Yen Press Announces Six New Titles at "Anime Expo Light"

Yen Press Announces Six New Manga Titles for Future Publication

NEW YORK, NY – Yen Press, LLC announced its latest publishing acquisitions, which include manga debuts for The White Cat’s Revenge as Plotted from the Dragon King’s Lap, Wolf & Parchment and Sword Art Online Project Alicization. New light novels titles include A Certain Magical Index SS and Goblin Slayer Side Story II: Dai Katana and a new art book  acquisition for Keito Koume Illustrations: Spice & Wolf – The Ten Year Calvados

A Certain Magical Index SS
Story by Kazuma Kamachi
llustrations by Kiyotaka Haimura

Kamijou Touma faces his roughest challenge yet-a classroom hot pot party! Meanwhile in London, the women's dorm in a base of magicians may never see another day as wild as this one. And in the underbelly of Academy City, Accelerator stumbles upon someone who has been waiting for him all this time...? Here begins the supplementary SS series of A Certain Magical Index!

Originally published in Japan during the serialization of A Certain Magical Index, A Certain Magical Index SS was the first spin-off of the popular light novel series. The side stories featured in A Certain Magical Index SS are led by fan favorite characters such as Touma, Hamazura and Accelerator.

The White Cat's Revenge as Plotted from the Dragon King's Lap Story and Aki
Art by Yamigo Kureha

My life was pretty ordinary. Go to college, live in an apartment, hang out with people. But because of that pompous, irritating girl I grew up with, I got dragged into a huge mess. As usual. Now I’m in another world where she’s a well-respected shrine maiden…and I got turned into a cat. How did it come to this?!

Adapted from an online novel, The White Cat’s Revenge as Plotted from the Dragon King’s Lap falls into the growing category of shojo isekai titles. This adorable and beautifully illustrated manga will appeal to a large audience of shojo fantasy fans eager for more.

Keito Koume Illustrations: Spice & Wolf –The Tenth Year Calvados
Art by Keito Koume

Never before has the stunning color art of the manga adaption of Spice and Wolf been seen like this! As a compendium of the illustrations delivering a story that ran strong for ten years, this is a must-have for any fan of everyone's favorite apple-loving wolf!

Over a decade ago, the series Spice & Wolf became one of the first light novels to gain mainstream popularity, a series that remains a fan favorite to this day. Keito Koume Illustrations: Spice & Wolf – The Tenth Year Calvados is a deluxe collection of Spice & Wolf illustrator Keito Koume’s artwork for the manga adaptation which includes cover art and a full color manga excerpt.

Wolf & Parchment (manga)
Story by Isuna Hasekura
Art by Hidori

When Col leaves the cozy mountain village of Nyohhira aspiring to become a full-fledged member of the clergy, a certain impetuous wolf can't help stowing away aboard his ship to follow him for a chance to have a grand adventure of her own!

A gorgeous manga adaptation of the light novel, Wolf & Parchment is a spin-off of Spice and Wolf taking place 10 years after the end of the original series. The ongoing series features Lawrence and Holo’s travelling companion Col as well as their daughter Miyuri.

Sword Art Online Project Alicization (manga)
Story by Reki Kawahara
Art by Koutarou Yamada
Original Illustrations by abec

Deep in an unfamiliar forest, Kirito awakens with sensations far too convincing for a virtual world… With memories of a life he doesn’t remember living. A boy and a girl…and a name that sticks in his mind: Alice.

Sword Art Online Project Alicization is a manga adaptation of Sword Art Online’s Alicization Arc, the basis of the ongoing anime titled Sword Art Online: Alicization. Fans of the anime have been eagerly anticipating the release of the Sword Art Online Project Alicization manga along with the upcoming Season 2 of Sword Art Online: Alicization.

Goblin Slayer Side Story II: Dai Katana (light novel)
Story by Kumo Kagyu
Art by lack

Not a soul knows how the death and destruction started. Only one thing is certain—it came from the north. Deep within the Dungeon of the Dead is where the the Demon King resides and the only hope humanity has of defeating this great evil rests on the shoulders of a handful of adventurers. This tale of Sword Maiden's past smells of ash and sounds like the ringing of bare steel.

Goblin Slayer Side Story II: Dai Katana takes place a decade prior to the events of the original series. The spin-off series tells the story of Sword Maiden and her party of six as they journey to slay the Demon King, a feat which made her a legend in the world of Goblin Slayer.

About Yen Press, LLC
­­Yen Press, LLC is a joint venture between Kadokawa Corporation and Hachette Book Group. Founded in 2006, Yen Press has quickly risen to become one of the largest and most prolific publishers of manga and original graphic novels in the North American marketplace and a driving force in the introduction of light novels and Japanese literature to new readers through its Yen On imprint. For more information, visit www.yenpress.com.  

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Yen Press Releases BESTIA Fantasy Manga

Yen Press Launches BESTIA Fantasy Adventure Manga Series

News of a new fantasy adventure manga series launch from Yen Press as the publisher details the release of BESTIA.

The series was highlighted in a Tweet from Yen Press: https://twitter.com/yenpress/status/1276189169111400450

Bestia Volume 1 is available now and features story by Makoto Sanda and artwork by Miyakokashiwa.

Chasing a faint memory from childhood, Asuka Tsukasa travels to London...and falls headlong into fantasy, intrigue, and the piercing gaze of a beautiful beast girl!

BESTIA Summary:

"Asuka, you are my keeper."

Asuka Tsukasa has an irrational fear of animals, especially dogs-which makes studying abroad in London, city of dog lovers, a bit of a challenge for him. There, in his vanished mother's hometown, he hopes to find a clue to her whereabouts and to meet the mysterious smiling girl from his dreams. But life only gets harder for this zoophobe when he's invited to join a secret organization that seeks to coexist with beasts and protect the world from the ones that go out of control. At least he gets to meet that girl-though she turns out.

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Yen Press Says its Time for "Little Miss P: The Second Day"

Yen Press delivers a compelling and emotional new manga release with the debut of Little Miss P: The Second Day, the latest release in the acclaimed ongoing graphic novel about an anthropomorphized period.

Yen Press detailed the release in a Tweet: https://twitter.com/yenpress/status/1277626394357321728

Little Miss P has gained wide attention in Japan for dealing with the often-taboo topic of menstruation. The first volume of the series was published in-print and digitally by Yen Press last year. A Japanese live action film based on the manga is also set to be produced.

Little Miss P: The Second Day is available now in-print and digitally from Yen Press’ online partners.

Because everyone’s cycle is different, there’s a Seiri-chan (or period) for each person. But they all look (more or less) the same, so it’s easier to call them ‘Seiri-chan’ as a group.

When that Seiri-chan knocks on your door (or climbs through your window, it could be good or bad news. If it’s your first time meeting her, it means your periods just started. It means you’re not pregnant, as well. Little Miss P depicts this emotional rollercoaster with poignancy and an insightfulness that makes this release an ideal example of “essay” manga that realistically deal with the trials and tribulations of emotions and a variety of life experiences.

Little Miss P: The Second Day Summary:

It's that time of month, and you know what that means...a visit from Little Miss P! She always seems to show up at just the wrong time, generally armed with a heavy dose of fatigue and poised to deliver a barrage of beatings that leave her hosts physically and mentally exhausted. Though Little Miss P is often met with dread and resignation, the realities of a woman's period are widely misunderstood-especially by those who haven't been subjected to her gut punches on a monthly basis. Join Little Miss P-along with Mr. Libido, Mr. Virginity, and Little Miss PMS-as she visits women in a variety of circumstances, advising, harassing, comforting, and delivering more than one obligatory PERIOD PUNCH in this humorous, heartwarming collection!

In the latest volume, like clockwork, Little Miss P has stopped by for another one of her energy-sapping, gut-twisting monthly visits! Despite the difficulties brought about by her arrival, women around the world-and galaxy-must find ways to cope with her (ir)regular visits, a task made easier by the support and understanding of those who care about them. Through frank discussion and a heavy flow of humor, this collection follows Little Miss P as she calls on women from all walks of life. No pop star, action hero, or office worker is exempt from Little Miss P's formidable PERIOD PUNCH!

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Review: "Mission: Impossible - Fallout" Goes All Out

TRASH IN MY EYE No. 13 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Mission: Impossible – Fallout (2018)
Running time: 147 minutes; MPAA – PG-13 for violence and intense sequences of action, and for brief strong language
DIRECTOR:  Christopher McQuarrie
WRITERS:  Christopher McQuarrie (based upon the television series created by Bruce Geller)
PRODUCERS: Tom Cruise, J.J. Abrams, Christopher McQuarrie, and Jake Myers
CINEMATOGRAPHER: Rob Hardy (D.o.P.)
EDITOR: Eddie Hamilton
COMPOSER: Lorne Balfe
BAFTA nominee

ACTION/ADVENTURE/SPY/THRILLER

Starring: Tom Cruise, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Vanessa Kirby Michelle Monaghan, Wes Bentley, Angela Bassett, and Alec Baldwin

Mission: Impossible – Fallout is a 2018 action-thriller and espionage film directed by Christopher McQuarrie and starring Tom Cruise.  It is the sixth film in the Mission: Impossible (M:I) film franchise, which is based on the American television series, “Mission: Impossible” (CBS, 1966-73), that was created by Bruce Geller.

Mission: Impossible – Fallout is a direct sequel to 2015's Mission: Impossible – Rogue Nation.  Fallout finds the members of the Impossible Mission Force (IMF) racing against time after a mission to obtain plutonium goes wrong.

Mission: Impossible – Fallout opens two years after the events depicted in Rogue Nation, which saw Agent Ethan Hunt (Tom Cruise) and his IMF team take down Solomon Lane (Sean Harris), the anarchist mastermind who was the leader of the international criminal consortium, the Syndicate.  Now, the remnants of the Syndicate have reformed into the terrorist organization known as “the Apostles.”

Hunt and his two longest serving IMF teammates, technical field agent, Benjamin “Benji” Dunn (Simon Pegg), and IMF agent Luther Stickell (Ving Rhames), are in Berlin, Germany to buy three plutonium cores from Eastern European gangsters before the Apostles do.  The mission goes awry, which forces Hunt to track the cores to whomever or whatever organization now has them.  The person who may know the cores' whereabouts or have them is the mysterious Alanna Mitsopolis a.k.a. “the White Widow” (Vanessa Kirby).

Erika Sloane (Angela Bassett), the new Director of the CIA, is furious at Hunt and current Secretary of the IMF, Al Hunley (Alec Baldwin), for failing to secure the plutonium.  Director Sloane insists that one of her agents, August Walker (Henry Cavill), an assassin working for the CIA's Special Activities Division, accompany and Hunt and his IMF team to Paris to meet the Widow.  What Hunt doesn't know is that a recent ally, former MI6 agent, Ilsa Faust (Rebecca Ferguson), is also tracking Hunt, and her mission may or may not be a danger to Hunt's.

I divide the six Mission: Impossible movies into two trilogies.  Mission: Impossible (1996), Mission: Impossible II (2000), and Mission: Impossible III (2006) make up the first trilogy.  Mission: Impossible – Ghost Protocol (2011),  Mission: Impossible – Rogue Nation (2015), and Mission: Impossible – Fallout (2018) form the second trilogy.  Each film in the first trilogy has a different director and a different tone or sensibility.  The second trilogy only has two different directors, Brad Bird for Ghost Protocol and Christopher McQuarrie for Rogue Nation and Fallout.  However, beginning with Ghost Protocol, the films depict IMF as being a team of outsiders fighting both to save the world and to justify its existence, if only for a moment of goodwill immediately after a successful mission.  Afterwards, the security state apparatus of the United States is back to mistrusting the motives of IMF or to being downright hostile to it.  This intensifies the recent films' sense of drama and also sets them apart from earlier M:I films.

The recent film, Fallout, is the best of this second trilogy or second lot of films.  It certainly lives up to both the words “mission” and “impossible” in its name.  Every thing upon which Ethan Hunt embarks is a mission; these can't be adventures or mere chases because every move has a purpose.  The “impossible” comes in because the missions always involve these impossible set pieces, and Fallout sets a new standard in M:I insane set pieces.

Tom Cruise may be Hollywood's most consistent action movie star and its most ambitious.  As of the release of Fallout, the M:I film franchise was 22-years-old, with the seventh and eighth installments already preparing for release in 2021 and 2022 respectively (as of this writing).  One can call M:I III a bit of a box office misstep (but not by much), but as of Ghost Protocol, the franchise has been bigger, better (in some ways) and tastier with each new film.  Fallout, to date, is Tom Cruise's most extravagant, deliriously fun film, blending mind-bending action set pieces with brutal, physical, man-to-man fights that are sometimes to the death.  Cruise is so hungry to blow our minds ever more with each film that he actually was hurt performing a crazy and dangerous stunt himself.

In Christopher McQuarrie, Cruise seems to have found the perfect director for his aspirations for this franchise.  McQuarrie began his Hollywood career as a screenwriter and won an Oscar for writing The Usual Suspects.  In the last decade, however, he has proved to be a director of imaginative and inventive macho films that balance high octane action and conspiratorial intrigue.  McQuarrie gives us meat-and-potatoes action films, but the meat is of a high quality and the potatoes are sustainable and artisanal.  It is no coincidence that this already-good franchise has found a way to improve since McQuarrie began directing it and writing its screenplays.

The supporting cast is also excellent, with Ving Rhames and Simon Pegg finding places to shine next to Cruise's supernova.  Angela Bassett chews up two of her scenes; it is easy to take this magnificent actress for granted.  Of course, you will regret it.  I have to admit Henry Cavill impressed me in a way he has never before, and I have to say that I loved every moment of Rebecca Ferguson.  And it is always good to see Alec Baldwin.

At the end of my review of Rogue Nation, I wrote, “Seriously, Tom Cruise is as glorious as ever as Ethan Hunt.”  That remains true, and Mission: Impossible is also as glorious as ever.  I love it so much that I will say even to people who are not fans of the franchise: see Mission: Impossible – Fallout.  For a moment while I was watching this film, I thought to myself, “M:I has replaced James Bond.”  Yikes!

9 of 10
A+

2019 BAFTA Awards:  1 nomination: “Best Sound” (Gilbert Lake, James Mather, Chris Munro, and Mike Prestwood Smith)

Saturday, May 30, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Academy Invites 819 to Membership - Directors and Writers

ACADEMY SURPASSES GOAL TO DOUBLE NUMBER OF WOMEN AND UNDERREPRESENTED ETHNIC/RACIAL COMMUNITIES BY 2020

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 819 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.  The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries.  There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards.  Those who accept the invitations will be the only additions to the Academy’s membership in 2020.

“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences.  We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.

In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020.  Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals.

The Academy recently announced the next phase of its equity and inclusion initiative, Academy Aperture 2025, which will further the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community.  The initial phase of Academy Aperture 2025 outlined specific goals for the Oscars® and Academy governance, membership, and workplace culture.

“We take great pride in the strides we have made in exceeding our initial inclusion goals set back in 2016, but acknowledge the road ahead is a long one.  We are committed to staying the course.  I cannot give enough thanks to all our members and staff who worked on the A2020 initiative and to our head of Member Relations and Awards, Lorenza Muñoz, for her leadership and passion in guiding us through to this point and helping to set the path going forward.  We look forward to continuing to foster an Academy that reflects the world around us in our membership, our programs, our new Museum, and in our awards,” said Academy CEO Dawn Hudson.

Eight individuals (noted by an asterisk) have been invited to join the Academy by multiple branches.  These individuals must select one branch upon accepting membership.

Additionally, the membership status of all Artists’ Representatives (agents) will change from Associates to Members-at-Large.  As Members-at-Large, agents will now have Oscars voting privileges.

The 2020 invitees are:

Directors:
Ali Abbasi – “Border,” “Shelley”
Levan Akin – “And Then We Danced,” “The Circle”
Francesca Archibugi – “A Question of the Heart,” “Tomorrow”
Ari Aster – “Midsommar,” “Hereditary”
Icíar Bolláin – “Even the Rain,” “Take My Eyes”
Kat Candler – “Hellion,” “Jumping off Bridges”
Felipe Cazals – “El Año de la Peste,” “Canoa: A Shameful Memory”
Cristina Comencini – “Latin Lover,” “Don’t Tell”
Sebastián Cordero – “Europa Report,” “Crónicas”
Terence Davies – “The House of Mirth,” “The Long Day Closes”
Sophie Deraspe – “Antigone,” “A Gay Girl in Damascus: The Amina Profile”
Mati Diop* – “Atlantics,” “A Thousand Suns”
Robert Eggers – “The Lighthouse,” “The Witch”
Luis Estrada – “The Perfect Dictatorship,” “Herod’s Law”
Sydney Freeland – “Deidra & Laney Rob a Train,” “Drunktown’s Finest”
Bette Gordon – “Handsome Harry,” “Variety”
Maggie Greenwald – “Sophie and the Rising Sun,” “The Ballad of Little Jo”
Megan Griffiths – “Sadie,” “The Night Stalker”
Alma Har’el – “Honey Boy,” “Bombay Beach”
Sterlin Harjo – “Mekko,” “Barking Water”
Kathleen Hepburn – “The Body Remembers When the World Broke Open,” “Never Steady, Never Still”
Jan Komasa – “Corpus Christi,” “Warsaw ’44”
Tamara Kotevska* – “Honeyland”
Alejandro Landes – “Monos,” “Porfirio”
John H. Lee – “Operation Chromite,” “71: Into the Fire”
Ladj Ly* – “Les Misérables”
Victoria Mahoney – “Yelling to the Sky”
Samira Makhmalbaf – “At Five in the Afternoon,” “The Apple”
Mai Masri – “3000 Nights,” “33 Days”
Akin Omotoso – “Vaya,” “Tell Me Sweet Something”
Matt Reeves – “Dawn of the Planet of the Apes,” “Cloverfield”
Ljubo Stefanov* – “Honeyland”
Elle-Máijá Tailfeathers – “The Body Remembers When the World Broke Open,” “ćəsnaʔəm, the city before the city”
Maria Tognazzi – “Me, Myself & Her,” “A Five Star Life”
Jorge Alí Triana – “Bolívar Soy Yo,” “A Time to Die”
Matthew Vaughn – “Kick-Ass,” “Layer Cake”
Lulu Wang* – “The Farewell,” “Posthumous”
Wash Westmoreland – “Still Alice,” “Quinceañera”
Andrés Wood – “Araña,” “Violeta Went to Heaven”

Writers:
Narges Abyar – “Breath,” “Track 143”
Lucy Alibar – “Troop Zero,” “Beasts of the Southern Wild”
David Berenbaum – “The Spiderwick Chronicles,” “Elf”
Jez Butterworth – “Ford v Ferrari,” “Edge of Tomorrow”
John-Henry Butterworth – “Ford v Ferrari,” “Edge of Tomorrow”
Shane Carruth – “Upstream Color,” “Primer”
Jérémy Clapin* – “I Lost My Body”
Sabrina Dhawan – “Kaminey,” “Monsoon Wedding”
Mati Diop* – “Atlantics,” “A Thousand Suns”
Susanna Fogel – “Booksmart,” “The Spy Who Dumped Me”
Michel Franco – “Chronic,” “After Lucia”
Giordano Gederlini – “Les Misérables,” “The Invader”
Han Jin Won – “Parasite”
Julia Hart – “Fast Color,” “Miss Stevens”
Gregory Allen Howard – “Harriet,” “Ali”
Amy Jump – “A Field in England,” “Sightseers”
Ladj Ly* – “Les Misérables”
Alexis Manenti – “Les Misérables”
Stella Meghie – “The Photograph,” “Jean of the Joneses”
Najwa Najjar – “Between Heaven and Earth,” “Eyes of a Thief”
Tyler Nilson – “The Peanut Butter Falcon”
Mateusz Pacewicz – “Suicide Room: Hater,” “Corpus Christi”
Pamela Pettler – “Monster House,” “Tim Burton’s Corpse Bride”
Michael Schwartz – “The Peanut Butter Falcon”
Lulu Wang* – “The Farewell,” “Posthumous”
Krysty Wilson-Cairns – “1917”
Wally Wolodarsky – “Trolls World Tour,” “Monsters vs Aliens”

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Welcome to Negromancer July 2020

It's July 2020.  Welcome to Negromancer 2.0.  This is the rebirth of Negromancer, the former movie review website as a new movie review and movie news site.

Support me on Patreon.

All images and text appearing on this blog are © copyright and/or trademark their respective owners.

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Academy Invites 819 to Membership - Actors

ACADEMY SURPASSES GOAL TO DOUBLE NUMBER OF WOMEN AND UNDERREPRESENTED ETHNIC/RACIAL COMMUNITIES BY 2020

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 819 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.  The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries.  There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards.  Those who accept the invitations will be the only additions to the Academy’s membership in 2020.

“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences.  We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.

In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020.  Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals.

The Academy recently announced the next phase of its equity and inclusion initiative, Academy Aperture 2025, which will further the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community.  The initial phase of Academy Aperture 2025 outlined specific goals for the Oscars® and Academy governance, membership, and workplace culture.

“We take great pride in the strides we have made in exceeding our initial inclusion goals set back in 2016, but acknowledge the road ahead is a long one.  We are committed to staying the course.  I cannot give enough thanks to all our members and staff who worked on the A2020 initiative and to our head of Member Relations and Awards, Lorenza Muñoz, for her leadership and passion in guiding us through to this point and helping to set the path going forward.  We look forward to continuing to foster an Academy that reflects the world around us in our membership, our programs, our new Museum, and in our awards,” said Academy CEO Dawn Hudson.

Eight individuals (noted by an asterisk) have been invited to join the Academy by multiple branches.  These individuals must select one branch upon accepting membership.

Additionally, the membership status of all Artists’ Representatives (agents) will change from Associates to Members-at-Large.  As Members-at-Large, agents will now have Oscars voting privileges.

The 2020 invitees are:

Actors:
Yalitza Aparicio – “Roma”
Awkwafina – “The Farewell,” “Crazy Rich Asians”
Zazie Beetz – “Joker,” “High Flying Bird”
Alia Bhatt – “Gully Boy,” “Raazi”
Bobby Cannavale – “The Irishman,” “The Station Agent”
Choi Woo-Shik – “Parasite,” “The Divine Fury”
Zendaya Coleman – “Spider-Man: Far from Home,” “The Greatest Showman”
Tyne Daly – “The Ballad of Buster Scruggs,” “Spider-Man: Homecoming”
Mackenzie Davis – “Terminator: Dark Fate,” “Tully”
Ana de Armas – “Knives Out,” “Blade Runner 2049”
Kaitlyn Dever – “Booksmart,” “Detroit”
Cynthia Erivo* – “Harriet,” “Widows”
Pierfrancesco Favino – “The Traitor,” “Rush”
Beanie Feldstein – “Booksmart,” “Lady Bird”
Zack Gottsagen – “The Peanut Butter Falcon”
David Gyasi – “Maleficent: Mistress of Evil,” “Interstellar”
Adèle Haenel – “Portrait of a Lady on Fire,” “BPM (Beats Per Minute)”
Kelvin Harrison Jr. – “Waves,” “Luce”
Brian Tyree Henry – “If Beale Street Could Talk,” “Widows”
Huang Jue – “Long Day’s Journey into Night,” “The Lady in the Portrait”
Jang Hye-Jin – “Parasite,” “Poetry”
Jo Yeo-Jeong – “Parasite,” “The Target”
Udo Kier – “The Painted Bird,” “Shadow of the Vampire”
Lee Jung-Eun – “Parasite,” “Okja”
Eva Longoria – “Overboard,” “Harsh Times”
Natasha Lyonne – “Honey Boy,” “American Pie”
Tzi Ma – “The Farewell,” “Arrival”
George MacKay – “1917,” “Captain Fantastic”
Tim McGraw – “Country Strong,” “The Blind Side”
Thomasin McKenzie – “Jojo Rabbit,” “Leave No Trace”
Ben Mendelsohn – “Ready Player One,” “Animal Kingdom”
Rob Morgan – “Just Mercy,” “Mudbound”
Niecy Nash – “Downsizing,” “Selma”
Genevieve Nnaji – “Lionheart,” “Road to Yesterday”
Park So-Dam – “Parasite,” “The Priests”
Teyonah Parris – “If Beale Street Could Talk,” “Chi-Raq”
Florence Pugh – “Little Women,” “Lady Macbeth”
Hrithik Roshan – “Super 30,” “Jodhaa Akbar”
James Saito – “Always Be My Maybe,” “Big Eyes”
Alexander Siddig – “Cairo Time,” “Syriana”
Lakeith Stanfield – “Knives Out,” “Sorry to Bother You”
Yul Vazquez – “Gringo,” “Last Flag Flying”
John David Washington – “BlacKkKlansman,” “Monsters and Men”
Olivia Wilde – “Meadowland,” “Rush”
Constance Wu – “Hustlers,” “Crazy Rich Asians”
Wu Jing – “The Wandering Earth,” “Wolf Warrior”
Zhao Tao – “Ash Is Purest White,” “Mountains May Depart”