Yen Press delivers a compelling and emotional new manga release with the debut of Little Miss P: The Second Day, the latest release in the acclaimed ongoing graphic novel about an anthropomorphized period.
Yen Press detailed the release in a Tweet: https://twitter.com/yenpress/status/1277626394357321728
Little Miss P has gained wide attention in Japan for dealing with the often-taboo topic of menstruation. The first volume of the series was published in-print and digitally by Yen Press last year. A Japanese live action film based on the manga is also set to be produced.
Little Miss P: The Second Day is available now in-print and digitally from Yen Press’ online partners.
Because everyone’s cycle is different, there’s a Seiri-chan (or period) for each person. But they all look (more or less) the same, so it’s easier to call them ‘Seiri-chan’ as a group.
When that Seiri-chan knocks on your door (or climbs through your window, it could be good or bad news. If it’s your first time meeting her, it means your periods just started. It means you’re not pregnant, as well. Little Miss P depicts this emotional rollercoaster with poignancy and an insightfulness that makes this release an ideal example of “essay” manga that realistically deal with the trials and tribulations of emotions and a variety of life experiences.
Little Miss P: The Second Day Summary:
It's that time of month, and you know what that means...a visit from Little Miss P! She always seems to show up at just the wrong time, generally armed with a heavy dose of fatigue and poised to deliver a barrage of beatings that leave her hosts physically and mentally exhausted. Though Little Miss P is often met with dread and resignation, the realities of a woman's period are widely misunderstood-especially by those who haven't been subjected to her gut punches on a monthly basis. Join Little Miss P-along with Mr. Libido, Mr. Virginity, and Little Miss PMS-as she visits women in a variety of circumstances, advising, harassing, comforting, and delivering more than one obligatory PERIOD PUNCH in this humorous, heartwarming collection!
In the latest volume, like clockwork, Little Miss P has stopped by for another one of her energy-sapping, gut-twisting monthly visits! Despite the difficulties brought about by her arrival, women around the world-and galaxy-must find ways to cope with her (ir)regular visits, a task made easier by the support and understanding of those who care about them. Through frank discussion and a heavy flow of humor, this collection follows Little Miss P as she calls on women from all walks of life. No pop star, action hero, or office worker is exempt from Little Miss P's formidable PERIOD PUNCH!
-------------------------
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Saturday, July 4, 2020
Yen Press Says its Time for "Little Miss P: The Second Day"
Labels:
Comics,
Manga,
press release,
Yen Press
Friday, July 3, 2020
Review: "Mission: Impossible - Fallout" Goes All Out
TRASH IN MY EYE No. 13 (of 2020) by Leroy Douresseaux
[This review was originally posted on Patreon.]
Mission: Impossible – Fallout (2018)
Running time: 147 minutes; MPAA – PG-13 for violence and intense sequences of action, and for brief strong language
DIRECTOR: Christopher McQuarrie
WRITERS: Christopher McQuarrie (based upon the television series created by Bruce Geller)
PRODUCERS: Tom Cruise, J.J. Abrams, Christopher McQuarrie, and Jake Myers
CINEMATOGRAPHER: Rob Hardy (D.o.P.)
EDITOR: Eddie Hamilton
COMPOSER: Lorne Balfe
BAFTA nominee
ACTION/ADVENTURE/SPY/THRILLER
Starring: Tom Cruise, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Vanessa Kirby Michelle Monaghan, Wes Bentley, Angela Bassett, and Alec Baldwin
Mission: Impossible – Fallout is a 2018 action-thriller and espionage film directed by Christopher McQuarrie and starring Tom Cruise. It is the sixth film in the Mission: Impossible (M:I) film franchise, which is based on the American television series, “Mission: Impossible” (CBS, 1966-73), that was created by Bruce Geller.
Mission: Impossible – Fallout is a direct sequel to 2015's Mission: Impossible – Rogue Nation. Fallout finds the members of the Impossible Mission Force (IMF) racing against time after a mission to obtain plutonium goes wrong.
Mission: Impossible – Fallout opens two years after the events depicted in Rogue Nation, which saw Agent Ethan Hunt (Tom Cruise) and his IMF team take down Solomon Lane (Sean Harris), the anarchist mastermind who was the leader of the international criminal consortium, the Syndicate. Now, the remnants of the Syndicate have reformed into the terrorist organization known as “the Apostles.”
Hunt and his two longest serving IMF teammates, technical field agent, Benjamin “Benji” Dunn (Simon Pegg), and IMF agent Luther Stickell (Ving Rhames), are in Berlin, Germany to buy three plutonium cores from Eastern European gangsters before the Apostles do. The mission goes awry, which forces Hunt to track the cores to whomever or whatever organization now has them. The person who may know the cores' whereabouts or have them is the mysterious Alanna Mitsopolis a.k.a. “the White Widow” (Vanessa Kirby).
Erika Sloane (Angela Bassett), the new Director of the CIA, is furious at Hunt and current Secretary of the IMF, Al Hunley (Alec Baldwin), for failing to secure the plutonium. Director Sloane insists that one of her agents, August Walker (Henry Cavill), an assassin working for the CIA's Special Activities Division, accompany and Hunt and his IMF team to Paris to meet the Widow. What Hunt doesn't know is that a recent ally, former MI6 agent, Ilsa Faust (Rebecca Ferguson), is also tracking Hunt, and her mission may or may not be a danger to Hunt's.
I divide the six Mission: Impossible movies into two trilogies. Mission: Impossible (1996), Mission: Impossible II (2000), and Mission: Impossible III (2006) make up the first trilogy. Mission: Impossible – Ghost Protocol (2011), Mission: Impossible – Rogue Nation (2015), and Mission: Impossible – Fallout (2018) form the second trilogy. Each film in the first trilogy has a different director and a different tone or sensibility. The second trilogy only has two different directors, Brad Bird for Ghost Protocol and Christopher McQuarrie for Rogue Nation and Fallout. However, beginning with Ghost Protocol, the films depict IMF as being a team of outsiders fighting both to save the world and to justify its existence, if only for a moment of goodwill immediately after a successful mission. Afterwards, the security state apparatus of the United States is back to mistrusting the motives of IMF or to being downright hostile to it. This intensifies the recent films' sense of drama and also sets them apart from earlier M:I films.
The recent film, Fallout, is the best of this second trilogy or second lot of films. It certainly lives up to both the words “mission” and “impossible” in its name. Every thing upon which Ethan Hunt embarks is a mission; these can't be adventures or mere chases because every move has a purpose. The “impossible” comes in because the missions always involve these impossible set pieces, and Fallout sets a new standard in M:I insane set pieces.
Tom Cruise may be Hollywood's most consistent action movie star and its most ambitious. As of the release of Fallout, the M:I film franchise was 22-years-old, with the seventh and eighth installments already preparing for release in 2021 and 2022 respectively (as of this writing). One can call M:I III a bit of a box office misstep (but not by much), but as of Ghost Protocol, the franchise has been bigger, better (in some ways) and tastier with each new film. Fallout, to date, is Tom Cruise's most extravagant, deliriously fun film, blending mind-bending action set pieces with brutal, physical, man-to-man fights that are sometimes to the death. Cruise is so hungry to blow our minds ever more with each film that he actually was hurt performing a crazy and dangerous stunt himself.
In Christopher McQuarrie, Cruise seems to have found the perfect director for his aspirations for this franchise. McQuarrie began his Hollywood career as a screenwriter and won an Oscar for writing The Usual Suspects. In the last decade, however, he has proved to be a director of imaginative and inventive macho films that balance high octane action and conspiratorial intrigue. McQuarrie gives us meat-and-potatoes action films, but the meat is of a high quality and the potatoes are sustainable and artisanal. It is no coincidence that this already-good franchise has found a way to improve since McQuarrie began directing it and writing its screenplays.
The supporting cast is also excellent, with Ving Rhames and Simon Pegg finding places to shine next to Cruise's supernova. Angela Bassett chews up two of her scenes; it is easy to take this magnificent actress for granted. Of course, you will regret it. I have to admit Henry Cavill impressed me in a way he has never before, and I have to say that I loved every moment of Rebecca Ferguson. And it is always good to see Alec Baldwin.
At the end of my review of Rogue Nation, I wrote, “Seriously, Tom Cruise is as glorious as ever as Ethan Hunt.” That remains true, and Mission: Impossible is also as glorious as ever. I love it so much that I will say even to people who are not fans of the franchise: see Mission: Impossible – Fallout. For a moment while I was watching this film, I thought to myself, “M:I has replaced James Bond.” Yikes!
9 of 10
A+
2019 BAFTA Awards: 1 nomination: “Best Sound” (Gilbert Lake, James Mather, Chris Munro, and Mike Prestwood Smith)
Saturday, May 30, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
--------------------
[This review was originally posted on Patreon.]
Mission: Impossible – Fallout (2018)
Running time: 147 minutes; MPAA – PG-13 for violence and intense sequences of action, and for brief strong language
DIRECTOR: Christopher McQuarrie
WRITERS: Christopher McQuarrie (based upon the television series created by Bruce Geller)
PRODUCERS: Tom Cruise, J.J. Abrams, Christopher McQuarrie, and Jake Myers
CINEMATOGRAPHER: Rob Hardy (D.o.P.)
EDITOR: Eddie Hamilton
COMPOSER: Lorne Balfe
BAFTA nominee
ACTION/ADVENTURE/SPY/THRILLER
Starring: Tom Cruise, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Vanessa Kirby Michelle Monaghan, Wes Bentley, Angela Bassett, and Alec Baldwin
Mission: Impossible – Fallout is a 2018 action-thriller and espionage film directed by Christopher McQuarrie and starring Tom Cruise. It is the sixth film in the Mission: Impossible (M:I) film franchise, which is based on the American television series, “Mission: Impossible” (CBS, 1966-73), that was created by Bruce Geller.
Mission: Impossible – Fallout is a direct sequel to 2015's Mission: Impossible – Rogue Nation. Fallout finds the members of the Impossible Mission Force (IMF) racing against time after a mission to obtain plutonium goes wrong.
Mission: Impossible – Fallout opens two years after the events depicted in Rogue Nation, which saw Agent Ethan Hunt (Tom Cruise) and his IMF team take down Solomon Lane (Sean Harris), the anarchist mastermind who was the leader of the international criminal consortium, the Syndicate. Now, the remnants of the Syndicate have reformed into the terrorist organization known as “the Apostles.”
Hunt and his two longest serving IMF teammates, technical field agent, Benjamin “Benji” Dunn (Simon Pegg), and IMF agent Luther Stickell (Ving Rhames), are in Berlin, Germany to buy three plutonium cores from Eastern European gangsters before the Apostles do. The mission goes awry, which forces Hunt to track the cores to whomever or whatever organization now has them. The person who may know the cores' whereabouts or have them is the mysterious Alanna Mitsopolis a.k.a. “the White Widow” (Vanessa Kirby).
Erika Sloane (Angela Bassett), the new Director of the CIA, is furious at Hunt and current Secretary of the IMF, Al Hunley (Alec Baldwin), for failing to secure the plutonium. Director Sloane insists that one of her agents, August Walker (Henry Cavill), an assassin working for the CIA's Special Activities Division, accompany and Hunt and his IMF team to Paris to meet the Widow. What Hunt doesn't know is that a recent ally, former MI6 agent, Ilsa Faust (Rebecca Ferguson), is also tracking Hunt, and her mission may or may not be a danger to Hunt's.
I divide the six Mission: Impossible movies into two trilogies. Mission: Impossible (1996), Mission: Impossible II (2000), and Mission: Impossible III (2006) make up the first trilogy. Mission: Impossible – Ghost Protocol (2011), Mission: Impossible – Rogue Nation (2015), and Mission: Impossible – Fallout (2018) form the second trilogy. Each film in the first trilogy has a different director and a different tone or sensibility. The second trilogy only has two different directors, Brad Bird for Ghost Protocol and Christopher McQuarrie for Rogue Nation and Fallout. However, beginning with Ghost Protocol, the films depict IMF as being a team of outsiders fighting both to save the world and to justify its existence, if only for a moment of goodwill immediately after a successful mission. Afterwards, the security state apparatus of the United States is back to mistrusting the motives of IMF or to being downright hostile to it. This intensifies the recent films' sense of drama and also sets them apart from earlier M:I films.
The recent film, Fallout, is the best of this second trilogy or second lot of films. It certainly lives up to both the words “mission” and “impossible” in its name. Every thing upon which Ethan Hunt embarks is a mission; these can't be adventures or mere chases because every move has a purpose. The “impossible” comes in because the missions always involve these impossible set pieces, and Fallout sets a new standard in M:I insane set pieces.
Tom Cruise may be Hollywood's most consistent action movie star and its most ambitious. As of the release of Fallout, the M:I film franchise was 22-years-old, with the seventh and eighth installments already preparing for release in 2021 and 2022 respectively (as of this writing). One can call M:I III a bit of a box office misstep (but not by much), but as of Ghost Protocol, the franchise has been bigger, better (in some ways) and tastier with each new film. Fallout, to date, is Tom Cruise's most extravagant, deliriously fun film, blending mind-bending action set pieces with brutal, physical, man-to-man fights that are sometimes to the death. Cruise is so hungry to blow our minds ever more with each film that he actually was hurt performing a crazy and dangerous stunt himself.
In Christopher McQuarrie, Cruise seems to have found the perfect director for his aspirations for this franchise. McQuarrie began his Hollywood career as a screenwriter and won an Oscar for writing The Usual Suspects. In the last decade, however, he has proved to be a director of imaginative and inventive macho films that balance high octane action and conspiratorial intrigue. McQuarrie gives us meat-and-potatoes action films, but the meat is of a high quality and the potatoes are sustainable and artisanal. It is no coincidence that this already-good franchise has found a way to improve since McQuarrie began directing it and writing its screenplays.
The supporting cast is also excellent, with Ving Rhames and Simon Pegg finding places to shine next to Cruise's supernova. Angela Bassett chews up two of her scenes; it is easy to take this magnificent actress for granted. Of course, you will regret it. I have to admit Henry Cavill impressed me in a way he has never before, and I have to say that I loved every moment of Rebecca Ferguson. And it is always good to see Alec Baldwin.
At the end of my review of Rogue Nation, I wrote, “Seriously, Tom Cruise is as glorious as ever as Ethan Hunt.” That remains true, and Mission: Impossible is also as glorious as ever. I love it so much that I will say even to people who are not fans of the franchise: see Mission: Impossible – Fallout. For a moment while I was watching this film, I thought to myself, “M:I has replaced James Bond.” Yikes!
9 of 10
A+
2019 BAFTA Awards: 1 nomination: “Best Sound” (Gilbert Lake, James Mather, Chris Munro, and Mike Prestwood Smith)
Saturday, May 30, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
--------------------
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Labels:
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Thursday, July 2, 2020
Academy Invites 819 to Membership - Directors and Writers
ACADEMY SURPASSES GOAL TO DOUBLE NUMBER OF WOMEN AND UNDERREPRESENTED ETHNIC/RACIAL COMMUNITIES BY 2020
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 819 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries. There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards. Those who accept the invitations will be the only additions to the Academy’s membership in 2020.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.
In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020. Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals.
The Academy recently announced the next phase of its equity and inclusion initiative, Academy Aperture 2025, which will further the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community. The initial phase of Academy Aperture 2025 outlined specific goals for the Oscars® and Academy governance, membership, and workplace culture.
“We take great pride in the strides we have made in exceeding our initial inclusion goals set back in 2016, but acknowledge the road ahead is a long one. We are committed to staying the course. I cannot give enough thanks to all our members and staff who worked on the A2020 initiative and to our head of Member Relations and Awards, Lorenza Muñoz, for her leadership and passion in guiding us through to this point and helping to set the path going forward. We look forward to continuing to foster an Academy that reflects the world around us in our membership, our programs, our new Museum, and in our awards,” said Academy CEO Dawn Hudson.
Eight individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership.
Additionally, the membership status of all Artists’ Representatives (agents) will change from Associates to Members-at-Large. As Members-at-Large, agents will now have Oscars voting privileges.
The 2020 invitees are:
Directors:
Ali Abbasi – “Border,” “Shelley”
Levan Akin – “And Then We Danced,” “The Circle”
Francesca Archibugi – “A Question of the Heart,” “Tomorrow”
Ari Aster – “Midsommar,” “Hereditary”
Icíar Bolláin – “Even the Rain,” “Take My Eyes”
Kat Candler – “Hellion,” “Jumping off Bridges”
Felipe Cazals – “El Año de la Peste,” “Canoa: A Shameful Memory”
Cristina Comencini – “Latin Lover,” “Don’t Tell”
Sebastián Cordero – “Europa Report,” “Crónicas”
Terence Davies – “The House of Mirth,” “The Long Day Closes”
Sophie Deraspe – “Antigone,” “A Gay Girl in Damascus: The Amina Profile”
Mati Diop* – “Atlantics,” “A Thousand Suns”
Robert Eggers – “The Lighthouse,” “The Witch”
Luis Estrada – “The Perfect Dictatorship,” “Herod’s Law”
Sydney Freeland – “Deidra & Laney Rob a Train,” “Drunktown’s Finest”
Bette Gordon – “Handsome Harry,” “Variety”
Maggie Greenwald – “Sophie and the Rising Sun,” “The Ballad of Little Jo”
Megan Griffiths – “Sadie,” “The Night Stalker”
Alma Har’el – “Honey Boy,” “Bombay Beach”
Sterlin Harjo – “Mekko,” “Barking Water”
Kathleen Hepburn – “The Body Remembers When the World Broke Open,” “Never Steady, Never Still”
Jan Komasa – “Corpus Christi,” “Warsaw ’44”
Tamara Kotevska* – “Honeyland”
Alejandro Landes – “Monos,” “Porfirio”
John H. Lee – “Operation Chromite,” “71: Into the Fire”
Ladj Ly* – “Les Misérables”
Victoria Mahoney – “Yelling to the Sky”
Samira Makhmalbaf – “At Five in the Afternoon,” “The Apple”
Mai Masri – “3000 Nights,” “33 Days”
Akin Omotoso – “Vaya,” “Tell Me Sweet Something”
Matt Reeves – “Dawn of the Planet of the Apes,” “Cloverfield”
Ljubo Stefanov* – “Honeyland”
Elle-Máijá Tailfeathers – “The Body Remembers When the World Broke Open,” “ćəsnaʔəm, the city before the city”
Maria Tognazzi – “Me, Myself & Her,” “A Five Star Life”
Jorge Alí Triana – “Bolívar Soy Yo,” “A Time to Die”
Matthew Vaughn – “Kick-Ass,” “Layer Cake”
Lulu Wang* – “The Farewell,” “Posthumous”
Wash Westmoreland – “Still Alice,” “Quinceañera”
Andrés Wood – “Araña,” “Violeta Went to Heaven”
Writers:
Narges Abyar – “Breath,” “Track 143”
Lucy Alibar – “Troop Zero,” “Beasts of the Southern Wild”
David Berenbaum – “The Spiderwick Chronicles,” “Elf”
Jez Butterworth – “Ford v Ferrari,” “Edge of Tomorrow”
John-Henry Butterworth – “Ford v Ferrari,” “Edge of Tomorrow”
Shane Carruth – “Upstream Color,” “Primer”
Jérémy Clapin* – “I Lost My Body”
Sabrina Dhawan – “Kaminey,” “Monsoon Wedding”
Mati Diop* – “Atlantics,” “A Thousand Suns”
Susanna Fogel – “Booksmart,” “The Spy Who Dumped Me”
Michel Franco – “Chronic,” “After Lucia”
Giordano Gederlini – “Les Misérables,” “The Invader”
Han Jin Won – “Parasite”
Julia Hart – “Fast Color,” “Miss Stevens”
Gregory Allen Howard – “Harriet,” “Ali”
Amy Jump – “A Field in England,” “Sightseers”
Ladj Ly* – “Les Misérables”
Alexis Manenti – “Les Misérables”
Stella Meghie – “The Photograph,” “Jean of the Joneses”
Najwa Najjar – “Between Heaven and Earth,” “Eyes of a Thief”
Tyler Nilson – “The Peanut Butter Falcon”
Mateusz Pacewicz – “Suicide Room: Hater,” “Corpus Christi”
Pamela Pettler – “Monster House,” “Tim Burton’s Corpse Bride”
Michael Schwartz – “The Peanut Butter Falcon”
Lulu Wang* – “The Farewell,” “Posthumous”
Krysty Wilson-Cairns – “1917”
Wally Wolodarsky – “Trolls World Tour,” “Monsters vs Aliens”
------------------------
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 819 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries. There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards. Those who accept the invitations will be the only additions to the Academy’s membership in 2020.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.
In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020. Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals.
The Academy recently announced the next phase of its equity and inclusion initiative, Academy Aperture 2025, which will further the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community. The initial phase of Academy Aperture 2025 outlined specific goals for the Oscars® and Academy governance, membership, and workplace culture.
“We take great pride in the strides we have made in exceeding our initial inclusion goals set back in 2016, but acknowledge the road ahead is a long one. We are committed to staying the course. I cannot give enough thanks to all our members and staff who worked on the A2020 initiative and to our head of Member Relations and Awards, Lorenza Muñoz, for her leadership and passion in guiding us through to this point and helping to set the path going forward. We look forward to continuing to foster an Academy that reflects the world around us in our membership, our programs, our new Museum, and in our awards,” said Academy CEO Dawn Hudson.
Eight individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership.
Additionally, the membership status of all Artists’ Representatives (agents) will change from Associates to Members-at-Large. As Members-at-Large, agents will now have Oscars voting privileges.
The 2020 invitees are:
Directors:
Ali Abbasi – “Border,” “Shelley”
Levan Akin – “And Then We Danced,” “The Circle”
Francesca Archibugi – “A Question of the Heart,” “Tomorrow”
Ari Aster – “Midsommar,” “Hereditary”
Icíar Bolláin – “Even the Rain,” “Take My Eyes”
Kat Candler – “Hellion,” “Jumping off Bridges”
Felipe Cazals – “El Año de la Peste,” “Canoa: A Shameful Memory”
Cristina Comencini – “Latin Lover,” “Don’t Tell”
Sebastián Cordero – “Europa Report,” “Crónicas”
Terence Davies – “The House of Mirth,” “The Long Day Closes”
Sophie Deraspe – “Antigone,” “A Gay Girl in Damascus: The Amina Profile”
Mati Diop* – “Atlantics,” “A Thousand Suns”
Robert Eggers – “The Lighthouse,” “The Witch”
Luis Estrada – “The Perfect Dictatorship,” “Herod’s Law”
Sydney Freeland – “Deidra & Laney Rob a Train,” “Drunktown’s Finest”
Bette Gordon – “Handsome Harry,” “Variety”
Maggie Greenwald – “Sophie and the Rising Sun,” “The Ballad of Little Jo”
Megan Griffiths – “Sadie,” “The Night Stalker”
Alma Har’el – “Honey Boy,” “Bombay Beach”
Sterlin Harjo – “Mekko,” “Barking Water”
Kathleen Hepburn – “The Body Remembers When the World Broke Open,” “Never Steady, Never Still”
Jan Komasa – “Corpus Christi,” “Warsaw ’44”
Tamara Kotevska* – “Honeyland”
Alejandro Landes – “Monos,” “Porfirio”
John H. Lee – “Operation Chromite,” “71: Into the Fire”
Ladj Ly* – “Les Misérables”
Victoria Mahoney – “Yelling to the Sky”
Samira Makhmalbaf – “At Five in the Afternoon,” “The Apple”
Mai Masri – “3000 Nights,” “33 Days”
Akin Omotoso – “Vaya,” “Tell Me Sweet Something”
Matt Reeves – “Dawn of the Planet of the Apes,” “Cloverfield”
Ljubo Stefanov* – “Honeyland”
Elle-Máijá Tailfeathers – “The Body Remembers When the World Broke Open,” “ćəsnaʔəm, the city before the city”
Maria Tognazzi – “Me, Myself & Her,” “A Five Star Life”
Jorge Alí Triana – “Bolívar Soy Yo,” “A Time to Die”
Matthew Vaughn – “Kick-Ass,” “Layer Cake”
Lulu Wang* – “The Farewell,” “Posthumous”
Wash Westmoreland – “Still Alice,” “Quinceañera”
Andrés Wood – “Araña,” “Violeta Went to Heaven”
Writers:
Narges Abyar – “Breath,” “Track 143”
Lucy Alibar – “Troop Zero,” “Beasts of the Southern Wild”
David Berenbaum – “The Spiderwick Chronicles,” “Elf”
Jez Butterworth – “Ford v Ferrari,” “Edge of Tomorrow”
John-Henry Butterworth – “Ford v Ferrari,” “Edge of Tomorrow”
Shane Carruth – “Upstream Color,” “Primer”
Jérémy Clapin* – “I Lost My Body”
Sabrina Dhawan – “Kaminey,” “Monsoon Wedding”
Mati Diop* – “Atlantics,” “A Thousand Suns”
Susanna Fogel – “Booksmart,” “The Spy Who Dumped Me”
Michel Franco – “Chronic,” “After Lucia”
Giordano Gederlini – “Les Misérables,” “The Invader”
Han Jin Won – “Parasite”
Julia Hart – “Fast Color,” “Miss Stevens”
Gregory Allen Howard – “Harriet,” “Ali”
Amy Jump – “A Field in England,” “Sightseers”
Ladj Ly* – “Les Misérables”
Alexis Manenti – “Les Misérables”
Stella Meghie – “The Photograph,” “Jean of the Joneses”
Najwa Najjar – “Between Heaven and Earth,” “Eyes of a Thief”
Tyler Nilson – “The Peanut Butter Falcon”
Mateusz Pacewicz – “Suicide Room: Hater,” “Corpus Christi”
Pamela Pettler – “Monster House,” “Tim Burton’s Corpse Bride”
Michael Schwartz – “The Peanut Butter Falcon”
Lulu Wang* – “The Farewell,” “Posthumous”
Krysty Wilson-Cairns – “1917”
Wally Wolodarsky – “Trolls World Tour,” “Monsters vs Aliens”
------------------------
Labels:
2020,
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AMPAS,
International Cinema News,
movie awards,
movie news,
press release
Wednesday, July 1, 2020
Welcome to Negromancer July 2020
It's July 2020. Welcome to Negromancer 2.0. This is the rebirth of Negromancer, the former movie review website as a new movie review and movie news site.
Support me on Patreon.
All images and text appearing on this blog are © copyright and/or trademark their respective owners.
-----------------------
Support me on Patreon.
All images and text appearing on this blog are © copyright and/or trademark their respective owners.
-----------------------
Tuesday, June 30, 2020
Academy Invites 819 to Membership - Actors
ACADEMY SURPASSES GOAL TO DOUBLE NUMBER OF WOMEN AND UNDERREPRESENTED ETHNIC/RACIAL COMMUNITIES BY 2020
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 819 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries. There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards. Those who accept the invitations will be the only additions to the Academy’s membership in 2020.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.
In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020. Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals.
The Academy recently announced the next phase of its equity and inclusion initiative, Academy Aperture 2025, which will further the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community. The initial phase of Academy Aperture 2025 outlined specific goals for the Oscars® and Academy governance, membership, and workplace culture.
“We take great pride in the strides we have made in exceeding our initial inclusion goals set back in 2016, but acknowledge the road ahead is a long one. We are committed to staying the course. I cannot give enough thanks to all our members and staff who worked on the A2020 initiative and to our head of Member Relations and Awards, Lorenza Muñoz, for her leadership and passion in guiding us through to this point and helping to set the path going forward. We look forward to continuing to foster an Academy that reflects the world around us in our membership, our programs, our new Museum, and in our awards,” said Academy CEO Dawn Hudson.
Eight individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership.
Additionally, the membership status of all Artists’ Representatives (agents) will change from Associates to Members-at-Large. As Members-at-Large, agents will now have Oscars voting privileges.
The 2020 invitees are:
Actors:
Yalitza Aparicio – “Roma”
Awkwafina – “The Farewell,” “Crazy Rich Asians”
Zazie Beetz – “Joker,” “High Flying Bird”
Alia Bhatt – “Gully Boy,” “Raazi”
Bobby Cannavale – “The Irishman,” “The Station Agent”
Choi Woo-Shik – “Parasite,” “The Divine Fury”
Zendaya Coleman – “Spider-Man: Far from Home,” “The Greatest Showman”
Tyne Daly – “The Ballad of Buster Scruggs,” “Spider-Man: Homecoming”
Mackenzie Davis – “Terminator: Dark Fate,” “Tully”
Ana de Armas – “Knives Out,” “Blade Runner 2049”
Kaitlyn Dever – “Booksmart,” “Detroit”
Cynthia Erivo* – “Harriet,” “Widows”
Pierfrancesco Favino – “The Traitor,” “Rush”
Beanie Feldstein – “Booksmart,” “Lady Bird”
Zack Gottsagen – “The Peanut Butter Falcon”
David Gyasi – “Maleficent: Mistress of Evil,” “Interstellar”
Adèle Haenel – “Portrait of a Lady on Fire,” “BPM (Beats Per Minute)”
Kelvin Harrison Jr. – “Waves,” “Luce”
Brian Tyree Henry – “If Beale Street Could Talk,” “Widows”
Huang Jue – “Long Day’s Journey into Night,” “The Lady in the Portrait”
Jang Hye-Jin – “Parasite,” “Poetry”
Jo Yeo-Jeong – “Parasite,” “The Target”
Udo Kier – “The Painted Bird,” “Shadow of the Vampire”
Lee Jung-Eun – “Parasite,” “Okja”
Eva Longoria – “Overboard,” “Harsh Times”
Natasha Lyonne – “Honey Boy,” “American Pie”
Tzi Ma – “The Farewell,” “Arrival”
George MacKay – “1917,” “Captain Fantastic”
Tim McGraw – “Country Strong,” “The Blind Side”
Thomasin McKenzie – “Jojo Rabbit,” “Leave No Trace”
Ben Mendelsohn – “Ready Player One,” “Animal Kingdom”
Rob Morgan – “Just Mercy,” “Mudbound”
Niecy Nash – “Downsizing,” “Selma”
Genevieve Nnaji – “Lionheart,” “Road to Yesterday”
Park So-Dam – “Parasite,” “The Priests”
Teyonah Parris – “If Beale Street Could Talk,” “Chi-Raq”
Florence Pugh – “Little Women,” “Lady Macbeth”
Hrithik Roshan – “Super 30,” “Jodhaa Akbar”
James Saito – “Always Be My Maybe,” “Big Eyes”
Alexander Siddig – “Cairo Time,” “Syriana”
Lakeith Stanfield – “Knives Out,” “Sorry to Bother You”
Yul Vazquez – “Gringo,” “Last Flag Flying”
John David Washington – “BlacKkKlansman,” “Monsters and Men”
Olivia Wilde – “Meadowland,” “Rush”
Constance Wu – “Hustlers,” “Crazy Rich Asians”
Wu Jing – “The Wandering Earth,” “Wolf Warrior”
Zhao Tao – “Ash Is Purest White,” “Mountains May Depart”
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 819 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries. There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards. Those who accept the invitations will be the only additions to the Academy’s membership in 2020.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.
In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020. Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals.
The Academy recently announced the next phase of its equity and inclusion initiative, Academy Aperture 2025, which will further the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community. The initial phase of Academy Aperture 2025 outlined specific goals for the Oscars® and Academy governance, membership, and workplace culture.
“We take great pride in the strides we have made in exceeding our initial inclusion goals set back in 2016, but acknowledge the road ahead is a long one. We are committed to staying the course. I cannot give enough thanks to all our members and staff who worked on the A2020 initiative and to our head of Member Relations and Awards, Lorenza Muñoz, for her leadership and passion in guiding us through to this point and helping to set the path going forward. We look forward to continuing to foster an Academy that reflects the world around us in our membership, our programs, our new Museum, and in our awards,” said Academy CEO Dawn Hudson.
Eight individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership.
Additionally, the membership status of all Artists’ Representatives (agents) will change from Associates to Members-at-Large. As Members-at-Large, agents will now have Oscars voting privileges.
The 2020 invitees are:
Actors:
Yalitza Aparicio – “Roma”
Awkwafina – “The Farewell,” “Crazy Rich Asians”
Zazie Beetz – “Joker,” “High Flying Bird”
Alia Bhatt – “Gully Boy,” “Raazi”
Bobby Cannavale – “The Irishman,” “The Station Agent”
Choi Woo-Shik – “Parasite,” “The Divine Fury”
Zendaya Coleman – “Spider-Man: Far from Home,” “The Greatest Showman”
Tyne Daly – “The Ballad of Buster Scruggs,” “Spider-Man: Homecoming”
Mackenzie Davis – “Terminator: Dark Fate,” “Tully”
Ana de Armas – “Knives Out,” “Blade Runner 2049”
Kaitlyn Dever – “Booksmart,” “Detroit”
Cynthia Erivo* – “Harriet,” “Widows”
Pierfrancesco Favino – “The Traitor,” “Rush”
Beanie Feldstein – “Booksmart,” “Lady Bird”
Zack Gottsagen – “The Peanut Butter Falcon”
David Gyasi – “Maleficent: Mistress of Evil,” “Interstellar”
Adèle Haenel – “Portrait of a Lady on Fire,” “BPM (Beats Per Minute)”
Kelvin Harrison Jr. – “Waves,” “Luce”
Brian Tyree Henry – “If Beale Street Could Talk,” “Widows”
Huang Jue – “Long Day’s Journey into Night,” “The Lady in the Portrait”
Jang Hye-Jin – “Parasite,” “Poetry”
Jo Yeo-Jeong – “Parasite,” “The Target”
Udo Kier – “The Painted Bird,” “Shadow of the Vampire”
Lee Jung-Eun – “Parasite,” “Okja”
Eva Longoria – “Overboard,” “Harsh Times”
Natasha Lyonne – “Honey Boy,” “American Pie”
Tzi Ma – “The Farewell,” “Arrival”
George MacKay – “1917,” “Captain Fantastic”
Tim McGraw – “Country Strong,” “The Blind Side”
Thomasin McKenzie – “Jojo Rabbit,” “Leave No Trace”
Ben Mendelsohn – “Ready Player One,” “Animal Kingdom”
Rob Morgan – “Just Mercy,” “Mudbound”
Niecy Nash – “Downsizing,” “Selma”
Genevieve Nnaji – “Lionheart,” “Road to Yesterday”
Park So-Dam – “Parasite,” “The Priests”
Teyonah Parris – “If Beale Street Could Talk,” “Chi-Raq”
Florence Pugh – “Little Women,” “Lady Macbeth”
Hrithik Roshan – “Super 30,” “Jodhaa Akbar”
James Saito – “Always Be My Maybe,” “Big Eyes”
Alexander Siddig – “Cairo Time,” “Syriana”
Lakeith Stanfield – “Knives Out,” “Sorry to Bother You”
Yul Vazquez – “Gringo,” “Last Flag Flying”
John David Washington – “BlacKkKlansman,” “Monsters and Men”
Olivia Wilde – “Meadowland,” “Rush”
Constance Wu – “Hustlers,” “Crazy Rich Asians”
Wu Jing – “The Wandering Earth,” “Wolf Warrior”
Zhao Tao – “Ash Is Purest White,” “Mountains May Depart”
Labels:
2020,
Academy Awards,
AMPAS,
International Cinema News,
John David Washington,
movie awards,
movie news,
press release,
Zendaya
Negromancer News Bits and Bites from June 21st to 30th, 2020 - Update #41
by Leroy Douresseaux a.k.a. "I Reads You"
Support Leroy on Patreon:
ENTERTAINMENT NEWS:
ACADEMY AWARDS - From YahooUSA: Academy exceeds inclusion goal after #OscarsSoWhite: New voters are 45% female, 36% diverse.
CELEBRITY-BLM - From YahooEntertainment: John Wayne was not a racist says the late actor's son, Ethan Wayne.
MOVIES - From Collider: The site has several images from David Ayers' upcoming thriller, "The Tax Collector," starring Shia LaBeouf and Bobby Soto.
BLM-CRIME-HISTORY - From Alabama.com: 16th Street Baptist Church bomber Thomas Blanton dies in prison. The bombing, which occurred in 1963, is known for the "Four Little Girls."
MOVIES - From YahooMoviesUK: "John Wick" director, Chad Stahelski, says that a reboot of the 1980s action-fantasy movie cult classic, "Highlander," is "in heavy development mode."
CELEBRITY-POLITICS - From TheDailyBeast: How Mary Trump (President Donald's niece) Found Herself in the Hot Mess of a William Faulkner Novel
MUSIC-STREAMING - From Variety: The streaming service, Disney+, will releases Beyonce's new visual album, "Black is King," July 31st. The LP is inspired by "The Lion King," and its released date is just after the one-year anniversary of the 2019 release of Disney's live-action version of "The Lion King."
LGBTQ - From YahooLifestyle: Gay ER doctor who survived COVID-19 says he can't donate plasma because he’s sexually active
POLITICS - From RSN: "Saint Donald and the Dragon" - Donald Trump and the China!
SPORTS - From YahooSports: Bubba Wallace on Confederate flag ban protests: 'We won’t see cops pepper-spraying them and shooting them with rubber bullets'
MOVIES - From THR: Actor Margot Robbie and writer Christina Hodson, who teamed up on "Birds of Prey," are reunited on a new "Pirates of the Caribbean" movie. It is separate from the other reboot being developed "Pirates" scribe, Ted Elliot," and "Chernobyl" writer Craig Mazin.
MOVIES - From THR: The release date of Christopher Nolan's "Tenet" has been delayed again, from July 31st to August 12th, 2020.
MOVIES - From THR: Inside "Hollywood's nastiest producer feud," the story of Roy Lee vs. John Middleton.
POLITICS - From TheGuardian: How the US military has failed to address white supremacy in its ranks. This is in the wake of an alleged plot by a young solider to coordinate with a neo-Nazi group to attack and kill members of his own army unit.
BLM-ANIMATION - From TVGuide: Jenny Slate will no longer voice Missy on Netflix's "Big Mouth": 'Black Characters on an Animated Show Should be Played by Black People'
From BuzzFeed: Voice actor Mike Henry has retired from providing the voice of "Family Guy" African-American character, "Cleveland Brown." He is the latest white voice performer to announce that he is exiting the voice role of a Black character, following Jenny Slate leaving Big Mouth and Kristen Bell shifting to a different role on Central Park.
--------------------------------
MOVIES - From Deadline: Oscar winners Leonardo DiCaprio ("The Revenant") and Barry Jenkins ("Moonlight") have united to make a film adaptation of the documentary, "Virunga," about rangers who risk their lives to protect an African national park and its endangered gorillas.
BOX OFFICE - From Deadline: 27 years after it first hit movie theaters, "Jurassic Park" was the #1 movie at the Father's Day weekend box office. Steven Spielberg, who directed "Jurassic Park," had a big weekend as his 1975 classic, "Jaws" was a close second.
TRAILERS - From Deadline: Disney+ releases the first trailer for the live-action version of the Broadway smash, "Hamilton." The film arrives on Disney+ July 3rd, 2020.
CULTURE-BLM - From THR: African-American Hollywood attorney, Nina Shaw, writes a guest column on being "the Only Black Person in the Room" for 30-plus years.
CELEBRITY - From YahooDailyBeast: Actress Bryce Dallas Howard talks about having Oscar-winning producer-director, Ron Howard, as her father. The interview is done in conjunction with Bryce's new documentary film, "Dads," which debuted on Apple TV+.
MUSIC - From YahooEntertainment: An acoustic guitar belonging to the late Kurt Cobain of the band, Nirvana, sold for a record 6-plus million dollars at auction. That is the highest auction price ever paid for a guitar. The 1959 Martin D-19E is the guitar Cobain played for the entirety of his "MTV Unplugged" performance.
CELEBRITY-COVID-19 - From ABCNews: Comedian D.L. Hughley passed out while performing on stage in Nashville TN. Afterwards, he tested positive for COVID-19 at a local hospital.
MOVIES - From YahooGMA: Jamie Foxx shows off his body transformation for his starring role in a biopic of champion boxer, Mike Tyson.
OBITS:
From Deadline: Pioneering television comedy writer and director, Carl Reiner has died at the age of 98, Monday, June 29, 2020. Reiner is best known as the creator and writer-director and actor on "The Dick Van Dyke Show (1961-66). Five of the 9 Primetime Emmy Awards Reiner won were for his work on the show. He first came to big TV fame and acclaim working on Sid Ceasar's TV series, "Your Show of Shows" (NBC, 1950-54) and "Ceasar's Hour" (NBC, 1954-57). Reiner was also famous for being the son of television and film writer, director, and actor, Rob Reiner.
From Variety: Animator and director, Kelly Asbury, has died at the age of 60, Friday, June 26, 2020. Asbury co-directed "Spirit: Stallion of the Cimarron" (2002) and directed "Shrek 2" (2004). He began his career with Walt Disney Feature Animation and, he worked on such films as "The Black Cauldron" (1985) and "Toy Story" (1995).
From Deadline: Noted film director, Joel Schumacher, has died at the age of 80, Monday, June 22, 2020. Schumacher was known for a number of films, including "St. Elmo's Fire" (1985), "The Lost Boys" (1987), "Flatliners" (1990), "The Client" (1994), and "A Time to Kill" (1996). He caused ire among comic book fans with his two contributions to the Batman film franchise, "Batman Forever" (1995) and "Batman and Robin" (1997).
From Deadline: American businessman and film financier, Steve Bing, has died at the age of 55, Monday, June 22, 2020. In the film business, Bing invested in two animated films by director Robert Zemeckis, "The Polar Express" (2004) and "Beowulf." He founded Shangri-La Entertainment, which had interests in property, construction, entertainment, and music.
BLACK LIVES MATTER NEWS:
From RSN: The four corners of police violence
From TheIntercept: Black Lives Matter Wants to End Police Brutality. History Suggests It Will Go Much Further.
From YahooNews: "The Confederacy of California": life in the valley where Robert Fuller was found hanged
From CNN: Colorado police officers involved in the death of Elijah McClain reassigned for safety reasons.
From Truthout: " Three North Carolina Police Fired for Racist Rants, Threats to Kill Black People" - and what they said is crazy and scary
From Truthout: Bryant Gumbel Gives Powerful Commentary on the 'Black Tax,' the 'Added Burden' of Being Black
From YahooEntertainment: Oscar-nominated songwriter and Grammy Award-winning recording artist, Ray Parker, Jr., may be best known for writing the theme to the film, "Ghostbusters," but when he was a teenager, Parker was beaten by Detroit police officers.
From RSNewYorker: Jelani Cobb: An American Spring of Reckoning.
From NBCNews: Baton Rouge, LA activist, Gary Chambers, makes an impassioned speech about changing the name of Robert E. Lee High School in Baton Rouge.
From YahooNews: Racial violence and a pandemic: How the Red Summer of 1919 relates to 2020
From DemocracyNow: Fear Grows of Modern-Day Lynchings as Five People of Color Are Found Hanged
CORONAVIRUS/COVID-19 NEWS:
From CDC: The Centers for Disease Control has a "COVID Data Tracker."
From YahooNews: Why does COVID-19 kill some people and hardly affects others?
From YahooNews: Yahoo has a dedicated page of links updating news about COVID-19.
From Deadline: The news site "Deadline" has a dedicated page for news about coronavirus and the film, TV, and entertainment industries.
From TheNewYorker: The venerable magazine has a dedicate COVID-19 page free to all readers.
From YahooNews: Re: the federal government's response to COVID-19: What if the most important election of our lifetime was the last one - 2016?
From YahooLife: What is "happy hypoxia?" And do you have this COVID-19 symptom?
From JuanCole: Remeber when President Donald went crazy and suggested that we ingest household cleaning supplies and UV light to fight COVID-19. Here is the video and commentary from Juan Cole.
From TheIntercept: The federal government has ramped up security and police-related spending in response to the COVID-19/coronavirus pandemic, including issuing contracts for riot gear, disclosures show. The purchase orders include requests for disposable cuffs, gas masks, ballistic helmets, and riot gloves...
From NPR: A sad milestone: over 100,000 American have died due to COVID-19.
From TheAtlantic: The Coronavirus Was an Emergency Until Trump Found Out Who Was Dying. The pandemic has exposed the bitter terms of our racial contract, which deems certain lives of greater value than others.
From ProPublica: Hospital's Secret COVID-19 Policy Separated Native American Mothers From Their Newborns
From Truthout: Trump Moves to End Federal Support for Testing Sites Amid Record COVID Spikes
From TheGuardian: More than 20 million Americans could have contracted COVID-19, experts say.
From RSN/WashPost: The COVID-19 mutation that has taken over the world.
----------------
Support Leroy on Patreon:
ENTERTAINMENT NEWS:
ACADEMY AWARDS - From YahooUSA: Academy exceeds inclusion goal after #OscarsSoWhite: New voters are 45% female, 36% diverse.
CELEBRITY-BLM - From YahooEntertainment: John Wayne was not a racist says the late actor's son, Ethan Wayne.
MOVIES - From Collider: The site has several images from David Ayers' upcoming thriller, "The Tax Collector," starring Shia LaBeouf and Bobby Soto.
BLM-CRIME-HISTORY - From Alabama.com: 16th Street Baptist Church bomber Thomas Blanton dies in prison. The bombing, which occurred in 1963, is known for the "Four Little Girls."
MOVIES - From YahooMoviesUK: "John Wick" director, Chad Stahelski, says that a reboot of the 1980s action-fantasy movie cult classic, "Highlander," is "in heavy development mode."
CELEBRITY-POLITICS - From TheDailyBeast: How Mary Trump (President Donald's niece) Found Herself in the Hot Mess of a William Faulkner Novel
MUSIC-STREAMING - From Variety: The streaming service, Disney+, will releases Beyonce's new visual album, "Black is King," July 31st. The LP is inspired by "The Lion King," and its released date is just after the one-year anniversary of the 2019 release of Disney's live-action version of "The Lion King."
LGBTQ - From YahooLifestyle: Gay ER doctor who survived COVID-19 says he can't donate plasma because he’s sexually active
POLITICS - From RSN: "Saint Donald and the Dragon" - Donald Trump and the China!
SPORTS - From YahooSports: Bubba Wallace on Confederate flag ban protests: 'We won’t see cops pepper-spraying them and shooting them with rubber bullets'
MOVIES - From THR: Actor Margot Robbie and writer Christina Hodson, who teamed up on "Birds of Prey," are reunited on a new "Pirates of the Caribbean" movie. It is separate from the other reboot being developed "Pirates" scribe, Ted Elliot," and "Chernobyl" writer Craig Mazin.
MOVIES - From THR: The release date of Christopher Nolan's "Tenet" has been delayed again, from July 31st to August 12th, 2020.
MOVIES - From THR: Inside "Hollywood's nastiest producer feud," the story of Roy Lee vs. John Middleton.
POLITICS - From TheGuardian: How the US military has failed to address white supremacy in its ranks. This is in the wake of an alleged plot by a young solider to coordinate with a neo-Nazi group to attack and kill members of his own army unit.
BLM-ANIMATION - From TVGuide: Jenny Slate will no longer voice Missy on Netflix's "Big Mouth": 'Black Characters on an Animated Show Should be Played by Black People'
From BuzzFeed: Voice actor Mike Henry has retired from providing the voice of "Family Guy" African-American character, "Cleveland Brown." He is the latest white voice performer to announce that he is exiting the voice role of a Black character, following Jenny Slate leaving Big Mouth and Kristen Bell shifting to a different role on Central Park.
--------------------------------
MOVIES - From Deadline: Oscar winners Leonardo DiCaprio ("The Revenant") and Barry Jenkins ("Moonlight") have united to make a film adaptation of the documentary, "Virunga," about rangers who risk their lives to protect an African national park and its endangered gorillas.
BOX OFFICE - From Deadline: 27 years after it first hit movie theaters, "Jurassic Park" was the #1 movie at the Father's Day weekend box office. Steven Spielberg, who directed "Jurassic Park," had a big weekend as his 1975 classic, "Jaws" was a close second.
TRAILERS - From Deadline: Disney+ releases the first trailer for the live-action version of the Broadway smash, "Hamilton." The film arrives on Disney+ July 3rd, 2020.
CULTURE-BLM - From THR: African-American Hollywood attorney, Nina Shaw, writes a guest column on being "the Only Black Person in the Room" for 30-plus years.
CELEBRITY - From YahooDailyBeast: Actress Bryce Dallas Howard talks about having Oscar-winning producer-director, Ron Howard, as her father. The interview is done in conjunction with Bryce's new documentary film, "Dads," which debuted on Apple TV+.
MUSIC - From YahooEntertainment: An acoustic guitar belonging to the late Kurt Cobain of the band, Nirvana, sold for a record 6-plus million dollars at auction. That is the highest auction price ever paid for a guitar. The 1959 Martin D-19E is the guitar Cobain played for the entirety of his "MTV Unplugged" performance.
CELEBRITY-COVID-19 - From ABCNews: Comedian D.L. Hughley passed out while performing on stage in Nashville TN. Afterwards, he tested positive for COVID-19 at a local hospital.
MOVIES - From YahooGMA: Jamie Foxx shows off his body transformation for his starring role in a biopic of champion boxer, Mike Tyson.
OBITS:
From Deadline: Pioneering television comedy writer and director, Carl Reiner has died at the age of 98, Monday, June 29, 2020. Reiner is best known as the creator and writer-director and actor on "The Dick Van Dyke Show (1961-66). Five of the 9 Primetime Emmy Awards Reiner won were for his work on the show. He first came to big TV fame and acclaim working on Sid Ceasar's TV series, "Your Show of Shows" (NBC, 1950-54) and "Ceasar's Hour" (NBC, 1954-57). Reiner was also famous for being the son of television and film writer, director, and actor, Rob Reiner.
From Variety: Animator and director, Kelly Asbury, has died at the age of 60, Friday, June 26, 2020. Asbury co-directed "Spirit: Stallion of the Cimarron" (2002) and directed "Shrek 2" (2004). He began his career with Walt Disney Feature Animation and, he worked on such films as "The Black Cauldron" (1985) and "Toy Story" (1995).
From Deadline: Noted film director, Joel Schumacher, has died at the age of 80, Monday, June 22, 2020. Schumacher was known for a number of films, including "St. Elmo's Fire" (1985), "The Lost Boys" (1987), "Flatliners" (1990), "The Client" (1994), and "A Time to Kill" (1996). He caused ire among comic book fans with his two contributions to the Batman film franchise, "Batman Forever" (1995) and "Batman and Robin" (1997).
From Deadline: American businessman and film financier, Steve Bing, has died at the age of 55, Monday, June 22, 2020. In the film business, Bing invested in two animated films by director Robert Zemeckis, "The Polar Express" (2004) and "Beowulf." He founded Shangri-La Entertainment, which had interests in property, construction, entertainment, and music.
BLACK LIVES MATTER NEWS:
From RSN: The four corners of police violence
From TheIntercept: Black Lives Matter Wants to End Police Brutality. History Suggests It Will Go Much Further.
From YahooNews: "The Confederacy of California": life in the valley where Robert Fuller was found hanged
From CNN: Colorado police officers involved in the death of Elijah McClain reassigned for safety reasons.
From Truthout: " Three North Carolina Police Fired for Racist Rants, Threats to Kill Black People" - and what they said is crazy and scary
From Truthout: Bryant Gumbel Gives Powerful Commentary on the 'Black Tax,' the 'Added Burden' of Being Black
From YahooEntertainment: Oscar-nominated songwriter and Grammy Award-winning recording artist, Ray Parker, Jr., may be best known for writing the theme to the film, "Ghostbusters," but when he was a teenager, Parker was beaten by Detroit police officers.
From RSNewYorker: Jelani Cobb: An American Spring of Reckoning.
From NBCNews: Baton Rouge, LA activist, Gary Chambers, makes an impassioned speech about changing the name of Robert E. Lee High School in Baton Rouge.
From YahooNews: Racial violence and a pandemic: How the Red Summer of 1919 relates to 2020
From DemocracyNow: Fear Grows of Modern-Day Lynchings as Five People of Color Are Found Hanged
CORONAVIRUS/COVID-19 NEWS:
From CDC: The Centers for Disease Control has a "COVID Data Tracker."
From YahooNews: Why does COVID-19 kill some people and hardly affects others?
From YahooNews: Yahoo has a dedicated page of links updating news about COVID-19.
From Deadline: The news site "Deadline" has a dedicated page for news about coronavirus and the film, TV, and entertainment industries.
From TheNewYorker: The venerable magazine has a dedicate COVID-19 page free to all readers.
From YahooNews: Re: the federal government's response to COVID-19: What if the most important election of our lifetime was the last one - 2016?
From YahooLife: What is "happy hypoxia?" And do you have this COVID-19 symptom?
From JuanCole: Remeber when President Donald went crazy and suggested that we ingest household cleaning supplies and UV light to fight COVID-19. Here is the video and commentary from Juan Cole.
From TheIntercept: The federal government has ramped up security and police-related spending in response to the COVID-19/coronavirus pandemic, including issuing contracts for riot gear, disclosures show. The purchase orders include requests for disposable cuffs, gas masks, ballistic helmets, and riot gloves...
From NPR: A sad milestone: over 100,000 American have died due to COVID-19.
From TheAtlantic: The Coronavirus Was an Emergency Until Trump Found Out Who Was Dying. The pandemic has exposed the bitter terms of our racial contract, which deems certain lives of greater value than others.
From ProPublica: Hospital's Secret COVID-19 Policy Separated Native American Mothers From Their Newborns
From Truthout: Trump Moves to End Federal Support for Testing Sites Amid Record COVID Spikes
From TheGuardian: More than 20 million Americans could have contracted COVID-19, experts say.
From RSN/WashPost: The COVID-19 mutation that has taken over the world.
----------------
Labels:
Barry Jenkins,
Beyonce,
Bits-Bites,
BLM,
Bryce Dallas Howard,
COVID-19,
Disney+,
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Leonardo DiCaprio,
obituary,
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Steven Spielberg
Monday, June 29, 2020
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MAR208180 JIM HENSON STORYTELLER GHOSTS #3 (OF 4) FOC BOWYER VAR $3.99
MAR201398 KING OF NOWHERE #3 (OF 5) CVR A JENKINS $3.99
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Labels:
BOOM Studios,
Cartoon Network,
Comics,
Diamond,
Jim Henson,
Joss Whedon
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