Comics Review: HEY KIDS! COMICS! Vol. 2: Prophets & Loss #1

HEY KIDS! COMICS! VOL. 2: PROPHETS & LOSS No. 1 (OF 6)
IMAGE COMICS – @ImageComics

WRITER/ARTIST: Howard Chaykin
COLORS: Gustavo Yen
LETTERS: Ken Bruzenak
EDITOR: Thomas K
COVER: Howard Chaykin with Gustavo Yen
28pp, Color, $3.99 U.S. (May 2021)

Rated “M / Mature”

Hey Kids! Comics! Vol. 2: Prophets and & Loss is a new six-issue comic book miniseries from writer-artist, Howard Chaykin.  Published by Image Comics, it is a sequel to Chaykin's 2018 five-issue miniseries, Hey Kids! Comics!, which was described as depicting “nearly a century of turbulence and and drama in the American comic book industry” and also telling “the stories of the men and women that created it (with names changed, of course).”  Chaykin returns to his history of comics, and the creative team on this new series includes colorist Gustavo Yen and letterer Ken Bruzenak, a longtime Chaykin collaborator.

Hey Kids! Comics! Vol. 2: Prophets and & Loss #1 opens in 1970.  Here, Tommy has a fateful encounter with the comic book collection of his pal Ronnie's older brother, Ira, who is currently stationed in Vietnam (along with his father).  The story moves back to 1951, an important year in American comic books.  Comic book sales have dipped because the enlisted men market of World War II has faded, and the children of these formerly enlisted men are more interested in television than in comic books.

Meanwhile, in the offices of Graham Woods Publications (GW Publications), owner Paul Gertz is about to risk everything on a new line of comics books, if he can keep his two editors, Arnold Grossberg and Dick Altman, from each other's throat.  However, copycats and a self-serving trio could take GW and comics down for the count.

THE LOWDOWN:  Hey Kids! Comics! #1 is told in scenes that take place in five different years (1945, 1955, 1965, 1967, and 2001).  Hey Kids! Comics! Vol. 2: Prophets and & Loss #1 opens in 1971, but focuses on the events of 1951 and on events connected to that year.

Like the first issue of original, Prophets and & Loss #1 offers a story that involves several characters, multiple employers, and lots of job changes.  In the first series, the shifts in time are jarring, as Chaykin introduces characters, plots, and settings without really focusing in on developing characters.  Thus, the first issue of the original series seems to be more about introductions than it is about examining the nitty gritty details of character, storytelling, and drama.

The shifts in Prophets and & Loss #1 are not about time, but do take the readers to different comic book publishing offices and studios.  These shifts are not as jarring as the ones in the original series, especially if you, dear readers, are somewhat familiar with American comic book history.  The places in Hey Kids! Comics! Vol. 2: Prophets and & Loss #1 are obvious stand-ins for EC Comics and National Periodicals (DC Comics).  This time, Chaykin is all about examining the nitty gritty details of character, storytelling, and drama

Several EC Comics creators, from Harvey Kurtzman and Al Feldstein to Wally Wood and William Gaines, make appearances under the guise of new characters.  Even Joe Simon and Jack Kirby make a cameo.  And my beloved trio of Ray Clarke, Benita Heindel, and Ted Whitman from the first series are also in Hey Kids! Comics! Vol. 2: Prophets and & Loss #1.

Hey Kids! Comics! #1 starts slow, although it tells an engrossing story.  Hey Kids! Comics! Vol. 2: Prophets and & Loss #1 is also engrossing, but does not have a slow start; it seems a lot more intense.  To me, after reading Hey Kids! Comics! Vol. 2: Prophets and & Loss #1, it feels like Chaykin has planted an improvised explosive device somewhere inside this series.  It makes me eager to read more.

I heartily recommend that readers get the trade paperback collection of the first issue, and then, enjoy Hey Kids! Comics! Vol. 2: Prophets and & Loss.  I already am, and I can't wait for more.  The Hey Kids! Comics! series is among Howard Chaykin's best work, and, though I revere American Flagg!, this sly and shameless history of American comic books might be his best work.

I READS YOU RECOMMENDS:  Fans of Howard Chaykin will want to read Hey Kids! Comics! Vol. 2: Prophets and & Loss.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: NOCTERRA #3 is Good - Damn Good

NOCTERRA #3
IMAGE COMICS/Best Jacket Press

STORY: Scott Snyder
ART: Tony S. Daniels
COLORS: Tomeu Morey
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Tony S. Daniels with Tomeu Morey
VARIANT COVER ARTIST: Szymon Kudranski
28pp, Colors, 3.99 U.S. (May 2021)

Rated “M/ Mature”

“Full Throttle Dark” Part Three

Nocterra is a recently launched comic book series from writer Scott Snyder and artist Tony S. Daniels.  Published by Image Comics, Nocterra is set on an Earth that has been experiencing an everlasting night, the “Big PM,” since the sky went dark and the world was plunged into an everlasting night over a decade.  Colorist Tomeu Morey and letterer Andworld Design complete the series' creative team.

Nocterra introduces Valentina “Val” Riggs – call sign “Sundog.”  She was in the fifth grade the day the “Big PM” occurred.  Any living organism left unlit in the dark for more than 10 hours starts undergoing a biological transformation and changes into a monstrous version of itself, becoming something called a “Shade.”  This is happening to her brother, Emory “Em” Riggs.

Thirteen years later (“13 PM”), Val drives a big rig hauler, a heavily-illuminated 18-wheeler known as the “Sundog Convoy.”  A skilled “ferryman” Val transports people and goods along deadly unlit roads between the few remaining human outposts, and now she has her most dangerous haul – a mysterious man and his granddaughter.

Nocterra #3 opens in Val's memories, as she recalls the time when people changed … when her parents became something else.  In the present, the notorious “Blacktop Bill” and his band of highwaymen (of a sort) are hounding the Sundog Convoy.  He wanted Val to surrender her passengers, Dr. Augustus McCray and his granddaughter, Bailey.  Now, he is out for all their blood, and to escape him, someone inside the big rig will have to make a sacrifice.

Meanwhile, black gums, gnarled bones, and haunting yellow eyes are the signs of someone transforming into a human shade.  Someone is showing at least one sign.

THE LOWDOWN:  As I said in my review of Nocterra #2, I enjoy Scott Snyder's creator-owned series more than I enjoy his recent work for DC Comics.  I also wrote that I am usually happy to read a comic book drawn by Tony S. Daniels, going back to his early days writing and drawing creator-owned titles at Image, such as The Tenth.

Well, I am having a blast reading Nocterra.  It reads like an old-fashioned pulp serial with its haunting settings, crazy monsters, bad-ass villains, questionable supporting characters, and one against-all-odds female hero.  In Nocterra #3, Val proves that she can drive the fury road as furiously as Furiosa.

Nocterra #3, like the previous issue, makes me confident that this series is one worth following.  If you are budgeting, dear readers, drop something else to make sure you enter the world of Nocterra every chance you get.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and Tony S. Daniels will want to sample Nocterra.

A

[This comic book includes a seven-page preview of the original graphic novel, “Kane & Able,” by Shaky Kane and Krent Able.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: "Batman and Harley Quinn" is an Ode to Bruce Timm-Era Batman TV

TRASH IN MY EYE No. 31 of 2021 (No. 1769) by Leroy Douresseaux

Batman and Harley Quinn – video (2017)
Running time:  74 minutes (1 hour, 14 minutes)
MPAA – PG-13 for sexual content, language, violence and action, and for rude humor
DIRECTOR:  Sam Liu
WRITERS:  Bruce Timm and Jim Krieg; from a story by Bruce Timm (based on characters appearing in comic books published by DC Comics)
EDITOR:  Christopher D. Lozinski
COMPOSERS:  Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
ANIMATION STUDIO:  DR Movie

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Kevin Conroy, Melissa Rauch, Loren Lester, Paget Brewster, Kevin Michael Richardson, John DiMaggio, Eric Bauza, Robin Atkin Downes, Trevor Devall, Rob Paulsen, Mindy Sterling, and Bruce Timm

Batman and Harley Quinn is a 2017 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Lui.  The film shares a connection and design style with the animated television series, “The New Batman Adventures” (1997-99), and is spiritually related to that series' predecessor, “Batman: The Animated Series” (1992-95), which is the series in which Harley Quinn made her first appearance.  In Batman and Harley Quinn, Batman and Nightwing are forced to team with Harley Quinn in order to stop a global threat.

Batman and Harley Quinn opens with Batman (Kevin Conroy) and his partner, Nightwing (Loren Lester), who was once known as Robin, the Boy Wonder.  The duo has discovered that the villainess, Poison Ivy / Pamela Isley (Paget Brewster) has teamed up with Jason Woodrue, the Floronic Man (Kevin Michael Richardson), an alien plant creature that shares Poison Ivy's desire to give plants supremacy of Earth over humanity.  Poison Ivy and Floronic Man plan to create their own viral version of the “bio-restorative formula” that transformed Dr. Alec Holland into the Swamp Thing (John DiMaggio).  To that end, they have kidnapped a scientist, Dr. Harold Goldblum (Rob Paulsen), and forced him to help them replicate the formula.

Ivy and Woodrue are unaware that their altered formula could destroy all life (human, animal, and plant), so Batman and Nightwing must stop them before they finish their formula.  However, “the Dynamic Duo” are struggling in their mission to find the villains and reluctantly turn to Ivy's best friend, Harley Quinn (Melissa Rauch), in the hopes that she will have an idea or two on where to find Ivy.  But Harley has gone into hiding after her most recent recent parole from imprisonment.  Finding Harley won't be easy, and who says she wants to help Batman and Nightwing find her BFF – best friend forever!  And if she does cooperate, can Batman and Nightwing trust Harley?

Bruce Timm was one of the main creative forces behind “Batman: The Animated Series” and “The New Batman Adventures,” as well as other wonderful animated television series that featured DC Comics superheroes.  So I am always happy when he returns to his corner of the animated DC Universe, this time as a writer and executive producer.  One of my favorite animation writers, Jim Krieg, co-wrote Batman and Harley Quinn with Timm.  Voice actor Kevin Conroy, who is beloved for his work playing the voice of Batman / Bruce Wayne on several animated TV series and films, also returns as the voice of Batman for this film.

So I have a few reasons to love Batman and Harley Quinn, and I did indeed enjoy it, but it isn't one of the better direct-to-DVD animated DC Universe films.  The Floronic Man is an uninteresting bag of wind as a villain despite the best efforts of talented voice actor, Kevin Michael Richardson.  Also the Poison Ivy of this film is shallow, and looks weird.

The plot is lame, but their a few things that make me like Batman and Harley Quinn.  First, Timm and Krieg offer strong takes on the characters of Batman, Nightwing, and Harley, and the relationship dynamic between them as a trio or as a trio of duos sparkles with wit and genuine feeling.  Secondly, there are some surprisingly magical moments in this film, such as the karaoke medley in the middle of the film.  The Sarge Steel (John DiMaggio) and A.R.G.U.S. subplot is nice.  Finally, I love the design of the animation and the animation in general in this film.  It is as if “The New Batman Adventures” returned from the old cartoons graveyard for an hour or so.

Despite my reservations concerning its weak plot and villains, I highly recommend Batman and Harley Quinn to fans of Bruce Timm's 1990s Batman TV shows.  When it comes to animation overseen by Timm, I'll take anything and everything I can get.

7 of 10
B+

Tuesday, March 30, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: "ExtraOrdinary #0" is Not an Ordinary Comic Book Launch

EXTRAORDINARY #0
TITAN COMICS

STORY: V.E. Schwab
ART: Enid Balám
COLORS: Jordi Escuin Llorach
LETTERS: Rob Steen
EDITOR: David Leach
14pp, Color $1.00 U.S. (May 2021)

Rating: Teen

ExtraOrdinary is a new comic book series that expands upon the world of author V.E. Schwab's two novels, Vicious (2013) and Vengeful (2018), also known as the “Villains series.”  Published by Titan Comics, ExtraOrdinary is set in the years between Vicious and Vengeful.  Titan is launching ExtraOrdinary with a specially priced ($1) Issue #0.  ExtraOrdinary is written by Schwab; drawn by Enid Balá; colored by Jordi Escuin Llorach; and lettered by Rob Steen.

ExtraOrdinary #0 welcomes readers to the world of the EO – the “ExtraOrdinary” this way:

Extraordinary, or EO: a person who has survived a near-death experience and returned with superpowers. These powers are the product not only of how the person nearly died, but their final thoughts at the moment of death. Incredibly rare, and potentially dangerous to themselves and others, few people know about the existence of ExtraOrdinaries, and an organization called EON is determined to keep it that way.

ExtraOrdinary #0 introduces Charlotte Tills, a teenage girl who thinks about death a lot.  After she miraculously survives a school bus crash, Charlotte becomes EO-ExtraOrdinary.  Now, what she sees in reflective surfaces frightens her … almost to death.

THE LOWDOWN:  Prior to receiving the review PDF of ExtraOrdinary #0, I had never heard of V.E. Schwab or any of her novels, but after reading ExtraOrdinary #0, I am ready to read the new comic book series from Titan.  If time permits, I also plan on reading both “Villains” novels, as the premises of the novels are quite intriguing.

In fact, from what I can understand of them, the plots and characters of these novels certainly could be the plots and characters of a comic book series.  The 14 pages of comics/graphical storytelling that Schwab presents here are engaging and quickly brings the readers into the world of ExtraOrdinary.  So this is an honest-to-goodness comic book and doesn't come across as a media tie-in of some sort.

The art team of Enid Balám and colorist Jordi Escuin Llorach presents straight-forward storytelling.  The compositions have a passing resemblance to the work of superstar comic book artist, Andy Kubert, but here, the art is less about style and more about conveying a story, which it does rather well.

I hope ExtraOrdinary #0 isn't a fluke.  I'm looking forward to reading this series, and I recommend that readers give at least this #0 issue a try, especially as it only costs a buck.

I READS YOU RECOMMENDS:  Fans of V.E. Schwab's “Villains” novels and of YA comics will want to try ExtraOrdinary.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

Titan has also produced a series trailer for ExtraOrdinary, which you can see at YouTube.

https://titan-comics.com/
https://twitter.com/ComicsTitan
https://www.instagram.com/titancomics/
https://www.facebook.com/ComicsTitan
http://www.veschwab.com/
https://twitter.com/veschwab
https://www.facebook.com/people/Victoria-VE-Schwab/100044092343403/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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