TRASH IN MY EYE Reviews

Friday, March 29, 2024

Review: "GODZILLA X KONG: THE NEW EMPIRE" is Entertaining, Imaginative and Extraneous

TRASH IN MY EYE No. 18 of 2024 (No. 1962) by Leroy Douresseaux

Godzilla x Kong: The New Empire (2024)

Running time: 115 minutes (1 hour, 55 minutes)

MPA – PG-13 for creature violence and action

DIRECTOR: Adam Wingard

WRITERS: Terry Rossio, Simon Barrett, and Jeremy Slater; from a story by Terry Rossio, Simon Barrett, and Adam Wingard (based on characters owned by Toho Co., Ltd.)

PRODUCERS: Alex Garcia, Eric McLeod, Mary Parent, Brian Rogers, and Thomas Tull

CINEMATOGRAPHER: Ben Seresin (D.o.P.)

EDITOR: Josh Schaeffer

COMPOSERS: Tom Holkenborg and Antonio Di Iorio

SCI-FI/FANTASY/ADVENTURE

Starring: Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, Alex Ferns, Fala Chen, Rachel House, Ron Smyck, Chantelle Jamieson, Greg Hatton, and Kevin Copeland

SUMMARY OF THE REVIEW:

-- Godzilla x Kong: The New Empire is as visually stunning as the two previous MonsterVerse series films, and the monster-fight action is awesome.

-- However, the story is not compelling, and the characters feel like props. Thus, Godzilla x Kong is really for fans of the series.

Godzilla x Kong: The New Empire is a 2024 monster movie and science fiction-fantasy adventure film directed by Adam Wingard. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, this film is the fourth entry in the “MonsterVerse” film series, which began with Godzilla (2014). Godzilla x Kong: The New Empire brings the two ancient titans together in order to fight an ancient, prophesied threat to the surface world.

Godzilla x Kong: The New Empire opens some time after the defeat of Mechagodzilla (as seen in Godzilla vs. Kong). In the “Hollow Earth,” Kong is in the process of establishing his territory, which means defeating vicious predators. Monarch has planted a base in Hollow Earth, Monarch Outpost One, in order to monitor Kong. That outpost itself is monitored on the surface by a Monarch base in Barbados, which is where Kong expert and Monarch scientist, Dr. Ilene Andrews (Rebecca Hall), lives with her adopted daughter, Jia (Kaylee Hottle), the last living member of Skull Island's indigenous tribe, the Iwi.

Jia is deaf and communicates with Kong via sign language. She has begun experiencing dreams, flashbacks, and hallucinations that seem to be related to a signal emanating from somewhere in the Hollow Earth. Godzilla, who has been romping across Europe is also sensing that signal, and the King of the Monsters is absorbing energy in preparation for some unknown, coming battle.

Kong explores a sinkhole near his home and discovers an uncharted region hidden within the Hollow Earth. Exploring it, he finally encounters other giant apes like himself, including an adolescent giant ape. However, these giant apes are aggressive and apparently serve a mysterious alpha giant ape leader, and this leader controls something that not only endangers the Hollow Earth, but also the surface world. Only Kong and Godzilla can end this threat, but will the Earth's two greatest Titans join forces or just try to kill each other, again?

The “MonsterVerse” is an American multimedia franchise that includes movies; a streaming live-action television series (Apple TV+) and a streaming animated series (Netflix); books and comic books; and video games. It is a shared fictional universe that includes the character, “Godzilla” and other characters owned and created by the Japanese entertainment company, Toho Co., Ltd. The MonsterVerse is a reboot of Toho's Godzilla franchise. It is also a reboot of the King Kong franchise, which is based on the character, “King Kong,” that was created by actor and filmmaker, Merian C. Cooper (1893-1973).

In preparation for Godzilla x Kong: The New Empire, I watched and reviewed the previous four films in MonsterVerse series. They are Godzilla (2014), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021).

Godzilla x Kong: The New Empire has a hard act to follow in the previous film, Godzilla vs. Kong, and while the new film is entertaining, it never really establishes the stakes of the conflicts it depicts. To me, the threat didn't really seem like it would lead to the end of the world. Godzilla x Kong is loud and proud, a true monster movie built on sensations, muscular CGI, and visually stunning visual special effects. Godzilla x Kong is big, bigger, BIG, and it probably should be seen on IMAX, but its story is no bigger than a mini-max.

Godzilla x Kong exists because Warner Bros. Pictures and Legendary Entertainment want it to exist as a product designed to make a lot of money now and to continue contributing to the MonsterVerse revenue stream for some time to come. It's not that I did not enjoy Godzilla vs. Kong. I laughed several times, and it did hold my attention. It is probably the least dark film in the series, but it is also the least important. Honestly, I think Godzilla x Kong: The New Empire director Adam Wingard made a much more compelling film with his 2011 feature, You're Next, which was made for .007 percent of Godzilla x Kong's budget. [You're Next's screenplay was written by Wingard's frequent collaborator, writer Simon Barrett, who is also a co-writer on Godzilla x Kong.]

Another strange thing about this film is that the characters all feel unnecessary. Kaylee Hottle's Jia is very important to Godzilla x Kong's narrative, but Jia often feels like a prop. Dan Stevens' Trapper is a generic character, played by Stevens with generic verve. I liked Brian Tyree Henry's Bernie Hayes in Godzilla vs. Kong, but here, he feels too frantic and forced. I get that Hayes is comic relief, but has become too much comic relief. Hayes is utterly wasted here – half chatterbox, half-on-the-edge-of-being-substantial.

I pushed Godzilla x Kong: The New Empire from my mind as soon as I got up from my seat in the theater. Still, fans of the MonsterVerse films will likely really enjoy it.

6 of 10

★★★ out of 4 stars

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Comics Review: "ELVIRA Meets H.P. Lovecraft Volume 1 #2" Goes Back to School

ELVIRA MEETS H.P. LOVECRAFT VOLUME 1 #2

DYNAMITE ENTERTAINMENT

STORY: David Avallone

ART: Kewber Baal

COLORS: Walter Pereyra

LETTERS: Taylor Esposito

EDITOR: Joseph Rybandt

COVER: Dave Acosta with Walter Pereyra

VARIANT COVER ARTISTS: Kewber Baal; Robert Hack; Dave Acosta

32pp, Color, $3.99 U.S. (March 2024)

Rated Teen+

Chapter Two: “The Fun Witch Horror”

In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.” Elvira gradually grew in popularity and eventually became a brand name. As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery. In 2018, Elvira returned to comic books via Dynamite Entertainment. Elvira's latest comic book series is Elvira Meets H.P. Lovecraft Volume 1. The series is written by David Avallone; drawn by Kewber Baal; colored by Walter Pereyra; and lettered by Taylor Esposito. In this new series, Elvira joins the ghost of infamous horror and fantasy author, H.P. Lovecraft, who has returned to the mortal plane on a mission from the Elder Gods to locate the last true company of the infamous “Necronomicon.”

Elvira Meets H.P. Lovecraft Volume 1 #2 (“The Fun Witch Horror”) opens as Elvira and Lovecraft arrive at Miskatonic University. Deep in its bowels is supposed to be the last true copy of that archetypal book of forbidden knowledge, the Necronomicon.

What the duo finds instead is a pair of chatty librarians. Also, Elvira and Lovecraft don't realize that one of the librarians has a direct connection to Lovecraft's bibliography and past. Meanwhile, the “Sons of Nyarlathotep” are close on Elvira and Lovecraft's heels for the Necronomicon.

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. One of them is Elvira Meets H.P. Lovecraft Volume 1 #2, one of many Dynamite/David Avallone Elvira comic books that I have read and enjoyed.

“Miskatonic is where the wealthy landed gentry send their clownish progeny to be inaugurated into the cult of power... regardless of their ability to wield it in a manner which is useful, or even sane.”

The above line is why I enjoy writer David Avallone's Elvira comic books so much. Avallone uses “snide asides” and Elvira's self-effacing humor as a magic carpet that carries readers to a magical kingdom of comedy gold. And I never want an issue of Avallone's Elvira to end, and this issue in particular left me panting and giggling on the floor.

Artist Kewber Baal continues to be an excellent match for Avallone's humor in this series as he was in the other recent Elvira comic book miniseries, Elvira in Monsterland. Here, Baal turns Avallone script into swell comedy, while he creates a supernatural, dark fantasy world that feels genuine. Walter Pereyra's colors convey this interplay of comedy and scary that keeps the story moving.

I expect really good things from Elvira Meets H.P. Lovecraft, and I'm getting it. I expect you to read Elvira Meets H.P. Lovecraft, dear readers.

I READS YOU RECOMMENDS: Fans of Elvira and of David Avallone's Elvira comic books will want to read Elvira Meets H.P. Lovecraft Volume 1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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https://www.facebook.com/DynamiteComics/

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https://www.linkedin.com/company/dynamite-entertainment

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Wednesday, March 27, 2024

Review: "GODZILLA VS. KONG" Rocks 'n' Roars

TRASH IN MY EYE No. 17 of 2024 (No. 1961) by Leroy Douresseaux

Godzilla vs. Kong (2021)

Running time: 113 minutes (1 hour, 53 minutes)

MPA – PG-13 for intense sequences of creature violence/destruction and brief language

DIRECTOR: Adam Wingard

WRITERS: Terry Rossio and Michael Dougherty & Zach Shields; from a story by Max Borenstein and Eric Pearson (based on characters owned by Toho Co., Ltd.)

PRODUCERS: Jon Jashni, Alex Garcia, Eric McLeod, Mary Parent, Brian Rogers, and Thomas Tull

CINEMATOGRAPHER: Ben Seresin (D.o.P.)

EDITOR: Josh Schaeffer

COMPOSER: Tom Holkenborg

SCI-FI/FANTASY/ADVENTURE

Starring: Alexander Skarsgard, Millie Bobby Brown, Rebecca Hall, Bryan Tyree Henry, Shun Oguri, Eiza Gonzalez, Julian Dennison, Lance Reddick, Kaylee Hottle, Hakeem Kae-Kazim, Ronny Chieng, Demian Bichir, and Kyle Chandler

Godzilla vs. Kong is a 2021 monster movie and science fiction-fantasy adventure film directed by Adam Wingard. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, this film is the fourth entry in the “MonsterVerse” film series, which began with Godzilla (2014). Godzilla vs. Kong finally brings about the long awaited confrontation between Godzilla and Kong.

Godzilla vs. Kong opens three years after the dragon-like extraterrestrial King Ghidorah awakened the monstrous “Titans” around the world before being defeated by Godzilla. On Skull Island, Monarch has imprisoned Kong within a game preserve that is covered by a giant dome where they monitor him. Skull Island has been taken over by the storm that previously kept it hidden from the world. Kong has befriended Jia (Kaylee Hottle), the island's last native human and the young adopted daughter of Kong expert, Ilene Andrews (Rebecca Hall). Jia is deaf and communicates with Kong via sign language.

Across the world, at Apex Cybernetics in Pensacola, Florida, CEO Walter Simmons (Demian Bichir) is up to something sinister, and that has drawn the attention of Godzilla, who reappears after three years and attacks the facility. That doesn't stop Simmons, who travels to Denham University of Theoretical Science in Philadelphia, in order to recruit former Monarch scientist, Nathan Lind (Alexander Skarsgard), to lead a mission into the legendary “Hollow Earth,” which is Lind's area of expertise. But the mission needs Kong, and that's where Ilene and her daughter, Jia, come in.

Meanwhile, Bernie Hayes (Bryan Tyree Henry), an Apex Cybernetics employee and a Titan conspiracy podcast host, is investigating Apex's activities. Hayes finds a kindred spirit in Madison Russell (Millie Bobby Brown), daughter of Monarch scientist, Dr. Mark Russell (Kyle Chandler), who is also suspicious of Apex. With her friend, Josh Valentine (Julian Dennison), in tow, Millie joins Bernie on an adventure that will take them halfway across the world to where Apex is hiding its most sinister secret, one that is tied to the mission into the Hollow Earth and its secrets.

The fifth film in the MonsterVerse series, Godzilla x Kong: The New Empire, is due to be released March 29, 2023, so I have decided to watch and review the previous four films: Godzilla (2014), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and 2021's Godzilla vs. Kong (which is the subject of this review).

Godzilla vs. Kong is, thus far, the best of the “MonsterVerse” films. Each film is its own thing, although they are all monster movies. Godzilla 2014 is a science fiction mystery film. Kong: Skull Island is a lost world story, thoroughly wrapped in pseudo-science and weird fiction. Godzilla: King of the Monsters is a VFX-slick, CGI-fuel-injected, modernized take on the original 1950s, Japanese Gojira/Godzilla films.

Godzilla vs. Kong is the monster movie as an old school science fiction-fantasy action-adventure film that has been all gussied up with CGI and dazzling, glowing, supernatural special effects. I could feel the science fiction mood through Tom Holkenborg's score which reminded me of Daft Punk's glorious score for Tron: Legacy (2010). Godzilla vs. Kong's “Hollow Earth” subplot is the film Fantastic Voyage (1966) wishes it could have been. Godzilla vs. Kong is wall-to-wall adventure. It is a sci-fi travelogue from one end of the Earth to the other, whether it is breathlessly racing from Florida to Hong Kong for a mecha showdown or plunging into a mind-bending journey inside the deepest reaches of the planet.

As for the confrontation between Godzilla and Kong: the first one in this film is an impossible battle that is a work of genius on the part of everyone involved. What is more shocking is that the second confrontation, which occurs in the film's last act, is even better and even more eye-popping.

Godzilla vs. Kong is the ultimate monster showdown spectacle. I was not able to turn away from it, and a day after seeing it, I'm still buzzing from it as I write this review. Godzilla vs. Kong is peak “MonsterVerse,” and I pity the films in the series that come after it.

8 of 10

★★★★ out of 4 stars

Wednesday, March 27, 2024

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Tuesday, March 26, 2024

Book Review: "BURN IT DOWN" Goes After Hollywood's Biggest Abusers

BURN IT DOWN: POWER, COMPLICITY, AND A CALL FOR CHANGE IN HOLLYWOOD

HARPERCOLLINS/Mariner Books

AUTHOR: Maureen Ryan

ISBN: 978-0-06-326927-9; hardcover (June 6, 2023)

400pp, B&W, $32.50 U.S., $40.00 CAN

Burn It Down: Power, Complicity, and a Call for Change in Hollywood is a 2023 nonfiction book from author Maureen Ryan. Ryan is a contributing editor for Vanity Fair, and she has had a three-decade career as a reporter and critic for such publications as GQ, The Hollywood Reporter, The New York Times, and Variety, to name a few.

Abuse and exploitation of workers is baked into the very foundations of the entertainment industry and in Hollywood, specifically. It is a cycle, and if that cycle is going to be broken, it is important to stop looking at headline-making stories as individual events. To make change that sticks, we must look closely at the bigger picture, to see how abusers are created, fed, rewarded, and allowed to persist. People must discover how they can be excised – with the right tools.

In Burn It Down, veteran reporter Maureen Ryan does just that. Drawing on decades of experience, Ryan connects the dots and illuminates the deeper forces sustaining Hollywood’s corrosive culture. She offers fresh reporting that sheds light on problematic situations at television series such as ABC's “Lost” (2004-10) and “The Goldbergs” (2013-23); NBC's "Saturday Night Live" (1975-present); Fox's “Sleepy Hollow” (2013-17); HBO's "Curb Your Enthusiasm" (12 seasons over the period of 2000 to 2024), to name a few.

Ryan weaves insights from industry insiders together with historical context and pop-culture analysis. Most of all, Burn It Down both shows us what’s gone wrong in the entertainment world and also how people can fix it.

THE LOWDOWN: I first heard of Burn It Down: Power, Complicity, and a Call for Change in Hollywood when Hollywood trade publications and social media started reporting a particular section of Maureen Ryan's book. The chapter entitled, “'Lost' and the Myths of a Golden Age.” I think many fans had an idealized view of the creative process behind ABC's Emmy-winning TV series, “Lost.”

What the people behind the scenes of the show knew was that that the production of the series involved the machinations and temperamental behavior of executive producer and showrunner, Carlton Cuse, and the codependency of fellow executive producer, Damon Lindelof. The report about the book offered juicy “Lost” details, but Burn It Down offers further insight via Ryan's interview of fired “Lost actor, Harold Perrineau.

“Lost” is just one part of the story. Ryan's revealing conversations with actor Orlando Jones details an ugly behind-the-scenes situation with Fox's former supernatural drama, “Sleepy Hollow.” It seems that after the first season, which was well-received, Fox became concerned that the series was “too Black,” meaning too much focus on too many African-American characters.

Once again, “Sleepy Hollow” is just one part of the story. Burn It Down is a virtual horror show of stories of terrible behavior – usually committed by white men – behind many hit TV series. In the book, actress Evan Rachel Wood talks about the abuse she has suffered over the years, especially at the hands of her former boyfriend, rock star Marilyn Manson. Burn It Down details the Nxivm cult and also the abuse of EGOT recipient, super-producer Scott Rudin.

Still, fully one-third of Burn It Down (the book's “Part Two”) talks about moving forward. How can people clean up the industry? What does “centering survivors” and “doing the work” look like? How does the industry foster real change or even create a new model of creative leadership?

I get the feeling that writing this book took a lot out of Ryan, but I believe that there are more horror stories to tell, enough to fill several books. Maybe, other writers can pick up this crusade. In the meantime, I adore Burn It Down, and I recommend it to fans of non-fiction books about Hollywood and about the “Me Too” movement. In the meantime, the paperback edition is due June 4, 2024.

I READS YOU RECOMMENDS: Fans of nonfiction books about Hollywood scandals will want to read Burn it Down: Power, Complicity, and a Call for Change in Hollywood.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

A copy of BURN IT DOWN can be bought at AMAZON.

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Comics Review: "RED LIGHT #3" - Possession is Nine-Tenths of the Law

RED LIGHT #3 (OF 4)

AWA STUDIOS

STORY: Sarah H. Cho

ART: Priscilla Petraites

COLORS: Miroslav Mrva

LETTERS: Sal Cipriano

COVER: Jeff Dekal

VARIANT COVER ARTISTS: DaNi and Brad Simpson; Chris Ferguson with Priscilla Petraites

32pp, Color, $3.99 U.S. (March 2024)

Rated: “Mature”

Red Light is a four-issue miniseries from writer Sarah H. Cho and artist Priscilla Petraites. Published by AWA Studios, the series follows a futuristic A.I. sex worker who makes a bid for freedom. Colorist Miroslav Mrva and letterer Sal Cipriano complete the series' creative team.

Red Light opens in a futuristic Red-Light District. Lacy is an A.I. sex worker who uses her unusual perceptiveness and intelligence to know what her clients want better than they know themselves. Lacy lives in a high-tech brothel under the watchful eye of her mysterious owner, Adam, best known as “Mister,” who calls her “Mary” after his late wife. Also, there is no escape for Mister's A.I. sex workers, but Lacy seeks to change that when she meets a human friend named Natalie.

Red Light #3 opens as Lacy and Natalie are driven to freedom thanks to Mars, a brothel client and Automation's top arms dealer. Now, Lacy and her young charge have found refuge in Mars' high-tech casino, but has Lacy traded one prison for another?

Meanwhile, Mister is not about to give up his top prize, and he will go to any length to get Lacy back. He needs some “retriever services,” and he's hired a very dangerous cop to do the retrieving.

THE LOWDOWN: AWA Studios' marketing began providing me with PDF review copies of their comic book publications since April 2023. Red Light #3 is one of the latest.

Writer Sarah H. Cho offers a narrative with exposition and dialogue that paints the portrait of a dystopian future from a deeply personal and intimate perspective. In this third issue, Cho depicts the extent of how hard it is for A.I. to escape their fates and their professions. Cho reveals that even Lacy and Natalie's refuge is like Mister's brothel for other A.I., a prison that calls itself other things

In this series, artist Priscilla Petraites has balanced the sense of fear and oppression with a sense of grit and determination. This time, she transports the reader into a futuristic thriller that gets hotter with each page, as the stakes get higher. There is also a mood in this chapter that I want to describe as being like a dark fairy tale.

Miroslav Mrva's evocative colors capture the neon underground and liquid sky of this world of slavery, subjugation and violence. Sal Cipriano's letters bring a sense of suspense and mystery to this series. Red Light continues to be a winning AWA Studios' science fiction series, and I expect it to give us a great ending.

I READS YOU RECOMMENDS: Fans of futuristic science fiction comic books will want to read Red Light.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

AWA Website: https://awastudios.net/

AWA Instagram: https://www.instagram.com/awastudiosofficial/

AWA Twitter: https://twitter.com/AWA_Studios

AWA Facebook: https://www.facebook.com/awastudiosofficial

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Monday, March 25, 2024

BOOM! Studios Shipping from Diamond Distributors for March 27, 2024

BOOM! STUDIOS

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Dynamite Entertainment Shipping from Diamond Distributors for March 27, 2024

DYNAMITE

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