DC Comics Shipping from Lunar Distributors for February 7, 2023

DC COMICS:

Batman #132 (Cover A Jorge Jimenez), $4.99
Batman #132 (Cover B Joe Quesada Card Stock Variant), $5.99
Batman #132 (Cover C Stanley Artgerm Lau Card Stock Variant), $5.99
Batman #132 (Cover D Derrick Chew Card Stock Variant), AR
Batman #132 (Cover E Stanley Artgerm Lau Foil Variant), AR
Batman #132 (Cover F Mike Hawthorne Card Stock Variant), AR
Batman And The Joker The Deadly Duo #4 (Of 7)(Cover A Marc Silvestri), $4.99
Batman And The Joker The Deadly Duo #4 (Of 7)(Cover B David Mack Batman Variant), $4.99
Batman And The Joker The Deadly Duo #4 (Of 7)(Cover C David Mack Catwoman Variant), $4.99
Batman And The Joker The Deadly Duo #4 (Of 7)(Cover D Liam Sharp), AR
Batman And The Joker The Deadly Duo #4 (Of 7)(Cover E Marc Silvestri), AR
Batman And The Joker The Deadly Duo #4 (Of 7)(Cover F Sanford Greene), AR
Batman Spawn #1 (One Shot)(2nd Printing Cover A Greg Capullo Batman Variant), $6.99
Batman Spawn #1 (One Shot)(2nd Printing Cover B Greg Capullo Spawn Variant), $6.99
DC Universe By Dwayne McDuffie HC, $39.99
Flash #792 (Cover A Taurin Clarke)(One-Minute War), $3.99
Flash #792 (Cover B Daniel Bayliss Card Stock Variant)(One-Minute War), $4.99
Flash #792 (Cover C Serg Acuna Card Stock Variant)(One-Minute War), $4.99
Flash #792 (Cover D Mateus Manhanini Black History Month Card Stock Variant)(One-Minute War), $4.99
Flash #792 (Cover E Scott Kolins Card Stock Variant)(One-Minute War), AR
Flash #792 (Cover F Taurin Clarke Foil Variant)(One-Minute War), AR
Gotham City Year One #5 (Of 6)(Cover A Phil Hester & Eric Gapstur), $4.99
Gotham City Year One #5 (Of 6)(Cover B Jeff Spokes), $4.99
Gotham City Year One #5 (Of 6)(Cover C Tony Shasteen), AR
House Of El Volume 3 The Treacherous Hope TP, $16.99
Joker The Man Who Stopped Laughing #5 (Cover A Carmine Di Giandomenico), $5.99
Joker The Man Who Stopped Laughing #5 (Cover B Lee Bermejo), $5.99
Joker The Man Who Stopped Laughing #5 (Cover C Clay Mann), $5.99
Joker The Man Who Stopped Laughing #5 (Cover D Simone Di Meo), AR
Lazarus Planet Next Evolution #1 (One Shot)(Cover A David Marquez & Alejandro Sanchez), $4.99
Lazarus Planet Next Evolution #1 (One Shot)(Cover B Derrick Chew Card Stock Variant), $5.99
Lazarus Planet Next Evolution #1 (One Shot)(Cover C Crystal Kung Card Stock Variant), $5.99
Lazarus Planet Next Evolution #1 (One Shot)(Cover D Tyler Kirkham Card Stock Variant), $5.99
Lazarus Planet Next Evolution #1 (One Shot)(Cover E Sumit Kumar Card Stock Variant), AR
Lazarus Planet Next Evolution #1 (One Shot)(Cover F David Marquez & Alejandro Sanchez Foil Variant), AR
Monkey Prince #11 (Of 12)(Cover A Bernard Chang)(Lazarus Planet), $3.99
Monkey Prince #11 (Of 12)(Cover B Sami Basri Card Stock Variant)(Lazarus Planet), $4.99
Monkey Prince #11 (Of 12)(Cover C Bernard Chang Card Stock Variant)(Lazarus Planet), AR
Poison Ivy #9 (Cover A Jessica Fong), $3.99
Poison Ivy #9 (Cover B Terry Dodson Card Stock Variant), $4.99
Poison Ivy #9 (Cover C Sweeney Boo Card Stock Variant), $4.99
Poison Ivy #9 (Cover D Dan Mora Card Stock Variant), $4.99
Poison Ivy #9 (Cover E Rian Gonzales Card Stock Variant), AR
Poison Ivy #9 (Cover F Mindy Lee Foil Variant), AR
Poison Ivy #9 (Cover G Terry Dodson Foil Variant), AR
Scooby-Doo Where Are You #120 (Cover A Derek Fridolfs), $2.99
Static #1 (Polybag Fascimile Edition), $9.99
Static Shadows Of Dakota #1 (Of 6)(Cover A Nikolas Draper-Ivey), $3.99
Static Shadows Of Dakota #1 (Of 6)(Cover B Chase Conley Card Stock Variant), $4.99
Static Shadows Of Dakota #1 (Of 6)(Cover C Olivier Coipel Card Stock Variant), $4.99
Static Shadows Of Dakota #1 (Of 6)(Cover D Dan Hipp Card Stock Variant), AR
Static Shadows Of Dakota #1 (Of 6)(Cover E Chase Conley Foil Variant), AR
Static Shadows Of Dakota #1 (Of 6)(Cover F Olivier Coipel Foil Variant), AR
Swamp Thing Volume 3 The Parliament Of Gears TP, $16.99

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35th Annual Script Awards Announces Nominations

USC Libraries Name Finalists for 35th-Annual Scripter Awards

LOS ANGELES--(BUSINESS WIRE)--The USC Libraries named the finalists for the 35th-annual USC Libraries Scripter Award, which honors the writers of the year’s most accomplished film and episodic series adaptations, as well as the writers of the works on which they are based.

The finalist writers for film adaptation are, in alphabetical order by film title:

-- Guillermo del Toro, Patrick McHale, and Matthew Robbins for “Guillermo del Toro’s Pinocchio” based on the fairy tale “The Adventures of Pinocchio” by Carlo Collodi

-- Kazuo Ishiguro for “Living” based on the novella “The Death of Ivan Ilyich” by Leo Tolstoy

-- Rebecca Lenkiewicz for “She Said” based on the nonfiction book “She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement” by Jodi Kantor and Megan Twohey

-- Peter Craig, Ehren Kruger, Justin Marks, Christopher McQuarrie, and Eric Warren for “Top Gun: Maverick” based on characters from the 1983 “California” magazine article “Top Guns” by Ehud Yonay

-- Screenwriter Sarah Polley and novelist Miriam Toews for “Women Talking”

The finalist writers for episodic series are, in alphabetical order by series title:

-- Peter Morgan, for the episode “Couple 31,” from “The Crown,” based on his stage play “The Audience”

-- Taffy Brodesser-Akner for the episode “The Liver,” from “Fleishman Is in Trouble,” based on her book of the same name

-- Will Smith for the episode “Failure’s Contagious,” from “Slow Horses,” based on the novel by Mick Herron

-- J. T. Rogers for the episode “Yoshino” from “Tokyo Vice,” based on the memoir “Tokyo Vice: An American Reporter on the Police Beat in Japan” by Jake Adelstein

-- Dustin Lance Black for the episode “When God Was Love,” from “Under the Banner of Heaven” based on the nonfiction work by Jon Krakauer

The 2023 Scripter selection committee selected the finalists from a field of 101 film and 67 television adaptations. Howard Rodman, USC professor and past president of the Writers Guild of America, West, chairs the 2023 committee.

Serving on the selection committee, among many others, are film critics Leonard Maltin and Anne Thompson; authors Walter Mosley and Michael Ondaatje; and screenwriters Eric Roth and Erin Cressida Wilson.

The studios distributing the finalist films and current publishers of the printed works are:

“Guillermo del Toro's Pinocchio”—Netflix and Penguin Classics

“Living”—Sony Pictures Classics and Penguin Classics

“She Said”—Universal Pictures and Penguin Press

“Top Gun: Maverick”—Paramount Pictures and “California” magazine

“Women Talking”—Orion/MGM and Bloomsbury

The networks and streaming platforms broadcasting the finalist episodic series and current publishers of the printed works are:

“The Crown”—Netflix and Dramatists Play Service Inc.

“Fleishman Is in Trouble”—FX and Random House

“Slow Horses”—Apple TV+ and Soho Crime

“Tokyo Vice”—HBO Max and Knopf Doubleday

“Under the Banner of Heaven”—FX and Anchor Books

The USC Libraries will announce the winning authors and screenwriters at a black-tie ceremony on Saturday, Mar. 4, 2023, in the historic Edward L. Doheny Jr. Memorial Library at the University of Southern California. After being held in a virtual format the past two years amid the continuing coronavirus pandemic, the Scripter Awards are returning to an in-person event subject to up-to-date COVID-19 safety protocols.

Since 1988, Scripter has honored the authors of printed works alongside the screenwriters who adapt their stories. In 2016, the USC Libraries inaugurated a new Scripter award, for episodic series adaptation. For more information about Scripter—including ticket availability, additional sponsorship opportunities, and an up-to-date list of sponsors—please email scripter@usc.edu or visit scripter.usc.edu.

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Review: "KNOCK AT THE CABIN" is Not Worth the Ticket Price; Stream It

TRASH IN MY EYE No. 6 of 2023 (No. 1895) by Leroy Douresseaux

Knock at the Cabin (2023)

Running time:  100 minutes

MPA – R for violence and language

DIRECTOR:  M. Night Shyamalan

WRITERS:  M. Night Shyamalan, Steve Desmond, and Michael Sherman (based on the book, The Cabin at the End of the World, by Paul Tremblay)

PRODUCERS:  Marc Bienstock, Ashwin Rajan, and M. Night Shyamalan

CINEMATOGRAPHER:  Jarin Blaschke (D.o.P.) and Lowell A. Meyer (D.o.P.)

EDITOR:  Noemi Katharina Preiswerk

COMPOSER:  Herdis Stefansdottir

FANTASY/THRILLER/HORROR

Starring:  Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Rupert Grint, Abby Quinn, Kristen Cui, and M. Night Shyamalan

Knock at the Cabin is a 2023 fantasy, thriller, and horror film from director M. Night Shyamalan.  The film is based on the 2018 novel, The Cabin at the End of the World, from author Paul Tremblay.  Knock at the Cabin focuses on a small family of three and the four armed strangers who take them hostage and demand that the three members sacrifice one of their own … in order to stop the end of the world.

Knock at the Cabin introduces Andrew (Ben Aldridge) and his husband, Eric (Jonathan Groff), and their adopted daughter, Wen (Kirsten Cui).  They are vacationing at a remote cabin in the woods, but during their first day at the cabin, terror strikes.  Four strangers break into the cabin and tie up Andrew and Eric.

The strangers identify themselves as Redmond (Rupert Grint), Adriane (Abby Quinn), Sabrina (Nikki Amuka-Bird), and Leonard (Dave Bautista), the apparent leader.  Leonard explains that the Apocalypse is coming.  The oceans will rise, a plague will descend, and the sky will fall to the earth like pieces of shattered glass; then, there will only be unending darkness.  These horrors can only be averted if this family of three kills one of their own as a sacrifice.

Leonard tells Andrew, Eric, and Wren that if they do not chose, they will survive the Apocalypse, but they will be doomed to be the last people alive on a dead world.  Andrew and Eric believe that these people are delusional, and Andrew believes that this situation is rooted in bigoted hate against their family.  But bad things are starting to happen … all around the world...

I saw Knock at the Cabin just last night (as of this writing) at a Thursday night preview.  When the credits started rolling, I started laughing, not loud enough to draw attention, but I found that I had a hard time not laughing.  In Shyamalan's filmography, I have a personal favorite, The Lady in the Water (2006), and two films I enjoyed quite a bit, After Earth (2013) and Old (2021).  There are two movies that I thought were really good, but had ridiculous endings that ruined the movies for me, Unbreakable (2000) and The Village (2004).

Knock at the Cabin reminds me of 2010's The Last Airbender.  Both are films that are good concepts and that begin with good ideas.  Ultimately, however, both have something missing, or maybe a lot missing.  For instance, in Knock at the Cabin, Andrew and Eric are well-developed characters, and the actors playing them give performances that convinced me Andrew and Eric were in love and were a committed couple.  However, the flashbacks about their lives are more vague than they are informative.  Also, I was quite put-off by the fact that the couple lied to adopt Wen.

For an apocalyptic movie, Shyamalan is stingy with the apocalyptic imagery.  The tsunami was a little impressive; the plague was underwhelming; and the plane crashes were impressive … mostly.  When Leonard warn Andrew and Eric that not making a choice means that a hundred thousand people will die, it does not feel like a real threat.  And honestly, when a disaster is shown onscreen, it does not look like something that will kill a hundred thousand.  I think Shyamalan wanted to play it cute with Leonard and his companions for the audience.  Maybe, they are deranged and delusional.  Maybe, the disasters are a coincidence.  It's when I thought that maybe the Apocalypse is real, but Leonard and company are too crazy to do their part correctly that I knew this film had story development issues.

As an end of the world scenario, Knock at the Cabin doesn't have real traction.  Yes, the actors give good performances, especially Dave Bautista as Leonard and Nikki Amuka-Bird as Sabrina.  However, all the actors are mouthing nonsensical dialogue for a narrative that can't quite escape being ludicrous.  I think that the actors are more convincing about Knock at the Cabin's story that Shyamalan and his co-screenwriters are.  If not for the cast, I would give this film a lower grade that the one I ultimately gave it – maybe much lower.

There are better films about a small group of people trapped in a remote cabin and fighting off supernatural doom, such as The Evil Dead (1981) and Cabin in the Woods (2011).  Shyamalan has a reputation for revealing a big twist at the end of his films.  In Knock at the Cabin, the big twist is that there is no big twist.  I didn't want there to be one, but now I believe that a big twist would have made Knock at the Cabin feel like more than a meaningless story and empty cinematic experience.

4 of 10

C

★★ out of 4 stars

Friday, February 3, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: "BLACULA: Return of the King" Revives, Saves, and Improves a Classic

BLACULA: RETURN OF THE KING

ZOMBIE LOVE STUDIOS

STORY: Rodney Barnes

ART: Jason Shawn Alexander with Scott Hampton

COLORS: Jason Shawn Alexander

LETTERS: Marshall Dillon

EDITOR: Greg Tumbarello

COVER: Jason Shawn Alexander

ISBN: 978-1-958509-00-5; paperback (January 31, 2023)

128pp, Colors, 19.99 U.S., $26.50 CAN

Rated “T+ / Teen Plus” or “16 years and up”

Blacula: Return of the King is a full-color, original graphic novel (comic book) that is based on Blacula, a 1972 vampire horror and Black exploitation film.  Published by Zombie Love Studios, Blacula: Return of the King is written by Rodney Barnes; drawn and colored by Jason Shawn Alexander (with some contributions from artist Scott Hampton); and lettered by Marshall Dillon.  Barnes and Alexander are the creators of the dark fantasy and vampire horror comic book, Killadelphia (Image Comics).

Blacula the film starred renowned African-American actor, William Marshall.  He played the film's title role, an 18th-century African prince named Mamuwalde.  In the year 1780, after a dispute, Count Dracula punishes Mamuwalde by turning him into a vampire and cursing him with the name “Blacula.”  Dracula seals Mamuwalde in a coffin that he hides deep in a crypt in his castle in Transylvania.  Blacula reemerges in the United States in 1972 where he pursues a human woman in what turns out to be a doomed romance.

Blacula: Return of the King opens in modern Los Angeles.  Tina Thomas, a young African-American reporter, writes for “Dark Knights,” a blog that “chronicles all things unnatural, uneasy, and undead in the greater Los Angeles area.”  For the past six months, people have been disappearing, and the word on the street and rumors from the shadows insist that the legendary vampire that haunted Los Angeles in the early 1970s has returned to kill.  That's right; Blacula's back.

During her reporting, Tina meets Kross, a young Black man whose family has been plagued by the curse of Blacula since his first appearance.  Kross leads a group of children, a band of “Lost Boys,” if you will, and all have also been hurt by the plague of undead that follows Blacula's blood lust.  Kross and his boys are determined to hunt and to kill Blacula, and before long, Tina finds herself joining them.

Blacula is also on a mission – his own kind of hunt.  He is searching for the one who forever changed his life centuries ago and cursed him with the mocking name, “Blacula.”  His enemy's name is Count Dracula, and that's right.  Dracula's back, too.

THE LOWDOWN:  I want and need to convince you, dear readers, to read Blacula: Return of the King.  It may be the most inventive and artistically ambitious graphic novel about a vampire since Jon J. Muth's Dracula: A Symphony in Moonlight and Nightmares, which was originally published by Marvel Comics in 1986.

The art and coloring by Jason Shawn Alexander is at times regal and elegant, as if hinting at what Prince Mamuwalde once was.  At other times, it is a blustery and frantic, desperate and stormy, and impressionistic and insane.  It is in these moments that the storytelling reminds reader of the backdrop to the horrific melodrama.  The victims of both Blacula and Dracula, as well as their undead acolytes, are the lower classes, the poor, and those living on the edge of an already frayed society.

That is why what writer Rodney Barnes offers is a true sequel to the 1972 film.  Blacula the movie was a very “Black” film, and Blacula: Return of the King is a very Black comic book.  Blacula, Tina Thomas, and Kross and his lost boys are all living the legacy of slavery and bondage, which is suffering and degradation.  In a way, the characters are living the best that they can, but they are cursed by history, both national and personal.  Blacula may be a monster, but he kills for food, a fate forced on him.  It is like fate of the young African-Americans characters here, who live in a gloomy world of abandoned and ignored neighborhoods.

Barnes and Alexander have made in Blacula: Return of the King a vampire story that is an amazing layered work – literal, metaphorical, and allegorical horror.  It is a sequel that honors the original and advances the story forward in way that is faithful in spirit and in potential.  And as a horror comic book, it is a damn fun read.

I READS YOU RECOMMENDS:  Fans of Blacula, of Dracula, and of great vampire fiction will want to read Blacula: Return of the King.

[This issue contains an introduction, “Blacula and Me” by Rodney Barnes.  It also includes “Prince Mamuwalde Lives!: Resurrecting Blacula,” written by Stephen R. Bissette and edited by John Jennings.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Welcome to A Negromancer February 2023

Welcome to February 2023. Welcome to Negromancer 2.0.  This is the rebirth of Negromancer, the former movie review website as a new movie review and movie news site.

Support me on Patreon.

All images and text appearing on this blog are © copyright and/or trademark their respective owners.

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COMIC BOOK OF THE MONTH:

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MOVIE OF THE MONTH:

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BOOK OF THE MONTH:

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Comics Review: "Nita Hawes' NIGHTMARE Blog #12" - You're the Key to My Peace of Mind

NITA HAWES' NIGHTMARE BLOG #12

IMAGE COMICS

STORY: Rodney Barnes

ART: Szymon Kudranski

COLORS: Luis Nct with mar and Silvestre Galotto

LETTERS: Marshall Dillon

EDITOR: Greg Tumbarello

COVER: Szymon Kudranski

VARIANT COVER ARTIST: Davi Go

28pp, Colors, 3.99 U.S. (February 2023)

Rated “M/ Mature”

Nita Hawes' Nightmare Blog created by Rodney Barnes and Jason Shawn Alexander

“Murder By Another Name” Part VI: “Acceptance”

Nita Hawes' Nightmare Blog is a comic book series created by Rodney Barnes and Jason Shawn Alexander.  Nita Hawes' Nightmare Blog is written by Barnes.  The current artist is Szymon Kudranski.  Colorist Luis Nct and letterer by Marshall Dillon complete the creative team.  The series focuses on a woman who is on a quest to root out evil by helping the people who contact her blog.

In Baltimore, Maryland, which some call “Bodymore, Murderland,” there is a woman named Dawnita “Nita” Hawes.  She is the owner of “Nita Hawes' Nightmare Blog” where citizens can contact Nita when they have a problem of a supernatural or paranormal nature.  Nita has just begun her quest to root the evil out of her city – with the help of her dead brother, Jason.

Nita Hawes' Nightmare Blog #12 (“Acceptance”) opens outside the empty plantation manor that is the base of operations of “Jackie the Ripper,” scourge of Baltimore and Annapolis, Maryland.  Police Detective Harden is ready to pop some caps in Jackie, but her erstwhile partner, Nita Hawes, knows that she must follow Jackie into the bowels of the old mansion.

Jackie the Ripper's reign of vengeance comes to a head as she faces off against Nita Hawes, the one woman who might be able to stop her.  Or is Nita the one human who can help Jackie end her painful immortality?  The winner of this battle will learn that victories don't come without a cost … if she didn't know that already.  Plus, Anasi the Spider-God referees.

THE LOWDOWN:  Nita Hawes' Nightmare Blog is a spin-off of Rodney Barnes and Jason Shawn Alexander's hit vampire comic book, Killadelphia.  The current story arc, “Murder By Another Name,” has come to an end, but not before making several direct connections to recent and ongoing events in Killadelphia.

I find that Barnes has used “Murder By Another Name” emancipate Nita Hawes, in a way.  She seems liberated from the pain and suffering of her pain and suffering – so to speak.  To me, this is how Barnes has evolved the series.  In the beginning, Nita was like a victim helping other victims.  I am assuming that going forward, when someone reaches out via the Nightmare Blog, that person will receive help from a warrior whose weapon is her empathy, which has been forged by trials and tribulations.

Szymon Kudranski's ghostly art is the perfect storytelling vehicle for this series, capturing the ethereal and murky natures of this series' action and drama.  And Kudranki's art allows Luis Nct's signature shadowy and haunting colors to find their most perfect companion.  Not to forget: Marshall Dillon's lettering also gives Barnes' script the sounds from beyond that it deserves.

So it seems that Nita is now headed to Philadelphia for a bit.  So, this can be a break for  you, dear readers; do catch up via the trades.

I READS YOU RECOMMENDS:  Fans of Killadelphia and of DC Comics' original Hellblazer will want Nita Hawes' Nightmare Blog.

A+

You can buy the NITA HAWES' NIGHTMARE BLOG VOL. 2 trade paperback here at AMAZON.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Comics Review: "VAMPIRELLA Mindwarp #4" - Girls Just Wanna Have Fun

VAMPIRELLA MINDWARP VOLUME 1 #4

DYNAMITE ENTERTAINMENT

STORY: Jeff Parker

ART: Benjamin Dewey

COLORS: Dearbhla Kelly

LETTERS: Jeff Eckleberry

EDITOR: Nate Cosby

COVER: Joseph Michael Linsner

32pp, Color, $3.99 U.S. (December 2022)

Rated Teen+

“They Find Out”

Vampirella is a vampire and female superhero created by the late author and science fiction and horror expert, Forrest J Ackerman, and designed by comic book artist, Trina Robbins.  Vampirella first appeared in Vampirella #1 (Sept. 1969), the debut issue of a black and white horror comics magazine from Warren Publishing.  Writer-editor Archie Goodwin changed the character from a hostess of horror comics to a leading character in her own stories.

In 2010, Dynamite Entertainment obtained the character and has been publishing new Vampirella material since then.  The latest is Vampirella Mindwarp Volume 1.  This new series is written by Jeff Parker; drawn by Benjamin Dewey; colored by Dearbhla Kelly; and lettered by Jeff Eckleberry.  The series follows a mad chase across time and space, as an aged sorceress tries to steal and inhabit Vampirella's body.

Vampirella Mindwarp Volume 1 #4 (“They Find Out”) opens in 1969... because Baroness Liesel Gruzal attempted to possess Vampirella's body.  The result was that Vampirella and the Baroness have been projected back into their bodies in the past.  Now, the Baroness is in a castle in Bavaria doing great evil... Or is she really just enjoying her new life?

Meanwhile, Vampirella is headed to Bavaria on a train full of vampire hunters!  Her companions:  Ren, now in the body of Pendragon the Great (a popular magician of the 1930s and Vampirella's friend); Adam Van Helsing of those Van Helsings; and Ravashi, the young woman who is a mystic, know that Vampirella can get them out of this jam.  But how will she do it?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Vampirella Mindwarp Volume 1 #4, which is one of many Dynamite Vampirella comic books I have read.

Vampirella Mindwarp #1 surprised me, so I have been diligently following the series since.  Writer Jeff Parker has made sure that the following issues are living up to that great opening chapter with a series of twists and turns that are not only unexpected, but also endlessly delightful.  This issue's resolution to the vampire hunters dilemma I count among them.

The team of artist Benjamin Dewey and colorist Dearbhla Kelly is delivering an eye-popping pop-art confection.  They remind me of the husband-wife art team of Michael and Laura Allred in graphical style and storytelling substance.  Vampirella: Mindwarp is humorous, delightful, and mystical … and mind-warping – so to speak.

I READS YOU RECOMMENDS:  Fans of Vampirella comics will want to read Vampirella Mindwarp Volume 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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