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How to Train Your Negromancer, Too (June 2014)

It's June 2014! Welcome to Negromancer 2.0.  This is the rebirth of Negromancer, the former movie review website as a new movie review and movie news site.

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All images and text appearing on this blog are © copyright and/or trademark their respective owners.

Negromancer News Bits and Bites for Saturday, May 31, 2014

The Washington Post began the walk back on Ann Hornaday's May 25th column/rant that blamed in part the recent Isla Vista massacre on the films like those made by Seth Rogen and Judd Apatow.  Hornaday responded to the controversy of her original column.

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Actor Josh Brolin (No Country for Old Men) will apparently play Thanos in Marvel's Guardians of the Galaxy (due August 1, 2014).

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Apparently, Quentin Tarantino left enough of Django Unchained on the cutting room floor that he wants to re-edit the film:

“My idea, frankly, is to cut together a four-hour version of 'Django Unchained,'” he said on Friday. “But I wouldn’t show it like a four-hour movie. I would cut it up into hour chapters. Like a four-part miniseries. And show it on cable television. Show it like an hour at a time, each chapter.”

Tarantino won a best original screenplay Oscar for the film.  More at Variety.

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Monsters and Godzilla director Gareth Edwards has apparently signed on to direct one of Walt Disney's Star Wars spinoff films.  Garry Whitta (Book of Eli) is writing the script for the spinoff.  Which spinoff: no one knows.

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Edgar Wright has apparently left Marvel's Ant-Man movie.

The directors interviewing to replace Wright are Rawson Marshall Thurber (We're the Millers), Adam McKay (the Anchorman movies), and Ruben Fleischer (Zombieland)

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Bunny Yeager, the pin-up model turned photographer, died Sunday, May 25, 2014.  She was 85.  This New York Times obituary gives an overview of her life and work.  Yeager famously photographed pin-up queen, Bettie Page, in a leopard-print swimsuit.  I recently reviewed the documentary, Bettie Page Reveals All, which has a segment on the Page-Yeager combination.

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Herb Jeffries was a pioneering actor in Westerns that were targeted at African-America.  Best known as the "Bronze Buckaroo," Jeffries died Sunday, May 25, 2014,  He was 100-years-old.

Review: Ken Watanabe Carries "Letters from Iwo Jima" (Happy B'day, Clint Eastwood)

TRASH IN MY EYE No. 99 (of 2007) by Leroy Douresseaux

Letters from Iwo Jima (2006)
COUNTRY OF ORIGIN:  USA; Languages:  Japanese/English
Running time:  140 minutes (2 hours, 20 minutes)
MPAA – R for graphic war violence
DIRECTOR:  Clint Eastwood
WRITERS:  Iris Yamashita; story by Iris Yamashita and Paul Haggis (based upon the book Picture Letters from Commander in Chief by Tadamichi Kuribayashi and Tsuyoko Yoshido)
PRODUCERS:  Clint Eastwood, Steven Spielberg, and Robert Lorenz
CINEMATOGRAPHER:  Tom Stern
EDITORS:  Joel Cox and Gary D. Roach
COMPOSERS: Kyle Eastwood and Michael Stevens
2007 Academy Award winner

WAR/DRAMA

Starring:  Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Shido Nakamura, Hiroshi Watanabe, Takumi Bando, Yuki Matsuzaki, and Luke Eberl

The subject of this movie review is Letters from Iwo Jima, a 2006 war film from director Clint Eastwood.  Set during World War II, the film is almost entirely in the Japanese language and tells the story of the Battle of Iwo Jima from the perspective of the Japanese soldiers.  Eastwood also makes contributions to the film’s score which was created by his son, Kyle Eastwood, and Michael Stevens.

Letters from Iwo Jima is director Clint Eastwood’s companion piece to his film, Flags of our Fathers.  The films form a two-part examination of the ordinary men who fought on both sides of World War II during the crucial battle for a small island.

As tens of thousands of Allied troops storm Iwo Jima, Japanese General Tadamichi Kuribayashi (Ken Watanabe) knows his men are outnumbered, running low on supplies, and have no hope of troop support or even rescue.  The Japanese troops prepare to meet their fate – to die in battle or to die by their own hands.  Gen. Kuribayashi and a soldier named Saigo (Kazunari Ninomiya) often pass the time writing letters to their wives, although they realize that the letters may never reach mainland Japan.

Eastwood directs Letters from Iwo Jima with stark simplicity that makes even its bloodiness seem eloquent and the drama never heavy-handed.  For a war picture, Letters from Iwo Jima is surprisingly both quiet and thoughtful.  Even the battle scenes come across as a time for reflection.  If there are still any doubts about Clint Eastwood as a talented director who has the ability to weave intimate character dramas, then, Letters from Iwo Jima should put that hogwash to rest.

Eastwood is also quite good at directing actors and getting strong dramatic turns from both his leads and his supporting cast.  Letters’ cast is strong, but Kazunari Ninomiya and Ken Watanabe stand out, in particularly the latter.  Watanabe has a regal air about him, but there is substance in all his performances.  He’s old Hollywood – a “face,” but he also has the dramatic chops to bury himself in characters and bring them to life.

7 of 10
A-

NOTES:
2007 Academy Awards:  1 win for “Best Achievement in Sound Editing” (Alan Robert Murray and Bub Asman); 3 nominations for “Best Picture of the Year” (Clint Eastwood, Steven Spielberg, and Robert Lorenz), “Best Achievement in Directing” (Clint Eastwood), and “Best Writing, Original Screenplay” (Iris Yamashita-screenplay/story and Paul Haggis-story)

2007 Golden Globes:  1 win for “Best Foreign Language Film” and 1 nomination: “Best Director-Motion Picture” (Clint Eastwood)

Wednesday, June 27, 2007

Updated: Saturday, May 31, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Angelina Jolie Talks "Maleficent"

This Angelina Jolie Q&A (provided by PRNewswire) features questions and answers about the new Walt Disney Picture's film, Maleficent.

 Q: What attracted you to the role?

 A: I loved Maleficent when I was a little girl; she was my favorite Disney character. I was afraid of her and I loved her. So, when I'd heard rumors that there might be a Maleficent movie, I asked around to find out what was going on. Then I got a call asking if I was interested and I said absolutely. I said I loved the idea of it but I didn't know how one could turn that idea into a film because how could you make a film about somebody who curses a baby and what kind of film is that going to be? I said yes, but I didn't really think they'd be able to figure it out. And then they did.

 Q: When you first read the script, what did you think?

A: I was really moved by the script from first reading. It was like uncovering a great mystery. We all know the story of "Sleeping Beauty" and we all know Maleficent and what happened at the christening because we've all grown up with that. But what we've never known is, what happened before?

Q: What are some of the things that we can expect?

A: People will see that she's the same wicked Maleficent. What I loved about the original Maleficent when I was little was that she had a wicked sense of fun. She enjoyed being evil and she reveled in it. She still gets to do that and she will satisfy, hopefully, the people that, like myself, are fans of the original. But you get to learn more about her and how she became evil.

I think that audiences will approach the christening scene differently. When you know what you know about her, by the time you get to the christening, if we've done it right, you may be on her side, which, if we can pull it off, would be extraordinary. Maleficent has a strong sense of justice; she has a strong heart and a strong sense of what she thinks is right and wrong and then she loses her way.

Q: What were some of the ideas you brought to this character?

A: I wanted to make sure we didn't lose her sense of wicked fun because I think it's a very beautiful story. It's kind of a different but classic fairy tale and it has a lot of heart. We want to revel in that and that was very important for me as well as that she was somebody that was relatable.

When I first read the script, I was very moved by it, so I sat my girls down and told them the real story of Maleficent. Then the next day, my little boy got into a fight with one of my daughters because he was saying, "Maleficent's evil. She's scary and she's evil." And my daughter was saying, "You don't understand. You don't know everything." I thought that was very interesting. Don't we all wish we could say, "But you don't know everything. You don't know me completely; you don't see the full picture." So when I heard my little girls defending her, I thought that this would be a character that I would hope that young girls and boys would see and would relate to. I hope the girls, especially, will see the importance of having a sense of justice and a sense of what's fair and what's worth fighting for. They'll see that they can be warriors and at the same time soft and feminine and deeply feeling, with all the complexities women have.

Q: Has your understanding of the character changed since playing her?

A: It changed all the way through the filming because she's taught me a lot. Maleficent is certainly one of the most difficult characters I've ever played because she represents all sides of what it is to be human, even though she is not. She was a very innocent youth with those kinds of qualities that you see in a lot of young people today where they're very passionate about environmental causes or the world or politics. Then she gets beaten down by betrayal and becomes quite dark and loses her humanity completely and then has to find it again.

For me, the journey of playing her has been much heavier, much more emotional, and much more difficult an experience than I expected. There's a part of me that plays big fun roles, but never this big. She's slightly crazy, extremely vibrant, a little wicked and has a big sense of humor, so she's quite full on. It's one of those characters that, for me, you couldn't do halfway.

 Q: Tell us who Stefan is in the story and how your relationship changes.

A: Stefan is a human boy who Maleficent meets in the moors when she's young. They become best friends but as they grow up, the way they view the world changes and they have very different opinions. They both, at different times in the story, go very dark. They end up becoming enemies. Maleficent ultimately finds her humanity again and Stefan doesn't.

Q: Tell us who Diaval is.

A: Diaval is the most complicated character to explain. Diaval is a bird that Maleficent turns into a man because she needs someone to fly for her at a certain point. She then uses her powers to turn him into many other things, depending on what she needs. So this character, played by Sam Riley, is, on occasion, a bird, a wolf, a horse, or whatever animal she needs.

I think, especially for children, it's amazing to have this character that transforms into all these different personalities and all these different things. But they have a very bizarre relationship. At first Maleficent's quite controlling over him and then he tries to stand up to her and they bicker a lot. They're like a weird married couple that watches Aurora as she grows up. Maleficent has a disdain for Aurora and everything that she represents and Diaval's a little more nurturing.

Q: What do you hope the film will bring audiences?

A: Everybody involved is hoping to bring audiences the feeling that we've respected the classic film and if they loved the classic, we've tried to bring them what they've remembered and loved about this story. But we've tried to enhance it and also make it beautiful and touching. We hope that audiences care about the characters, Aurora and Maleficent and Stefan and everybody involved; whether they love them or hate them at moments, that somehow they deeply know them and they're deep, good characters.

But we also hope to bring a real world that they've never seen before and also action sequences and everything audiences want in a film. You have to have romance and you have to have action and you have to have stunning sets and you have to have a story you care about and a great script and you have to have surprises and you have to have all of it for it to work.

Q: Tell me about your daughter in the film and how she got the role.

A: There are a lot of different Auroras in the movie. There's a baby Aurora, whom I've shot scenes with. I tried to be as nice as I possibly could, but the way I look as Maleficent just scares babies, so this little, teeny, sweet baby is traumatized by me every time she sees me. She gives this very furrowed brow and then within a matter of minutes she's crying. When crewmembers brought their young kids almost always they would cry and run away from me, so we realized that the only four year old that would probably not run away from me was my own daughter. We had to put Vivienne in the movie because no other little kid would allow me to pick them up because I look so scary.

Q: Has it been fun working with her?

A: It has been fun but it's hard work. Kids want to do a scene once and they want to be done with it. They don't want to wear something that they don't want to wear and they don't want to smile when they don't feel like it. But Vivienne did, in the end, have a good time because we made it fun.

Q: Who are the pixies in the movie?

A: The pixies are three wonderful actresses, extraordinary actresses, who are playing the already famous pixies. You know them by color: the green, pink, and blue. Maleficent has a funny relationship with them because she hates them. I get to banter with them and especially Imelda Staunton, who is Knotgrass. So to actually be dressed in the horns and having my own crazy character moment and having her as a little fairy yelling at me in her crazy moment is one of the best crazy moments I've ever had on film. The three pixies are so funny together and certainly the comedic relief and the joy of the film.

Q: Who is Aurora in this film and what has it been like working with Elle Fanning?

A: Elle is Aurora. From the moment I met her, she is just sunshine. She's a wonderful, sweet, intelligent young woman. Elle's such a capable actress and a very strong person, which is nice because this Aurora is not just in love with the flowers; she is elegant and beautiful and delicate and loving, but she's centered and she's quite an impressive young woman. Elle is bringing all of that and a great deal of emotional depth and her talent, as an actress, has really surprised me. She's great.

ABOUT THE MOVIE:
"Maleficent" explores the untold story of Disney's most iconic villain from the classic "Sleeping Beauty" and the elements of her betrayal that ultimately turn her pure heart to stone. Driven by revenge and a fierce desire to protect the moors over which she presides, Maleficent cruelly places an irrevocable curse upon the human king's newborn infant Aurora. As the child grows, Aurora is caught in the middle of the seething conflict between the forest kingdom she has grown to love and the human kingdom that holds herlegacy. Maleficent realizes that Aurora may hold the key to peace in the land and isforced to take drastic actions that will change both worlds forever.

The film stars Angelina Jolie as Maleficent, Sharlto Copley, Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple and Lesley Manville.

"Maleficent" is produced by Joe Roth and directed by Robert Stromberg, with Angelina Jolie, Michael Vieira, Don Hahn, Palak Patel, Matt Smith and Sarah Bradshaw serving as executive producers. Linda Woolverton wrote the screenplay. "Maleficent" opens in U.S. theaters on May 30, 2014.

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"Maleficent" with Angelina Jolie Now in Theatres

Angelina Jolie is Maleficent in Cinemas May 29th in 3D

DUBAI, UAE, May 27, 2014 /PRNewswire/ --When Academy Award(R)-winning actress Angelina Jolie got wind that a movie about Maleficent, her favorite Disney character, was going to be made, her interest was piqued.

"I loved Maleficent when I was a little girl," says Jolie. "I was afraid of her and I loved her. So, when I'd heard rumors that there might be a Maleficent movie, I asked around to find out what was going on. Then I got a call asking if I was interested and I said absolutely."

When Jolie read the script, she was moved by it and felt it was like uncovering a great mystery. "We all know the story of 'Sleeping Beauty' and we all know Maleficent and what happened at the christening because we've all grown up with that," comments Jolie. "But what we've never known is, what happened before?"

As to what audiences can expect from Disney's most iconic villain this time around, Jolie says, "People will see that she's the same wicked Maleficent. What I loved about the original Maleficent when I was little was that she had a wicked sense of fun. She enjoyed being evil and she reveled in it. She still gets to do that and she will satisfy, hopefully, the people that, like myself, are fans of the original. But you get to learn more about her and how she became evil."

Explaining how she approached playing Maleficent, Jolie relates, "I wanted to make sure we didn't lose her sense of wicked fun because I think it's a very beautiful story. It's kind of a different but classic fairy tale and it has a lot of heart. We want to revel in that and that was very important for me as well as that she was somebody that was relatable."

Jolie admits that Maleficent is one of the most difficult characters that she has ever played because "she represents all sides of what it is to be human, even though she is not." "For me, the journey of playing her has been much heavier, much more emotional, and much more difficult an experience than I expected," informs Jolie. "There's a part of me that plays big fun roles, but never this big. She's slightly crazy, extremely vibrant, a little wicked and has a big sense of humor, so she's quite full on. It's one of those characters that, for me, you couldn't do halfway."

Describing Maleficent's relationship with Stefan, played by Sharlto Copley, and how that relationship pushes the story forward, Jolie says, "Stefan is a human boy who Maleficent meets in the moors when she's young. They become best friends but as they grow up, the way they view the world changes and they have very different opinions. They both, at different times in the story, go very dark. They end up becoming enemies."

Maleficent can turn her raven Diaval, played by Sam Riley, into a man or any animal that suits her particular purpose. When Diaval is a man, he is Maleficent's confidant and conscience. Explaining their relationship, Jolie says, "They have a very bizarre relationship. At first Maleficent's quite controlling over him and then he tries to stand up to her and they bicker a lot. They're like a weird married couple that watches Aurora as she grows up. Maleficent has a disdain for Aurora and everything that she represents and Diaval's a little more nurturing."

Jolie was quite impressed by her young co-star Elle Fanning, who plays Aurora. "Elle is Aurora. From the moment I met her, she is just sunshine," says Jolie. "She's a wonderful, sweet, intelligent young woman. Elle's such a capable actress and a very strong person, which is nice because this Aurora is not just in love with the flowers; she is elegant and beautiful and delicate and loving, but she's centered and she's quite an impressive young woman. Elle is bringing all of that and a great deal of emotional depth and her talent, as an actress, has really surprised me."

Maleficent has a fun relationship with the pixies, played by Imelda Staunton, Lesley Manville and Juno Temple, who are afraid of her and for good reason. "Maleficent hates them," sates Jolie. "I get to banter with them and especially Imelda Staunton, who is Knotgrass. So to actually be dressed in the horns and having my own crazy character moment and having her as a little fairy yelling at me in her crazy moment is one of the best crazy moments I've ever had on film." She adds, "The three pixies are so funny together and certainly the comedic relief and the joy of the film."

When moviegoers sit in their seats to watch "Maleficent," Jolie expects that they will have a great experience. "Everybody involved is hoping to bring audiences the feeling that we've respected the classic film and if they loved the classic, we've tried to bring them what they've remembered and loved about this story," says Jolie. "But we've tried to enhance it and also make it beautiful and touching. We hope that audiences care about the characters, Aurora and Maleficent and Stefan and everybody involved; whether they love them or hate them at moments, that somehow they deeply know them and they're deep, good characters. But we also hope to bring a real world that they've never seen before and also action sequences and everything audiences want in a film."

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Academy Celebrates 25th Anniversary of "Do The Right Thing"

The Academy to Celebrate 25th Anniversary of "Do The Right Thing" with Spike Lee

Screenings and Live Discussion in Los Angeles and New York

LOS ANGELES, CA –The Academy of Motion Picture Arts and Sciences will celebrate the 25th anniversary of the seminal film “Do the Right Thing” with writer-director Spike Lee and members of the film’s cast and crew at two special screening events: on June 27 in Los Angeles at the Bing Theater, and on June 29 in Brooklyn at the BAM Harvey Theater.

Lee’s groundbreaking third feature, set on a single block in Brooklyn’s Bedford-Stuyvesant neighborhood on summer’s hottest day, features a large ensemble cast including Lee, Danny Aiello, Ossie Davis, Ruby Dee, and then-newcomers John Turturro, Samuel L. Jackson and Rosie Perez.  It earned Oscar® nominations for Original Screenplay (Lee) and Best Supporting Actor (Aiello).

Los Angeles (Friday, June 27) 

“Do the Right Thing” 25th Anniversary Screening and Conversation 

8:30 p.m. at the Bing Theater on LACMA campus

Moderated by John Singleton

Panel discussion includes Spike Lee, costume designer Ruth E. Carter, casting director Robi Reed, production supervisor Preston Holmes and former Universal executive Tom Pollock.

CLICK HERE FOR MORE INFORMATION

New York (Sunday, June 29)

“Do the Right Thing” 25th Anniversary Screening and Conversation for Closing Night of BAMcinemaFest

Co-presentation with BAMcinématek

5 p.m. on the Steinberg Screen at the BAM Harvey Theater

Moderated by Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture

Panel discussion includes Spike Lee; actors Danny Aiello, Giancarlo Esposito, Bill Nunn and Rick Aiello; film editor Barry Brown; and production designer Wynn Thomas.

CLICK HERE FOR MORE INFORMATION

The Academy will also host the screening series “By Any Means Necessary: A Spike Lee Joints Retrospective,” beginning with a screening of “25th Hour” (2002) on Thursday, June 26, at 7:30 p.m. at the Academy’s Linwood Dunn Theater in Hollywood.  The evening also marks the opening of the photography exhibit “WAKE UP! David C. Lee Photographs the Films of Spike Lee,” in the theater foyer through September. 

“By Any Means Necessary: A Spike Lee Joints Retrospective” continues July 11–27 at the Linwood Dunn Theater and the Bing Theater in Los Angeles, and June 29–July 10 at BAMcinématek in New York.  Please visit oscars.org and BAM.org for more information.

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