Grandmaster Flash & The Furious Five, Lionel Hampton, Marilyn Horne, Salt-N-Pepa, Selena, and Talking Heads to Be Honored With Recording Academy® Lifetime Achievement Award
Ed Cherney, Benny Golson and Kenny “Babyface” Edmonds To Be Honored With Trustees Award; Daniel Weiss To Receive Technical GRAMMY® Award
SANTA MONICA, Calif.--(BUSINESS WIRE)--The Recording Academy® has announced the honorees for its 2021 Special Merit Awards. The Lifetime Achievement Award honorees are Grandmaster Flash & The Furious Five, Lionel Hampton, Marilyn Horne, Salt-N-Pepa, Selena, and Talking Heads. Ed Cherney, Benny Golson and Kenny “Babyface” Edmonds are Trustees Award honorees; and Daniel Weiss is the Technical GRAMMY® Award recipient. The honorees will be recognized on the 63rd Annual GRAMMY Awards® on Sunday, January 31, 2021. Given the challenges imposed by the COVID-19 pandemic, more details about the special award presentation event will be announced at a later date.
“As we welcome the new class of Special Merit Award honorees, it gives us a chance to reward and recognize the influence they’ve had in the music community regardless of genre”
"As we welcome the new class of Special Merit Award honorees, it gives us a chance to reward and recognize the influence they’ve had in the music community regardless of genre," said Harvey Mason jr., Interim President/CEO of the Recording Academy. "As a music creator and music lover, I am grateful that we are able to look back at our influences and see the impact that they have made on our community. In a year where music has helped keep us together, I look forward to honoring this iconic group of music creators.”
Formed in the South Bronx of New York City in 1978, Grandmaster Flash & The Furious Five are among the pioneers of hip-hop. The group's use of turntablism, break-beat deejaying, choreographed stage routines, and lyricism was a significant force in the early development of the genre.
Lionel Hampton* started his career as a drummer in Chicago in the 1920s before he played the vibraphone with Louis Armstrong. In the 1930s, he broke barriers with the Benny Goodman Quartet, one of the first integrated jazz bands in America. In the 1940s, he formed his own Lionel Hampton Orchestra, which became one of the longest running orchestras in jazz history.
Marilyn Horne is one of the most prolific opera singers of our time. Over her six-decade career, she has garnered numerous honors, including four GRAMMY Awards, a Kennedy Center Honors, the National Medal of Arts, a Commander of the Order of Arts and Letters from France’s ministry of culture, and a National Endowment for the Arts Opera Honors.
As one of the first all-female rap groups, Salt-N-Pepa broke down a number of doors for women in hip-hop. Formed in Queens, New York, in 1985, the group crafted hits such as “Push It,” “Shoop,” “Whatta Man,” and the GRAMMY-winning “None Of Your Business.” They were also one of the first rap artists to crossover, laying the groundwork for the hip-hop’s widespread popularity in the early '90s.
The Queen of Tejano, Selena* became a household name not long after her career took off in the 1980s. Her 1993 album, Live, won Best Mexican-American Album at the 36th Annual GRAMMY Awards, marking the first time a female Tejano artist won the category. Though her life was tragically cut short in 1995, Selena’s crossover album, the posthumously released Dreaming Of You, sold 175,000 on the day of its release, a then record for a female vocalist.
Talking Heads, formed in 1975 in New York City, helped to pioneer new wave music by blending elements of punk, rock, art pop, funk, and world music with an avant-garde aesthetic. In 2002, 11 years after the group disbanded, they were inducted into the Rock and Roll Hall of Fame.
Ed Cherney* was one of the most sought-after engineers in the industry. His four-decade career began as an assistant engineer working with Bruce Swedien and Quincy Jones on Michael Jackson’s Off The Wall. Cherney went on to record, mix and engineer albums for artists such as the Rolling Stones, Bob Dylan, Iggy Pop, and Fleetwood Mac, among others. A four-time GRAMMY winner, he also founded the Academy’s Producers & Engineers Wing®.
Benny Golson is an international jazz legend who has composed more than 300 works over his 70-year career. He has composed and arranged music for artists such as John Coltrane, Miles Davis, Ella Fitzgerald, Dizzy Gillespie, Benny Goodman, and Lionel Hampton, and is the only living artist to write eight jazz standards. His prolific writing also includes scores for many hit TV series and films.
Kenny “Babyface” Edmonds is a poignant tunesmith, prolific producer, superstar recording artist, and revolutionary label owner. An 11-time GRAMMY winner, including a record four Producer Of The Year, Non-Classical awards, Babyface has been instrumental in the careers of artists such as Toni Braxton, Usher and TLC and has crafted hundreds of pop and R&B hits with artists including Whitney Houston, the Whispers, Brandy, Boyz II Men, Madonna, and Eric Clapton.
Daniel Weiss is one of the true pioneers of digital technology. In 1985, he founded Weiss Engineering Ltd. in Zurich, Switzerland. The company has designed and manufactured groundbreaking digital audio equipment for mastering studios, including the IBIS digital mixing console and the ultra-high quality Gambit Series digital products.
The Lifetime Achievement Award celebrates performers who have made outstanding contributions of artistic significance to the field of recording, while the Trustees Award honors such contributions in areas other than performance. The Recording Academy’s National Board of Trustees determines the honorees of both awards. Technical GRAMMY Award recipients are voted on by the Academy's Producers & Engineers Wing Advisory Council and Chapter Committees, and are ratified by the Academy's Trustees. The award is presented to individuals and companies who have made contributions of outstanding technical significance to the recording industry.
*Denotes posthumous honoree.
About the Recording Academy:
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music's history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards — music's only peer-recognized accolade and highest achievement. As the world's leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on Instagram, YouTube, and LinkedIn.
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Wednesday, January 13, 2021
2021 Grammy Lifetime Achievement Awards Announced; Tejano Legend, Selena, Among Honorees
Tuesday, January 12, 2021
Review: "The Addams Family" Gives the Middle Finger to Assimilation
TRASH IN MY EYE No. 1 of 2021 (No. 1739) by Leroy Douresseaux
[This review was originally posted on Patreon.]
ANIMATION/FANTASY/COMEDY/FAMILY
Starring: (voices) Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Finn Wolfhard, Nick Kroll, Snoop Dogg, Bette Midler, Allison Janney, Martin Short, Catherine O'Hara, Tituss Burgess, Jenifer Lewis, Elsie Fisher, Conrad Vernon, and Pom Klementieff
The Addams Family is a 2019 computer-animated comedy from directors Conrad Vernon and Greg Tiernan. The film is based on the characters created by The New Yorker cartoonist, the late Charles Addams (1912-1988). The Addams Family the movie focuses on an eccentrically macabre family and their interactions with the denizens of a colorful, but bland suburb.
The Addams Family opens as Gomez (Oscar Isaac) and Morticia (Charlize Theron) prepare to marry in front of their eccentric, odd, and weird family members. However, the people of the local town despise the macabre nature of the happy couple and their family, and chase them away. Luckily, the newlywed Morticia and Gomez and their companion, Thing (sentient hand), escape to New Jersey. There, the trio finds two things. The first is a home in an abandoned and decaying manor-style building that was once an asylum, and the second is a butler in the hulking Lurch (Conrad Vernon).
Thirteen years later, Morticia and Gomez have two children – a precocious and mordacious, Wednesday (Chloe Grace Moretz); and an explosives-loving son, Pugsley (Finn Wolfhard). The family is in kind of a state of crisis. Gomez struggles as he prepares Pugsley for his upcoming “Sabre Mazurka,” a rite of passage that every male Addams family member must pass. Morticia struggles to keep Wednesday from wanting to experience the world outside the mansion, which includes the girl's desire to go to school.
Elsewhere, reality TV host, Margaux Needler (Allison Janney), is in the middle of building a perfect planned community that she is calling, “Assimilation.” This is supposed to be the highlight of her television series' season finale. However, when she discovers that the Addams' dilapidated home overlooks Assimilation, Margaux is determined to give their home an extreme makeover, whether they like it or not. Meanwhile, many members of the Addams clan are gradually arriving in order to celebrate Pulley's big day.
I have been a fan of ABC's 1960s television series, “The Addams Family” (1964-66), since I was a child. As a child, I was also a fan of NBC's Saturday morning cartoon series, “The Addams Family” (1973). I have mixed feelings about Orion Pictures' two 1990s live-action films, The Addams Family (1991) and Addams Family Values (1993). As an adult, I became a huge fan of the work of Charles Addams, especially of his delightfully macabre cartoons that featured the characters that would become known as “The Addams Family.”
The latest media iteration of these characters, the computer-animated The Addams Family, borrows elements from the Addams Family media that has come before it. Here, the illustrative and graphic design of the characters and their world recall both Addams cartoons and the 1973 TV series, although I find the way this film's Morticia and Gomez look to be a little off-putting. Overall, however, I find the look of this film visually appealing, and I think the Addams family's relatives are an interesting lot of inventively designed characters.
One thing that I think The Addams Family 2019 has over The Addams Family 1990s film franchise is that this animated film gets it right in the way it contrasts the Addams family against the outside world. Charles Addams' best cartoons juxtaposed his creepy characters and their playfully insidious actions with the normal human world. Much about the 1990s films was insular and did not send the family out into the normal world. The second film did, at least, send Wednesday and Pugsley to summer camp, which is why I think the second film is much better than the first.
By sending the Addams down the mountain to meet their neighbors in this film, the filmmakers get to play with themes and ideas of individuality, conformity, acceptance, change, and family, which makes this movie more than just another cartoon romp featuring a bunch of strange characters. Ultimately, The Addams Family 2019 emphasizes that a family can be made up of both different people and of people who live and act differently from the rest of the family.
This film's standout voice actor/character pairs are Chloe Grace Moretz as Wednesday and Allison Janney as Margaux Needler. Nick Kroll delivers a killer turn as Uncle Fester, and Bette Midler takes what is a small role in Grandmama Addams and makes it feel like a major part. Jenifer Lewis, with her commanding voice and delivery, turns Great Auntie Loom into a character that steals scenes.
The Addams Family 2019 is my favorite media adaptation of “The Addams Family” characters outside of the 1960s and 1970s. I highly recommend this film to fans of the characters. It does take a while for the film to get going – about 20 minutes into the story, but it manages to be sweet, charming, heartwarming, and, of course, macabre – the way it should be.
7 of 10
B+
Sunday, November 8, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Monday, January 11, 2021
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