Tom Cruise and Emily Blunt Race Around the World for "Edge of Tomorrow"

"Edge of Tomorrow" -- Tom Cruise and Emily Blunt Chase Tomorrow Right to the Edge: Three Premieres / Three Countries / One Day

Stars race against time to meet fans in London, Paris and New York on an unprecedented Red Carpet Repeat tour

BURBANK, Calif.--(BUSINESS WIRE)--On May 28, the stars of “Edge of Tomorrow” will take part in a groundbreaking worldwide event when, for the first time ever, three fan premieres will be held in three different countries in just one day, “resetting” the red carpet as Tom Cruise and Emily Blunt race the clock to make each event before time runs out.

In “Edge of Tomorrow,” Cruise’s character relives the events of one day over and over in an epic battle to save the world. The story begins as he arrives in London, making that city the perfect place to kick off this global event.

All times are local:

•     7:00 a.m. inaugural premiere kicks off on the carpet in London, with a 9:00 a.m. screening.

The film takes both characters to France, where they face off against an insurmountable army of alien invaders.

•     2:00 p.m. red carpet in Paris, screening at 4:00 p.m.

The final premiere will take the stars back to the U.S.

•     10:00 p.m. red carpet in New York City, with the final screening—on the edge of tomorrow—at 11:59 p.m.

Between cities, Cruise, Blunt and the film’s director, Doug Liman, will interact with fans via social media as they jet from country to country. A contingent of select press will travel to each premiere, covering the events as they unfold.

There will be live stream components for each of the three events. Those fans on the ground can network via social media using #EOTLive.

Oscar® nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “Edge of Tomorrow,” under the direction of Doug Liman.

The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.

Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.

But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.

The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.

Liman directed “Edge of Tomorrow” from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a 3 Arts Production, in association with Viz Productions, a Doug Liman Film, “Edge of Tomorrow.” Opening domestically on June 6, 2014, the film will be distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow.

This movie has been rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.

edgeoftomorrowmovie.com

Statement from the Family of Efrem Zimbalist, Jr.

Missed this from last week: Zimbalist was best known for the 1960s-70s TV series, The F.B.I.  He also provided the voice of Alfred Pennyworth in Batman: The Animated Series and characters in Spider-Man and Iron Man animated series - LD

Statement from Stephanie Zimbalist and Efrem Zimbalist III:
May 02, 2014 08:37 PM Eastern Daylight Time

SOLVANG, Calif.--(BUSINESS WIRE)--We are heartbroken to announce the passing into peace of our beloved father, Efrem Zimbalist, Jr., today at his Solvang, Calif. ranch. He was 95 years old. A devout Christian, he actively enjoyed his life to the last day, showering love on his extended family, playing golf, and visiting with close friends. We will miss him dearly.

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"Transformers: Age of Extinction" Has a Movie App

Get the official Transformers: Age of Extinction movie app, available now on iOS and Android! Choose your side, complete missions and get ready for the June 27th film release.

Watch the Official Transformers: Age of Extinction Movie App Trailer: https://www.youtube.com/watch?v=VBPQOOoKrPA

To download the app please visit:

iTunes: http://hasb.ro/TF4APAIT514

Google Play: http://hasb.ro/TF4APAS514

Remembering Uncle Willie Semien

Missing you on what would have been your birthday.  Maybe we will get the answers that the Fire Marshal is apparently not interested in providing.

If it's arson, that would make it a homicide, right?

Exclusive "Naruto Shippuden" Figure Headed to San Diego Comic-Con International

VIZ MEDIA AND GECCO TO OFFER EXCLUSIVE 1/6 SCALE NARUTO SHIPPUDEN MASTERPIECE FIGURE AS 2014 COMIC-CON EXCLUSIVE COLLECTABLE

Exceptionally Detailed 1/6 Nauto Uzumaki In 4th Hokage Coat  Destined To Become A Highly Sought After Collector’s Item Will Be Available From VIZ Media Booth 2813

VIZ Media, LLC (VIZ Media), the largest distributor and licensor of manga and anime in North America, teams with Japanese high-end figure manufacturer and official NARUTO SHIPPUDEN product licensee, Gecco, to unveil a very special 1/6 scale masterpiece statue of the world’s most popular ninja, clad in 4th HOKAGE coat version, to be offered exclusively at the VIZ Media booth (#2813) during the 2014 San Diego Comic-Con International.

Set to take place at the San Diego Convention Center, July 23rd-27th, Comic-Con International is the nation’s biggest annual comic book, science fiction and pop culture event.

In this limited edition version, Naruto Uzumaki is rendered in high quality full-color PVC, standing approximately 27cm tall and wearing the 4th Hokage’s famous coat. Crafted by skilled Gecco sculptor/painter Shin Tanabe with painting by Katsushige Akeyama, the intensity of Naruto’s expression has been carefully designed to show his fierce resolve to face enemies in order to protect his friends and save the world. The statue features a highly detailed costume capturing every wrinkle and texture, a true indicator of the exceptional craftsmanship of this masterpiece. The Gecco Naruto Uzumaki, 4th HOKAGE coat version, will carry an MSRP of 150.00 and will be available during 2014 Comic-Con at the VIZ Media booth #2813 (while supplies last).

“This exceptionally detailed statue of Naruto wearing his father’s red flamed coat can become the special centerpiece to a collector’s display, and we are proud to partner with one of the most exclusive Japanese figure manufacturers, Gecco, to present it as a 2014 Comic-Con exclusive product,” says Daisuke Aoki, VIZ Media Vice President, Animation Licensing. “This limited production figure will be one of the most sought after items during Comic-Con and is sure become a highly desirable item among pop culture collectors, comics, anime and manga fans. We look forward to welcoming Gecco to the VIZ Media booth during the show to secure one of the hottest new NARUTO SHIPPUDEN collectables.”

“I wanted to see the greatest Naruto figure with my own eyes, and am excited to partner with VIZ Media to make this a reality!” says Kineo Murakami, founder, Gecco. “The only person who can bring Naruto to vivid life is sculptor Shin Tanabe, and I’m sure anyone who sees this limited edition NARUTO SHIPPUDEN figure will marvel at this masterpiece!”

Created by Masashi Kishimoto, NARUTO was first introduced in Weekly Shonen Jump magazine in Japan in 1999 and quickly became that country’s most popular ninja manga properties. The manga series (rated ‘T’ for Teens, in print and digital editions) and animated counterpart (NARUTO and NARUTO SHIPPUDEN rated ‘TV-14’) are some of VIZ Media’s most successful titles and have captivated millions of fans across North America, Europe and South America.

In the NARUTO manga and animated series, Naruto Uzumaki wants to be the best ninja in the land. He's done well so far, but with the looming danger posed by the mysterious Akatsuki organization, Naruto knows he must train harder than ever and leaves his village for intense exercises that will push him to his limits. NARUTO SHIPPUDEN begins two and a half years later, when Naruto returns to find that everyone has been promoted up the ninja ranks – except him. Sakura’s a medic ninja, Gaara’s advanced to Kazekage, and Kakashi…well he remains the same. But pride isn’t necessarily becoming of a ninja, especially when Naruto realizes that Sasuke never returned from his search for Orochimaru. Plus, the mysterious Akatsuki organization is still an ever-present danger. As Naruto finds out more about the Akatsuki’s goals, he realizes that nothing in his universe is as it seems. Naruto is finding that he’s older, but will he prove wiser and stronger?

For additional details about the exclusive NARUTO SHIPPUDEN figure, please visit http://www.gecco.co.jp/naruto.html.

More information on NARUTO and NARUTO SHIPPUDEN is available at www.Naruto.com.

Additional information on titles available from VIZ Media is available at www.VIZ.com.

About Gecco
Gecco was established in July 2011 as a figure manufacturer in Higashi Osaka, Osaka Prefecture, Japan. Founded by Kineo Murakami, the company’s goal is to create figures Murakami would personally want in his collection. This mandate of creating desirable figures has garnered the support of many figure collectors and enthusiasts around the world. Some of the best-known figures created by Gecco are from the Silent Hill video game series, and each figure created is highly detailed, crafted with exceptional mastery, using the best materials.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.  Learn more about VIZ Media, anime and manga at www.VIZ.com.

Review: Emma Thompson Saves "Saving Mr. Banks"

TRASH IN MY EYE No. 21 (of 2014) by Leroy Douresseaux

Saving Mr. Banks (2013)
Running time:  125 minutes (2 hours, 5 minutes)
MPAA – PG-13 for thematic elements including some unsettling images
DIRECTOR:  John Lee Hancock
WRITERS:  Kelly Marcel and Sue Smith
PRODUCERS:  Ian Collie, Alison Owen, and Philip Steuer
CINEMATOGRAPHER:  John Schwartzman (D.o.P.)
EDITOR:  Mark Livolsi
COMPOSER:  Thomas Newman
Academy Award nominee

DRAMA/HISTORICAL with elements of a biopic and comedy

Starring:  Emma Thompson, Tom Hanks, Annie Rose Buckley, Colin Farrell, Ruth Wilson, Paul Giamatti, Bradley Whitford, B.J. Novak, Jason Schwartzman, Lily Bigham, Melanie Paxson, Ronan Vibert, Rachel Griffiths, and Kathy Baker

Saving Mr. Banks is a 2013 drama from director John Lee Hancock and is an American, British, and Australian co-production.  The film is a fictional account of author P.L. Travers’ trip to America, as she considers selling the film rights to her Mary Poppins books to Walt Disney.

Walt Disney is really a supporting character in Saving Mr. Banks, as the movie focuses on Travers as she reflects on her childhood and on her relationship with her troubled father.  The parts of the film that focus on Travers’ childhood are melancholy.  The parts of the film that take place in the film’s present (1961) are lively and colorful, and I wish all of the movie were set at Walt Disney Studios.

The film opens in the year 1961 in London, where it finds author, Pamela “P.L.” Travers (Emma Thompson), experiencing financial troubles.  Travers does have a way out of her money woes.  She can sell the film rights to her Mary Poppins books to Walt Disney (Tom Hanks), who has been pursuing Travers for the rights to the books for 20 years.  Travers travels to Los Angeles, where she is whisked to the Walt Disney Studios in Burbank.

In America, Travers meets a kind limo driver, Ralph (Paul Giamatti). She meets Mr. Disney.  She meets the creative team assigned to adapt Mary Poppins to the screen:  screenwriter, Don DaGradi (Bradley Whitford); and musical composing brothers, Richard and Robert Sherman (Jason Schwartzman and B.J. Novak, respectively).  For two weeks, Travers plans on working with the team to get Mary right – at she sees it.

However, everything about her Mary Poppins book may be too personal for her to accept anyone else’s vision of Mary Poppins, especially Walt Disney’s version of Mary Poppins.  As she works on the film, Travers’ mind goes back to her life in Australia as a girl (Annie Rose Buckley) and she recollects her relationship with her troubled father (Colin Farrell).

I have to admit that I like Saving Mr. Banks because of its fanciful and real-life complication-free look at Walt Disney, his employees, and life at Walt Disney Studios.

I will grant that Emma Thompson gives a fantastic performance, one that is worthy of the Oscar nomination Thompson did not receive.  I will also grant that the story of Travers’ past is heartbreaking and fairly well-executed by director John Lee Hancock and his collaborators.  I will finally admit that I don’t think Hanks deserved an Oscar nomination for his performance as Walt Disney, especially not as a lead actor.  His Disney is clearly a supporting character in this story… and this is not close to being one of Hanks’ better or memorable performances.

Mostly, I think Saving Mr. Banks is a soapy television movie with big name actors trying to be a prestige motion picture.  I think the film sometimes portrays P.L. Travers as a contrary old kook and also glosses over her legitimate concerns about how her characters will be translated to film.  After all, she clearly knew that more people would see a Mary Poppins movie than would ever read her Mary Poppins books.  Because of that, many people would know Mary Poppins only through the film, so she had right to be concerned that the screen Mary Poppins be as close as possible to her Mary Poppins.

After all that granting, I am back to what I like about this movie. Saving Mr. Banks presents a… well… Disney-fied version of some of the events surrounding the production of the 1964 Mary Poppins film.  That is okay by me, but I realize that there is much more to the real story than is in Saving Mr. Banks.

6 of 10
B

Monday, May 05, 2014


NOTES:
2014 Academy Awards:  1 nomination: “Best Achievement in Music Written for Motion Pictures, Original Score” (Thomas Newman)

2010 Golden Globe:  1 nomination: “Best Performance by an Actress in a Motion Picture – Drama” (Emma Thompson)

2014 BAFTA Awards:  5 nominations:  “Alexander Korda Award for Best British Film” (John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, and Sue Smith), “Anthony Asquith Award for Film Music” (Thomas Newman), “Outstanding Debut by a British Writer, Director or Producer” (Kelly Marcel), “Best Leading Actress” (Emma Thompson), and “Best Costume Design” (Daniel Orlandi)

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "MARY POPPINS" is Still "Supercalifragilisticexpialidocious"

TRASH IN MY EYE No. 22 (of 2014) by Leroy Douresseaux

Mary Poppins (1964)
Running time:  139 minutes (2 hours, 19 minutes)
DIRECTOR:  Robert Stevenson  
WRITERS: Bill Walsh and Don Da Gradi (based on: The "Mary Poppins" books by P.L. Travers)
PRODUCERS:  Walt Disney and Bill Walsh
CINEMATOGRAPHER:  Edward Colman (D.o.P.) 
EDITOR:  Cotton Warburton
COMPOSERS/SONGS:  Richard M. Sherman and Robert B. Sherman
SCORE:  Irwin Kostal
Academy Award winner

FANTASY/MUSICAL/FAMILY

Starring:  Julie Andrews, Dick Van Dyke, David Tomlinson, Glynis Johns, Karen Dotrice, Matthew Garber, Hermione Baddeley, Reta Shaw, Elsa Lanchester, Arthur Treacher, Reginald Owen, Don Barclay, and Ed Wynn

Mary Poppins is a 1964 musical fantasy film from Walt Disney Productions.  The film was directed by Robert Stevenson and produced by Walt Disney, although he did not receive a credit in the actual film as the producer, while producer Bill Walsh is only credited as co-producer.  In 1965, both Disney and Walsh received nominations for best producer for their work on Mary Poppins.

The primary source for Mary Poppins the movie is the 1934 novel, Mary Poppins, which was written by author P.L. Travers.  Eight Mary Poppins books written by Travers were published from 1934 to 1988.  The movie mixes adventures and episodes taken from each of the novels that existed at the time the film began production with new material created specifically for the movie.

Mary Poppins the film follows a nanny with magic powers who comes to work for the Banks family.  She takes care of two children whose father is an emotionally distant and cold banker and whose mother is a usually-absent suffragette.  The nanny gets some help working her magic on the family from a singing and dancing chimney-sweep.  I consider Mary Poppins to be an exceptional Hollywood fantasy film.  I would consider it a truly great film, except that I think the movie is too long and that it practically has no plot.

Mary Poppins opens in the year 1910.  In the city of London, England, there is trouble at No. 17 Cherry Tree Lane.  George W. Banks (David Tomlinson) and his wife, Winifred (Glynis Johns), are having trouble retaining a nanny to care for their two children, Jane (Karen Dotrice) and Michael (Matthew Garber).  Enter Mary Poppins (Julie Andrews); blown in on the east wind, she is the practically perfect nanny who will revolutionize the prim and proper Banks family with a bit of magic and a spoonful of sugar.  Of course, she will get some help from a Cockney jack-of-all-trades and chimney sweep, the dancing and singing Bert (Dick Van Dyke).

Mary Poppins has the magical quality that infused the Walt Disney animated films that preceded it.  One reason is because Mary Poppins combines live-action and animation.  This includes an extended sequence in which Mary Poppins, Bert, and Jane and Michael frolic in a world that is entirely animated except for them.  I think some of the live-action backgrounds and environments and some of the live-action sequences were produced in such a way that they would look like they belong in an animated feature film.

The acting is good, but not great, except for the wonderful Dick Van Dyke, who is outstanding in this film.  Julie Andrews plays the title character, but in many ways, Mary Poppins the movie is as much Bert’s film as it is Mary Poppins’.  Van Dyke’s wild, but precise and imaginative dancing sometimes cast a spell that made me watch every moment of his routines.  Van Dyke’s Bert is one of the best supporting characters in American film history, simply for the fact that he supports the film to the point of often carrying the story – especially when it really needs someone to carry it.

Of course, the songs are classic.  The songwriting duo of brothers Richard M. Sherman and Robert B. Sherman are American treasures.  Even with silly titles, the Shermans’ songs are excellent and unforgettable.  Irwin Kostal adapts and orchestrates the Sherman Bros.’ songs into a musical score, and he should always get credit for how he translates those songs into music that is important to the storytelling’s mood, action, and drama.

However, I do think that the length of this film is a problem.  The film’s runtime is too long at two hours and 19 minutes.  Some of the song and dancing sequences stretch to the point of turning that which is captivating into something annoying.  Most glaring, the resolution of the Banks’ problems does not make sense.  It just comes out of nowhere, probably because at some point, everyone realized that even this movie had to end.

Still, Mary Poppins has that instant classic, Disney quality of which we all know and practically all of us love.  Perhaps, that is because Mary Poppins seems intent on plucking the audience’s emotions and playing up the good things about family.  However, the film does that with songs rather than through substantive plot and narrative.

Some of Mary Poppins is extraordinarily good.  Some of it made me tear-up, even the last act which I just criticized.  Mary Poppins is an American classic.  I don’t think we will ever stop loving it, and we will watch it again… and again.  It is “supercalifragilisticexpialidocious,” indeed.

8 of 10
A

NOTES:
1965 Academy Awards, USA:  5 wins: “Best Actress in a Leading Role” (Julie Andrews), “Best Film Editing” (Cotton Warburton), “Best Effects, Special Visual Effects” (Peter Ellenshaw, Hamilton Luske, and Eustace Lycett), “Best Music, Original Song” (Richard M. Sherman and Robert B. Sherman for the song “Chim Chim Cher-ee”), and “Best Music, Substantially Original Score” (Richard M. Sherman and Robert B. Sherman); 8 nominations: “Best Picture” (Walt Disney and Bill Walsh), “Best Director” (Robert Stevenson), “Best Writing, Screenplay Based on Material from Another Medium” (Bill Walsh and Don DaGradi), “Best Cinematography, Color” (Edward Colman), “Best Art Direction-Set Decoration, Color” (Carroll Clark, William H. Tuntke, Emile Kuri, and Hal Gausman), “Best Costume Design, Color” (Tony Walton), “Best Sound” (Robert O. Cook - Walt Disney SSD), and “Best Music, Scoring of Music, Adaptation or Treatment” (Irwin Kostal)

1965 Golden Globes, USA:  1 win: “Best Motion Picture Actress - Musical/Comedy” (Julie Andrews); 3 nomination: “Best Motion Picture - Musical/Comedy), “Best Motion Picture Actor - Musical/Comedy” (Dick Van Dyke), and “Best Original Score” (Robert B. Sherman and Richard M. Sherman)

1965 BAFTA Awards 1965:  1 win “Most Promising Newcomer to Leading Film Roles’ (Julie Andrews-USA)

2013 National Film Preservation Board, USA:  National Film Registry

Tuesday, May 06, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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