many others. In total, films produced or executive-produced by Parkes and MacDonald have earned in excess of $6 billion in worldwide box office. They most recently produced Men in Black 3 and Flight.
ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.
ABOUT MATTEL
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Friday, April 25, 2014
The Hobbit "There and Back Again" is Now "The Battle of the Five Armies"
Final Film in Peter Jackson’s “The Hobbit” Trilogy to Be Titled “The Hobbit: The Battle of the Five Armies”
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures, Metro-Goldwyn-Mayer Pictures and New Line Cinema jointly announced today that the much-anticipated final film in Peter Jackson’s trilogy adaptation of the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien, has now been titled “The Hobbit: The Battle of the Five Armies.” The film, previously titled “The Hobbit: There and Back Again,” will be released worldwide December 17, 2014, with select international territories releasing on December 10, 2014.
“The Hobbit: The Battle of the Five Armies.”
Peter Jackson stated, “Our journey to make ‘The Hobbit’ Trilogy has been in some ways like Bilbo’s own, with hidden paths revealing their secrets to us as we’ve gone along. ‘There and Back Again’ felt like the right name for the second of a two-film telling of the quest to reclaim Erebor, when Bilbo’s arrival there, and departure, were both contained within the second film. But with three movies, it suddenly felt misplaced — after all, Bilbo has already arrived ‘there’ in the ‘The Desolation of Smaug.’ When we did the premiere trip late last year, I had a quiet conversation with the studio about the idea of revisiting the title. We decided to keep an open mind until a cut of the film was ready to look at. We reached that point last week, and after viewing the movie, we all agreed there is now one title that feels completely appropriate. And so: ‘The Hobbit: The Battle of the Five Armies’ it is.”
“The Hobbit” Trilogy tells a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Academy Award®-winning filmmaker Peter Jackson and his team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Evangeline Lilly, Lee Pace, Luke Evans, Benedict Cumberbatch, Stephen Fry, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Ken Stott, James Nesbitt, and Orlando Bloom. The film also stars, in alphabetical order, John Bell, Manu Bennett, Jed Brophy, Adam Brown, John Callen, Billy Connolly, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Lawrence Makoare, Sylvester McCoy, Graham McTavish, Dean O’Gorman, Mikael Persbrandt, and Aidan Turner.
The screenplay for “The Hobbit: The Battle of the Five Armies” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.
The creative behind-the-scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, editor Jabez Olssen and composer Howard Shore. The costumes are designed by Richard Taylor, Bob Buck and Ann Maskrey. Taylor is also overseeing the design and production of armour, weapons, creatures and special makeup, which are once again being made by the award-winning Weta Workshop. Oscar®-winning visual effects studio Weta Digital is again handling the visual effects for the film, led by senior visual effects supervisor Joe Letteri. The hair and makeup designer is Peter Swords King. The conceptual designers are John Howe and Alan Lee. Eric Saindon is the visual effects supervisor, with David Clayton serving as animation supervisor.
Under Jackson’s direction, “The Hobbit: The Battle of the Five Armies” was shot in 3D 48 frames-per-second and will be released in High Frame Rate 3D (HFR 3D) in select theaters, other 2D and 3D formats, and IMAX®. Production took place at Jackson’s own facilities in Miramar, Wellington, and on location around New Zealand. Post production took place at Park Road Post Production in Wellington.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a Wingnut Films Production, “The Hobbit: The Battle of the Five Armies.” As with the first two films in the Trilogy, “The Hobbit: An Unexpected Journey” and “The Hobbit: The Desolation of Smaug,” the final film is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM. www.thehobbit.com
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures, Metro-Goldwyn-Mayer Pictures and New Line Cinema jointly announced today that the much-anticipated final film in Peter Jackson’s trilogy adaptation of the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien, has now been titled “The Hobbit: The Battle of the Five Armies.” The film, previously titled “The Hobbit: There and Back Again,” will be released worldwide December 17, 2014, with select international territories releasing on December 10, 2014.
“The Hobbit: The Battle of the Five Armies.”
Peter Jackson stated, “Our journey to make ‘The Hobbit’ Trilogy has been in some ways like Bilbo’s own, with hidden paths revealing their secrets to us as we’ve gone along. ‘There and Back Again’ felt like the right name for the second of a two-film telling of the quest to reclaim Erebor, when Bilbo’s arrival there, and departure, were both contained within the second film. But with three movies, it suddenly felt misplaced — after all, Bilbo has already arrived ‘there’ in the ‘The Desolation of Smaug.’ When we did the premiere trip late last year, I had a quiet conversation with the studio about the idea of revisiting the title. We decided to keep an open mind until a cut of the film was ready to look at. We reached that point last week, and after viewing the movie, we all agreed there is now one title that feels completely appropriate. And so: ‘The Hobbit: The Battle of the Five Armies’ it is.”
“The Hobbit” Trilogy tells a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Academy Award®-winning filmmaker Peter Jackson and his team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Evangeline Lilly, Lee Pace, Luke Evans, Benedict Cumberbatch, Stephen Fry, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Ken Stott, James Nesbitt, and Orlando Bloom. The film also stars, in alphabetical order, John Bell, Manu Bennett, Jed Brophy, Adam Brown, John Callen, Billy Connolly, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Lawrence Makoare, Sylvester McCoy, Graham McTavish, Dean O’Gorman, Mikael Persbrandt, and Aidan Turner.
The screenplay for “The Hobbit: The Battle of the Five Armies” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.
The creative behind-the-scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, editor Jabez Olssen and composer Howard Shore. The costumes are designed by Richard Taylor, Bob Buck and Ann Maskrey. Taylor is also overseeing the design and production of armour, weapons, creatures and special makeup, which are once again being made by the award-winning Weta Workshop. Oscar®-winning visual effects studio Weta Digital is again handling the visual effects for the film, led by senior visual effects supervisor Joe Letteri. The hair and makeup designer is Peter Swords King. The conceptual designers are John Howe and Alan Lee. Eric Saindon is the visual effects supervisor, with David Clayton serving as animation supervisor.
Under Jackson’s direction, “The Hobbit: The Battle of the Five Armies” was shot in 3D 48 frames-per-second and will be released in High Frame Rate 3D (HFR 3D) in select theaters, other 2D and 3D formats, and IMAX®. Production took place at Jackson’s own facilities in Miramar, Wellington, and on location around New Zealand. Post production took place at Park Road Post Production in Wellington.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a Wingnut Films Production, “The Hobbit: The Battle of the Five Armies.” As with the first two films in the Trilogy, “The Hobbit: An Unexpected Journey” and “The Hobbit: The Desolation of Smaug,” the final film is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM. www.thehobbit.com
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