Comics Review: KING SPAWN #4

KING SPAWN #4
IMAGE COMICS

STORY: Sean Lewis with Todd McFarlane
PENCILS: Javi Fernandez
COLORS: FCO Plascencia
LETTERS: Andworld Design
EDITOR: Thomas Healy
COVER:  Jason Shawn Alexander
VARIANT COVER ARTIST: Javi Fernandez
28pp, Color, $3.99 U.S. (November 2021)

Rated: “T/ Teen”

Spawn created by Todd McFarlane

Spawn is a superhero/antihero character that stars in the long-running comic book series, Spawn.  Created by writer-artist Todd McFarlane, Spawn first appeared in Spawn #1 (cover dated: May 1992).

Spawn was Albert Francis “Al” Simmons.  A career military man who becomes a highly capable assassin and dies a violent death.  He makes a deal with the devil, Malebolgia, in order to return to the living realm to see his wife one last time.  However, Al returns with almost no memories accept that his name is Al Simmons, and he learns that he is now a “Hellspawn” in service of Malebolgia.  Rebelling, Al Simmons, now “Spawn,” finds a new purpose in stopping evil.

Back in February (2021), Todd McFarlane announced his plans to build a larger, multi-character, interconnected, comic book universe based around his Spawn comic book – a “Spawn Universe.”  McFarlane also announced four new comic book titles coming out in 2021, with three of them continuing as regular monthly titles.  The first of the three titles, King Spawn, has arrived.

King Spawn is written by Sean Lewis with Todd McFarlane; drawn by Javi Fernandez; colored by FCO Plascencia; lettered by Andworld Design.  King Spawn finds Spawn battling one of his old adversaries, but it is someone only Spawn knows that exists.  And that someone want to make Spawn a king.

As King Spawn #4 opens, it's the showdown between Spawn and one of his oldest and vilest enemies, the child killer, Billy Kincaid.  But this mutha is supposed to be burning in Hell!  So why is he here?  And why is he so happy to face Spawn again … even if the outcome will be awful for him.

Meanwhile, Medieval Spawn and Jessica (She-Spawn) are globetrotting hunter-killers of terrorists.  So why are the locations of their fights so familiar?  Plus, there is a warning from Mother Nature.

THE LOWDOWN:  King Spawn continues its impressive debut as the most impressive Spawn spin-off comic book to date.  Sean Lewis presents Spawn in all his raging glory, unleashing ultra-violence, even when he knows that this is what his adversaries want.  This is the way Lewis builds a sense of mystery and of anticipation, so we know something good and crazy is coming.

Javi Fernandez's art and storytelling capture the craziness, dragging us along in Spawn's wake.  So vivid is Fernandez's storytelling that you, dear readers, might feel icky … or delighted … if a bordello of blood is your thing.  And if you don't get it, FCO Plascencia's colors present the violence in living color.

King Spawn is still ruling, so won't you consent to be ruled.  Seriously, this is a good … superhero comic book.

I READS YOU RECOMMENDS:  Fans of Spawn will want to read King Spawn.

[This comic book includes “Spawning Ground” Presents “The Breakdown,” takes a look at series artist Javi Fernandez's process, specifically focusing on how Fernandez produced the double-page spread (pp. 17-18) for this issue.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from November 14th to 20th, 2021- Update #21

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

MOVIES - From THR:  Father/producer Ivan Reitman and son/director Jason Reitman discuss "Ghostbusters: Afterlife."

From Negromancer:   My review of "Ghostbusters: Afterlife."

TELEVISION - From Deadline:   ABC's holiday special, "A Very Boy Band Holiday," will feature members from several famous boy bands, including "New Edition," "*NSYNC," "NKOTB" (New Kids on the Block), and "Boys II Men," to name a few.  This special will air Mon., Dec. 6th, 2021.

MOVIES - From Variety:  “Oppenheimer,” director Christopher Nolan's $100 million-budgeted historical drama about physicist J. Robert Oppenheimer and the creation of the atomic bomb, could be considered one of an endangered species - prestige dramas with budgets that big.

SCANDAL - From Deadline:   "Bohemian Rhapsody" (2018) screenwriter Anthony McCarten has filed a breach of contract suit against Graham King and his GK Films for money owed on the Oscar-winning film about Queen and its iconic singer Freddie Mercury.  The film grossed 911 million dollars worldwide, but Fox says the film is still not profitable and is 51 million dollars "in the red" (debt).

MOVIES - From Deadline:  Martin Scorsese is set to direct and produce a biographical film about the legendary rock band, "The Grateful Dead."  Oscar-nominee Jonah Hill will play the band's front man, the late Jerry Garcia.

NETFLIX - From CNET:  Netflix launched a website Tuesday (Nov. 16th) where it posts charts of its most popular shows and movies, updated every week and ranked by the total number of hours that subscribers spent watching them. 

STAR TREK - From Deadline:  "Star Trek: Discovery" has left Netflix and now will be exclusive to Paramount+.

MOVIES - From THR:  The film studio Miramax is suing director Quentin Tarantino over plans to release non-fungible tokens (NFTs) based on his 1994 film, "Pulp Fiction."

STREAMING - From THR:   The "Harry Potter" franchise trio: Daniel Radcliffe, Rupert Grint, and Emma Watson and director Chris Columbus are among those appearing in a 20th anniversary HBO Max retrospective of the first film in the series, "Harry Potter and the Sorcerer's Stone."

TELEVISION - From THR:  TV Pilots 2021: The Complete Guide: Keep track of all the broadcast pilots that are in contention for the 2021-22 season at ABC, NBC, CBS, Fox and The CW.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/12 to 11/14/2021 weekend box office is Marvel Studios' "Eternals" with an estimated take of 27.5 million dollars.

From Negromancer:   My review of Marvel Studios' "Eternals."

MOVIES - From THR:  Mel Gibson is set to direct "Lethal Weapon 5," which will likely be the final installment in the franchise which began in 1987 with "Lethal Weapon" starring Gibson and Danny Glover.

STREAMING/PARAMOUNT+ - From Variety:  Paramount Plus has released a teaser trailer for its "Halo" live-action TV series, which is due in 2022.

STREAMING/HULU - From THR:  The next film in the "Predator" film franchise is a prequel entitled "Prey."  Set 300 years in the past, it pits Comanche Nation warrior, a young woman named "Naru," against an alien Predator warrior.  It is expected to stream on Hulu Summer 2022.

BOOKS/MOVIES - From THR:  Over the summer HarperCollins released Quentin Tarantino's paperback novelization of his Oscar-winning film, "Once Upon a Time in Hollywood."  On Nov. 9th, the deluxe hardcover edition debuted and it has lots of extras.

MOVIES - From Deadline:  MGM has won the bidding war for a pitch about an buddy-action movie starring Jason Momoa ("Aquaman") and Dave Bautista ("Guardians of the Galaxy" series; "Dune")

OBITS:

From Deadline:  Veteran character actor, Art LaFleur, has died at the age of 78, Wednesday, November 17, 2021.  LaFleur appeared in many television series and in at least 20 TV movies.  LaFleur is best known for playing "Babe Ruth" in the coming-of-age sports movie, "The Sandlot" (1993) and for his appearances in two other baseball-themed movies, "Field of Dreams" (1989) and "Mr. Baseball" (1992)

From Deadline:  American jazz musician, composer, and lyricist, Dave Frishberg, has died at the age of 88, Wednesday, November 17, 2021.  His songs have been recorded by Rosemary Clooney, Shirley Horn, and Mel Torme, to name a few.  He also wrote the song, "I'm Just a Bill" for ABC's "Schoohouse Rock!" series.

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"RUST" ACCIDENTAL SHOOTING DEATH:

From Deadline:  This link will take you to Deadline's Halyna Hutchins page, which articles related to everything about her shooting death on the set of the Western film, "Rust."

From Deadline:  Actor Daniel Baldwin defends his brother, Alec Baldwin, in the accidental shooting death of cinematographer Halyna Hutchins on the set of the film, "Rust."  "Someone loaded that gun improperly," Daniel says.

From Deadline:  The newest lawsuit involving the tragic shooting on the set of the Western film, "Rust," has been filed by the film's script supervisor, Mamie Mitchell, against Alec Baldwin, the producers, the production company, armorer Hanna Gutierrez Reed, and others.

From Deadline:  Serge Svetnoy, the gaffer on "Rust," has filed a lawsuit against several parties related to the film, including the production, the financiers, star Alec Baldwin, armorer Hannah Gutierrez Reed, and first Assistant Director David Halls.

From THR:   In the wake of the tragic accidental shooting on the set of his film, "Rust," Alec Baldwin on Monday took to social media to urge Hollywood to employ a police officer on every film and TV set that uses guns.

From THR:   The budget for "Rust" - Alec Baldwin was set to earn $150,000 as lead actor and $100,000 as producer, while $7,913 was earmarked for armorer Hannah Gutierrez-Reed and $17,500 was set aside for the rental of weapons and $5,000 for rounds.

From Deadline:  Attorneys for Hannah Gutierrez-Reed, the armorer on the set of the film, "Rust," said that they’re looking into whether a live bullet was placed in a box of dummy rounds with the intent of  “sabotaging the set.”

From THR:   Hannah Gutierrez-Reed, the armorer on the film, "Rust," released a statement through her lawyers.  She says she had “no idea where the live rounds came from” that were recovered by the Santa Fe County Sheriff's during the investigation of the accidental on-set shooting death of Halyna Hutchins.

From Jacobin:  An opinion piece says that cinematographer Halyna Hutchins' death on the set of the film, "Rust," was not a freak accident, but was about Alec Baldwin and his fellow producers' cost-cutting decisions.  Baldwin accidentally fired the gun that killed Hutchins.

From Deadline:   Two of executive producers on "Rust," Allen Cheney and Emily Salveson, disavow responsibility for the film's troubled production.

From THR:   Iconic "Ghostbusters" actor Ernie Hudson is reeling from the news of the death of Halyna Hutchins, like the rest of Hollywood. Hudson also appeared in the film, "The Crow," the film in which its star, Brandon Lee, was killed because of an on-set accidental shooting.  He also agrees with the call to ban real guns from movie sets.

From THR:  The Sheriff of Sante Fe County says that his office has recovered three guns and 500 rounds of ammunition from the set of the movie "Rust" where cinematographer Halyna Hutchins was killed.

From Deadline:  Regarding criminal charges in the death of Halyna Hutchins on the set of the film "Rust," District Attorney Mary Carmack-Altweis, "all options are on the table - no one has been ruled out."

From THR:  Does Hollywood Need Guns? Will new regulations lead to an overreactions to a tragedy.

From Deadline:   "Rust" producers have opened an internal investigation into the fatal shooting on the set of the Western film.  They have hired outside lawyers to conduct interviews with the film's production crew.

From Deadline:  "Rust's" AD (assistant director), Dave Halls, has come under scrutiny in the wake of the on-set shooting death of the film's cinematographer, Halyna Hutchins.

From Deadline:  The affidavit of Sante Fe Sheriff's Department Detective Joel Cano has been made public. It can be read at "Deadline."  The affidavit was for a search warrant from the property were the Western, "Rust," was being filmed.

From THR:  The production company behind "Rust" has shut the film down until the police investigation into the fatal, on-set shooting of cinematographer Halyna Hutchins is through.  The Sante Fe County Sheriff's Office has also revealed a timeline of the shooting.

From Deadline:  The Santa Fe Sheriff’s Department confirmed Thursday night that Alec Baldwin “discharged” a prop gun on the New Mexico set of the movie, "Rust."  As a result, one crew member, director of photography Halyna Hutchins, was killed and director Joel Souza was injured and remains in a local hospital - his condition unknown.

From THR:  "Rust" director, Joel Souza, who was wounded in the accidental on-set shooting, says that he is "gutted" by the death of his cinematographer on the film, Halyna Hutchins.

From Deadline:  The fatal shooting on the set of "Rust" may have been "recorded" according to detective for Santa Fe Sheriff's Department.

From Deadline:  The production company behind the film, "Rust," will launch an internal safety review after the fatal accident that killed Halyna Hutchins; possible prior gun incidents; and a camera crew walkout.

From CNN:   Crew member yelled "cold gun" as he handed Alec Baldwin prop weapon, court document shows.

From Variety:  Actor Alec Baldwin releases statement on the death of Halyna Hutchins: "There are no words to convey my shock and sadness."

From Variety:  The prop gun that killed “Rust” cinematographer Halyna Hutchins and wounded director Joel Souza on during an on-set accident on Thursday contained a “live single round,” according to an email sent by IATSE Local 44 to its membership.

Review: Young Stars Bring "GHOSTBUSTERS: Afterlife" to Life

TRASH IN MY EYE No. 66 of 2021 (No. 1804) by Leroy Douresseaux

Ghostbusters: Afterlife (2021)
Running time:  124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for supernatural action and some suggestive references
DIRECTOR:  Jason Reitman
WRITERS:  Gil Kenan and Jason Reitman (based on the film, Ghost Busters, written by Dan Aykroyd and Harold Ramis)
PRODUCER:  Ivan Reitman
CINEMATOGRAPHER:  Eric Steelberg
EDITORS:  Dana E. Glauberman and Nathan Orloff
COMPOSER:  Rob Simonsen

FANTASY/MYSTERY/ACTION/COMEDY

Starring:  Mckenna Grace, Finn Wolfhard, Carrie Coon, Paul Rudd, Logan Kim, Celeste O'Connor, and Bokeem Woodbine with Bill Murray, Dan Aykroyd, Ernie Hudson, Sigourney Weaver, and Annie Potts

Ghostbusters: Afterlife is a 2021 supernatural comedy, action and mystery film from director Jason Reitman.  It is the fourth entry in the Ghostbusters film franchise and is a kind of sequel to the original film, 1984's Ghost Busters (now known as “Ghostbusters”), which was directed by Jason's father, Ivan Reitman.  In Afterlife, a single mother and her two children arrive in small town Oklahoma, and the children discover their grandfather's amazing and secret legacy.

Thirty-two years after the events of Ghostbusters II (1989), Callie Spengler (Carrie Coon) and her two children, son Trevor (Finn Wolfhard) and daughter Phoebe (Mckenna Grace), arrive in Summerville, Oklahoma.  Currently homeless, they will try to make a new home in the rundown farmhouse owned by Callie's late father, Egon Spengler.  While rooting through some of Egon's belongings, Phoebe discovers a P.K.G. Meter (a ghost-tracking device).  While digging around, Trevor finds a beat-up old car that sports the “Ghostbusters” logo.

Phoebe, who does not believe in the supernatural, makes a friend, a boy named “Podcast” (Logan Kim), who believes in the strange and unusual and discusses it in his podcast.  Trevor makes a friend in a local, a teen girl named Lucky Domingo (Celeste O'Connor).  Eventually, the children discover that Phoebe's summer school teacher, Gary Grooberson (Paul Rudd), is quite familiar with their grandfather, Egon's legacy as a scientist, an inventor, and a member of “Ghostbusters,” the ghost-catching organization that was famous for its activities in 1980s New York City.  Now, the four youngsters and Callie and Gary must face the same great evil that once confronted the original Ghostbusters.

I was a huge fan of the original Ghostbusters films.  When I first saw Ghost Busters in a movie theater in 1984, I laughed so much that the other people in the theater were giving me the side eye.  I enjoyed the sequel, Ghostbusters II (1989), although many people I knew at the time did not like it all that much.  Still, I was happy, but over the years, Ghostbusters became a fond memory that I sometimes relived via my cable TV package.  In the years that followed Ghostbusters II, there was always talk of a third Ghostbusters film, but I was only mildly interested.

For some people, however, the Ghostbuster films and the related merchandise became a lifestyle choice, something to which they dedicated themselves as if it were hobby, a second career, and maybe even a quasi-religion.  Those were the people who claimed to have been traumatized by the 2016 franchise reboot, Ghostbusters, which featured an all-female cast as the Ghostbusters (and which may have since been re-titled “Ghostbusters: Answer the Call”).  I was only mildly interested in that film, and have seen most of it via cable TV.

Ghostbusters: Afterlife is supposed to remedy the trauma of Ghostbusters 2016.  Afterlife director Jason Reitman once said that his film was giving Ghostbusters “back to the fans.”  I never felt like something had been taken from me.  After all, as I've said, I can see the original films at least a few times a week on television.  That said, I do like Afterlife.

Reitman offers an exciting film that is as much a mystery film as it is a comedy, and the secrets of the town of Summerville and its surroundings are quite intriguing and provide a nice setting for the story.  I do wish that the film had given us more on the town and its inhabitants.  However, there is much focus on the darkness at the edge of town – the big bad supernatural being.  Reitman and his co-writer, Gil Kenan, work overtime to make sure everyone understands that the villain is connected to the events of the original film.  I didn't find that connection necessary, but I understand why Reitman and Sony Pictures felt that it was very important to make a hard connection between the events of 1984 and the events of 2021.

Ghostbusters: Afterlife's shining light isn't the desperation to connect to a 37-year-old movie.  Afterlife's true treasures are its young stars:  Mckenna Grace as Phoebe, Finn Wolfhard as Trevor, Celeste O'Connor as Lucky, and Logan Kim as Podcast.  As Phoebe, Grace is totally capable of carrying this film's emotional center and of stabilizing its subplots and narrative threads until they come together.  When Jason Reitman focuses on his young cast, turning them into young supernatural investigators and Ghostbusters, Afterlife explodes with life and has all the magic of an old-fashioned summer blockbuster movie in spite of its November release date.

Yes, it was good to see the original cast members.  No, Paul Rudd is not the star of Afterlife, as the film's trailers and commercials suggest, but he is important to the development of the story.  Yes, Carrie Coon is good as the kid's mother, Callie.  However, it is time for this franchise to move on from nostalgia and fanservice if it is going to have a future.  These four young actors and four new characters are why Ghostbusters: Afterlife can be a true resurrection story.

7 out of 10
B+

Friday, November 19, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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NatGeo Sets "The Hot Zone: Anthrax" Nov. 28th

National Geographic Announces Premiere Date For THE HOT ZONE: ANTHRAX and Reveals First Look

Three-Night Television Event, THE HOT ZONE: ANTHRAX, Starring Daniel Dae Kim and Tony Goldwyn, to Premiere Thanksgiving Weekend 

First-Look Teaser.

WASHINGTON & NEW YORK--(BUSINESS WIRE)--National Geographic sets Thanksgiving weekend as the airdate for its limited series, THE HOT ZONE: ANTHRAX, starring Daniel Dae Kim and Tony Goldwyn. The three-night event will premiere Sunday, November 28, 2021. The first season of "The Hot Zone" focused on the Ebola outbreak and became the network’s most-watched scripted series ever.

With the world still reeling after the attacks on 9/11, America faces a second wave—the anthrax letters. Targeting journalists and politicians, mail with anthrax powder kills five people and causes panic across the United States. Limited series THE HOT ZONE: ANTHRAX follows FBI Special Agent Matthew Ryker (Kim) as he tracks down the killer, finding himself ensnared in an unstable web of psychological warfare. Bruce Ivins (Goldwyn) is the brilliant microbiologist who becomes embroiled in the hunt. The six-hour scientific thriller follows last year’s THE HOT ZONE, which was National Geographic’s most-watched scripted series of all time.

For THE HOT ZONE: ANTHRAX, Kelly Souders and Brian Peterson serve as executive producers and showrunners. Scott Free Production’s Ridley Scott and David W. Zucker are executive producers, with Jordan Sheehan also serving as executive producer. Lynda Obst is an executive producer. Richard Preston is a co-executive producer on the series. The series is produced by 20th Television and Scott Free Productions.

For more information, visit our press room at www.natgeotvpressroom.com and follow @NatGeoPR on Twitter.


About National Geographic Partners:
National Geographic Partners LLC (NGP), a joint venture between The Walt Disney Company and the National Geographic Society, is committed to bringing the world premium science, adventure and exploration content across an unrivaled portfolio of media assets. NGP combines the global National Geographic television channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO, Nat Geo PEOPLE) with National Geographic’s media and consumer-oriented assets, including National Geographic magazines; National Geographic studios; related digital and social media platforms; books; maps; children’s media; and ancillary activities that include travel, global experiences and events, archival sales, licensing and e-commerce businesses. Furthering knowledge and understanding of our world has been the core purpose of National Geographic for 133 years, and now we are committed to going deeper, pushing boundaries, going further for our consumers … and reaching millions of people around the world in 172 countries and 43 languages every month as we do it. NGP returns 27 percent of our proceeds to the nonprofit National Geographic Society to fund work in the areas of science, exploration, conservation and education. For more information visit natgeotv.com or nationalgeographic.com, or find us on Facebook, Twitter, Instagram, YouTube, LinkedIn and Pinterest.

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Comics Review: "ELVIRA MEETS VINCENT PRICE #3" is Endlessly Delightful

ELVIRA MEETS VINCENT PRICE #3
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Juan Samu
COLORS: Walter Pereya
LETTERS: Taylor Esposito with Elizabeth Sharland
EDITOR: Joseph Rybandt
COVER: Dave Acosta
VARIANT COVER ARTISTS: Dave Acosta; Juan Samu; Anthony Marques and J. Bone
32pp, Color, $3.99 U.S. (November 2021)

Rated Teen+

Chapter Three: “Raiders of the Lost Schlock”

In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery, which ran for eleven issues and one special issue (1987).  Eclipse Comics and Claypool Comics began the long-running Elvira: Mistress of the Dark from 1993 to 2007.  In 2018, Elvira returned to comic books via Dynamite Entertainment in the four-issue comic book miniseries, Elvira Mistress of the Dark, that actually ran for 12 issues.

Vincent Price (1911–1993) was an American actor and a legendary movie star.  Price was and still is best known for his performances in horror films, although his career spanned other genres.  Price appeared in more than 100 films, but he also performed on television, the stage, and on radio.  Thus, he has two stars on the “Hollywood Walk of Fame,” one for motion pictures and one for television.

Elvira and Vincent Price team up for the first time in the comic book miniseries, Elvira Meets Vincent Price.  The series is written by David Avallone; drawn by Juan Samu; colored by Walter Pereyra; and lettered by Taylor Esposito with Elizabeth Sharland.  The series finds Elvira and Price searching for a long-lost cult movie, “Rise of the Ram,” because it contains an incantation that can save the world from destruction at the hands of the ancient Egyptian god, Amun-Ra.

As Elvira Meets Vincent Price #3 (“Raiders of the Lost Schlock”) opens, Elvira and Vincent travel to Cairo, Egypt in hopes of finding the one person who could still have a copy of “Rise of the Ram,” the film's screenwriter, Ahmed Alhazred.  Our ghoulish duo finds him at “The Pyramid Fields of Abu Sir,” conducting tours and doing archaeological work.  Elvira and Vincent get lucky, as Ahmed has even more good news for them about The Books of the End of All Things, a scroll that has suddenly become an important part of Elvira and Vincent's quest.

However, they are unaware that they are being stalked by the “Sons of the Desert.”  Even if they avoid that trouble, their main adversary is about to make her big appearance.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Elvira Meets Vincent Price #3, which is the third issue of the series that I have read and one of many Dynamite Elvira comic books that I have thoroughly enjoyed.

I have been a fan of writer David Avallone's Elvira comic books for a few years now.  Once again, an issue of Elvira Meets Vincent Price reminds me, if I need a reminder (which I don't), why I love these comic books so much.  In this third issue, Avallone gifts his readers a game of cat-and-mouse among the pyramids.  His script is filled with sparkling comedy, witty asides, and enough cultural references to make Quentin Tarantino jealous.  I should not forget the funny bit players and supporting characters like the “Sons of the Desert” who may be a riff on a kind of silent movie stock villain.

Talented Spanish artist, Juan Samu's graphical storytelling and art creates a comic book that recalls screwball comedies and Bob Hope and Bing Crosby with Dorothy Lamour.  Walter Pereya's painterly colors light up the story in living color.  The lettering, by Taylor Esposito with Elizabeth Sharland, creates a delightful pitter-patter of breezy comedy and endless charm.

I could read another 100 pages of Elvira Meets Vincent Price #3; I'm addicted.  Dear readers, don't deny yourself this cure for the pandemic-time blues.

I READS YOU RECOMMENDS:  Fans of Elvira and of Vincent Price and of David Avallone's Elvira comic books will want to read Elvira Meets Vincent Price.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: "VAMPIRELLA Holiday Special 2021" Will Stuff Your Stockings

VAMPIRELLA HOLIDAY SPECIAL 2021, VOLUME 5
DYNAMITE ENTERTAINMENT

STORY: Will Robson; Vincenzo Federici; Vincenzo Carratu
ART: Will Robson; Vincenzo Federici; Vincenzo Carratu
COLORS: Andrew Dalhouse; Matt Herms; Kike J. Diaz
LETTERS: Jeff Eckleberry
EDITOR: Nate Cosby
COVER: Joseph Michael Linsner
VARIANT COVER ARTISTS: Will Robson; Joseph Michael Linsner; Rachel Hollon (cosplay)
32pp, Color, $3.99 U.S. (November 2021)

Rated Teen+

Vampirella is a vampire and female superhero created by the late author and science fiction and horror expert, Forrest J Ackerman, and designed by comic book artist, Trina Robbins.  Vampirella first appeared in Vampirella #1 (Sept. 1969), the debut issue of a black and white horror comics magazine from Warren Publishing.  Writer-editor Archie Goodwin changed the character from a hostess of horror comics to a leading character in her own stories.

In 2010, Dynamite Entertainment obtained the character and has been publishing new Vampirella material since then.  One of Dynamite's titles is the Vampirella Holiday Special, an anthology, holiday-themed comic book.

Vampirella Holiday Special 2021 Volume 5 features three short stories.  The first story is “The Fright Before Christmas,” which is written and drawn by Will Robson and colored by Andrew Dalhouse.  The second story is “Vampire Bells,” which is written and drawn by Vincenzo Federici and colored by Matt Herms.  The final story is “Sleigh,” which is written and drawn by Vencenzo Carratu and colored by Kike J. Diaz.  All three stories are lettered by Jeff Eckleberry.

THE LOWDOWN:  I will summarize and review each story one at a time:

“The Fright Before Christmas,” by Will Robson and Andrew Dalhouse:

Every year, there is the annual hunting trip known as the “Christmas Eve Gala of the Occult.”  Three different hunters who call themselves “The Spirits of Christmas” hunt a mythical, paranormal, or supernatural creature.  This year, the gala's grand prize is Vampirella, but the hunters are about to find out that Vampirella isn't just any old kind of hunting game.

“The Fright Before Christmas” is the longest story of the three, clocking in at 20 pages.  It is a truly great story with every page filled with Robson's beautiful, Arthur Adams-inspired art.  Andrew Dalhouse's colors make this tale shine like Christmas lights.

“Vampire Bells” by Vincenzo Federici and Matt Herms:

In Hong Kong for Christmas, Vampirella can't celebrate if she has to battle a kaiju.  “Vampire Bells” is a four-pager with nice art and coloring, and I have nothing else to say about it.

“Sleigh” by Vencenzo Carratu and Kike J. Diaz:

After a meal of reindeer, Vampirella happens upon a fight between Christmas figures of lore.  So what if the night before Christmas, it had to be Vampirella?

“Sleigh” is also a four-page story, but it delights me far more than “Vampire Bells.”  It is such a novel and clever spin on Christmas that I won't spoil it.  I will say, however, that it may be the most Christmas-inspired tale of the three.

So, instead of picking a favorite, I will say that Vampire Bells is my least favorite of the three – not that it is bad.  It simply does not capture my imagination anywhere near as much as “The Fright Before Christmas” and “Sleigh” do.  Vampirella Holiday Special 2021 is an excellent holiday comic book.

I READS YOU RECOMMENDS:  Fans of Vampirella comics will want to read Vampirella Holiday Special 2021.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Comics Review: "PURGATORI Volume 2 #2" is an Excellent Second Issue

PURGATORI VOLUME 2 #2
DYNAMITE ENTERTAINMENT

STORY: Ray Fawkes
ART: Álvaro Sarraseca
COLORS: Salvatore Aiala
LETTERS: Tom Napolitano
EDITOR: Matt Idelson
COVER: Antonio Fuso
VARIANT COVER ARTISTS: Carlo Pagulayan; Russell Fox; Daniel Maine; Ken Haeser, Alvaro Sarraseca; Nerdy Nereid (cosplay)
32pp, Color, $3.99 U.S. (November 2021)

Rated Teen+

Purgatori created by Brian Pulido and Steven Hughes

“Witches Get Stitches” Part 2

Purgatori is a horror comics character created by writer Brian Pulido and artist Steven Hughes and originally published by Chaos! Comics.  A crimson-skinned, winged vampire goddess, she first appeared in the comic book, Evil Ernie: Revenge #1 (cover dated: October 1994).  Chaos! Comics eventually went out of business, and in 2010, Purgatori became the intellectual property (IP) of Dynamite Entertainment.

Dynamite's first solo Purgatori comic book series is Purgatori Volume 2.  It is written by Ray Fawkes; drawn by Álvaro Sarraseca; colored by Salvatore Aiala; and lettered by Tom Napolitano.  Purgatori follows the title character as she deals with a plot against her, formulated by a coven of witches who want her immortality and power.

Purgatori Volume 2 #2 opens in a gloomy forest in Øvre Pasvik, Norway.  Purgatori was at a monastery in Hunan Province, China, where she is worshiped.  However, her confrontation with Sara, a member of a coven of witches based in London, has brought her to this Norwegian forest.

While fighting a pack of “Draugar,” Purgatori meets Asim Darwish, the last of the warriors of St. Luke, the monster-hunting society.  He could be an ally, but Purgatori is being such a bitch.  She may need him, however, as the coven makes its next move against her.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Purgatori Volume 2 #2, which is the second Purgatori comic book of any kind that I've read.

Writer Ray Fawkes offered the kind of intriguing first issue that will draw many readers back for more.  Now, he offers the kind of second issue that declares that the first was not a fluke.  He continues to tease just enough about the conspiracy against Purgatori and about the conspirators to make me want to find out more.  Fawkes depicts Purgatori as crazy, sexy, cool, and arrogant – the perfect comic book bad girl.  Meanwhile, Fawkes also drops in the intriguing Asim Darwish...

Artist Álvaro Sarraseca continues to deliver beautifully drawn art.  The clean drawing style and clear storytelling convey the many attention grabbing elements in Fawkes' script.  Salvatore Aiala's colors have an eye-candy quality that makes this comic book all sparkly, and, as always, letterer Tom Napolitano delivers the kind of work that gives comic books a sense of sound.

I didn't expect much of Purgatori; after all, I have always ignored the character.  But after the first two issues, I am in as a regular reader.

I READS YOU RECOMMENDS:  Fans of Chaos Comics Purgatori will want to visit Purgatori Volume 2.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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