by Leroy Douresseaux a.k.a. "I Reads You"
Support Leroy on Patreon:
ENTERTAINMENT NEWS:
MOVIES - From Variety: AMC Theatres will require patrons to wear masks when it reopens its theaters after initially not requiring them.
GEORGE FLOYD - From YahooNews: New Mexico Shooting Raises Specter Of Right-Wing Violence Around Statue Protests
BLM - From YahooLifestyle: Support grows for making "Juneteenth" (June 19th) an official holiday.
MOVIES - From Deadline: Mark Wahlberg's canine adventure film, "Arthur the King," movies to Lionsgate. The film reunited Wahlberg with is "2 Guns" and "Contraband" director, Baltasar Kormakur.
BLM-HOLLYWOOD - From BET: Actress Gabrielle Union talks her "America's Got Talent" departure and on holding "bad apples" accountable.
GEORGE FLOYD - From YahooNews360: Why was George Floyd's death the breaking point?
POLITICS - From YahooNews: Five bombshells about President Trump from John Bolton's book, "The Room Where It Happened: A White House Memoir."
MOVIES - From Deadline: Actress Kristen Stewart will portray Princess Diana in director Pablo Larrain's film, "Spencer."
BLM-EDUCATION - From YahooNews: Netflix CEO Reed Hastings and his wife, Patty Quillin, are donating $120 million toward student scholarships at historically black colleges and universities (HBCUs). The couple is giving $40 million to each of three institutions: the United Negro College Fund, Spelman College and Morehouse College. The organizations said it is the largest individual gift in support of student scholarships at HBCUs.
GEORGE FLOYD - From CNN: Martin Gugino, the 75-year-old protester who was pushed by two Buffalo, New York, police officers earlier this month, has a fractured skull and is not able to walk, his lawyer said in a statement provided to CNN on Monday.
From YahooEntertainment: Whoopi Goldberg says police officers have to 'relearn how to police': 'Because now they're soldiers — and we're not in a war'
SPORTS - From YahooSports: Here is a look at Super Bowl champion QB Tom Brady in his new uniform for his new team, the Tampa Bay Buccaneers.
POLITICS - From InformedComment: How American cities were Reduced to Esper’s “Battlespace”: From Fallujah to Minneapolis
OSCARS - From Deadline: The Academy of Motion Pictures Arts and Sciences has announced that the 2021 / 93rd Academy Awards ceremony has been moved from February 28, 2021 to April 25, 2021 - the latest date ever for the Oscars. Films will be eligible to compete for the 93rd Academy Awards though Feb. 28th.
MOVIES - From Deadline: Director Antonie Fuqua and actor Will Smith's runaway slave thriller, "Emancipation," will be introduced at the virtual Cannes market and will begin production in early 2021.
LGBTQ - For BuzzFeed: The Supreme Court on Monday issued its most sweeping decision ever to protect LGBTQ people from discrimination, finding that a federal ban on sex discrimination in workplaces also protects employees on the basis of sexual orientation and gender identity.
POLITICS-CELEBRITY - From FoxNews: U.S. Sen. Ted Cruz (R-Texas) challenges actor Ron Perlman... to wrestle with former wrestling coach and protector of sexual assailants, U.S. Rep. Jim Jordan (R-Ohio).
GEORGE FLOYD - From People: Legendary singer, actress, and filmmaker, Barbra Streisand, has given Gianna Floyd, the daughter of the police-slain George Floyd, an unknown numbers of shares of stock in The Walt Disney Company.
MOVIES - From Deadline: After his "Gone with the Wind" op-ed, Oscar-winning screenwriter John Ridley ponders permanent Hollywood change.
BLM - From Deadline: "Saturday Night Live" alum, Jay Pharoah, was profiled by the Los Angeles Police Department and then one of them put his knee on his neck.
OBITS:
From Deadline: The British actor, Ian Holm, has died at the age of 88, Friday, June 19, 2020. Holms was best known for his appearances in such films as "Alien," "Chariots of Fire," "The Sweet Hereafter," and "The Fifth Element." He also appeared in "The Lord of the Rings" and "The Hobbit" film series. Holm won a Tony Award in 1967 for his performance in "The Homecoming." He received a best supporting Oscar nomination for his role in "Chariots of Fire" (1981), a role for which he won the BAFTA.
From CNN: Former U.S. Ambassador to Ireland (1993-98), Jean Kennedy Smith, has died at the age of 92, Wednesday, June 17, 2020. She was also the last surviving sibling of assassinated U.S. President John F. Kennedy.
---------------------------------------------------
BLACK LIVES MATTER News:
From YahooFinance: Why Black wealth has stayed 'relatively flat' since Tulsa massacre
From InTheseTimes: The four questions we must ask before we agree to police reform.
----------------------------------------------------
CORONAVIRUS/COVID-19 NEWS:
From CDC: The Centers for Disease Control has a "COVID Data Tracker."
From YahooNews: Why does COVID-19 kill some people and hardly affects others?
From YahooNews: Yahoo has a dedicated page of links updating news about COVID-19.
From Deadline: The news site "Deadline" has a dedicated page for news about coronavirus and the film, TV, and entertainment industries.
From TheNewYorker: The venerable magazine has a dedicate COVID-19 page free to all readers.
From YahooNews: Re: the federal government's response to COVID-19: What if the most important election of our lifetime was the last one - 2016?
From YahooLife: What is "happy hypoxia?" And do you have this COVID-19 symptom?
From JuanCole: Remeber when President Donald went crazy and suggested that we ingest household cleaning supplies and UV light to fight COVID-19. Here is the video and commentary from Juan Cole.
From TheIntercept: The federal government has ramped up security and police-related spending in response to the COVID-19/coronavirus pandemic, including issuing contracts for riot gear, disclosures show. The purchase orders include requests for disposable cuffs, gas masks, ballistic helmets, and riot gloves...
From NPR: A sad milestone: over 100,000 American have died due to COVID-19.
From TheAtlantic: The Coronavirus Was an Emergency Until Trump Found Out Who Was Dying. The pandemic has exposed the bitter terms of our racial contract, which deems certain lives of greater value than others.
From ProPublica: Hospital's Secret COVID-19 Policy Separated Native American Mothers From Their Newborns
----------------
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Saturday, June 20, 2020
Negromancer News Bits and Bites from June 14th to 20th, 2020 - Update #24
Labels:
Antoine Fuqua,
Barbra Streisand,
Bits-Bites,
BLM,
COVID-19,
Gabrielle Union,
John Ridley,
Kristen Stewart,
LGBT,
Mark Wahlberg,
Netflix,
obituary,
Ron Perlman,
Whoopi Goldberg,
Will Smith
Friday, June 19, 2020
Review: "The Punisher" Could Have Been... But Isn't
TRASH IN MY EYE No. 64 (of 2004) by Leroy Douresseaux
The Punisher (2004)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – R for pervasive brutal violence, language and brief nudity
DIRECTOR: Jonathan Hensleigh
WRITERS: Michael France and Jonathan Hensleigh (based upon the Marvel Comics character created by)
PRODUCERS: Avi Arad and Gale Anne Hurd
CINEMATOGRAPHER: Conrad W. Hall
EDITORS: Jeff Gullo and Steven Kemper
COMPOSER: Carlo Siliotto
FANTASY/ACTION/CRIME
Starring: Thomas Jane, John Travolta, Rebecca Romijn-Stamos, Will Patton, Laura Elena Harring, James Carpinello, Samantha Mathis, Eddie Jemison, Mark Collie, John Pinette, Kevin Nash, Ben Foster, and Roy Scheider
The Punisher is a 2004 action and crime thriller from director Jonathan Hensleigh. The film is based on the Marvel Comics character, The Punisher/Frank Castle, that was created by writer Gerry Conway and artists John Romita, Sr. and Ross Andru and that made his first appearance in The Amazing Spider-Man #129. The Punisher the movie focuses on an undercover FBI agent who becomes a vigilante assassin after a corrupt businessman slaughters his entire family.
The Punisher introduces Frank Castle (Thomas Jane), a Delta Force veteran, who recently completed his final mission as an undercover FBI agent. After hit men kill his wife, Maria (Samantha Mathis), and their children and leave him for dead, Castle declares a one-man war on the killers’ boss man, Howard Saint (John Travolta), and his organization. Castle also befriends three lonely misfits who share the rundown apartment building where he holes up, while popping caps and cutting throats during his mission to take down Saint and his organization.
The Punisher may be one of the worst film adaptations of a comic book or comic book character ever made, although it’s certainly not as hard to watch as The Crow: City of Angels, another misbegotten movie based on a comic book character. The Punisher's pace is ponderous, and its plot is the embodiment of monotony. All the acting is bad except for a decent performance by character actor Will Patton as Quentin Glass. The character is gay, and it’s nice to see that that fact is hardly acknowledged, except as a plot contrivance). Eddie Jemison is also good as Mickey Duka, a flunky, and a character utterly wasted by The Punisher's bad script.
Jane’s speaking parts, both as Castle and as The Punisher, amount to short, tired burst of listless and limp-wristed one-liners. After this sorry effort as Saint, Travolta will need another career boost from Quentin Tarantino or perhaps some other hot, new director who would just love to have the revolting one in his film.
Yeah, there are plenty of explosions in The Punisher, but they’re like candles on toast. This movie isn’t even worth recommending as a rental.
1 of 10
D-
Revised and reedited: Friday, June 19, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
----------------
The Punisher (2004)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – R for pervasive brutal violence, language and brief nudity
DIRECTOR: Jonathan Hensleigh
WRITERS: Michael France and Jonathan Hensleigh (based upon the Marvel Comics character created by)
PRODUCERS: Avi Arad and Gale Anne Hurd
CINEMATOGRAPHER: Conrad W. Hall
EDITORS: Jeff Gullo and Steven Kemper
COMPOSER: Carlo Siliotto
FANTASY/ACTION/CRIME
Starring: Thomas Jane, John Travolta, Rebecca Romijn-Stamos, Will Patton, Laura Elena Harring, James Carpinello, Samantha Mathis, Eddie Jemison, Mark Collie, John Pinette, Kevin Nash, Ben Foster, and Roy Scheider
The Punisher is a 2004 action and crime thriller from director Jonathan Hensleigh. The film is based on the Marvel Comics character, The Punisher/Frank Castle, that was created by writer Gerry Conway and artists John Romita, Sr. and Ross Andru and that made his first appearance in The Amazing Spider-Man #129. The Punisher the movie focuses on an undercover FBI agent who becomes a vigilante assassin after a corrupt businessman slaughters his entire family.
The Punisher introduces Frank Castle (Thomas Jane), a Delta Force veteran, who recently completed his final mission as an undercover FBI agent. After hit men kill his wife, Maria (Samantha Mathis), and their children and leave him for dead, Castle declares a one-man war on the killers’ boss man, Howard Saint (John Travolta), and his organization. Castle also befriends three lonely misfits who share the rundown apartment building where he holes up, while popping caps and cutting throats during his mission to take down Saint and his organization.
The Punisher may be one of the worst film adaptations of a comic book or comic book character ever made, although it’s certainly not as hard to watch as The Crow: City of Angels, another misbegotten movie based on a comic book character. The Punisher's pace is ponderous, and its plot is the embodiment of monotony. All the acting is bad except for a decent performance by character actor Will Patton as Quentin Glass. The character is gay, and it’s nice to see that that fact is hardly acknowledged, except as a plot contrivance). Eddie Jemison is also good as Mickey Duka, a flunky, and a character utterly wasted by The Punisher's bad script.
Jane’s speaking parts, both as Castle and as The Punisher, amount to short, tired burst of listless and limp-wristed one-liners. After this sorry effort as Saint, Travolta will need another career boost from Quentin Tarantino or perhaps some other hot, new director who would just love to have the revolting one in his film.
Yeah, there are plenty of explosions in The Punisher, but they’re like candles on toast. This movie isn’t even worth recommending as a rental.
1 of 10
D-
Revised and reedited: Friday, June 19, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
----------------
Labels:
2004,
Action,
comic book movies,
Crime,
Fantasy,
John Travolta,
Lionsgate,
Marvel Comics,
Movie review,
Superhero
Thursday, June 18, 2020
Yen Press to Release "Restaurant to Another World," June 23rd
Yen Press incites appetites among readers as it prepares to launch the new culinary-themed manga series – Restaurant to Another World – on June 23rd, 2020.
The company announced the series today on Twitter: https://twitter.com/yenpress/status/1272909191699673088
Restaurant From Another World is written by Junpei Inuzuka and features artwork by Katsumi Enami, the illustrator for the popular light novel series Baccano!
The new series is based on the popular light novel of the same name. An anime series is also currently available for streaming on Crunchyroll and Funimation.
Restaurant From Another World Summary:
By all appearances, Western Restaurant Nekoya is a normal restaurant serving normal people-but unbeknownst to the regulars, it also attracts an alternative clientele. Every Saturday, all manner of fantastical beings come to dine, and what is familiar fare to humans can be downright exotic for visitors from beyond. To these customers, Nekoya is known by a different name: Restaurant to Another World.
READERS BEWARE: Reading this manga may lead to uncontrollable drooling and a grumbling belly!
----------------------------
The company announced the series today on Twitter: https://twitter.com/yenpress/status/1272909191699673088
Restaurant From Another World is written by Junpei Inuzuka and features artwork by Katsumi Enami, the illustrator for the popular light novel series Baccano!
The new series is based on the popular light novel of the same name. An anime series is also currently available for streaming on Crunchyroll and Funimation.
Restaurant From Another World Summary:
By all appearances, Western Restaurant Nekoya is a normal restaurant serving normal people-but unbeknownst to the regulars, it also attracts an alternative clientele. Every Saturday, all manner of fantastical beings come to dine, and what is familiar fare to humans can be downright exotic for visitors from beyond. To these customers, Nekoya is known by a different name: Restaurant to Another World.
READERS BEWARE: Reading this manga may lead to uncontrollable drooling and a grumbling belly!
----------------------------
Labels:
Book News,
Comics,
Manga,
press release,
Yen Press
Wednesday, June 17, 2020
Review: "HELLBOY" Reboot is Hella Fun
TRASH IN MY EYE No. 12 (of 2020) by Leroy Douresseaux
[This review was originally posted on Patreon.]
Hellboy (2019)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – R for strong bloody violence and gore throughout, and language
DIRECTOR: Neil Marshall
WRITER: Andrew Cosby (based upon the Dark Horse comic book series, Hellboy, created by Mike Mignola)
PRODUCERS: Lawrence Gordon, Carl Hampe, Yariv Lerner, Lloyd Levin, Matt O'Toole, Mike Richardson, Les Weldon, and Philip Westgren
CINEMATOGRAPHER: Lorenzo Senatore
EDITOR: Martin Bernfeld
COMPOSER: Benjamin Wallfisch
SUPERHERO/FANTASY/HORROR/ACTION
Starring: David Harbour, Ian McShane, Daniel Dae Kim, Sasha Lane, Milla Jovovich, Stephen Graham (voice), Penelope Mitchell, Mark Stanley, Brian Gleeson, Mario de la Rosa, Alistair Petrie, Sophie Okonedo, and Thomas Haden Church
Hellboy is a 2019 superhero, horror, and dark fantasy film from director Neil Marshall. The film is based on the Hellboy character and comic books created by Mike Mignola and published by Dark Horse Comics. The film is a reboot of the Hellboy film franchise, which began with director Guillermo del Toro's 2004 film, Hellboy. Hellboy 2019 finds the title character trying to stop an ancient sorceress who is bent on destroying humanity.
Hellboy opens in the year 517 A.D. Vivienne Nimue (Milla Jovovich), the evil “Queen of Blood,” unleashes a plague on England. King Arthur uses his legendary sword, Excalibur, to dismember Nimue. Because even dismemberment will not kill Nimue, Arthur has the parts of her body hidden in different secret locations across England.
In the present-day, Hellboy (David Harbour), a powerful demon who works for the Bureau for Paranormal Research and Defense (BPRD), returns to the organization's headquarters in Colorado. There, he is assigned by BPRD leader, Trevor Bruttenholm (Ian McShane), his adoptive human father, to travel to London to assist the Osiris Club, an ancient English society similar to the BPRD, in hunting three giants that are plaguing Great Britain.
Meanwhile, a pig-like creature, Gruagach (voice of Stephen Graham), is on a quest to retrieve Vivienne Nimue's limbs so that, once she is whole again, she will grant him his wish for revenge against Hellboy. Nimue, however, has other plans for Hellboy, which don't include his destruction. Now, only Alice Monaghan (Sasha Lane), a young spirit medium, and Ben Daimio (Daniel Dae Kim), a British “M11” agent, and Hellboy stand between Nimue and Hell on Earth.
I am not a big fan of Guillermo del Toro's original Hellboy film. It has great production values, and is a gorgeous movie fill with fantastical visual elements. But the story is executed in a clunky and awkward fashion and the characters are not that interesting. However, del Toro's follow-up to that film, the Oscar-nominated Hellboy II: The Golden Army (2008), is one of my all-time favorite films, and I consider it to be one of the all-time best films adapted from a comic book.
Director Neil Marshall's 2019 Hellboy reboot was a box office bomb, with its worldwide box office failing to recoup even the film's production costs. On the other hand, I think Hellboy 2019 is far superior to Hellboy 2004 and is closer to Hellboy II, in terms of quality. In fact, Hellboy 2019 almost seems like a reworking of the plot of the 2008 film.
First, I should say that there are a few things that I don't like about Hellboy 2019. For one thing, although I am a fan of the actor Ian McShane, I do not like his version of Hellboy's father, Trevor Bruttenholm, who seems to be nothing more than a monster fighting, soldier of fortune caricature. Also, I absolutely hate the new costume and makeup design for Hellboy. It is true that I prefer Ron Perlman, the actor who played Hellboy in del Toro's films, but David Harbour does represent himself quite well as Hellboy in the new film. The new Hellboy is just too ugly.
What is there to like about Hellboy? Most of the supporting characters in this new film don't amount to much, but Sasha Lane makes Alice Monaghan stand out as a character worthy of being next to Hellboy. After a dry start, Daniel Dae Kim keeps Ben Daimio from being a one-note joke. The story and their performances find a way to make those two characters fit next to Hellboy in a way that other supporting characters do not.
Andrew Crosby's screenplay for Hellboy 2019 creates a plot, settings, and characters that genuinely seem to be part of a world deeply connected to the supernatural and to otherworldly places. Crosby fills the story's main narrative and its nooks and crannies to the point of overflowing with strange and magical beings and places. [See Baba Yaga.] Hellboy's back story, conflicts, and dilemmas resonate as authentic. For instance, Hellboy's dilemma of being caught between the world of humans and the world of monsters creates a sense of drama and conflict because it makes the viewer constantly guess about the decisions Hellboy makes. Is he going to turn against humanity and side with the monsters, at least to some extent? [That dilemma is raised to lesser extent in del Toro's Hellboy II.]
David Harbour takes Cosby's character work in the screenplay and creates a version of Hellboy that seems plausible and worth following around in this adventure. As Hellboy, Harbour is as good as Perlman was as the character in Hellboy II, although (once again), Harbour's Hellboy is “fugly.”
Neil Marshall takes Cosby's script and leads his collaborators into creating a rip-roaring, hell-raising action film that is probably the first true blend of the superhero and horror genres. Marshall's film is gripping and fun from beginning to end, with only a few bumps along the way. It is crazy and fun to watch in its craziness
Much of the commentary I came across on the Internet said that Hellboy 2019 was absolutely terrible. What I have discovered, instead, is that this new Hellboy film is worthy of being the first film in a wonderful new Hellboy film series. Alas, a series is unlikely to happen after the new film's poor box office performance. I am sure, however, that via home entertainment and cable television, fans will discover what a fine film Hellboy 2019 is.
7 of 10
B+
Friday, May 15, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.
---------------------------
[This review was originally posted on Patreon.]
Hellboy (2019)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – R for strong bloody violence and gore throughout, and language
DIRECTOR: Neil Marshall
WRITER: Andrew Cosby (based upon the Dark Horse comic book series, Hellboy, created by Mike Mignola)
PRODUCERS: Lawrence Gordon, Carl Hampe, Yariv Lerner, Lloyd Levin, Matt O'Toole, Mike Richardson, Les Weldon, and Philip Westgren
CINEMATOGRAPHER: Lorenzo Senatore
EDITOR: Martin Bernfeld
COMPOSER: Benjamin Wallfisch
SUPERHERO/FANTASY/HORROR/ACTION
Starring: David Harbour, Ian McShane, Daniel Dae Kim, Sasha Lane, Milla Jovovich, Stephen Graham (voice), Penelope Mitchell, Mark Stanley, Brian Gleeson, Mario de la Rosa, Alistair Petrie, Sophie Okonedo, and Thomas Haden Church
Hellboy is a 2019 superhero, horror, and dark fantasy film from director Neil Marshall. The film is based on the Hellboy character and comic books created by Mike Mignola and published by Dark Horse Comics. The film is a reboot of the Hellboy film franchise, which began with director Guillermo del Toro's 2004 film, Hellboy. Hellboy 2019 finds the title character trying to stop an ancient sorceress who is bent on destroying humanity.
Hellboy opens in the year 517 A.D. Vivienne Nimue (Milla Jovovich), the evil “Queen of Blood,” unleashes a plague on England. King Arthur uses his legendary sword, Excalibur, to dismember Nimue. Because even dismemberment will not kill Nimue, Arthur has the parts of her body hidden in different secret locations across England.
In the present-day, Hellboy (David Harbour), a powerful demon who works for the Bureau for Paranormal Research and Defense (BPRD), returns to the organization's headquarters in Colorado. There, he is assigned by BPRD leader, Trevor Bruttenholm (Ian McShane), his adoptive human father, to travel to London to assist the Osiris Club, an ancient English society similar to the BPRD, in hunting three giants that are plaguing Great Britain.
Meanwhile, a pig-like creature, Gruagach (voice of Stephen Graham), is on a quest to retrieve Vivienne Nimue's limbs so that, once she is whole again, she will grant him his wish for revenge against Hellboy. Nimue, however, has other plans for Hellboy, which don't include his destruction. Now, only Alice Monaghan (Sasha Lane), a young spirit medium, and Ben Daimio (Daniel Dae Kim), a British “M11” agent, and Hellboy stand between Nimue and Hell on Earth.
I am not a big fan of Guillermo del Toro's original Hellboy film. It has great production values, and is a gorgeous movie fill with fantastical visual elements. But the story is executed in a clunky and awkward fashion and the characters are not that interesting. However, del Toro's follow-up to that film, the Oscar-nominated Hellboy II: The Golden Army (2008), is one of my all-time favorite films, and I consider it to be one of the all-time best films adapted from a comic book.
Director Neil Marshall's 2019 Hellboy reboot was a box office bomb, with its worldwide box office failing to recoup even the film's production costs. On the other hand, I think Hellboy 2019 is far superior to Hellboy 2004 and is closer to Hellboy II, in terms of quality. In fact, Hellboy 2019 almost seems like a reworking of the plot of the 2008 film.
First, I should say that there are a few things that I don't like about Hellboy 2019. For one thing, although I am a fan of the actor Ian McShane, I do not like his version of Hellboy's father, Trevor Bruttenholm, who seems to be nothing more than a monster fighting, soldier of fortune caricature. Also, I absolutely hate the new costume and makeup design for Hellboy. It is true that I prefer Ron Perlman, the actor who played Hellboy in del Toro's films, but David Harbour does represent himself quite well as Hellboy in the new film. The new Hellboy is just too ugly.
What is there to like about Hellboy? Most of the supporting characters in this new film don't amount to much, but Sasha Lane makes Alice Monaghan stand out as a character worthy of being next to Hellboy. After a dry start, Daniel Dae Kim keeps Ben Daimio from being a one-note joke. The story and their performances find a way to make those two characters fit next to Hellboy in a way that other supporting characters do not.
Andrew Crosby's screenplay for Hellboy 2019 creates a plot, settings, and characters that genuinely seem to be part of a world deeply connected to the supernatural and to otherworldly places. Crosby fills the story's main narrative and its nooks and crannies to the point of overflowing with strange and magical beings and places. [See Baba Yaga.] Hellboy's back story, conflicts, and dilemmas resonate as authentic. For instance, Hellboy's dilemma of being caught between the world of humans and the world of monsters creates a sense of drama and conflict because it makes the viewer constantly guess about the decisions Hellboy makes. Is he going to turn against humanity and side with the monsters, at least to some extent? [That dilemma is raised to lesser extent in del Toro's Hellboy II.]
David Harbour takes Cosby's character work in the screenplay and creates a version of Hellboy that seems plausible and worth following around in this adventure. As Hellboy, Harbour is as good as Perlman was as the character in Hellboy II, although (once again), Harbour's Hellboy is “fugly.”
Neil Marshall takes Cosby's script and leads his collaborators into creating a rip-roaring, hell-raising action film that is probably the first true blend of the superhero and horror genres. Marshall's film is gripping and fun from beginning to end, with only a few bumps along the way. It is crazy and fun to watch in its craziness
Much of the commentary I came across on the Internet said that Hellboy 2019 was absolutely terrible. What I have discovered, instead, is that this new Hellboy film is worthy of being the first film in a wonderful new Hellboy film series. Alas, a series is unlikely to happen after the new film's poor box office performance. I am sure, however, that via home entertainment and cable television, fans will discover what a fine film Hellboy 2019 is.
7 of 10
B+
Friday, May 15, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.
---------------------------
Labels:
2019,
Action,
Dark Horse Comics,
Fantasy,
Hellboy,
Horror,
Ian McShane,
Lionsgate,
Milla Jovovich,
Movie review,
Sequels,
Superhero,
Thomas Haden Church
Tuesday, June 16, 2020
AMPAS Changes Dates for 2021 / 93rd Academy Awards
THE ACADEMY AND ABC SET APRIL 25, 2021 AS NEW SHOW DATE FOR 93RD OSCARS®
ACADEMY MUSEUM OF MOTION PICTURES OPENING DATE MOVES TO APRIL 30, 2021
MUSEUM GALA KICKS OFF OSCAR® WEEK CELEBRATIONS
The Academy of Motion Picture Arts and Sciences and the ABC Television Network announced the 93rd Oscars® ceremony will move to Sunday, April 25, 2021, as a result of the global pandemic caused by COVID-19. The show, which will air live on ABC, was originally scheduled for February 28, 2021. Coinciding with the Oscars celebration, the Academy Museum of Motion Pictures, initially scheduled to open to the public on December 14, 2020, will now open on April 30, 2021, also as a result of the health crisis.
“For over a century, movies have played an important role in comforting, inspiring, and entertaining us during the darkest of times. They certainly have this year. Our hope, in extending the eligibility period and our Awards date, is to provide the flexibility filmmakers need to finish and release their films without being penalized for something beyond anyone’s control,” said Academy President David Rubin and Academy CEO Dawn Hudson. “This coming Oscars and the opening of our new museum will mark an historic moment, gathering movie fans around the world to unite through cinema."
“We find ourselves in uncharted territory this year and will continue to work with our partners at the Academy to ensure next year’s show is a safe and celebratory event that also captures the excitement of the opening of the Academy Museum of Motion Pictures,” said Karey Burke, president, ABC Entertainment.
The Academy Museum of Motion Pictures, designed by Pritzker Prize-winning architect Renzo Piano and featuring six floors of exhibition spaces, education and special event spaces, a conservation studio, a restaurant, a museum store, the 1,000-seat David Geffen Theater and the 288-seat Ted Mann Theater, will move its opening to April 30, 2021.
Bill Kramer, director of the Academy Museum of Motion Pictures, said, “I speak for all of us at the Museum when I say that we have been eagerly awaiting the moment when we can share the Academy Museum with movie lovers everywhere. With the unprecedented and devastating pandemic happening around the world and our commitment first and foremost to the health and safety of our visitors and staff, we have made the difficult decision to wait a few more months to open our doors. Thankfully, with COVID-19 safety protocols in place, exhibitions continue to be installed. We look forward to April 2021 when Los Angeles and the world will be able to join together as the Academy celebrates the Oscars and the opening of its long-dreamed-of Museum.”
Dates also have shifted for the Academy Awards® eligibility period, submission deadlines and related awards season events. The eligibility period for Academy Awards consideration has been extended beyond the standard December 31 deadline: a feature film must now have a qualifying release date between January 1, 2020 and February 28, 2021. The submission deadline for specialty categories (Animated Feature Film, Documentary Feature, Documentary Short Subject, International Feature Film, Animated Short Film, Live Action Short Film) is December 1, 2020. The submission deadline for general entry categories, including Best Picture, Original Score and Original Song, is now January 15, 2021. Visit oscars.org/rules for the complete 93rd Academy Awards rules, revised with these dates and deadlines.
During this time, it has become necessary to make exceptional changes to the Academy’s standard annual awards schedule. The intent going forward is to ultimately return to awarding excellence for films released in the January-December calendar year. Future eligibility windows and the Oscar® show date for 2022 will be announced at a later date.
Academy key dates for the 2020/2021 Oscar season are as follows:
Preliminary voting begins: Monday, February 1, 2021
Preliminary voting ends: Friday, February 5, 2021
Oscar Shortlists Announcement: Tuesday, February 9, 2021
Nominations voting begins: Friday, March 5, 2021
Nominations voting ends: Wednesday, March 10, 2021
Oscar Nominations Announcement: Monday, March 15, 2021
Oscar Nominees Luncheon: Thursday April 15, 2021
Finals voting begins: Thursday April 15, 2021
Museum Gala: Saturday, April 17, 2021
Finals voting ends: Tuesday, April 20, 2021
Oscars: Oscar Sunday, April 25, 2021
Museum Public Opening: Friday, April 30, 2021
The Academy’s Scientific and Technical Awards presentation, which was scheduled for a June 20, 2020 ceremony in Beverly Hills, has been postponed to a later date still to be determined.
The Academy’s Governors Awards, an annual celebration held at the Ray Dolby Ballroom in Hollywood, will not take place this fall. Additional information about the ceremony and selection of honorees will be provided at a later date.
The 93rd Oscars will be held on Sunday, April 25, 2021, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood and will be televised live on the ABC Television Network and in more than 225 countries and territories worldwide.
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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 9,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.
ABOUT THE ACADEMY MUSEUM OF MOTION PICTURES
The Academy Museum will be the world’s premier institution dedicated to the art and science of movies. Opening April 30, 2021, the museum will be simultaneously immersive, experimental, educational, and entertaining. More than a museum, this dynamic film center will offer unparalleled experiences and insights into movies and moviemaking. Designed by Pritzker Prize-winning architect Renzo Piano, the Museum is restoring and revitalizing the historic Saban Building, formerly known as the May Company building (1939), at the corner of Wilshire Boulevard and Fairfax Avenue in Los Angeles. The Saban Building will feature six floors, including exhibition spaces, the 288-seat Ted Mann Theater, the Shirley Temple Education Studio, special event spaces, conservation areas, a café, and store. The new spherical addition will connect to the Saban Building via glass bridges and feature the state-of-the-art 1,000-seat David Geffen Theater and the rooftop Dolby Family Terrace, which will offer sweeping views of the Hollywood Hills.
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ACADEMY MUSEUM OF MOTION PICTURES OPENING DATE MOVES TO APRIL 30, 2021
MUSEUM GALA KICKS OFF OSCAR® WEEK CELEBRATIONS
The Academy of Motion Picture Arts and Sciences and the ABC Television Network announced the 93rd Oscars® ceremony will move to Sunday, April 25, 2021, as a result of the global pandemic caused by COVID-19. The show, which will air live on ABC, was originally scheduled for February 28, 2021. Coinciding with the Oscars celebration, the Academy Museum of Motion Pictures, initially scheduled to open to the public on December 14, 2020, will now open on April 30, 2021, also as a result of the health crisis.
“For over a century, movies have played an important role in comforting, inspiring, and entertaining us during the darkest of times. They certainly have this year. Our hope, in extending the eligibility period and our Awards date, is to provide the flexibility filmmakers need to finish and release their films without being penalized for something beyond anyone’s control,” said Academy President David Rubin and Academy CEO Dawn Hudson. “This coming Oscars and the opening of our new museum will mark an historic moment, gathering movie fans around the world to unite through cinema."
“We find ourselves in uncharted territory this year and will continue to work with our partners at the Academy to ensure next year’s show is a safe and celebratory event that also captures the excitement of the opening of the Academy Museum of Motion Pictures,” said Karey Burke, president, ABC Entertainment.
The Academy Museum of Motion Pictures, designed by Pritzker Prize-winning architect Renzo Piano and featuring six floors of exhibition spaces, education and special event spaces, a conservation studio, a restaurant, a museum store, the 1,000-seat David Geffen Theater and the 288-seat Ted Mann Theater, will move its opening to April 30, 2021.
Bill Kramer, director of the Academy Museum of Motion Pictures, said, “I speak for all of us at the Museum when I say that we have been eagerly awaiting the moment when we can share the Academy Museum with movie lovers everywhere. With the unprecedented and devastating pandemic happening around the world and our commitment first and foremost to the health and safety of our visitors and staff, we have made the difficult decision to wait a few more months to open our doors. Thankfully, with COVID-19 safety protocols in place, exhibitions continue to be installed. We look forward to April 2021 when Los Angeles and the world will be able to join together as the Academy celebrates the Oscars and the opening of its long-dreamed-of Museum.”
Dates also have shifted for the Academy Awards® eligibility period, submission deadlines and related awards season events. The eligibility period for Academy Awards consideration has been extended beyond the standard December 31 deadline: a feature film must now have a qualifying release date between January 1, 2020 and February 28, 2021. The submission deadline for specialty categories (Animated Feature Film, Documentary Feature, Documentary Short Subject, International Feature Film, Animated Short Film, Live Action Short Film) is December 1, 2020. The submission deadline for general entry categories, including Best Picture, Original Score and Original Song, is now January 15, 2021. Visit oscars.org/rules for the complete 93rd Academy Awards rules, revised with these dates and deadlines.
During this time, it has become necessary to make exceptional changes to the Academy’s standard annual awards schedule. The intent going forward is to ultimately return to awarding excellence for films released in the January-December calendar year. Future eligibility windows and the Oscar® show date for 2022 will be announced at a later date.
Academy key dates for the 2020/2021 Oscar season are as follows:
Preliminary voting begins: Monday, February 1, 2021
Preliminary voting ends: Friday, February 5, 2021
Oscar Shortlists Announcement: Tuesday, February 9, 2021
Nominations voting begins: Friday, March 5, 2021
Nominations voting ends: Wednesday, March 10, 2021
Oscar Nominations Announcement: Monday, March 15, 2021
Oscar Nominees Luncheon: Thursday April 15, 2021
Finals voting begins: Thursday April 15, 2021
Museum Gala: Saturday, April 17, 2021
Finals voting ends: Tuesday, April 20, 2021
Oscars: Oscar Sunday, April 25, 2021
Museum Public Opening: Friday, April 30, 2021
The Academy’s Scientific and Technical Awards presentation, which was scheduled for a June 20, 2020 ceremony in Beverly Hills, has been postponed to a later date still to be determined.
The Academy’s Governors Awards, an annual celebration held at the Ray Dolby Ballroom in Hollywood, will not take place this fall. Additional information about the ceremony and selection of honorees will be provided at a later date.
The 93rd Oscars will be held on Sunday, April 25, 2021, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood and will be televised live on the ABC Television Network and in more than 225 countries and territories worldwide.
###
ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 9,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.
ABOUT THE ACADEMY MUSEUM OF MOTION PICTURES
The Academy Museum will be the world’s premier institution dedicated to the art and science of movies. Opening April 30, 2021, the museum will be simultaneously immersive, experimental, educational, and entertaining. More than a museum, this dynamic film center will offer unparalleled experiences and insights into movies and moviemaking. Designed by Pritzker Prize-winning architect Renzo Piano, the Museum is restoring and revitalizing the historic Saban Building, formerly known as the May Company building (1939), at the corner of Wilshire Boulevard and Fairfax Avenue in Los Angeles. The Saban Building will feature six floors, including exhibition spaces, the 288-seat Ted Mann Theater, the Shirley Temple Education Studio, special event spaces, conservation areas, a café, and store. The new spherical addition will connect to the Saban Building via glass bridges and feature the state-of-the-art 1,000-seat David Geffen Theater and the rooftop Dolby Family Terrace, which will offer sweeping views of the Hollywood Hills.
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