Review: "THOR: LOVE AND THUNDER" is Full of Love and Thunder

TRASH IN MY EYE No. 42 of 2022 (No. 1854) by Leroy Douresseaux

Thor: Love and Thunder (2022)
Running time:  119 minutes (1 hour, 59 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action, language, some suggestive material and partial nudity
DIRECTOR:  Taika Waititi
WRITERS: Taiki Waititi and Jennifer Kaytin Robinson; from a story by Taika Waititi (based on the Marvel Comics)
PRODUCERS:  Kevin Feige and Brad Winderbaum
CINEMATOGRAPHER:  Barry Idoine (D.o.P.)
EDITORS:  Peter S. Elliot, Tim Roche, Matthew Schmidt, and Jennifer Vecchiarello
COMPOSERS:  Michael Giacchino and Nami Melumad

SUPERHERO/FANTASY/ACTION and COMEDY/DRAMA

Starring:  Chris Hemsworth, Christian Bale, Tessa Thompson, Taika Waititi (voice) Jaimie Alexander, Chris Pratt, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel (voice), Bradley Cooper (voice), Kieron L. Dyer, Idris Elba, Brett Goldstein, and Russell Crowe and Natalie Portman

Thor: Love and Thunder is a 2022 superhero fantasy and action-comedy directed by Taika Waititi and produced by Marvel Studios and distributed by Walt Disney Pictures.  It is the fourth film in Marvel's Thor film series, which began with Thor (2011).  Thor is a Marvel Comics character that first appeared in the comic book, Journey into Mystery #83 (cover dated: August 1962), and is based on the Norse mythological deity of the same name.  In Love and Thunder, Thor reunites with his ex-girlfriend to fight a being who plans to make the gods extinct.

Thor: Love and Thunder finds Thor (Chris Hemsworth), using his second enchanted hammer, “Stormbreaker,” is fighting the bad guys of the galaxy with the Guardians of the Galaxy:  Star-Lord (Chris Pratt), Mantis (Pom Klementieff), Drax the Destroyer (Dave Bautista), Nebula (Karen Gillan), Groot (voice of Vin Diesel), and Rocket (voice of Bradley Cooper).  Thor is at a crossroads in his life and is unsure of what to do next.

Back on Earth, Thor's ex-girlfriend, the astrophysicist Dr. Jane Foster (Natalie Portman), is battling stage four cancer.  Seeking medical treatment, Jane travels to New Asgard.  There, she has a strange encounter with Thor's broken hammer, Mjolnir.

Meanwhile, Thor has answered a distress signal from one of Asgard's warriors, Sif (Jaimie Alexander).  She warns him of Gorr the God Butcher (Christian Bale), a being who possesses the god-killing weapon, “the Necrosword.”  When Gorr attacks New Asgard, Thor returns to join the battle.  Much to his shock, he discovers that Mjolnir has reforged and bonded with Jane Foster, transforming her into another Thor.

Now, Valkyrie (Tessa Thompson), King of Asgard, and Korg (voice of Taika Waititi), the rocky Kronan warrior, join Thor and Thor on a journey to fight Gorr.  But are they enough to fight a being that has already killed many gods?

The last year's worth of Marvel Studios films, five including Thor: Love and Thunder, have been different, even offbeat, much to the chagrin of some critics and fans.  People complained that Marvel's films were too much alike, and now that the studio has given us five films that are quite different from the first 11 years of films, they still aren't happy.

Anyway, I want to make it clear that there is plenty of “thunder” in Thor: Love and Thunder.  Director Taika Waititi offers some action set pieces that are either unusual or have an unusual angle to them.  As Gorr, Christian Bale gives a multi-layered performance full of pathos, humor, and maniacal glee.  It is a seemingly effortless performance from one of the best actors of the last quarter-century.  So, this superhero movie has a great villain, one who can match both Thors and is genuinely vengeful, a vengeance grounded in love.

Still, Waititi wants Thor to be something really different.  The films trades in themes of love, death, and change.  Thor Odinson and Jane Foster-Thor are both in crisis.  The Odinson is having a sort of mid-life crisis.  If he is no longer the rascally young heir to the throne of Asgard or the Avenger's lightning, thunder, and muscle, then, what is he?  Jane Foster is facing an existential crisis; her cancer is really terminal.  Should she quietly accept her fate or should she go out with a bang and some thunder as Thor, fighting their enemy to death, if need be?

Thor: Love and Thunder is a perfect film for this time.  It chooses love over despair.  It is a post-breakup movie in which Thor and Jane Foster find their way back to one another.  Although death is an end, it can also mean change, and that is what can be in store for Thor and Thor and for King Valkyrie, Korg, and a few other characters.

I love what director Taika Waititi has created in his two Thor films, this and the earlier Thor: Ragnarok (2017).  Thor: Love and Thunder finds the humor in every situation, even the dark and dangerous ones, which might put off some of its audience.  However, I like that Thor: Love and Thunder is a film made of joy, color, and wonder that travels across the galaxy and into different realms.  But no matter where it goes, Thor: Love and Thunder full of thunderous sounds and furious love.

[This film as two scenes that occur during the credits, one in the middle and one at the end.]

8 of 10
A
★★★★ out of 4 stars

Friday, July 8, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: "What We Do in the Shadows" Does It Good

TRASH IN MY EYE No. 41 of 2022 (No. 1853) by Leroy Douresseaux

What We Do in the Shadows (2014)
Running time:  86 minutes (1 hour, 26 minutes)
MPAA – R for bloody violent content, some sexual material and language
WRITERS/DIRECTORS:  Jemaine Clement and Taika Waititi
PRODUCERS:  Emanuel Michael, Taika Waititi, and Chelsea Winstanley
CINEMATOGRAPHERS:  Richard Bluck and D.J. Stipsen
EDITORS:  Tom Eagles, Yana Gorskaya, and Jonathan Woodford-Robinson
COMPOSER:  Plan 9

COMEDY/FANTASY

Starring:  Jemaine Clement, Taika Waititi, Cori Gonzalez-Macuer, Jonny Brugh, Stu Rutherford, Ben Fransham, Jackie Van Beek, and Elena Stejko

What We Do in the Shadows is a 2014 New Zealand comic vampire film and mockumentary (mock documentary) written and directed by Jemaine Clement and Taika Waititi.  The film focuses on three vampires who live together in a flat while trying to deal with the mundane aspects of modern life in Wellington, New Zealand.

What We Do in the Shadows introduces four vampires living as housemates in a flat in a suburb of Wellington, New Zealand.  They are 379-year-old Viago (Taika Waititi), 862-year-old Vladislav (Jemaine Clement), 183-year-old Deacon (Jonny Brugh), and 8000-year-old Petyr (Ben Fransham).  A documentary film crew follows them as they prepare for “the Unholy Masquerade,” a ball held by some of the monster secret societies of Wellington.

The vampires struggle with the ordinary aspects of modern life:  overcoming flatmate conflicts, keeping up with chores, dealing with demanding familiars (human servants), etc.  Most of all they struggle to navigate the city's nightclub scene where they hunt for human victims who will become their food.  One of their victims-to-be is Nick (Cori Gonzalez-Macuer), the ex-boyfriend of Deacon's familiar, Jackie (Jackie Van Beek).  Nick is unexpectedly turned into a vampire, and the new bloodsucker brings complications into the older vampires' lives.  Nick even brings his human friend, Stu (Stu Rutherford), whom everyone wants to eat, but likes too much to eat, into the vampire world.

Plus, they still have to attend “the Unholy Masquerade” where they will meet “the Beast.”

The most famous example of a mockumentary and perhaps, the most beloved is director Rob Reiner's 1984 film, This is Spinal Tap.  With the exception of that film, I am usually bored of mockumentaries by the second half of such films.  I was surprised to discover that except for a few places, I found myself thoroughly engaged with What We Do in the Shadows.

I think the combination of the script and the acting really brings the film to life.  The actors seem to create fully functioning people by emphasizing the ordinary aspects of the human character and personality.  Although the film's leads are vampires, they manage to be only a little special, amazing, horrible, and fantastic.  They are interesting and lovable by being only a little above ordinary.  They are not too bright, not smart enough to be conniving, and rather short-sighted, and that all makes them endearing to me.

I also like that What We Do in the Shadows quotes from or references a number of vampire films, including the Blade film series, Bram Stoker's Dracula, Interview with the Vampire, and Twilight, to name a few.  That helps to make it feel like a genuine vampire film, rather than being only a documentary and horror comedy.  I actually started watching (on and off) the FX cable television series, also titled “What We Do in the Shadows,” that is based on the film.  Truthfully, the film is such a delight, it feels like something that has a lot more to offer, so we are lucky to have a TV series.

I would not recommend What We Do in the Shadows to everyone who enjoys the mainstream work of the film's co-writer and co-director, Taika Waititi, such as his Thor films for Disney/Marvel Studios.  I will recommend it to film audiences who are always searching for something different, offbeat, and/or daring in modern independent and foreign films.  For being another in a long, long line of vampire films, What We Do in the Shadows manages to be fresh blood.

7 of 10
A-
★★★½ out of 4 stars

Thursday, July 7, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Comics Review: "PRODIGY: The Icarus Society #1" Flies So High

PRODIGY: THE ICARUS SOCIETY #1 (OF 5)
IMAGE COMICS/Netflix

STORY: Mark Millar
ART: Matteo Buffagni
COLORS: Laura Martin
LETTERS: Clem Robins
COVER: Matteo Buffagni with David Curiel
VARIANT COVER ARTIST: Bill Sienkiewicz
32pp, Color, $3.99 U.S. (July 2022)

Rated M / Mature

Prodigy: The Icarus Society is a new five-issue comic book miniseries produced by writer Mark Millar and artist Matteo Buffagni.  It is a sequel to the 2018-19 six-issue miniseries, Prodigy.  The Prodigy comic books focus on the adventures of the world's smartest man, who believes that he is the go-to guy when there is a global crisis to solve.

Prodigy: The Icarus Society #1 opens in Maine where a credit controller has just spontaneously exploded.  In fact, this is an entire afternoon of spontaneously exploding people in Maine  When the mayor and the governor don't know what to do, they call the Pentagon, and the Pentagon calls Edison Crane, the world's smartest man.

The person behind these explosions is the just the beginning of “The Icarus Society.”

THE LOWDOWN:  Of Mark Millar's recent Netflix comic book series, I am a huge fan of The Magic Order, but I am always thinking about Prodigy.  After reading the first series, Prodigy, I was intrigued and thrilled, and after re-reading it in trade paperback form, as Prodigy: The Evil Earth, I admired it all the more.

Millar uses Prodigy: The Icarus Society #1 to introduce readers to Edison Crane's state of mind (more or less).  Our hero is in need of a challenge.  Millar builds the issue slyly; the new threat is all around Crane, preparing to reveal itself.  At the same time, rascally Millar teases us with this idea:  doesn't it seem as if Crane is deliberately setting himself up to be challenged and abused?...

The art by Matteo Buffagni for The Icarus Society is quiet compared to Rafael Albuquerque's fast and furious storytelling in the earlier series, The Evil Earth.  Buffagni creates a story that conveys the current malaise (of Crane) and simmers with the coming menace (from the “rival” geniuses).  Colorist Laura Martin is a master of creating the varied moods of action and violence, and here, she delivers on shadowy and secretive and sudden violence.  Clem Robins does much the same, carrying the reader through the wavy flow of time and pace in this story.

I can tell from this first issue that Millar and Buffagni are going to throw everything and many kitchen sinks at us.  Prodigy: The Icarus Society reminds us that a month with at least one Mark Millar comic book is a good month, indeed.

I READS YOU RECOMMENDS:  Fans of Mark Millar and of his comic book, Prodigy, will want to read Prodigy: The Icarus Society.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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http://www.millarworld.tv/
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Comics Review: "PRODIGY: The Evil Earth" is Wickedly Good

PRODIGY: THE EVIL EARTH
IMAGE COMICS

WRITER: Mark Millar
ARTIST: Rafael Albuquerque
COLORS: Marcelo Maiolo
LETTERS: Peter Doherty
EDITOR: Rachel Fulton
COVER: Ozgur Yildirim
MISC. ART: Rafael Albuquerque; André Araújo; Frank Quitely; Travis Charest; John Cassaday; Rafael Grampa
ISBN: 978-1-5343-1236-4; paperback (July 30, 2019)
168pp, Color, $19.99 U.S.

Rated M / Mature

Prodigy was a 2018-19, six-issue comic book miniseries produced by writer Mark Millar and artist Rafael Albuquerque.  Published by Image Comics, it was the second comic book series (following The Magic Order) that Millar produced after he sold his company, Millarworld, to Netflix.  Prodigy focuses on the world's smartest man, a fellow who believes that he is the go-to guy when there is a global crisis to solve.  In July 2019, the first Prodigy miniseries was collected in the trade paperback, Prodigy: The Evil Earth.

Prodigy: The Evil Earth opens at St. George's Hall, a prestigious high school in Massachusetts.  The story introduces 11-year-old Edison Crane, the son of a United States senator who is about to become U.S. Secretary of State.  It is 1993, and the “Inter-School Polo Cup Final” has just come to an end.  Edison is the star, “the Man of the Match,” much to the ire of some of his teammates who are high school students of actual high school age.

How he deals with those violent, bitter teammates is a hint at what Edison will become – a man who will take on any problem or challenge.  Edison can learn faster than anyone who ever lived, and there is nothing he can't do when he puts his mind to it.  He even performs open heart surgery on a classmate.

This is one of the first steps Edison will take on the road to becoming the world's smartest man who is running the world's most successful business.  But Edison Crane is not content because his brilliant mind needs constant challenge.  So he becomes the go-to guy for governments around the world when they have a problem or crisis they cannot solve.

When strange cars containing crispy critters start popping up around the world, however, Edison may finally face something that will truly challenge him.  It is a mystery that spans time from the Tower of Babel to the “Large Hadron Collider” and to an impending invasion from somewhere beyond.

THE LOWDOWN:  I am a fan of a number of Mark Millar's creator-owned comic book series, with Kick-Ass, Empress, and The Magic Order (also a Netflix title) being among my favorite.  After reading Prodigy, it became one of my favorite comic books of the last decade – period.

Prodigy Chapter One/Issue #1 is a teaser; the series' narrative really kicks off with Chapter Two.  Millar uses the first chapter to sell Edison Crane to his readers.  At first, Edison seems to have an unlikable personality, but by the end of this first chapter, dear readers, you might think Edison is a thoroughly intriguing character.  I certainly did.  Edison Crane mixes elements of Bruce Wayne/Batman, Sherlock Holmes, Marvel Comics' Karnak and Tony Stark/Iron Man, Angus MacGyver, and others that I can't think of right now.

Prodigy: The Evil Earth saw artist Rafael Albuquerque continue to transform as a comic book artist, in terms of his draftsmanship and in terms of the flair in his illustrative style.  The stylishly-drawn first chapter is among his best work.  By the end of this first volume, Albuquerque has created a vibe that mixes multiple genres:  spy thriller, secret agent adventure, mysteries, and conspiracy that made The Evil Earth unforgettable for me.  Marcelo Maiolo's bright coloring not only adds another layer of beauty to the art, but they strengthen the elements that this narrative borrows from a variety of genres and sources.

I can never get enough of Prodigy: The Evil Earth.  No matter how much you might think you have figured out Edison Crane, Mark Millar always keeps readers imagination hopping with a series of surprises and reveals.  In The Evil Earth, Mark Millar and Rafael Albuquerque have created a creepy masterpiece that delves into the dark crevices of civilization's cabals and confederacies, doing so at the speed of light.  And I can't stop chasing it.

I READS YOU RECOMMENDS:  Fans of Mark Millar's comic book will want to read Prodigy: The Evil Earth.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ImageComics
https://twitter.com/mrmarkmillar
https://twitter.com/netflix
https://twitter.com/themagicorder
https://www.mrmarkmillar.com/
http://www.millarworld.tv/
www.imagecomics.com


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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