Saturday, January 7, 2017

National Society of Film Critics Name "Moonlight" Best Picture of 2016

The National Society of Film Critics was founded in New York City in 1966 and its membership is currently comprise of 56 of the country’s most prominent movie critics.  Known for their highbrow tastes, these critics form one of the most prestigious film groups on the United States.  Current members include some of my favorite film critics, like David Edelstein and J. Hoberman, among others.  The late Roger Ebert, my favorite critic, was also a member.  The society has produced several anthologies about movies, including the must-have for film fans, Produced and Abandoned: The Best Films You’ve Never Seen (1990).

The National Society of Film Critics gathered on Saturday, January 7, 2017 to vote on their annual film awards – the 51st edition.

Here is a list of the National Society of Film Critics 2016 winners and runners-up, with vote counts from the final round.

BEST PICTURE
*1. Moonlight (54)

    Manchester by the Sea (39)
    La La Land (31)

BEST DIRECTOR
*1. Barry Jenkins (53) – Moonlight

    Damien Chazelle (37) – La La Land
    Kenneth Lonergan (23) – Manchester by the Sea

BEST ACTOR
*1. Casey Affleck (65) – Manchester by the Sea

    Denzel Washington (21) – Fences
    Adam Driver (20) – Paterson

BEST ACTRESS
*1. Isabelle Huppert (55) – Elle and Things to Come

    Annette Bening (26) – 20th Century Women
    Sandra Hüller (26) – Toni Erdmann [tied with Bening]

BEST SUPPORTING ACTOR
*1. Mahershala Ali (72) – Moonlight

    Jeff Bridges (18) – Hell or High Water
    Michael Shannon (14) – Nocturnal Animals

BEST SUPPORTING ACTRESS
*1. Michelle Williams (58) – Manchester by the Sea

    Lily Gladstone (45) – Certain Women
    Naomie Harris (25) – Moonlight

BEST SCREENPLAY
*1. Manchester by the Sea (61) – Kenneth Lonergan

    Moonlight (39) – Barry Jenkins
    Hell or High Water (16) – Taylor Sheridan

BEST CINEMATOGRAPHY
*1. Moonlight (52) – James Laxton

    La La Land (27) – Linus Sandgren
    Silence (23) – Rodrigo Prieto

FOREIGN-LANGUAGE FILM
*1. Toni Erdmann (52)

    The Handmaiden (26)
    Elle (19) and Things to Come (19) tied

BEST NON-FICTION FILM
*1. O.J.: Made in America (64)

    I Am Not Your Negro (36)
    13th (20)


SPECIAL CITATION for a film awaiting American distribution: Sieranevada (Romania) Cristi Puiu

FILM HERITAGE AWARD: Kino Lorber’s 5-disc collection “Pioneers of African-American Cinema”

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Seattle Film Critics Society Name "Moonlight" Best Picture of 2016

Established in 2016, the Seattle Film Critics Society (SFCS) says that it is dedicated to supporting local productions and festivals, enhancing public education, awareness, and appreciation of cinema, and strengthening the bonds of critical dialogue as it pertains to the cinematic arts. The group seeks to highlight the best films produced each year–both by the major studios and independent filmmakers–and share our love of cinema with Seattle-area residents.  The group is made of a robust network of film critics and reviewers in Seattle and surrounding areas of Washington State. The society is represented by members in print, radio, television and online mediums.

The nominations for the 2016 SFCS Awards were announced Wednesday, December 21, 2016.  The winners were announced Thursday, January 5, 2017.

2016 SFCS Award winners:

Best Picture
Winner – Moonlight
Runner Up – Elle

Best Actress
Winner – Isabelle Huppert – Elle
Runner Up – (TIE) Amy Adams – Arrival; Natalie Portman – Jackie (TIE)

Best Actor
Winner – Casey Affleck – Manchester By The Sea
Runner Up – Denzel Washington – Fences

Best Supporting Actress
Winner – Viola Davis – Fences
Runners Up – (TIE) Lily Gladstone – Certain Women; Naomie Harris – Moonlight (TIE)

Best Supporting Actor
Winner – Mahershala Ali – Moonlight
Runner Up – John Goodman – 10 Cloverfield Lane

Best Director
Winner – Barry Jenkins – Moonlight
Runner Up – Damien Chazelle – La La Land

Best Screenplay
Winner – Barry Jenkins & Tarell Alvin McCraney – Moonlight
Runner Up – Kenneth Lonergan – Manchester By The Sea

Best Documentary Film
Winner – OJ: Made In America
Runner Up – 13TH

Best Foreign Language Film
Winner – Elle
Runner Up – The Handmaiden

Best Animated Film
Winner Up – Zootopia
Runner Up – Kubo & The Two Strings

Best Ensemble
Winner – Moonlight
Runner Up – Fences

Best Cinematography
Winner – Arrival
Runner Up – La La Land

Best Costume Design
Winner – The Handmaiden
Runner Up – Love & Friendship

Best Film Editing
Winner – Moonlight
Runner Up – Arrival

Best Original Score
Winner – Johann Johannsson – Arrival
Runner Up – Justin Hurwitz – La La Land

Best Production Design
Winner – The Handmaiden
Runner Up – La La Land

Best Visual Effects
Winners – (TIE) Arrival; Doctor Strang

Best Youth Performance
Winner – Anya Taylor-Joy – The Witch
Runner Up – (TIE) Royalty Hightower – The Fits; Sunny Pawar – Lion (TIE)

Best Villain
Winner – Howard Stambler in 10 Cloverfield Lane
Runner Up – Black Phillip in The Witch

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Image Comics Announces First Trade Collection for "Eclipse"

BREAKOUT HIT ECLIPSE ARRIVES IN PAPERBACK

The first four issues collected into trade paperback this February

Fan-favorite creative team Zack Kaplan and Giovanni Timpano will release the first trade paperback collection of their ongoing gritty sci-fi/horror series ECLIPSE this February from Image Comics and Top Cow Productions.

In the near future, a mysterious solar event has transformed the sun’s light into deadly immolating rays. The world’s few survivors now live in nocturnal cities, unable to survive the daylight hours outdoors. But a killer has emerged who uses sunlight to burn his victims—and when he targets the daughter of a solar power mogul, it falls to a disillusioned solar engineer to protect her. 

ECLIPSE VOLUME 1 (ISBN: 978-1-5343-0038-5) hits comic book stores Wednesday, February 15th, 2017 and bookstores Tuesday, February 21st, 2017 and will be available for $9.99. It can be ordered by retailers with Diamond code DEC160754.

Select praise for ECLIPSE:

ECLIPSE has all the feel of a Raymond Chandler novel. David Baxter is a compelling lead character, hollowed out by the disaster that broke the world and reluctant to be an active participant, not just in the murder investigation but society as a whole.” —IGN

A great book with a really original spin on traditional sci-fi.” —All-Comic (5/5 overall score)

Kaplan’s story telling style is succinct and the art by Timpano has never been better.” —Word of the Nerd (10/10 overall score)

This is a story that sees the world re-imagined but still manages to explore the human condition.” —GeekFeed (5/5 overall score)

Extremely appealing to the eye.” —Bounding into Comics (10/10 overall score) 

"Part mystery, part monster tale, and all science fiction, ECLIPSE keeps getting better as Kaplan unfolds this dystopian detective story. Timpano and Kaplan are one impressive voice." —Spartantown


ABOUT IMAGE COMICS
Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline, Skybound and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, fantasy, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit www.imagecomics.com.

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Deadly Class #25 Variant Cover Gets Image Comics-Classic Spin


IMAGE COMICS KICKS OFF 25TH ANNIVERSARY THEME VARIANTS WITH DEADLY CLASS' NOD TO CYBERFORCE

Image Comics is pleased to announce monthly theme variants in celebration of the company’s 25th anniversary this year. The series of variants will launch with Rick Remender and Wes Craig's DEADLY CLASS #26 and a cover that commemorates Marc Silvestri's CYBERFORCE #1.

Each month of the anniversary year will boast a special theme for the variants, beginning with the Wednesday, February 1st—the exact date of Image Comics’ founding in 1992.

February’s theme is: “Homage covers celebrating Past, Present, Future” with variants paying tribute to popular series throughout the company’s history.

DEADLY CLASS #26 Cover B (Diamond Code NOV168917) will feature art by Eric Canete, colors by Jordan Boyd, in homage to the fan-favorite Top Cow series CYBERFORCE created by Marc Silvestri, which brought fans in by droves when it first hit stores. The final order cutoff for comics retailers is Monday, January 9th, 2017.


ABOUT IMAGE COMICS
Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline, Skybound and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, fantasy, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit www.imagecomics.com.

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Oliver Stone to Receive the "Laurel Award" from the Writers Guild of America

Oliver Stone photo image by Michael Segal


Oliver Stone to Receive WGAW’s 2017 Laurel Award for Screenwriting Achievement

LOS ANGELES – Legendary screenwriter-director Oliver Stone, whose films include Platoon, Born on the Fourth of July, JFK, and Wall Street, is set to receive the Writers Guild of America, West’s 2017 Laurel Award for Screenwriting Achievement in recognition of his extraordinary career and body of work. He will be honored at the Guild’s awards show on Sunday, February 19, 2017 at The Beverly Hilton in Beverly Hills.

“Oliver Stone may be our most committed screenwriter, using an unparalleled sense of conflict and drama to define the past half century,” said WGAW President Howard A. Rodman. “Stone's Vietnam trilogy – Platoon, Born on the Fourth of July, Heaven & Earth – not only illuminated the war, but made us face its consequences. His unofficial and extraordinary history of the 1960s and 1970s – from JFK and The Doors through Nixon and Wall Street – wove a coherent narrative from incoherent facts. His dialogue is always memorable: think of Gordon Gekko's ‘greed is good,’ or Tony Manero's 182 ‘fucks’ in Scarface. But even Stone's most amoral characters are, in the end, like us: all too human. Stone has held a mirror up to our times, and dares us again and again to look at our nation – and ourselves – without turning away.”

“As a young screenwriter I remember seeing so many I admired graced with the Laurel Award, and I never expected I'd be considered their peer. I am most honored to accept this great award,” commented Stone.

Academy Award winner Stone has written and directed nearly two dozen feature films over the course of his career, including some of the most influential and iconic movies of the last several decades.

His trio of acclaimed Vietnam war-era films are informed by his own real-life experience serving in the U.S. Army Infantry in Vietnam in 1967-68, having been wounded twice in combat and ultimately earning the Bronze Star for Valor, Purple Heart, and other medals of honor during his military career. 1987’s Platoon, written and directed by Stone, earned him Academy Awards for Best Director and Best Picture, and an Oscar nomination for Best Writing, Screenplay Written Directly for the Screen, in addition to a Golden Globe for Best Director, a BAFTA Award for Best Direction, and WGA and Golden Globes screenplays noms.

1989’s Born on the Fourth of July (Screenplay by Oliver Stone & Ron Kovic, Based on the Book by Ron Kovic) memorably chronicled Vietnam vet turned anti-war activist Ron Kovic’s personal post-combat struggle as a paraplegic, exploring what it means to be American along the journey. The acclaimed Tom Cruise-starring film earned Stone a pair of Oscars for Best Picture and Best Director, as well as an Oscar nom for Best Writing (Screenplay Based on Material from Another Medium), Golden Globe Awards for Best Director and Best Screenplay, and a WGA adapted screenplay nomination.

The final movie in Stone’s powerful Vietnam trilogy, 1993’s Heaven & Earth (Based on the Books When Heaven and Earth Changed Places by Le Ly Hayslip with Jay Wurts and Child of War, Woman of Peace by Le Ly Hayslip with James Hayslip), follows the harrowing true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war – her own tumultuous relationships with the men in her life providing a potent metaphor for U.S.-Vietnamese political relations.

Stone’s canon of complex and challenging films, often exploring specific eras and controversial topics, include such thought-provoking movies as 1991’s JFK (Screenplay by Oliver Stone & Zachary Sklar, Based on the Books The Trail of the Assassins by Jim Garrison and Crossfire: The Plot That Killed Kennedy by Jim Marrs), Stone’s effort to both unravel and illuminate the labyrinth of conspiracy theories surrounding 1963’s Kennedy assassination, earning Oscar noms for Best Picture, Best Director, and Best Writing (Screenplay Based on Material Previously Produced or Published), as well as a Golden Globe Award for Best Director, a Golden Globe screenplay nom, and a WGA adapted screenplay nom; 1995’s penetrating Presidential biopic Nixon (Written by Stephen J. Rivele & Christopher Wilkinson & Oliver Stone), for which he shared an Oscar screenplay nomination; Natural Born Killers (Screenplay by David Veloz & Richard Rutowski & Oliver Stone, Story by Quentin Tarantino), a dark satire our culture’s fixation on media and violence, which earned Stone a Golden Globe Best Director nom; 1991 rock biopic The Doors (Written by J. Randal Johnson and Oliver Stone), a lyrical look at the ’60s filtered through the prism of Jim Morrison’s seminal band; 1986’s explosive political indictment, Salvador (Written by Oliver Stone & Richard D. Boyle), deeply critical of the U.S. government’s involvement in Central America, for which he shared an Academy Award nomination (Best Writing, Screenplay Written Directly for the Screen); 1987’s Wall Street (Written by Stanley Weiser & Oliver Stone), his bold expose of ’80s excess and America’s new brand of capitalism, and 1988’s dark “shock jock” true-life tale, Talk Radio (Screenplay by Eric Bogosian & Oliver Stone, Based on the Play “Talk Radio” Created by Eric Bogosian & Tad Savinar, Written by Eric Bogosian, and the Book Talked to Death: The Life and Murder of Alan Berg by Stephen Singular).

Stone’s films also include his unconventional view of professional sports, Any Given Sunday (1999, Screenplay by John Logan and Oliver Stone, Screen Story by Daniel Pyne and John Logan), epic historical drama Alexander (2004, Written by Oliver W. Stone and Laeta E. Kalogridis and Christopher Kyle), the timely sequel Wall Street: Money Never Sleeps (Written by Allan Loeb and Stephen Schiff, Based on Characters Created by Stanley Weiser & Oliver Stone), which chronicled the 2008 stock market crash and Gordon Gekko’s fate after prison; the drug cartel dark comedy Savages (2012, Screenplay by Shane Salerno & Don Winslow & Oliver Stone, Based on the Novel by Don Winslow), and most recently real-life political thriller Snowden (Screenplay Kieran Fitzgerald & Oliver Stone, Based on the Book The Time of the Octopus by Anatoli Kucherena; Based on The Guardian Book by Luke Harding), in which Stone explores timely issues of privacy and surveillance through the case of military whistleblower Lt. Edward Snowden, accused of leaking millions of U.S. government documents and now in Russian exile.

His other screenplay credits include such diverse movies as comic book blockbuster Conan the Barbarian (1986, Written by John Milius and Oliver Stone, Based on the Character Created by Robert E. Howard), iconic gangster drama Scarface (1983, Screenplay by Oliver Stone, Based on Book by Armitage Trail), crime thriller Year of the Dragon (1985, Screenplay by Oliver Stone & Michael Cimino, Based on the Novel by Robert Daley), Eight Million Ways to Die (1986, Screenplay by David Lee Henry and Oliver Stone, Based on the Book by Lawrence Block), and the Madonna-starring, Broadway-to-screen musical Evita (Screenplay by Alan Parker and Oliver Stone, Based on the Musical Play “Evita,” Lyrics by Tim Rice, Music by Andrew Lloyd Webber).

While still in his ’20s, Stone made his feature film screenwriting and directing debut with 1975’s horror yarn Seizure (Screenplay by Oliver Stone & Edward Asher Mann, Story by Oliver Stone) – and would later revisit the horror genre with the 1981 thriller The Hand (Screenplay by Oliver Stone, Based Upon the Book The Lizard’s Tail by Marc Brandel).

A WGAW member since 1977, Stone first received industry accolades for his acclaimed screenplay for the 1978 Turkish prison drama Midnight Express (Screenplay by Oliver Stone, Based on the Book by William Hayes with William Hoffer), earning him an Academy Award (Best Writing, Screenplay Based on Material from Another Medium), a Writers Guild Award (Best Drama Adapted from Another Medium), and a Golden Globe Award (Best Screenplay – Motion Picture) for his screenplay.

Stone’s additional directing credits include World Trade Center (2006), depicting the true story of our nation’s few 9/11 survivors; 2008’s no-holds-barred political biopic W., his satirical skewering of former U.S. President George Bush; and pitch-black thriller U-Turn (1997). He has also produced or co-produced a dozen films, including The People vs. Larry Flynt (1996), The Joy Luck Club (1993), and Reversal of Fortune (1990). On the small screen, Stone shared a 1995 Primetime Emmy Award (Outstanding Made for Television Movie) for executive producing the telefilm Indictment: The McMartin Trial.

His documentaries include a trio of films focusing on late Cuban leader Fidel Castro (2003’s Comandante, 2004’s Looking for Fidel, and 2012’s Castro in Winter), as well as 2009’s South of the Border, featuring Hugo Chavez and six other Presidents in a continent undergoing seismic social changes, and Stone’s tribute to the late Venezuelan leader and personal friend, Mi Amigo Hugo (2014). He also made 2003’s Persona Non Grata, examining Israel-Palestine relations. Stone’s latest work includes the ambitious Showtime doc series, The Untold History of the United States, a monumental, 12-hour interrogation of the conventional “triumphalist” narrative of U.S. history.

Born on September 15, 1946, in New York City, Stone launched his writing career early on, penning his first novel – A Child’s Night Dream – when he was only 19. The book, ultimately published in 1997 by St. Martin’s Press, is set to be adapted and directed by Stone’s own son, Sean. After returning from Vietnam, he completed his undergraduate studies at New York University Film School in 1971. His early jobs included such diverse stints as a taxi driver, merchant marine, messenger, advertising salesman, and, finally, production assistant, which provided a segue to his prolific, celebrated filmmaking career.

Awarded to a Writers Guild member who has advanced the literature of motion pictures and made outstanding contributions to the profession of the screenwriter, past recipients of the WGAW’s Laurel Award for Screenwriting Achievement include Elaine May, Harold Ramis, David Mamet, Tom Stoppard, Paul Mazursky, Lawrence Kasdan, Robert Benton, Barry Levinson, Steven Zaillian, and Eric Roth.

The Writers Guild Awards honor outstanding writing in film, television, new media, videogames, news, radio, promotional, and graphic animation categories. The awards will be presented at concurrent ceremonies on Sunday, February 19, 2017, in Los Angeles at the Beverly Hilton and in New York City at the Edison Ballroom. For more information about the 2017 Writers Guild Awards, please visit www.wga.org or www.wgaeast.org.

The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) are labor unions representing writers in motion pictures, television, cable, digital media, and broadcast news. The Guilds negotiate and administer contracts that protect the creative and economic rights of their members; conduct programs, seminars, and events on issues of interest to writers; and present writers’ views to various bodies of government. For more information on the Writers Guild of America, West, visit www.wga.org. For more information on the Writers Guild of America, East, visit www.wgaeast.org.

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Meryl Streep to Receive the "Cecil B. deMille Award" at 74th Golden Globes

Meryl Streep is the recipient of the Cecil B. deMille Award of the 74th Golden Globes.  With eight Golden Globes and 29 nominations, Meryl Streep is an icon of the performing arts. She will be honored with the 2017 Cecil B. deMille Award at the 74th Annual Golden Globe® Awards on Sunday, January 8, 2017, hosted by Jimmy Fallon. The 2017 Golden Globe Awards will air live coast-to-coast on NBC from 8:00-11:00 p.m. (EST)/5:00-8:00 p.m. (PST) from the Beverly Hilton Hotel.

Lorenzo Soria, President of the Hollywood Foreign Press Association (HFPA), made the announcement of Meryl Streep’s honor. Soria stated, "It’s no surprise that the HFPA has chosen Meryl Streep as the recipient of the 2017 Cecil B. DeMille Award. Meryl’s enthralling body of work across a diverse set of genres has made her a role model over the past 40 years, and she will continue to do so for generations to come. She has always taken roles with strong female leads, creating art by showing vulnerability and portraying truth on the big screen. Simply put, she is a trailblazer, having paved the way for women in television, film and stage. For shattering gender and age barriers, all with finesse and grace, the HFPA is humbled to bestow this honor upon her."

Chosen by the HFPA Board of Directors, the Cecil B. deMille Award is given annually to a talented individual for outstanding contributions to the world of entertainment. Recent recipients include Denzel Washington (2016), George Clooney (2015), Woody Allen (2014), Jodie Foster (2013), Morgan Freeman, (2012), Robert De Niro (2011), Martin Scorsese (2010), Steven Spielberg (2009), Warren Beatty (2007), Anthony Hopkins (2006), Robin Williams (2005), Michael Douglas (2004), Gene Hackman (2003), Harrison Ford (2002), Al Pacino (2001), and Barbra Streisand (2000).

For almost 40 years, Meryl Streep has portrayed an astonishing array of characters in a career that has cut its own unique path from the theater through film and television.

Streep was educated in the New Jersey public school system through high school, graduated cum laude from Vassar College, and received her MFA with honors from Yale University in 1975. She began her professional life on the New York stage, where she quickly established her signature versatility and verve as an actor. Within three years of graduation, she made her Broadway debut, won an Emmy (Holocaust) and received her first Oscar nomination (The Deer Hunter). In 2015, Streep was nominated for a Golden Globe Award for her role as The Witch in Into the Woods, marking her 29th recognition by the HFPA. In the same role, she earned her 19th Academy Award and Screen Actors Guild Award nominations. The three-time Academy Award-winner was recently seen in Stephen Frears’ Florence Foster Jenkins.

She is a member of the American Academy of Arts and Letters, and has been accorded a Commandeur de L'Ordre des Arts et des Lettres by the French Government and an honorary César. She received the Lifetime Achievement Award from the American Film Institute, a 2008 honor from the Film Society of Lincoln Center, and the 2010 National Medal of Arts from President Obama. In 2011, Streep received a Kennedy Center Honor, and in 2014 the Presidential Medal of Freedom. She holds honorary doctorates from Yale, Princeton, Harvard, Dartmouth Indiana Universities, the University Of New Hampshire, Lafayette, Middlebury, and Barnard Colleges.

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Friday, January 6, 2017

Image Comics Unveils "The Walking Dead #163" Variant Covers

IMAGE COMICS/SKYBOUND ENTERTAINMENT REVEAL WALKING DEAD VARIANT

Image Comics/Skybound Entertainment is pleased to reveal a very special limited variant cover for Robert Kirkman and Charlie Adlard’s THE WALKING DEAD #163.

With artwork by series artist Charlie Adlard, THE WALKING DEAD #163 Cover B will feature full colors by Dave Stewart and an image of series protagonist Rick Grimes dressed in series antagonist Negan’s characteristic leather motorcycle jacket and holding the iconic Lucille barbed bat.

THE WALKING DEAD #163 begins an all-new story arc which will explore the aftermath of the Whisperer War.

Limited quantities of both THE WALKING DEAD #163 Cover B by Adlard and Stewart and THE WALKING DEAD #163 Cover C (B&W version) by Adlard will be available on Wednesday, February 1st, 2017—the official date of Image Comics’ 25th anniversary. Final order cutoff for comics retailers is Monday, January 9th, 2017.


ABOUT IMAGE COMICS
Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline, Skybound and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, fantasy, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit www.imagecomics.com.

ABOUT SKYBOUND ENTERTAINMENT
Founded in 2010, Skybound Entertainment is a multiplatform entertainment company specializing in television, comics, film, digital content, interactive, gaming, and merchandise. The company is led by The Walking Dead creator Robert Kirkman and his longtime producing and business partner David Alpert.

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