Wednesday, March 3, 2021

Amblin to Adapt "Easy Rawlins" Books for Television

Amblin Television Developing Series Based on Walter Mosley’s “Easy Rawlins” Books

UNIVERSAL CITY, Calif.--(BUSINESS WIRE)--Amblin Television announced that it has closed a deal to develop and produce a series based on Walter Mosley’s bestselling books starring the character Ezekiel “Easy” Rawlins. Sylvain White (Stomp the Yard, The Losers) will executive produce the series and is also set to direct the pilot episode. Amblin Television co-Presidents Darryl Frank and Justin Falvey ("The Americans," Haunting of Bly Manor) also executive produce, along with Mosley, his producing partner Diane Houslin for their company B.O.B. FilmHouse, Inc., and Jeremy Bolt (Monster Hunter, the Resident Evil franchise) of JB Pictures.

The drama, based on the gritty detective series, will center around Easy, a Black WWII Army veteran turned hard-boiled private eye. The show will be set in 1950’s Los Angeles and will honor the great traditions of storytelling in the detective genre while also exploring the racial inequalities and social injustice experienced by Black people and other people of color.

Mosley has written more than 60 critically acclaimed books, including fifteen novels and a collection of short stories starring Easy Rawlins. His work has appeared in The New York Times Magazine and The Nation, among other publications, and his work has been translated into 23 languages. The character of Easy Rawlins has previously appeared on screen in the 1995 film Devil in a Blue Dress, which starred Denzel Washington. Mosley is the winner of numerous awards, including an O. Henry Award, a Grammy and PEN America’s Lifetime Achievement Award. Mosley was recently awarded The National Book Foundation’s 2020 Medal for Distinguished Contribution to American Letters (DCAL). Mosley also serves as executive producer on the FX show Snowfall. His latest Easy Rawlins novel, Blood Grove, released on February 2nd this year.

Acclaimed filmmaker Sylvain White was born and raised in Paris, France and moved to Los Angeles to study film. A series of award-winning short films led him to direct music videos and commercials, before he shot to public prominence with his zeitgeist-defining feature film debut, Stomp the Yard. White worked with Amblin on their critically acclaimed series The Americans and directed “The Heat,” an episode of their recent Apple TV+ show Amazing Stories.

Alex Maggioni, SVP Television, will oversee the day-to-day development of the project for Amblin, alongside Frank and Falvey.

White is represented by UTA, Artist First, and Jeff Endlich at Morris Yorn.

Mosley is represented by CAA, Gloria Loomis, and Tom Selz.

About Amblin Television:
Amblin Television, a long-time leader in quality programming, is a division of Amblin Partners, a content creation company led by Steven Spielberg. Amblin Television’s co-presidents, Darryl Frank and Justin Falvey, oversee all development, production and programming for the company. Amblin Television currently has nine projects in various stages of production and release, including Resident Alien for SYFY, the second season of Animaniacs for Hulu, The Haunting of Bly Manor for Netflix, third and fourth seasons of Roswell, New Mexico for The CW, Halo for Showtime, Masters of the Air for Apple, two seasons of Gremlins: Secrets of the Mogwai for HBO Max, Tiny Toons Looniversity for HBO Max and Cartoon Network, and an untitled Goonies Re-enactment Project pilot for Fox.

Some of Amblin Television’s recent credits include the Emmy Award-winning series Why We Hate for Discovery, three-time Emmy nominated Laurel Canyon: A Place in Time for EPIX, and Natalie Wood: What Remains Behind for HBO which made its debut at the Sundance Film Festival last year. Amblin Television also produced the Emmy and Golden Globe Award-winning drama The Americans for FX, the Golden Globe-nominated and double Emmy Award-winning mini-series Into the West for TNT, the Emmy-nominated HBO movie All The Way starring Bryan Cranston, Smash for NBC, Under the Dome for CBS, Falling Skies for TNT, The Borgias and The United States of Tara for Showtime, and Las Vegas for NBC.

http://www.amblin.com

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Tuesday, March 2, 2021

Review: "Aquaman" Rides High on the High Seas

TRASH IN MY EYE No. 23 of 2021 (No. 1761) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Aquaman (2018)
Running time:  143 minutes (2 hours, 23 minutes)
MPAA – PG-13 for sequences of sci-fi violence and action, and for some language
DIRECTOR:  James Wan
WRITERS:  David Leslie Johnson-McGoldrick and Will Beall; from a story by Geoff Johns, James Wan, Will Beall (based on the character created by Paul Norris and Mort Weisinger and appear ing DC Comics)
PRODUCERS:  Rob Cowan and Peter Safran
CINEMATOGRAPHER: Don Burgess    
EDITOR:  Kirk Morri
COMPOSER:  Rupert Gregson-Williams

SUPERHERO/FANTASY/SCI-FI/ACTION/ADVENTURE

Starring:  Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Ludi Lin, Temuera Morrison, Randall Park, Michael Beach, and Nicole Kidman

Aquaman is a 2018 superhero science fiction and fantasy film from director James Wan.  It is the sixth film in the DC Extended Universe (DCEU), which is comprised of films based upon DC Comics characters.  Aquaman was created by artist Paul Norris and editor Mort Weisinger and first appeared in More Fun Comics #73 (cover dated: November 1941).  Aquaman the film focuses on a half-breed who is heir to the throne of an underwater kingdom and his quest to prevent an all-out war between the worlds of the land and the seas.

Aquaman opens in 1985.  Thomas Curry (Temuera Morrison), a lighthouse keeper in Amnesty Bay, Maine, rescues Atlanna (Nicole Kidman), the queen of the underwater kingdom of Atlantis, during a storm.  They fall in love and have a son named Arthur, who has the power to communicate with sea creatures.  Eventually, however, Atlantean soldiers arrive to retrieve Atlanna, who had fled her arranged marriage in Atlantis.

The film movies to the present day, several months after the events depicted in the film, Justice League.  Arthur Curry (Jason Momoa), now also known as the “Aquaman,” attempts to live a normal life in Amnesty Bay, but his Atlantean heritage is about to intrude on his life.  Arthur has a half-brother, Orm Marius (Patrick Wilson), who is the current King of Atlantis and who is also the second son of Atlanna.  Orm is attempting to rally the undersea kingdoms to his cause.  He wants to unite and to attack the surface world for polluting the oceans.  Princess Y'Mera Xebella Challa, also known simply as Mera (Amber Heard), is betrothed to Orm, but refuses to aid him or her father, King Nerius of Xebel (Dolph Lundgren), in their plans.

Mera travels to the surface where she meets Arthur and tries to convince him to help her in stopping Orm.  She also wants Arthur to take his rightful place as King of Atlantis.  Before he does that, however, Arthur must recover a magic artifact, the lost “Sacred Trident of Atlan,” which will mark its possessor as the rightful ruler of Atlantis.  The problem is that Arthur does not want to be King of Atlantis nor anywhere else for that matter.

Watching Aquaman, I could not help but notice that many of its story points and plot elements were glaringly similar to that of Marvel Studios' Black Panther, which debuted earlier in the same year that Aquaman hit theaters, 2018.  Whereas Black Panther was edgy, philosophically in tune with Pan-Africanism, and socially relevant, Aquaman is simply a grand, old-fashioned, action-adventure fantasy film, and there is nothing wrong with that.  Aquaman is solidly entertaining.

If Aquaman must be accused of copying other films, in terms of visual concepts and world-building, Aquaman leans heavily on the Star Wars prequel films and on Tron: Legacy.  And once again, there is nothing wrong with that.  Many big-budget, tent-pole films borrow from other movies of similar to its type.  Aquaman dazzles the eyes and blows the mind.  It is such a spectacular visual effects feast for the eyes, senses, and imagination that I am surprised that it did not get any Oscar nominations in the categories of visual effects, art direction-set decoration, and costume design.  That such a visually resplendent film did not get in Oscar nominations says something about the nominating process of the Academy Awards in many areas.

I must admit that I think that this film does have a few sizable problems.  Aquaman's stiff, overly-formal, highfalutin' dialogue hampers the acting, which isn't all that good to begin with.  The character writing is also average, so it is not as if the actors have much to work with in building strong dramatic characters.  Still, I'd have to be feeling generous to say that Jason Momoa was more than average as Arthur Curry/Aquaman, although he does appear to be trying hard.  Patrick Wilson and Yahya Abdul-Mateen II overact and ham-it-up as Orm and Black Manta, respectively.  Willem Dafoe is practically a wooden idol as Vulko, and Amber Heard seems to think that she is playing Mera in a spoof of a superhero movie rather than acting in a “serious” superhero film.

I would normally give a film with such average character drama on the part of the screenplay and such awkward acting a grade of “B.”  The directing by James Wan is strong enough, however, and, once again, the film is such a visual effects orgasm that I will bump up Aquaman's final grade a little.

7 of 10
B+

Saturday, November 28, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Monday, March 1, 2021

BOOM! Studios Shipping from Diamond Distributors for March 3, 2021

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