Negromancer News Bits and Bites from October 1st to 8th, 2022 - Update #11

by Leroy Douresseaux a.k.a. "I Reads You"

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ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From Deadline: CBS' new drama series, "Fire Country," debuted Fri., Oct. 7th and had the highest debut of any series of the new 2022-23 television season.

NETFLIX - From Deadline:   For the first time, all three big exhibitors (movie theater chains) are on board with releasing a major Netflix title, Rian Johnson's "Knives Out" sequel, "Glass Onion: A Knives Out Mystery."  The movie will hit theaters on Wednesday, Nov. 23, the day before Thanksgiving, and will begin streaming on Netflix on Dec. 23rd.

MOVIES - From Deadline:  Rust Movie Productions LLC and its "Rust" star and producer, Alec Baldwin, have reached a settlement with the estate of slain cinematographer, Halyna Hutchins, who died on the set of the Western film due to the discharge of a firearm.  As part of the peace, her husband, Matthew Hutchins, will executive produce Rust, which will return to production in January 2023 with the original cast.

MOVIE - From Deadline:   Actress Taissa Farmiga will return as "Sister Irene" in "The Nun 2," the sequel to 2018's "The Nun."  The new film is due Sept 2023.

JAMES BOND - From Fatherly:   The next James Bond actor will not be in his twenties when he starts the series.

BOX OFFICE - From BoxOfficePro:   The winner of the 9/30 to 10/2/2022 weekend box office is Paramount Pictures' "Smile" with an estimated take of 22 million dollars.

CELEBRITY - From TeenVogue:  Actress and businesswoman, Keke Palmer, is starting her own digital television network, "Key TV," which hopes to spotlight "a new generation of creators."

TELEVISION - From Variety:  Trevor Noah has reportedly announced that he is stepping down as host of Comedy Central's "The Daily Show."  No date for his exit has been announced.

OBITS:

From Deadline:   Comedian and actress, Judy Tenuta, has died at the age of 72, Thursday, October 6, 2022.  Known to her fans as the "Love Goddess," Tenuta appeared on numerous television shows, including several cable comedy specials, game shows, and documentaries.  Tenuta was known for her unconventional and brash stage act and also as a voice performer on several animated TV series, including "Duckman" and "Cow and Chicken."  She was also a two-time nominee in the category, "Grammy Award for Best Comedy Album."

From RollingStone:  Singer-songwriter and country music icon, Loretta Lynn, has died at the age of 90, Tuesday, October 4, 2022.  A three-time Grammy Award winner, Lynn was a pioneering woman in country music for women empowerment with songs like "Fist City" (1968) and "The Pill" (1975).  Her 1970 hit, "Coal Miner's Daughter" (from the album of the same name) was her signature song and became the title of the 1980 Oscar-winning biographical film about her life.

From Variety:  Native American civil rights activist and actress, Sacheen Littlefeather, has died at the age of 75, Sunday, October 2, 2022.  Littlefeather had been suffering from breast cancer.  She was best known for her appearance at the 1973 / 45th Academy Awards where she declined Marlon Brando’s "Best Actor" Oscar for “The Godfather” (1972) on his behalf.  In June (2022), the Academy of Motion Pictures Arts and Sciences apologized to Littlefeather for her treatment at the Oscars that night, and she attended an in-person presentation ("An Evening with Sacheen Littlefeather") of the apology at the Academy Museum on Sept. 17.

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BRITTNEY GRINER:

From Reuters:  Russia says that it is ready to talk prisoner swamp for Brittney Griner and U.S. Marine veteran Paul Whelan, but also scolds the U.S. Embassy.

From TheDailyBeast:   Legendary NBA bad boy and champion (Detroit Pistons, Chicago Bulls), Dennis Rodman claims that he has been given permission to go to Russia and help free imprisoned hostage, WNBA star, Brittney Griner.

From Vox:  Vox's Jonathan Guyer talks the Brittney Griner case with Danielle Gilbert, a Dartmouth professor who is writing a book about states and rogue actors that take hostages.

From ESPN:   A Russian court sentenced WNBA star Brittney Griner to nine years in prison Thursday, Aug. 4th.  Griner was arrested Feb. 17 for bringing cannabis into the country and pleaded guilty July 7, though the case continued under Russian law.

From ESPN:  The Biden administration has offered a deal to Russia aimed at bringing home WNBA star Brittney Griner and another jailed American, Paul Whelan, Secretary of State Antony Blinken said Wednesday.

From RSN:  "Will Support From LeBron James, Joe Rogan, Kim Kardashian, and Other Celebrities Help Free Brittney Griner From a Russian Prison?" by Kareem Abdul-Jabbar via Substack

From ESPN:  Detained WNBA star Brittney Griner pleaded guilty on Thursday to bringing hashish oil into Russia, telling a judge that she had done so "inadvertently" while asking the court for mercy.

From CBSSports:  The Brittney Griner situation explained.

From RSN:  According to The Washington Post Editorial Board: "Brittney Griner is a hostage, plain and simple."

Review: "HELLRAISER III: Hell on Earth" Raises Fresh Hell

TRASH IN MY EYE No. 59 of 2022 (No. 1871) by Leroy Douresseaux

Hellraiser III: Hell on Earth (1992)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – R for strong violence and sexuality, and for language
DIRECTOR:  Anthony Hickox
WRITERS:  Peter Atkins; from a story by Peter Atkins and Tony Randel (based on the characters created by Clive Barker)
PRODUCER:  Lawrence Mortorff
CINEMATOGRAPHER:  Gerry Lively (D.o.P.)
EDITORS:  James D.R. Hickox and Christopher Cibelli (supervising film editor)
COMPOSER:  Randy Miller

HORROR/FANTASY

Starring:  Terry Farrell, Doug Bradley, Paula Marshall, Kevin Bernhardt, Ken Carpenter, Peter Atkins, Peter G. Boynton, and Ashley Laurence

Hellraiser III: Hell on Earth is a 1992 supernatural horror and dark fantasy film directed by Anthony Hickox.  The film is based on characters and concepts taken from the 1986 novella, “The Hellbound Heart,” which was written by Clive Barker, who is the executive producer of this film.  Hell on Earth is also the third film in the Hellraiser film franchise.  Hellraiser III focuses on a young reporter who finds herself taking on the most powerful of the Cenobites.

Hellraiser III: Hell on Earth opens in the wake of the incidents depicted in Hellbound: Hellraiser II.  The Cenobite (demon) called “Pinhead” (Doug Bradley) has been split into two entities:  his former human self, World War I British Army Captain Elliot Spencer (Doug Bradley) and the manifestation of Spencer's id that has taken on the form of Pinhead.

In modern day New York City, J.P. Monroe (Kevin Bernhardt) visits the “Pyramid Gallery,” a creepy art gallery where he buys an intricately carved pillar, “the Pillar of Souls,” which depicts writhing figures and distorted faces etched into its surface.  J.P. installs the pillar at his popular nightclub, “The Boiler Room.” What Monroe does not know is that Pinhead is one of the figures trapped in the pillar, along with one of those puzzle boxes used to summon the Cenobites.

Meanwhile, Joanne “Joey” Summerskill (Terry Farrell), an ambitious young television reporter, is struggling to get respect and attention at the station for which she works, Channel 8.  However, an incident at a local hospital brings her into contact with Terri (Paula Marshall), a young homeless woman who has had a relationship with J.P. Monroe.  As Joey delves deeper into the the hospital incident, she learns that Terri has a puzzle box in her possession.  Now, the box is diving into Joey's dreams.  Trapped in limbo, Elliot Spencer needs Joey's help, because he is depending on her to send Pinhead and his new Cenobites back to Hell.

Hellraiser III: Hell on Earth is a direct sequel to the second film in the series, Hellbound: Hellraiser II.  That surprised me, as I have only seen Hell on Earth once, and that was when it was first release to theaters – 30 years ago!  I remember not liking it, but now, I can honestly say that Hellraiser III is much better than Hellraiser II.

The third film was the first to be filmed in the United States (specifically North Carolina), and it is more action-oriented than the previous films, including the original, Hellraiser (1987).  Hell on Earth also emphasizes that the Cenobites are denizens of Hell and are demons.  Previously, the Cenobites' “home” was a dimension called “Labyrinth,” and they could be angels or demons – depending upon the point of view.  The third film also has something the first two films did not have – a thumbing soundtrack full of good rock and heavy metal music.

The film has some interesting characters, especially the human characters:  Joey, Terri, and J.P., but it really does not do much with them.  As Joey, Terry Farrell does her best with weak character material, and Kevin Bernhardt adds a jolt to the film as the arrogant womanizer, J.P.  Doug Bradley does his best work in his dual role as Pinhead and as Capt. Elliot Spencer.  If there were ever any doubt, Hellraiser III makes it clear that Pinhead is the true star of this franchise, although Kirsty Cotton (Ashley Laurence), who makes a cameo here, is the film's “other star.”

To this day, Hellraiser III: Hell on Earth is the last film in the series that I have seen.  When I originally saw it, I did not care for it, and it finished the series for me.  Three decades later, I like it, and I really like the new Cenobites.  We are awaiting the debut of the franchise reboot, entitled Hellraiser, in early October 2022 on the streaming service, Hulu.  So, I feel comfortable recommending the heavy metal Hellraiser III: Hell on Earth for those interested in the original movies.

6 of 10
B
★★★ out of 4 stars

Monday, October 3, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: Gory "HELLBOUND: Hellraiser II" is More Weird Fantasy Than Horror

TRASH IN MY EYE No. 58 of 2022 (No. 1870) by Leroy Douresseaux

Hellbound: Hellraiser II (1988)
Running time:  97 minutes (1 hour, 37 minutes)
Rated – R
DIRECTOR:  Tony Randel
WRITERS:  Peter Atkins; from a story by Clive Barker
PRODUCER:  Christopher Figg
CINEMATOGRAPHER:  Robin Vidgeon (D.o.P.)
EDITOR:  Richard Marden
COMPOSER:  Christopher Young

HORROR/FANTASY

Starring:  Clare Higgins, Ashley Laurence, Doug Bradley, Kenneth Cranham, Imogen Boorman, William Hope, Barbie Wilde, Nicholas Vince, Simon Bamford, Sean Chapman, and Oliver Smith

Hellbound: Hellraiser II is a 1988 British supernatural horror and dark fantasy film directed by Tony Randel.  The film is a direct sequel to the 1987 film, Hellraiser.  Like the first film, Hellbound is based on characters and concepts taken from the 1986 novella, “The Hellbound Heart,” which was written by Clive Barker, one of the people behind this film.  Hellbound is also the second film in the Hellraiser film franchise.  Hellbound finds the survivor of the first film, Kirsty, in a psychiatric hospital and dealing with a doctor who is obsessed with the sadomasochistic beings known as the “Cenobites” and the occult world from which they originate.

Hellbound: Hellraiser II opens shortly after the events of the first film.  Kirsty Cotton (Ashley Laurence) has been admitted into the Channard Institute, a psychiatric hospital.  She is still dealing with the terrible events surrounding the death of her father, Larry Cotton.  When she is interviewed by Dr. Phillip Channard (Kenneth Cranham) and his assistant, Dr. Kyle MacRae (William Hope), she gives her account of the events at her father's home (as seen in the first film).  Kirsty is shocked to discover that the bloody mattress upon which her murderous and wicked stepmother, Julia Cotton (Clare Higgins), died is in police custody, and she begs Channard and MacRae to destroy it.

What Kirsty doesn't realize is that Dr. Channard is secretly obsessed with the puzzle boxes that bring forth the Cenobites and with their occult, demonic underworld.  Taking possession of the mattress, Channard discovers that Julia is still inside it, waiting for the blood of fresh victims that will revive her.  Channard's plot involves another patient at his institute, a girl named Tiffany (Imogen Boorman).  Seemingly mute, Tiffany demonstrates an aptitude for puzzles, and Channard wants her to solve one of the three puzzle boxes that have come into his possession.

Now, Kirsty must enter the labyrinth-like world of the Cenobites because she believes that is where she can save her father.  However, both she and Tiffany will have to survive the Cenobites, Julia and Channard's schemes, and “Leviathan the Lord of the Labyrinth.”

The original Hellraiser was indeed a supernatural horror film.  Hellbound: Hellraiser II is more dark fantasy than horror.  In fact, it reminds me of a number of weird and unusual 1980s sci-fi and/or fantasy films that took readers on strange journeys, from 1981's Heavy Metal and 1983's Krull to 1985's Legend and 1986's Labyrinth.

Hellbound has good production values – not as good as Hellraiser, however.  Christopher Young, who scored the first film, provides the musical score for Hellbound, but this time, the music is a bit noisier than in the first film.  The costumes are still good, but mostly repeats the aesthetic of Hellraiser.  The make-up seems more tacky, and in some cases, needlessly gory and excessively bloody.

The story is odd, but has some interesting elements.  Unfortunately, the film does not have much of a plot, and there really isn't a beginning, middle, and end.  It is as if Hellbound is a slice of something larger.  Hellbound is more about shocking visuals and gruesome images than it is about plot.  Other than introducing the Cenobites' labyrinth-like dimension and its lord, Leviathan, the film tells us nothing in the way of details about it or its inhabitants.

The characters are intriguing, but the writer and director treat them like nothing more than bodies to be abused, tortured, and killed.  Still, I find myself fascinated by Ashley Laurence's Kirsty and newcomer Imogen Boorman's Tiffany.  In this film, I decided that Clare Higgins' Julia was more fascinating than she was in the original, although she was good in that, also.

Hellbound dimmed my enthusiasm for this franchise, and I had little patience for the next film in the series, Hellraiser III: Hell on Earth (1992).  Hellraiser wanted to tear your soul apart.  Hellbound: Hellraiser II only wants to cut your body to pieces … before the boredom sets in.

4 of 10
C
★★ out of 4 stars

Tuesday, September 27, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Comics Review: "Nyx #10" is an Excellent Tenth and Final Issue

NYX #10
DYNAMITE ENTERTAINMENT

STORY: Christos Gage
ART: Marc Borstel
COLORS: Jordi Escuin Llorach
LETTERS: Taylor Esposito
EDITOR: Matt Idelson
COVER: Giuseppe Matteoni
32pp, Color, $3.99 U.S. (October 2022)

Rated T+

Nyx created by Tom Sniegoski and Ed McGuinness

“You Come at the King ...”

Nyx is a Vampirella comic book character.  She is the daughter of Chaos the Mad God and a human woman, making Nyx half-demon and half-human, but she needs to feed on human life force in order to live.  Nyx was created by writer Tom Sniegoski and artist Ed McGuinness and first appeared in Harris Comics' Vengeance of Vampirella #23 (cover dated: February 1996).  She is a longtime enemy and sometimes friend of Vampirella.

The character now has her own solo comic book series, entitled Nyx.  It is written by Christos Gage; drawn by Marc Borstel; colored by Jordi Escuin Llorach; and lettered by Taylor Esposito.  The series finds Nyx dealing with her emerging human side; with her demon side (which is still powerful and hungry for human life force); with her father, the Mad God Chaos; and with his new children, half-siblings for whom Nyx is responsible.

As Nyx #10 (“You Come at the King ...”) opens, Nyx and her younger half-siblings: Tunrida, Flux, Sammael, and Behemoth, battle their father, the Mad God Chaos.  To put him down, however, one of them will have to take his place...

This is the dramatic conclusion, and the final battle.  It's Nyx and all her surviving siblings against their father!  Which side will win?  Will their be an act of betrayal?  And when all is said and done, will any of them be better off?  Will Nyx be better off?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Nyx #10, the tenth issue of the series that I have read.

For close to a year, I have been saying that Christos Gage is writing a wonderful comic book in Nyx, and that remains true to end of the series.  The characters are always witty and nasty and stubborn, even when they seem doomed.  Gage gives us the dark fantasy version of a family sitcom, but edgier – more HBO than NBC must-watch-TV.

Artist Marc Borstel and colorist Jordi Escuin Llorach told the story in beautiful art, dotted with pin-up shots, cheesecake, and fanservice art.  Letterer Taylor Esposito topped it off with a pound-that-booty soundtrack.  Nyx was good from the first cup to the last drop, but Nyx #10 is the final issue.  I hope Nyx's drunk ass comes around again in a new series.

I READS YOU RECOMMENDS:  Fans of Vampirella comic books will want to try Nyx.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Review: Original "HELLRAISER" Will Still Tear Your Soul Apart

TRASH IN MY EYE No. 57 of 2022 (No. 1869) by Leroy Douresseaux

Hellraiser (1987)
Running time:  93 minutes (1 hour, 33 minutes)
Rated – R
WRITER/DIRECTOR:  Clive Barker
PRODUCER:  Christopher Figg
CINEMATOGRAPHER:  Robin Vidgeon (D.o.P.)
EDITOR:  Richard Marden
COMPOSER:  Christopher Young

HORROR/FANTASY

Starring:  Clare Higgins, Ashley Laurence, Andrew Robinson, Sean Chapman, Robert Hines, Doug Bradley, Nicholas Vince, Simon Bamford, Grace Kirby, Frank Baker, and Oliver Smith

Hellraiser is a 1987 British supernatural horror film written and directed by Clive Barker.  The film is an adaptation of Barker's 1986 novella, “The Hellbound Heart,” which was first published in the third volume in Dark Harvest's Night Visions anthology series.  This movie also launched the Hellraiser film series, which is currently comprised of eleven films, including an upcoming reboot film, entitled Hellraiser, to be streamed on Hulu.  The first Hellraiser movie focuses on a daughter, a father, his second wife, and his brother (who was his wife's lover), and a group of sadomasochistic beings known as the “Cenobites.”

Hellraiser introduces Frank Cotton (Sean Chapman), who searches the world for the greatest pleasures.  His travels take him to Morocco where he buys a strange puzzle box.  In the empty attic of his late parents' home, Frank solves the puzzle and opens the box.  From the box, hooked chains emerge and begin to tear Frank apart because he has fallen into the clutches of a group of extra-dimensional, sadomasochistic beings called the Cenobites.  Demons to some and angels to others, they offer the greatest pleasure … but also the greatest pain.

Some time afterward, Frank's brother, Larry Cotton (Andrew Robinson), moves into the house in a bid to rebuild his strained relationship with his second wife, Julia (Clare Higgins).  Larry's adult daughter, Kirsty (Ashley Laurence), decides to get a place of her own.  Larry is also unaware that shortly before they were married, Julia had a torrid affair with Frank.

While moving furniture into the house, Larry has an accident that leaves blood dripped onto the attic floor.  Beneath that floor are the desiccated remains of Frank, and Larry's blood begins to revive the tissue.  Soon, Frank has returned as a skinless corpse that is soon found by Julia.  In order to revive Frank, Julia begins luring men into the attic.  Julia and Frank's activities have not gone unnoticed and the puzzle box is still around.  And so are the Cenobites.

I first saw Hellraiser when it played at a local theater; my memory says 1988.  For me it was an unforgettable cinematic experience.  I saw it several times over the following years, but I have not watched it in well over two decades.  Seeing it again, I was surprised at how much of it I actually remembered correctly, which is not always the case when I haven't seen a movie in time that can be measured in decades.

Christopher Young's score is as great as I remembered it to be.  Bold and shamelessly intrusive, it is one of the best musical scores for a horror film that I have ever heard.  The make-up and costumes, especially the former, are still amazing and still seem imaginative, although much of it has been copied and replicated countless times since the original release of Hellraiser.  It is a shame that the committee that oversees the “best make-up” category of the Academy Awards isn't a bit more adventurous and imaginative in their choices.  Hellraiser deserved an Oscar nod for its make-up effects.

I like the performances.  When I see American actor Andrew Robinson on some television series, he usually looks as if he just killed someone, but here, he is convincing as Larry Cotton, loving father and determined spouse.  Claire Higgins looks as if she has a stick up her ass, but it serves her imperious ice queen character, Julia, quite well.  Sean Chapman is half-and-half as Frank, but Oliver Smith who plays the “monster version” of Frank, is excellent.  The best actor in this film, however, is Ashley Laurence, who comes across as genuine in the role of loving daughter and “final girl.”  I think the Hellraiser film franchise became low rent over time because she did not stick around past the second film in the series, Hellbound: Hellraiser II.

For me, Hellraiser works.  By the time I first saw it, I had read several of Clive Barker's short fiction via the American release of his Books of Blood short story collections.  I was familiar with his brand of horror and dark horror, which was deeply imaginative in terms of plot, setting, and characters and also in its depictions of violence.  Clive Barker is different, and so is his film, Hellraiser.  It is a viewing and storytelling experience like no other.  And almost four decades later, Hellraiser can still tear your soul apart, dear readers.

8 of 10
A
★★★★ out of 4 stars

Thursday, September 22, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Comics Review: "SAMURAI SONJA #4" Takes Flight

SAMURAI SONJA VOLUME 1 #4
DYNAMITE ENTERTAINMENT

STORY: Jordan Clark
ART: Miriana Puglia
COLORS: Kike J. Diaz
LETTERS: Jeff Eckleberry
EDITOR: Nate Cosby
COVER: Clayton Henry
32pp, Color, $3.99 U.S. (September 2022)

Rated Teen+

Based on the characters and stories created by Roy Thomas, Barry Windsor-Smith, and Robert E. Howard

Conan the Barbarian #23 (cover dated: February 1973) saw the debut of a high fantasy, sword and sorcery heroine, Red Sonja.  Created by writer Roy Thomas and artist Barry Windsor-Smith, Red Sonja was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Robert E. Howard (1906-1936), the creator of the character, Conan the Cimmerian.

Dynamite Entertainment is now the publisher of Red Sonja comic books, and it publishes a number of titles featuring alternate versions of the character.  The latest is Samurai Sonja, Volume 1.  It is written by Jordan Clark; drawn by Pasquale Qualano and Miriana Puglia; colored by Kike J. Diaz; and lettered by Jeff Eckleberry.  This series is set in feudal Japan and introduces a brand new Sonja, a samurai serving a sea goddess in order to slay an oni shogun – with her life and family name on the line.

Samurai Sonja, Volume 1 #4 opens in the Sengoku period of Japan.  Sonja's journey to the fortress where she will confront the demon lord, Shuten Doji, brings her to a small sailing vessel.

Soon, Sonja finds herself in the midst of a war-torn battlefield, where beleaguered samurai, unable to flee, battle murderous tengu.  No matter how hard she fights, the onslaught of her enemies will not cease. Sonja must discover the only path to victory: to truly confront her enemy by accepting what the legacy of her past and her family really means.

THE LOWDOWN:   Since July 2021, the marketing department of Dynamite Entertainment has been providing me with PDF review copies of some of their titles.  One of them is Samurai Sonja, Volume 1 #4, one of many Red Sonja-related comic books that I have read.

As I have said before, Jordan Clark is writing an epic comic book that not only respects the publishing history of Red Sonja the comic book character, but also explores the possibilities of the character.  Samurai Sonja mission pits her against some of the most devious creatures of Japanese folklore, and while this series is meant to be short-lived, Clark's imaginative storytelling may indeed capture the imaginations of readers for some time to come.

Artist Miriana Puglia has seamlessly replaced original artist Pasquale Qualano with deftly paced and inventive storytelling.  Kike J. Diaz's colors make Puglia's art dance across the page with the quickness of a warrior's fleet feet and slashing sword.  Jeff Eckleberry's lettering dots the landscape of the storytelling like explosions on a battlefield.  Simply stated, Samurai Sonja is a blast to read.

I READS YOU RECOMMENDS:  Fans of Red Sonja will definitely want to read Samurai Sonja, Volume 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Comics Review: "SHEENA Queen of the Jungle Volume 2 #9" is a Perfect 10

SHEENA: QUEEN OF THE JUNGLE VOLUME 2 #9
DYNAMITE ENTERTAINMENT

STORY: Steven E. de Souza
ART: Ediano Silva
COLORS: Dinei Ribeiro
LETTERS: Taylor Esposito
EDITOR: Joseph Rybandt
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Arthur Suydam; Joseph Michael Linsner; Rose Besch
32pp, Color, $3.99 U.S. (September 2022)

Rated Teen+

Sheena originally created by S.M. “Jerry” Iger and Will Eisner; Sheena reboot by Steven E. de Souza

“Cenozoic” Part Four

Sheena, Queen of the Jungle is an American comic book character.  She first appeared in the British magazine, Wags #46 ( January 1938), and was created by legendary American comic book creators, Will Eisner and S. M. “Jerry” Iger.  Sheena made her first American appearance in Jumbo Comics #1 (Fiction House, cover dated: September 1938) where she was a mainstay until 1953.  Sheena was also the first female comic book character to star in her own series.  A “jungle girl heroine,” Sheen was an orphan, like Edgar Rice Burroughs' Tarzan, who had adventures featuring African natives, wild animals, and white hunters and villains.

Dynamite began publishing Sheena comics in 2017.  Dynamite's second series is Sheena: Queen of the Jungle, Volume 2.  It is written by Steven E. de Souza; drawn by Jethro Morales, Wil Rio, and Ediano Silva; colored by Dinei Ribeiro; and lettered by Taylor Esposito.  Writer de Souza begins a new series of challenges for Sheena in the story line, “Cenozoic,” which finds Sheena on a mission to save a nature preserve when she and her animal and human companions stumble upon an island out of time.

Sheena: Queen of the Jungle, Volume 2 #9 opens on April 5, 1945, in the log of the captain of the U-3523, the prototype “XXI” U-boat.  It is the greatest and most powerful super-submarine of the German Kriegsmarine.  Captain Karl Visser was to deliver German “wonder weapons” to her Axis partner, Japan, but neither fate nor time would have it.  This is the backstory our heroine confronts.

Sheena's adventure with her animal friends:  Yagua, Chim, and Pete, and with her human companions, Bob Kellerman and Martin Ransome, have reaped the yucky harvest of time travel – the Axis side of World War II.  U-Boats, Nazis, lost worlds, natives, savage tribesmen, dinosaurs, and some kind of local god, it may be more than even a super-fine and highly intelligent jungle queen can handle.

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Sheena: Queen of the Jungle Volume 2 #9, which is the ninth Dynamite Sheena comic book that I have read.

Sheena: Queen of the Jungle #9 is the best issue yet of a series that has been quite good.  It is one of my favorite Dynamite titles, and it can be yours, also, dear readers.

Dynamite's current incarnation of Sheena Queen of the Jungle is a reboot by the prolific Hollywood multi-hyphenate, Steven E. de Souza.  He is best known as a screenwriter who writes his own scripts and fixes others, which may still be referred to as being a “script doctor.”  He has fixed Sheena in a way that modernizes the pulp genres and sub-genres that focus on lost worlds, jungle queens, Nazis, master races, etc.  In his career in Hollywood, de Souza's storytelling has had to entertain as many as tens of millions rather than merely appease a few thousand nerds (or less) with fixations on genre trappings and (Lord, help me) “established lore.”  This shiny new Sheena works; de Souza's series is immensely entertaining and has appeal beyond its genres.

Sheena Queen of the Jungle is made doubly entertaining by the artists turning de Souza's scripts into comics.  Ediano Silva, this issue's artist, has a graphic style that recalls the pen and ink illustrations of pulp magazine art, but made practical for the purposes of comic book storytelling.  The art and story pops under Dinei Ribeiro's vivid colors.  Award-winning comic book letterer, Taylor Esposito, offer lettering, captions, and balloons that create a sense of sound.  While reading, I could imagine that I was hearing the joyful noise of issue #9's soundtrack.

It's not too late to join the fun of Sheena Queen of the Jungle Volume 2.  Yes, there is only one issue left, but something this good will certainly get a trade collection... right?

I READS YOU RECOMMENDS:  Fans of Sheena will want to try Sheena Queen of the Jungle Volume 2.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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