Friday, May 5, 2023

Review: James Gunn Delivers a Series Best in the Great "GUARDIANS OF THE GALAXY VOL. 3"

TRASH IN MY EYE No. 20 of 2023 (No. 1909) by Leroy Douresseaux

Guardians of the Galaxy Vol. 3 (2023)
Running time:  150 minutes (2 hours, 30 minutes)
MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements
DIRECTOR:  James Gunn
WRITERS:  James Gunn (based on the Marvel Comics characters)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Henry Braham (D.o.P.)
EDITORS:  Fred Raskin and Greg D'Auria
COMPOSER:  John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios.  It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2.  It is also the 32nd film in the Marvel Cinematic Universe (MCU).  Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters.  Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana).  The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame).  This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead.  The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2).  She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper).  To save Rocket, Peter and his fellow Guardians:  Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama.  Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that.  Vol. 3 is the series' funniest film, and I found myself laughing throughout it.  That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years.  I think it works for three reasons.  First, the film's production values and special effects are impressive.  The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film.  The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness.  Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more.  Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess.  This is the first time that I really hoped that Star-Lord would be a long term MCU character.  It is so shocking that Zoe Saldana can convince me that she is a different Gamora.  Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them.  As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time.  Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn.  This is Gunn at the peak of his powers.  Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film.  I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help.  In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama.  However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on.  The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023.  That is 15 years and a few days after the release of the first MCU film, Iron Man (2008).  Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film.  In almost all of them, a dominant theme is the formation of surrogate families.  Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family.  In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger.  What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling.  Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another.  I could watch it forever.

9 of 10
A+
★★★★+ out of 4 stars

Friday, May 5, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Thursday, May 4, 2023

Review: Riveting "WOMEN TALKING" is a Film That Speaks Directly, Even to Us

TRASH IN MY EYE No. 19 of 2023 (No. 1908) by Leroy Douresseaux

Women Talking (2022)
Running time:  104 minutes (1 hour, 44 minutes)
MPA – PG-13 for mature thematic content including sexual assault, bloody images, and some strong language
DIRECTOR:  Sarah Polley
WRITER:  Sarah Polley (based upon the book by Miriam Toews)
PRODUCERS:  Dede Gardner, Jeremy Kleiner, and Frances McDormand
CINEMATOGRAPHER:  Luc Montpellier
EDITORS:  Christopher Donaldson and Roslyn Kalloo
COMPOSER:  Hildur Guðnadottir
Academy Award winner

DRAMA/RELIGION

Starring:  Rooney Mara, Claire Foy, Jessie Buckley, France McDormand, Judith Ivey, Emily Mitchell, Kate Hallet, Liv McNeil, Shelia McCarthy, Michelle McLeod, Kira Guloien, Shayla Brown, Vivien Endicott-Douglas, August Winter, and Ben Whishaw

Women Talking is a 2022 drama film from writer-director Sarah Polley. The film is based on Miriam Towes' 2018 Canadian novel, Women Talking.  Both the film and the novel are inspired by real-life events.  Women Talking the film focuses on a group of women who must decide if they should do nothing, stay and fight, or leave their isolated religious community where sexual abuse of girls and women is common.

Women Talking opens in the year 2010 in an unnamed, isolated Mennonite colony.  The colony's women and girls have discovered that some of the men in the colony have been using livestock tranquilizer to subdue them in order to rape them.  Although other men in the colony have had these attackers arrested and imprisoned in a nearby city, they are also seeking bail for the attackers.

The men have left the women by themselves for two days in order for the women to determine what they will do going forward.  However, the men expect the women to forgive their attackers or be expelled from the colony.  The women gather in a barn to discuss and to vote.  They have a young man named August (Ben Whishaw) sit in the meeting in order to take the minutes.  When he was a boy, Ben's mother was expelled from the colony.  Ben returned to become the colony's sole teacher, but he only teaches the boys because women are not allowed to attend school.

Elders like Agata (Judith Ivey) and Greta (Sheila McCarthy) lead the discussion, but young women like Ona (Rooney Mara), Salome (Claire Foy), Mariche (Jessie Buckley), and Mejal (Michelle McLeod) have strong opinions.  Should the women do nothing... forgive... stay and fight... or leave the colony?  As they grapple with the brutal reality of their faith, the time to decide is running out.

Almost four days out from watching Women Talking, and I find myself still thinking about it, dear readers.  In the wake of the of the U.S. Supreme Court's ruling in the case of Dobbs v. Jackson Women's Health Organization, it feels like a supernaturally timely film.  The “Dobbs decision” held that the Constitution of the United States did not confer a right to abortion.  It is just the latest in a more than three-decade assault on women's rights to reproductive freedom and choice.

Women Talking effectively delivers a valuable message.  The women of the Mennonite colony that this film depicts must confront not only the violence against them, but also a religion designed down to its bones to give men all the power over women.  Their faith essentially renders women and girls indentured servants and non-citizens.

I quibble that writer-director Sarah Polley's direction and Oscar-winning screenplay bury the actresses of Women Talking beneath the scenario and story.  There is a lot of genuine talent here, and I wanted to see more of them, in a broader sense, although no one can really keep Rooney Mara from shining.  In a way, however, that is good thing.  The way Polley presents this makes Women Talking as timeless as it is timely.

Women Talking is truly an exceptional and spectacular film because the women at the heart of its story are talking.  What they say crosses over into our real world.  Because what is depicted in this film is real, it matters.  Women Talking is based on something that happened not that long ago, in this century, so women struggling for equality and human rights must keep talking.  And this movie, Women Talking, is entertainment, educational, and hopefully, inspiration for future generations.

9 of 10
A+
★★★★+ out of 4 stars

Thursday, May 4, 2023


NOTES:
2023 Academy Awards, USA:  1 win: “Best Adapted Screenplay” (Sarah Polley) and 1 nomination: “Best Motion Picture of the Year” (Jeremy Kleiner, Dede Gardner, and Frances McDormand – producers)

2023 Golden Globes, USA:  2 nominations: “Best Original Score - Motion Picture” (Hildur Guðnadóttir) and “Best Screenplay-Motion Picture” (Sarah Polley)

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Monday, May 1, 2023

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