TRASH IN MY EYE Reviews

Sunday, January 28, 2024

Comics Review: "KILLADELPHIA #32" - Don't Trust a White Devil While Signing Your Record Deal in the Hood

KILLADELPHIA #32

IMAGE COMICS

STORY: Rodney Barnes

ART: Jason Shawn Alexander and Germán Erramouspe

COLORS: Lee Loughridge

LETTERS: Marshall Dillon

EDITORS: Greg Tumbarello; Chris Robinson

COVER: Jason Shawn Alexander with Lee Loughridge

44pp, Colors, 3.99 U.S. (December 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part II: “Whatever Happened to Blake Edwards?”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander. Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia. The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe. Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters on one side or the other or both in the vampire invasion of Philadelphia. Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most infamous Hellspawn of all.

Killadelphia #32 (“Whatever Happened to Blake Edwards?”) opens in West Philadelphia, where two National Guardsmen are about to make a big mistake with Blake Edwards. But isn't Blake supposed to be dead? Well, his desire for revenge against Ron Davies, one of the world's biggest music producers, is very much alive.

Meanwhile, in North Philadelphia, See Saw, Spawn, and a pack of werewolves continue to battle the horde of demons that keep emerging from a... hellhole, while Anansi provides sass and color commentary. With Corson and Lucifer behind this invasion, victory won't come easy.

Elsewhere, Toussaint Louverture is convinced to rejoin the fight, but this time, he has a new weapon. And it's a dragon.

THE LOWDOWN: It's a new day for Killadelphia. The sixth story arc, “Death Be Not Proud,” has a starring role for the most famous creation from the comics universe of Todd McFarlane, Spawn.

To say that writer Rodney Barnes has shocked and surprised me would be to repeat myself for the umpteenth time in several years. What can I say? Here, the definition of insanity would be to keep doing the same thing (reading) and expecting a different result (not be surprised and thrilled). I must say, however, the Blake Edward subplot and the surprise appearance on the final page are almost more than my imagination can take.

The art team of Jason Shawn Alexander and Germán Erramouspe continue to Ragnarok and roll under the fiery coloring of Lee Loughride. Their terrifying storytelling with its stream of terrible fates is truly its own hellish Avengers: Endgame.

Where is “Death Be Not Proud” going? Let's keep following, dear readers.

[Killadelphia #32 is also available in a “Noir Edition,” featuring black-and-white line art interiors.]

I READS YOU RECOMMENDS: Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 12-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/TheRodneyBarnes

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Friday, January 26, 2024

Review: "THE BOOK OF CLARENCE" - Black is Beautiful and So is Enlightenment

TRASH IN MY EYE No. 3 of 2024 (No. 1947) by Leroy Douresseaux

The Book of Clarence (2024)

Running time: 129 minutes (2 hours, 9 minutes)

MPA – PG-13 for strong violence, drug use, strong language, some suggestive material, and smoking

WRITER/DIRECTOR: Jeymes Samuel

PRODUCERS: Shawn Carter (Jay-Z), James Lassiter, Tendo Nagenda, and Jeymes Samuel

CINEMATOGRAPHER: Rob Hardy (D.o.P.)

EDITOR: Tom Eagles

COMPOSER: Jeymes Samuel

COMEDY/DRAMA/RELIGION

Starring: LaKeith Stanfield, Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Michael Ward, Alfre Woodard, Teyana Taylor, Caleb McLaughlin, Marianne Jean-Baptiste, Eric Kofi Abrefa, Chase Dillon, Babs Olusanmokun, Benedict Cumberbatch, James McAvoy, and Nicholas Pinnock

The Book of Clarence is a 2024 comedy-drama and religious film written and directed by Jeymes Samuel. The film focuses on a wayward man who decides to capitalize on the rise of Jesus by also declaring himself to be “the Messiah.”

The Book of Clarence opens in Lower Jerusalem, the home of the “Gypsies,” in the year 33 A.D, and it introduces a young man named Clarence (LaKeith Stanfield). He is down-on-his-luck and is drifting in life. He spends time selling weed with his close friend and sidekick, Elijah (RJ Cyler). Their latest scheme is a chariot race against Mary Magdalene (Teyana Taylor), which goes disastrously bad. In turn, that puts Clarence and Elijah deep in debt to a local crime boss, Jedediah the Terrible (Eric Kofi Abrefa), who threatens their lives if he isn't paid in 30 days.

Meanwhile, Clarence's twin brother, Thomas (LaKeith Stanfield), is one of the 12 Apostles that follow Jesus of Nazareth (Nicholas Pinnock). After failing to make inroads with his brother's associates, Clarence decides to capitalize on Jesus and the rise of messianic figures by declaring himself “the Messiah.” Clarence does not believe in the existence of God, but he finds success by preaching “knowledge over belief.” Soon, Clarence has a large number of followers, and they are making him wealthy. But then, something happens...

The Book of Clarence is not as partisan as Mel Gibson's 2004 masterpiece, The Passion of the Christ, nor is it Black-centric and anti-racist in the way director Jean-Claude La Marre's The Color of the Cross (2006) is. In The Book of Clarence, Jesus is a Black man, but the narrative isn't really about Jesus being black. The people of Jerusalem are black, but that just seems to be the way it is supposed to be – nothing special or deliberate. Also, I don't think the film ever refers to them as Jews or Hebrews (as far as I can remember).

The Book of Clarence's plot and themes, which are soft and muddled in the film's middle act, seem to converge on the notion of enlightenment, not the movement “Enlightenment, but as a state of knowledge and understanding. Clarence, who pushes knowledge over belief, gets the lesson that knowledge without understand is empty, the equivalent of “faith without good works is dead.” The Book of Clarence unveils these messages and ideas, not with seriousness, but with sly wit and also with subtle digs at oppression, racism, and imperialism – for good measure.

That aside, the thing that most impresses me about The Book of Clarence is that writer-director Jeymes Samuel presents a film in which Black people are so very beautiful and alluring in all their varying dark and brown shades, all the textures and styles of their hair, and all the shapes, contours, and statures of their bodies. Yet in spite of its allusions to white oppression, as all the Roman characters are white, The Book of Clarence treats having an all-Black cast play the characters in a story set in the time of Jesus as an utterly normal thing. It's about time; British, Irish, and American actors have been frontin' in Biblical films as if that is an entirely normal thing. [Even if Jesus was Caucasian, he wasn't white...]

Jeymes Samuel fills his film with outstanding performances, especially LaKeith Stanfield's powerful, eccentric, turn as Clarence. It is too late in his career to discover Stanfield as a revelation; we been knew he was good. He makes Clarence's awkward, bumbling, stumbling journey to enlightenment seem like a real, tangible thing. I feel Clarence's evolution in my head and in my imagination.

Also, David Oyelowo knocks the film on its ass as the back-handing John the Baptist, much the way Alfre Woodard upends notions of Jesus Christ's mother, Mary, as “Mother Mary” later in the film. Teyana Taylor throws her beauty at us as Mary Magdalene, and Anna Diop digs out the awkward layers of Varinia, Clarence's love-interest. And RJ Cyler gives a best supporting actor type performance as Clarence's best friend and partner, Elijah.

The Book of Clarence isn't perfect. Its plot staggers and lurches at times as it moves towards its explosive final act, which is filled with breath-taking miracles and shocking plot twists. The film apparently was originally scheduled for a theatrical release in September 2023, but ultimately made its only 2023 appearance via its world premiere at the 67th London Film Festival. So as fate... or God would have it, The Book of Clarence is the best film of 2024 – thus far.

8 of 10

★★★★ out of 4 stars

Friday, January 26, 2024

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Wednesday, January 24, 2024

Review: "CAFÉ SOCIETY" Sounds More Scandalous Than It Actually Is

TRASH IN MY EYE No. 2 of 2024 (No. 1946) by Leroy Douresseaux

Café Society (2016)

Running time: 96 minutes (1 hour, 36 minutes)

MPAA – PG-13 for some violence, a drug reference, suggestive material and smoking

WRITER/DIRECTOR: Woody Allen

PRODUCERS: Letty Aronson, Stephen Tenenbaum, and Edward Walson

CINEMATOGRAPHER: Vittorio Storaro

EDITOR: Alisa Lepselter

COMEDY/ROMANCE with elements of crime

Starring: Jesse Eisenberg, Kristen Stewart, Steve Carell, Blake Lively, Sheryl Lee, Jeannie Berlin, Ken Stott, Sari Lennick, Stephen Kunken, and Corey Stoll

Café Society is a 2016 period comedy and romance film written and directed by Woody Allen. Set in the 1930s, the film follows a Bronx native who moves to Hollywood and falls in love with a young woman who is already in an affair with a mysterious married man.

Café Society introduces Robert Jacob “Bobby” Dorfman (Jessie Eisenberg). He is the youngest child and younger son of Marty Dorfman (Ken Stott) and his wife, Rose Dorfman (Jeannie Berlin). The Dorfman's middle child is their adult daughter, Evelyn (Sari Lennick), who is married to Leonard (Stephen Kunken), a teacher, an intellectual, and a communist. Dorfman's oldest child is their elder son, Ben (Corey Stoll), a gangster. While his siblings' lives are set, Bobby's is not. He is discontented with working for his father, Marty, who is a jeweler, so Bobby decides to move to Hollywood.

There, his mother Karen's brother, Phil Stern (Steve Carell), is a powerful talent agent who works with the most famous stars, biggest filmmakers, and most powerful movie studios. Phil is married to a beautiful woman, Karen (Sheryl Lee), and he lives in a lavish mansion in Hollywood. And he might have a job for his wayward nephew, Bobby Dorfman.

Bobby ends up taking a job running menial errands for Phil, and that brings him into contact with on of Phil's employees, Veronica “Vonnie” Sybil (Kristen Stewart). Bobby falls in love with Vonnie, but she claims that she already has a boyfriend, Doug, whom she describes as a journalist. Ultimately, Bobby returns to New York City, where he runs a high-end nightclub that he names “Les Tropiques.” It is there that Bobby embraces “café society,” as the club soon becomes a famous hangout for the rich and powerful. Bobby, however, cannot escape his recent past, nor can he avoid Ben's gangster activities.

Coup de chance, the film Woody Allen says will likely be his final directorial effort, was released in France in September (2023). Because of the controversies surrounding Allen the last few decades, especially the last five years, the film may not get a stateside theatrical release (although there has been a rumor that it has found a thus far secret U.S. distributor). In anticipation of eventually somehow seeing Coup de chance, I have decided to watch the recent Woody Allen films that I missed, such as the 2015 film, Irrational Man, and Cafe Society.

Cafe Society is an amiable, lightweight Woody Allen period comedy. It's nostalgic overtones certainly recall Allen's utterly delightful and semi-autobiographical period film, Radio Days (1987). I adore Radio Days and am tempted to call it his masterpiece. Unfortunately, Cafe Society is nowhere near the film that Radio Days is.

The first half of Cafe Society, which is mostly set in Hollywood, ends up being a prologue to the main story. You see, dear readers, Cafe Society's real story takes place after Bobby Dorfman returns to New York City and becomes a player in cafe society, the party scene of the Big Apple's rich and famous – from the blue bloods and celebrities to politicians and gangsters. In fact, the film is practically sleepy until Bobby becomes the impresario of NYC's most popular and notorious nightclub. That is when the two strands of his past – his aborted relationship with Vonnie and the natural end of Ben's activities – meet. Of course, it is a time when Bobby has the best of everything.

Cafe Society's themes of love-at-first-sight, love lost, and yearning for what might have been are familiar, and the film deals with it all so slightly that the story feels underdeveloped. I can't help but believe Cafe Society would work better as a television series, which would allow it to fully develop its multiple subplots and to play out a cast that is filled with potential. Ultimately, Café Society is an average put-together of familiar Woody Allen tropes, decorated with gorgeous production values. The cinematography, costumes, and sets are all Oscar worthy.

5 of 10

B-

★★½ out of 4 stars

Wednesday, January 24, 2024

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Comics Review: "THE BATMAN & SCOOBY-DOO MYSTERIES #1" - Deadman Tells No Tales

THE BATMAN & SCOOBY-DOO MYSTERIES (2024) #1

DC COMICS

STORY: Sholly Fisch

ART: Dario Brizuela

COLORS: Franco Riesco

LETTERS: Saida Temofonte

EDITOR: Kristy Quinn

COVER: Dario Brizuela with Franco Riesco

32pp, Color, $2.99 U.S. (February 2024)

Ages 8+

Batman created by Bob Kane with Bill Finger

“The Show Must Go Away”

The Batman & Scooby-Doo Mysteries is a series of 12-issue comic book limited series that DC Comics initially published in 2021. The series brought the characters from both the Scooby-Doo, Where Are You? and Batman comic book series together. Over the past five decades, Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma, have joined Batman and (often) Robin to solve mysteries in various animated television series and comic books.

The Batman & Scooby-Doo Mysteries sold well enough that DC Comics began a second series in October 2022. Now, DC has begun a third series in January 2024. The Batman & Scooby-Doo Mysteries #1 (“The Show Must Go Away”) is written by Sholly Fisch; drawn Dario Brizuela; colored by Franco Riesco; and lettered by Saida Temofonte.

The Batman & Scooby-Doo Mysteries #1 (“The Show Must Go Away”) opens with a quick summary of how Dick Grayson's childhood tragedy led to him becoming Batman's sidekick, Robin, and later, the adult superhero, Nightwing. The story opens at the place Dick once called home, “Haly's Circus.” Mystery Inc. is enjoying some fun at the circus, when the aerialist, “The Incredible Zoltan,” finds his act interrupted by … Deadman?!

Luckily, Nightwing arrives to save the day. But how can Deadman be the bad guy? Deadman is a well-known good guy – a ghost, but a good guy. Now, it's up to Nightwing and Mystery Inc. to solve this ghostly circus mystery that is also bringing up the ghosts of Dick Grayson's past. Meanwhile, where is Batman?

THE LOWDOWN: As a child, the most important characters in my life were Batman and Robin and Scooby-Doo and Mystery Inc. I am still excited about the worlds of Batman and Scooby-Doo coming together. Obviously, The Batman & Scooby-Doo Mysteries is perfect for me.

The Batman & Scooby-Doo Mysteries #1 is filled with characters and story elements that I... well, I adore. I like stories that revolve around a circus. I have been a fan of Robin since I was a small child, and my love of Batman was initially predicated on him having Robin as a sidekick. I am a longtime fan of the DC Comics' character, Deadman, and of course, I'm down with Mystery Inc. Add those four elements together, and I'm in comic book hog heaven.

Under a gorgeous, sharply-designed cover by artist Dario Brizuela, the 2024 iteration of The Batman & Scooby-Doo Mysteries #1 offers a high-flying adventure with a confounding ghostly mystery. Writer Sholly Fisch cleverly ties in the history and trauma of Nighwing/Dick Grayson while maintaining the humor of a Scooby-Doo tale, including the slapstick antics of Shaggy and Scooby. As always, Brizuela, one of my favorite Scooby-Doo comic book artists, delivers the perfect moods, thanks in part to Franco Riesco's dazzling colors.

The Batman & Scooby-Doo Mysteries #1 starts anew with a winning first issue. I'm ready to do this all over again.

I READS YOU RECOMMENDS: Fans of the union of the worlds of Batman and Scooby-Doo will want The Batman & Scooby-Doo Mysteries.

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Diana and the Hero's Journey” by Grace Ellis and Penelope Rivera Gaylord.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.dccomics.com/

https://twitter.com/DCComics

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https://www.youtube.com/user/DCEntertainmentTV

https://www.pinterest.com/dccomics/

https://www.periscope.tv/DCComics/1ZkKzezXwZdxv

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Tuesday, January 23, 2024

Nominations for the 36th Annual Scripter Awards Have Been Announced

USC Libraries Name Finalists for 36th-Annual Scripter Awards

LOS ANGELES--(BUSINESS WIRE)--The USC Libraries named the finalists for the 36th-annual USC Libraries Scripter Award, which honors the writers of the year’s most accomplished film and episodic series adaptations, as well as the writers of the works on which they are based.

The finalist writers for film adaptation are, in alphabetical order by film title:

Cord Jefferson for “American Fiction” based on the novel “Erasure” by Percival Everett

Eric Roth and Martin Scorsese for “Killers of the Flower Moon” based on the nonfiction book “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI” by David Grann

Christopher Nolan for “Oppenheimer” based on the nonfiction book “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer” by Kai Bird and Martin J. Sherwin

Ava DuVernay for “Origin” based on the nonfiction book “Caste: The Origins of Our Discontents” by Isabel Wilkerson

Screenwriter Tony McNamara and novelist Alasdair Gray for “Poor Things”

The finalist writers for episodic series are, in alphabetical order by series title:

Peter Morgan, for the episode “Sleep, Dearie Sleep,” from “The Crown,” based on his stage play "The Audience"

Scott Neustadter for the episode “Fire,” from “Daisy Jones and the Six,” based on the novel by Taylor Jenkins Reid

Craig Mazin and Neil Druckmann for the episode “Long, Long Time” from “The Last of Us,” based on the video game by Neil Druckmann and Naughty Dog

Will Smith for the episode “Negotiating with Tigers,” from “Slow Horses,” based on the novel “Real Tigers” by Mick Herron

Max Borenstein, Rodney Barnes and Jim Hecht for the episode “The New World,” from “Winning Time: The Rise of the Lakers Dynasty” based on the nonfiction work “Showtime: Magic, Kareem, Riley, and the Los Angeles Lakers Dynasty of the 1980s” by Jeff Pearlman

The 2024 Scripter selection committee selected the finalists from a field of 80 film and 56 episodic series adaptations. Howard Rodman, USC professor and Vice President/Secretary of the Academy of Motion Picture Arts and Sciences, chairs the 2024 committee.

The studios distributing the finalist films and current publishers of the printed works are:

“American Fiction”—Amazon MGM Studios and Graywolf Press

“Killers of the Flower Moon”—Apple Original Films and Vintage Books

“Oppenheimer”—Universal Pictures and Vintage Books

“Origin”—Neon and Random House

“Poor Things”—Searchlight Pictures and Bloomsbury

The networks and streaming platforms broadcasting the finalist episodic series and current publishers of the works are:

“The Crown”—Netflix and Dramatists Play Service Inc.

“Daisy Jones and the Six”—Amazon Prime Video and Random House

“The Last of Us”—HBO | Max and Sony Computer Entertainment

“Slow Horses”—Apple TV+ and Soho Crime

“Winning Time: The Rise of the Lakers Dynasty”—HBO | Max and Avery

The USC Libraries will announce the winning authors and screenwriters at a black-tie ceremony on Saturday, Mar. 2, 2024, in the historic Edward L. Doheny Jr. Memorial Library at the University of Southern California.

Since 1988, Scripter has honored the authors of original works alongside the screenwriters who adapt their stories. For more information about Scripter—including ticket availability, additional sponsorship opportunities, and an up-to-date list of sponsors—please email scripter@usc.edu or visit scripter.usc.edu.

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Monday, January 22, 2024

BOOM! Studios Shipping from Diamond Distributors for January 24, 2024

BOOM! STUDIOS

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