Monday, November 21, 2022

Comics Review: "SHEENA Queen of the Jungle Volume 2 #10" is a Final Issue Win

SHEENA: QUEEN OF THE JUNGLE VOLUME 2 #10
DYNAMITE ENTERTAINMENT

STORY: Steven E. de Souza
ART: Ediano Silva
COLORS: Dinei Ribeiro
LETTERS: Taylor Esposito
EDITOR: Joseph Rybandt
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Arthur Suydam; Joseph Michael Linsner; Rose Besch
32pp, Color, $3.99 U.S. (November 2022)

Rated Teen+

Sheena originally created by S.M. “Jerry” Iger and Will Eisner; Sheena reboot by Steven E. de Souza

“Cenozoic” Part Five


Sheena, Queen of the Jungle is an American comic book character.  She first appeared in the British magazine, Wags #46 ( January 1938), and was created by legendary American comic book creators, Will Eisner and S. M. “Jerry” Iger.  Sheena made her first American appearance in Jumbo Comics #1 (Fiction House, cover dated: September 1938) where she was a mainstay until 1953.  Sheena was also the first female comic book character to star in her own series.  A “jungle girl heroine,” Sheen was an orphan, like Edgar Rice Burroughs' Tarzan, who had adventures featuring African natives, wild animals, and white hunters and villains.

Dynamite began publishing Sheena comics in 2017.  Dynamite's second series is Sheena: Queen of the Jungle, Volume 2.  It is written by Steven E. de Souza; drawn by Jethro Morales, Wil Rio, and Ediano Silva; colored by Dinei Ribeiro; and lettered by Taylor Esposito.  Writer de Souza begins a new series of challenges for Sheena in the story line, “Cenozoic,” which finds Sheena on a mission to save a nature preserve when she and her animal and human companions stumble upon an island out of time.

Sheena: Queen of the Jungle, Volume 2 #10 opens in the year 1945.  That is where Sheena and company find themselves – lost in time on an island that recalls “Skull Island” from King Kong (1933).  Captain Karl Visser is the captain of the U-3523, a prototype “XXI” U-boat and the greatest and most powerful super-submarine of the German Kriegsmarine.  Now, Visser holds court on the island's beach, with Sheena's human companions, Bob Kellerman and Martin Ransome, his captive audience.

Visser finally believes their story that they are from the future.  Now, Visser has a date with a date:  July 23, 1945 and U.S.S. Indianapolis – and the chance to change history … in Nazi Germany's favor.

Speaking of King Kong references, Sheena is also tied up for sacrifice, ready for the “Great Maw.”  But can she escape, even with a little help from her animal friends?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Sheena: Queen of the Jungle Volume 2 #10, which is the tenth Dynamite Sheena comic book that I have read.

Alas, Sheena: Queen of the Jungle Volume 2 is another great Dynamite Entertainment comic book series that is ending with a tenth issue.  The phrase “killed it” was made for creative teams like the ones that produced this fine series.

Dynamite's current incarnation of Sheena: Queen of the Jungle is a reboot by the prolific Hollywood multi-hyphenate, Steven E. de Souza.  He perfectly modernizes Sheena without loosing her classic “jungle girl” and pulp-inspired comic book roots.  This second five-issue story arc summons the best of the Indiana Jones sequels, Jurassic Park, and King Kong with splashes of Wonder Woman.  Under de Souza's guidance, Sheena is a great hero to follow, both smart and ruthless, the way male heroes are allowed to be.

Artist Ediano Silva saves the best for last, although his previous issues were already quite good.  His storytelling is so big and dynamic, and he captures the vileness of Capt. Visser and the conniving male locals with a subtle touch that keeps them from being stock villains.  And the pages with the dinosaur recalls classic lost world comic book artists, Al Williamson, Wallace Wood, and Mark Schultz, to name a few.  

Dinei Ribeiro's vivid colors make the action scenes really pop and add to the story's sense of being “widescreen.”  Award-winning comic book letterer, Taylor Esposito, captures the force of de Souza's electrifying dialogue and also blows up the story with powerful sound effects.

Sheena: Queen of the Jungle Volume 2 #10 is a … dynamite final issue.  This series will likely be even more exciting to read in trade collection.  In the meantime, don't wait; try to find issues #6-10 and enjoy them now.

I READS YOU RECOMMENDS:  Fans of Sheena will want to try Sheena: Queen of the Jungle Volume 2.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Saturday, November 19, 2022

Review: Spielberg's "INDIANA JONES and the Temple of Doom" Still Goes Boom! (Celebrating "The Fabelmans")

TRASH IN MY EYE No. 71 of 2022 (No. 1883) by Leroy Douresseaux

Indiana Jones and the Temple of Doom (1984)
Running time:  118 minutes (1 hour, 58 minutes)
MPAA – PG
DIRECTOR:  Steven Spielberg
WRITERS:  Willard Huyck and Gloria Katz; from a story by George Lucas
PRODUCER:  Robert Watts
CINEMATOGRAPHER:  Douglas Slocombe (D.o.P.)
EDITOR:  Michael Kahn, A.C.E.
COMPOSER:  John Williams
Academy Awards winner

ACTION/ADVENTURE

Starring:  Harrison Ford, Kate Capshaw, Ke Huy Quan, Amrish Puri, Roy Chiao, Roshan Seth, Philip Stone, Raj Singh, D. R. Nanayakkara, Dan Aykroyd, and Pat Roach

Indiana Jones and the Temple of Doom is a 1984 action-adventure film from director Steven Spielberg.  It is the second entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark (1981), but it is also a prequel to Raiders.  In the Temple of Doom, Indiana Jones takes on a secret cult in India in order to reclaim a sacred rock stolen from a simple Indian village.

Indiana Jones and the Temple of Doom opens in Shanghai, 1935Dr. Henry “Indiana” Jones, Jr. a.k.a. “Indy” (Harrison Ford) has been hired by Lao Che (Roy Chiao), a Shanghai crime boss, to find the remains of Emperor Nurhaci.  Che betrays Indy, who goes on the run with Willie Scott (Kate Capshaw), one of Che's nightclub singers, and Short Round (Ke Huy Quan), a young Chinese orphan who is Indy's sidekick.

After surviving a plane crash orchestrated by Lao Che, the trio ends up in a small village in northern India.  The village chieftain (D. R. Nanayakkara) believes that Indy's arrival is fated, and that he will help the village with two problems.  The first is to retrieve the village's stolen “Shivalinga,” a rock the villagers hold in high esteem.  Indy believes that this rock is one of the five sacred “Sankara stones.”  The chieftain also wants Indy to find the villagers' missing children.  The chieftain informs Indy that the village's troubles began when the new Maharajá reopened the Pankot Palace in Pankot, an opening that has brought back a “dark light” to the land.

Traveling to Pankot Palace, Indy, Willie, and Short Round discover that the Maharajá of Pankot (Raj Singh) is a child, and beneath his palace, the ancient “Thuggee” cult has also been revived.  The cult leader, Mola Ram (Amrish Puri), wants to find all five Sankara stones in order to gain power from the Thuggees' goddess, Kali.  Now, Indiana Jones has taken it upon himself to stop the cult.

For years, I encountered pretentious film fans who despised Indiana Jones and the Temple of Doom and who insisted that I should hate it, too.  However, I have always found Temple of Doom to be endlessly entertaining, but I also understand that it has a lot to live up to.  It is the sequel (prequel) to one of the most popular movies of all time and one of the greatest films of all time (as far as I'm concerned), Raiders of the Lost Ark.

Indiana Jones and the Temple of Doom is a great action-adventure film precisely because the filmmakers were not trying to make “Raiders of the Lost Ark II” so much as they were creating a franchise.  Temple of Doom is essentially world-building, as the film, especially early in the narrative, hints that Indiana Jones has had many adventures.  So before there was Indiana Jones and the Raiders of the Lost Ark, there was Indiana Jones and the Temple of Doom.  That is what I liked most when I first saw it and still like:  Indiana Jones was not a one-time great thing; it was new universe and a new series of adventures centering on an archaeologist who was as much a cowboy as he was an professor and academic.

Indiana Jones and the Temple of Doom also remains the most unique film in the series.  To date, it is the only entry that does not have a single moment set in the United States.  Set in China and India, it is the only film in the series in which the main cast is largely non-white.  The film has an intriguing villain to open the story, the Shanghai crime boss, Lao Che, and a superb main villain, Mola Ram, the Thuggee cult leader.  Both actors play their respective villainous roles quite well.

Indiana Jones and the Temple of Doom is also the first film in the series to suggest that Indy has a network of helpers or at least a circle of associates.  For me, Short Round is an excellent sidekick, and he fits better than Kate Capshaw's Willie Scott, who seems like nothing more than a noisy dame.

Indiana Jones and the Temple of Doom also has excellent production values, especially its costumes, hair and make-up, and art direction and sets.  The film won an Oscar for its visual effects, which remain impressive four decades later, especially for the scenes involving the lava pit and the chase through the mine's tunnel system.

I am watching and, in some cases, re-watching early Steven Spielberg films, such as Duel, Jaws, and 1941, in anticipation of Spielberg's autobiographical film, The Fabelmans.  I have lost track of how many times I have watched at least part of Indiana Jones and the Temple of Doom, but this is the first time that I have watched the film in its entirety in decades.  Watching it again, I am sure now, more than ever, that I love this film.  Indiana Jones and the Temple of Doom was the first sequel to Raiders of the Lost Ark, and to date, it remains the best.

8 of 10
A
★★★★ out of 4 stars


Saturday, November 19, 2022

You can purchase the "INDIANA JONES 4-Movie Collection" Blu-ray or DVD here at AMAZON.


NOTES:
1985 Academy Awards, USA:  1 win: “Best Effects, Visual Effects” (Dennis Muren, Michael J. McAlister, Lorne Peterson, and George Gibbs) and 1 nomination: “Best Music, Original Score” (John Williams)

1985 BAFTA Awards:  1 win: “Best Special Visual Effects” (Dennis Muren, George Gibbs, Michael J. McAlister, and Lorne Peterson; 3 nominations: “Best Cinematography” (Douglas Slocombe), “Best Editing” (Michael Kahn), and “Best Sound” (Ben Burtt, Simon Kaye, and Laurel Ladevich)


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Friday, November 18, 2022

Comics Review: "Nita Hawes' NIGHTMARE Blog #10" - Meet Louis Cypher

NITA HAWES' NIGHTMARE BLOG #10
IMAGE COMICS

STORY: Rodney Barnes
ART: Szymon Kudranski
COLORS: Luis Nct with mar and Silvestre Galotto
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Szymon Kudranski
VARIANT COVER ARTIST: Richard Clark
28pp, Colors, 3.99 U.S. (November 2022)

Rated “M/ Mature”

Nita Hawes' Nightmare Blog created by Rodney Barnes and Jason Shawn Alexander

“Murder By Another Name” Part IV: “The Autopsy”

Nita Hawes' Nightmare Blog is a comic book series created by Rodney Barnes and Jason Shawn Alexander.  Nita Hawes' Nightmare Blog is written by Barnes.  The current artist is Szymon Kudranski.  Colorist Luis Nct and letterer by Marshall Dillon complete the creative team.  The series focuses on a woman who is on a quest to root out evil by helping the people who contact her blog.

In Baltimore, Maryland, which some call “Bodymore, Murderland,” there is a woman named Dawnita “Nita” Hawes.  She is the owner of “Nita Hawes' Nightmare Blog” where citizens can contact Nita when they have a problem of a supernatural or paranormal nature.  Nita has just begun her quest to root the evil out of her city – with the help of her dead brother, Jason.

Nita Hawes' Nightmare Blog #10 (“The Autopsy”) opens with Nita in the middle of the kind of dream that one never wants to leave.  Well, maybe it feels so good because this is the afterlife!  Nita is now the prisoner of a lost soul that was once murdered in cold blood.  Now, it is back, screaming for vengeance, and the only thing standing in its way is Nita because Nita wanted to be the one standing in the way of darkness.

Meanwhile, her brother, Jason (“chocolatey Casper”), and Anansi the Spider god, the very ones who warned Nita, must go to her rescue.  But neither one is aware how way down deep in Hell this conspiracy goes.

THE LOWDOWN:  Nita Hawes' Nightmare Blog is a spin-off of Rodney Barnes and Jason Shawn Alexander's hit vampire comic book, Killadelphia.  The current story arc, “Murder By Another Name,” is making several direct connections to recent and ongoing events in Killadelphia.

Nita Hawes' Nightmare Blog is, on occasion, hellishly dark, but as dark as it can be, it is also playful.  Writer Rodney Barnes is a long-time television scribe, and TV writers are quite adept at mixing moods and genres.  Even the darkest police procedural has humor that isn't necessarily macabre, and the fizziest sitcoms can be dramatic – poignant and otherwise.  Barnes gives this series the attitude that the bad guys, even the nasty, evil bad guys, are having a blast.  Simply put, this Nightmare Blog is scary and surprisingly funny – more time than one would think.

Szymon Kudranski's lovely art quivers with the ecstasy of evil and shimmers with a darkness from the pit.  Kudranski has mastered horror comics, and may be creating a new graphical storytelling language for horror comic books.  Colorist Luis Nct lights up this tenth issue of Nita Hawes' Nightmare Blog with infernal hues – talk about scary lighting.  Marshall Dillon's lettering perfectly encapsulates the unique darkness and/or evil of each character in this nightmare menagerie.

Nita Hawes' Nightmare Blog is one of Image Comics' best titles.  There is nothing like it, and dear readers, you will love it.

I READS YOU RECOMMENDS:  Fans of Killadelphia and of the original Hellblazer will want Nita Hawes' Nightmare Blog.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Negromancer News Bits and Bites from November 13th to 19th, 2022 - Update #11

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

DISNEY - From EmpireOnline:  "Empire" has a world-exclusive image of Harrison Ford from "Indiana Jones 5."

SCANDAL - From NYPost:  Once upon a time comedian Andy Dick was a Hollywood star. Now, he will spend 90 days in jail and register as a sex offender related to a 2018 groping incident.

MOVIES - From Deadline:  Bradley Cooper will play the character "Frank Bullitt" in Steve Spielberg's new film based on the classic Steve McQueen character.

MOVIES - From Deadline:  The latest attempt to reboot director John Carpenter's classic sci-film, "Escape from New York," will come from 20th Century Studios and will directed by the collective known as "Radio Silence" ("Scream: 2022).

MOVIES - From DeadlineParamount Pictures has dropped a trailer for its sports dramedy, "80 for Brady," which stars Jane Fonda, Rita Morena, Lily Tomlin, Sally Field, and Tom Brady.

AMAZON - From DeadlineAmazon Studios is developing a coming-of-age ROTC drama from writers Jalysa Conway (9-1-1 Lone Star) and Rebecca Murga (Swagger) — both military veterans — with Spike Lee set to direct and executive produce.

MOVIES - From DeadlineCNN has announced Nov. 20th as the date for the release of its documentary "Gabby Giffords Won't Back Down."  Giffords is a former Arizona congresswoman who was terribly wounded in a near-fatal shooting in Jan. 2011, an event that ended the career of a rising star.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/10 to 11/13/2022 weekend box office is Walt Disney Pictures/Walt Disney Studios' "Black Panther: Wakanda Forever" with an estimated take of 180 million dollars.

From CNBC:  According to data cruncher, EntTelligence, 12.7 million patrons bought tickets to "Black Panther: Wakanda Forever" for an opening weekend box office gross of 181 million dollars.

From Here:  Leroy Douresseaux's review of "Black Panther: Wakanda Forever."

SCANDAL - From THRAlec Baldwin has filed suit in Superior Court in Los Angeles in order to "clear his name" in the shooting on the set of the Western film, "Rust."  Basically, he is suing the armorer and the crew for giving him a loaded gun.  A firearm Baldwin was holding fired and killed the film's cinematographer, Halyna Hutchinson.

OBIT:

From Deadline:  The French-born American actor and Holocaust survivor, Robert Clary, has died at the age of 96, Wednesday, November 16, 2022.  Clary was best known for playing "Corporeal Louis LeBeau" in the former CBS sitcom, "Hogan's Heroes."  Jewish, Clary survived two concentration camps during the Holocaust and was rescued from the Buchenwald concentration camp in 1945.

----------------

BRITTNEY GRINER:

From NBCNews:   Brittney Griner will enter a system of isolation, grueling labor and psychological torment when she is transferred to a penal colony, the successor to the infamous Russian gulag, to fulfill a nine-year sentence handed down Tuesday in Moscow, former prisoners and advocates said.

From NBCNews:  A Russian court has rejected Brittney Griner's appeal of her nine-year prison sentence on (fake) drug charges.

From Reuters:  Russia says that it is ready to talk prisoner swamp for Brittney Griner and U.S. Marine veteran Paul Whelan, but also scolds the U.S. Embassy.

From TheDailyBeast:   Legendary NBA bad boy and champion (Detroit Pistons, Chicago Bulls), Dennis Rodman claims that he has been given permission to go to Russia and help free imprisoned hostage, WNBA star, Brittney Griner.

From Vox:  Vox's Jonathan Guyer talks the Brittney Griner case with Danielle Gilbert, a Dartmouth professor who is writing a book about states and rogue actors that take hostages.

From ESPN:   A Russian court sentenced WNBA star Brittney Griner to nine years in prison Thursday, Aug. 4th.  Griner was arrested Feb. 17 for bringing cannabis into the country and pleaded guilty July 7, though the case continued under Russian law.

From ESPN:  The Biden administration has offered a deal to Russia aimed at bringing home WNBA star Brittney Griner and another jailed American, Paul Whelan, Secretary of State Antony Blinken said Wednesday.

From RSN:  "Will Support From LeBron James, Joe Rogan, Kim Kardashian, and Other Celebrities Help Free Brittney Griner From a Russian Prison?" by Kareem Abdul-Jabbar via Substack

From ESPN:  Detained WNBA star Brittney Griner pleaded guilty on Thursday to bringing hashish oil into Russia, telling a judge that she had done so "inadvertently" while asking the court for mercy.

From CBSSports:  The Brittney Griner situation explained.

From RSN:  According to The Washington Post Editorial Board: "Brittney Griner is a hostage, plain and simple."


Thursday, November 17, 2022

Review: "THE INVITATION" is the Movie Invite You Don't Want

TRASH IN MY EYE No. 70 of 2022 (No. 1882) by Leroy Douresseaux

The Invitation (2022)
Running time:  103 minutes (1 hour, 43 minutes)
MPA –  PG-13 for terror, violent content, some strong language, sexual content and partial nudity
DIRECTOR:  Jessica M. Thompson
WRITER:  Blair Butler
PRODUCER:  Emile Gladstone
CINEMATOGRAPHER:  Autumn Eakin (D.o.P.)  
EDITOR:  Tom Elkins
COMPOSER:  Dara Taylor

HORROR/MYSTERY/THRILLER

Starring:  Nathalie Emmanuel, Thomas Doherty, Sean Pertwee, Hugh Skinner, Carol Ann Crawford, Alana Boden, Stephanie Corneliussen, and Courtney Taylor

The Invitation is a 2022 supernatural horror, mystery,and suspense thriller from director Jessica M. Thompson.  The film focuses on a young woman who is swept off her feet by the chance of meeting members of her long-lost family, who are mysterious and odd.

The Invitation opens in New York City and introduces struggling artist, Evelyn “Evie” Jackson (Nathalie Emmanuel), who is still dealing with the recent death of her mother.  She and her best friend, Grace (Courtney Taylor), make a living freelancing for a catering business.  Evie takes a DNA test from an online company called “UnlockYourPast” and discovers that she has relatives in England.  She meets one of those alleged distant English cousins, Oliver L. Alexander (Hugh Skinner) of London.  Oliver tells Evie that she is related to him via her great-grandmother, Emmaline, who created quite a scandal decades ago.  He also invites her to an upcoming family wedding in Whitney, Yorkshire, England.

Evie and Oliver eventually arrive at New Carfax Abbey where several connected families: the De Villes, the Billingtons, the Klopstocks, and the Alexanders, have gathered for the nuptials.  Evie meets many family members, including the alluring Walter De Ville (Thomas Doherty), who seems to be the focus of everyone's attention.  However, Evie does not meet the bride and groom.  Before long, Evie discovers that not only is New Carfax a strange place, but also that the gathered family members are both eccentric and full of mystery.  It is a mystery that Evie must solve before she falls prey to the four families' darkest secrets.

The Invitation is a vampire movie and not a very good one.  The main reason is the vampire characters.  The film is inspired by author Bram Stoker's 1987 Gothic novel, Dracula.  Film vampires can be alluring and attractive, and they can often be the audience's favorite characters, although they are monsters and are often film villains.  The Invitation's vampires are not alluring and are mostly caricatures of the British upper class or assorted versions of Euro-trash.

The Invitation is not a very good horror movie simply because it is not scary.  Bumps in the night, shifty shadows, random yelps and screams, etc. are more annoying than chilling.  Evie is way too careless and clueless.  I understand that there are plenty of people in the real world who are not wary, who don't understand that when things seem too good to be true, they usually are too good to be true.  In this movie, the extent of Evie's lack of common sense is simply too much; it's irritating.

Also, I don't think that it is a coincidence that Nathalie Emmanuel, the actress who plays Evie, really resembles American actress Meghan Markle.  You know Meghan, right?  She married into an old British family that has its share of conspiracies and family members who are snobs, crypto-racists, and monsters.

The last twenty minutes of The Invitation – before the credits – are actually quite good, but by then it is too late.  I get why the studio and filmmakers would try to hide the fact that this film involves vampires as deep into the running time as they could.  Vampire films generally under perform at the box office, even good ones, which The Invitation is not.  Honestly, the last few minutes of this film could be used as the starting point for an even better film.  I cannot recommend The Invitation, and I want to discourage you, dear readers, from watching it if you have to pay to do it.

3 of 10
C-
★½ out of 4 stars

Tuesday, November 16, 2022


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Wednesday, November 16, 2022

Comics Review: "PRODIGY: The Icarus Society #5" Has a Kick-Ass Ending

PRODIGY: THE ICARUS SOCIETY #5 (OF 5)
IMAGE COMICS/Netflix

STORY: Mark Millar
ART: Matteo Buffagni
COLORS: David Curiel
LETTERS: Clem Robins
COVER: Matteo Buffagni with David Curiel
DESIGN: Melina Mikulic
EDITORIAL: Sarah Unwin
VARIANT COVER ARTIST: Matteo Buffagni
36pp, Color, $5.99 U.S. (November 2022)

Rated M / Mature

Prodigy: The Icarus Society is a five-issue comic book miniseries produced by writer Mark Millar and artist Matteo Buffagni.  It is a sequel to the 2018-19 six-issue miniseries, Prodigy.  The Prodigy comic books focus on the adventures of the world's smartest man, Edison Crane, who believes that he is the go-to guy when there is a global crisis to solve.  Letterer Clem Robins and colorists Laura Martin and David Curiel complete the sequel's creative team.

Prodigy: The Icarus Society pits Edison against “The Icarus Society,” a secret society of geniuses who are all richer than Edison.  And now, he is caught inside the club's internal rivalries and blackmailed into hunting for the treasures of one of the most legendary locations of all time – Shangri-La.

Prodigy: The Icarus Society #5 opens in the airspace of Balochistan (a region that covers Afghanistan, Iran, and Pakistan).  There, in a fleet of helicopters, a mercenary force heads for Shangri-La.  With their help, Felix Koffka intends to steal the legendary city of its treasures and stand astride it much as he does The Icarus Society.  And he plans to rid himself of Edison Crane, and Felix believes that he is winning because he is smarter than Crane.

But both Crane and Shangri-La are full of deadly surprises.  And this time Koffka may have really flown too close to the sun.

THE LOWDOWN:  I have described the two comic book series that make up the Prodigy franchise as spinners of conspiracies, legends, myths, and lore that could rival cable network, The History Channel's “Ancient Aliens” television series.  Now, the fifth issue of The Icarus Society brings this astounding series to an end.

I can't get over the fact that Mark Millar is a wealthy executive for one of the world's most influential and most powerful media companies (Netflix), yet he still writes comic books.  And he writes such great comic books, such as this final issue of The Icarus Society.  It is obvious that Millar is still engaged with his readers because he is always challenging our notions and expectations.  He is still turning out these incredible comic books that always do the opposite of what is expected and offer genuine shocks and surprises.

Seriously, this is the good stuff.  Artist Matteo Buffagni saves all his explosives and blows up this story right in our faces with widescreen art and cinematic storytelling.  He gives Millar's story so much energy and makes this final showdown feel lethal.  Buffagni makes sure we understand that many characters will pay the highest and deadliest of prices.  David Curiel's colors make the art pop off the page, dazzling our imaginations.  Clem Robins uses his letters to deliver a pound-your-ass soundtrack, with its strains carrying on past the last page.

What a blast Millar, Buffagni, and company have delivered in Prodigy: The Icarus Society #5, with its diabolical villain, queen of a lost world, and exquisite retribution.  And I don't want to forget the tease at the end.  Girl, the next Prodigy series will rock all the casbahs.

I READS YOU RECOMMENDS:  Fans of Mark Millar and of his comic book, Prodigy, will want to read Prodigy: The Icarus Society.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, November 15, 2022

Comics Review: "LORD OF THE JUNGLE Volume 3 #1" is a Good Start

LORD OF THE JUNGLE VOLUME 3 #1
DYNAMITE ENTERTAINMENT

STORY: Dan Jurgens
ART: Benito Gallego
COLORS: Francesco Segala
LETTERS: Carlos M. Mangual
EDITOR: Matt Idelson
COVER: Gary Frank
32pp, Color, $3.99 U.S. (November 2022)

Rated Teen+

“The Bleak Zone”

Tarzan is one of the most famous fictional characters in the world.  Tarzan was an orphan and the archetypal “feral child,” and in this instance, he was raised in the African jungle by great apes.  Tarzan was born a noble, John Clayton, Lord Greystoke, but he rejected civilization and lived in the wilds of Africa as a heroic adventurer.  Tarzan was created by Edgar Rice Burroughs and first appeared in the novel, Tarzan of the Apes, which began serialization in All-Story Magazines in 1912, before it was published in book form in 1914.  Tarzan would go onto to be a multimedia star, appearing in films, on television, and in comic books.

The latest Tarzan comic book is Dynamite Entertainment's Lord of the Jungle Volume 3. It is written by Dan Jurgens; drawn by Benito Gallego; colored by Francesco Segala; and lettered by Carlos M. Mangual.  The story involves an event that occurred in the early years of Tarzan's adventures.

Lord of the Jungle Volume 3 #1 opens in the 1950s, onboard a merchant vessel just off the coast of Africa.  One of its passengers is Tarzan, Lord of the Jungle.  Staring out at the storm-tossed ocean, Tarzan's mind returns to the days before his birth, as well as to times later in life – boyhood and early adulthood.  A past wrong must be made right, no matter what manner of beast or obstacle stands in Tarzan's way.  For now, there are thieving men standing in the way of his reunion with an old friend.

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Lord of the Jungle Volume 3 #1, which is only the first issue of a solo Dynamite Tarzan comic book that I have read.

Writer Dan Jurgens has had a four-decade career in American comic books of solid work as both a writer-artist and a writer.  As a storyteller, Jurgens understands the processes of telling stories in the medium of comic books, which shows itself here.  Lord of the Jungle Volume 3 #1 reveals the familiar story of Tarzan's past with lots of teasing about the connection of his past with whatever is going to happen in this series' present.  With each page, Jurgens made me more interested in this first chapter.

Artist Benito Gallego also delivers solid work here with an alluring storytelling rhythm that encourages the readers to keep going.  It does not hurt that Gallego's drawing style resembles that of the late Joe Kubert.  Kubert's four-year stint (1972-76) as writer-artist and later as writer-only of DC Comics' Tarzan comic book series is considered by some to be among his best work.  Colorist Francesco Segala captures the varied moods of this story's settings, both in time and locale, and letterer Carlos M. Mangual brings a sense of drama with his stylish, shifting fonts.

Lord of the Jungle Volume 3 has potential.  I rarely read Tarzan comic books, but I think that I will return to this one for the second issue.

I READS YOU RECOMMENDS:  Fans of Tarzan comic books will want to read Lord of the Jungle Volume 3.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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