TRASH IN MY EYE Reviews

Saturday, June 1, 2024

Comics Review: "KILLADELPHIA #34" - Return of the King, Again

KILLADELPHIA #34

IMAGE COMICS

STORY: Rodney Barnes

ART: Jason Shawn Alexander and Germán Erramouspe with Robert Melendrez

COLORS: Lee Loughridge

LETTERS: Marshall Dillon

EDITORS: Greg Tumbarello; Chris Robinson

COVER: Jason Shawn Alexander with Lee Loughridge

VARIANT COVER: Jeremy Sorrell

36pp, Colors, 3.99 U.S. (March 2024)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part IV: “Every Father's Sun”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander. Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia. The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe. Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

There is a war between the Light and the Dark in Philadelphia, also known as Killadelphia. The human, James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters are on one side or the other or both in the vampire invasion of Philadelphia. Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most famous Hellspawn, a Savage Dragon, and now, a most infamous vampire king.

Killadelphia #34 (“Every Father's Sun”) opens at an abandoned convenience store and gas station. A Black family is about to experience black-on-black crime, when the criminals open the wrong box. Enter Blacula.

Meanwhile, Malcolm Dragon has a meeting of the minds with his father, the original: “The Dragon.” And pops has something to say about right and wrong.

Elsewhere, an embittered Lord Satan frets over how Spawn destroyed his legions. Seeing an opening, Dracula, recently condemned to the realm of Satan, convinces Satan that his problem is really... Blacula.

Finally, See Saw gets a chance to reconcile with Ray, a friend he feels he betrayed, ultimately causing Ray's death. Ray has the good news, however.

THE LOWDOWN: I have had access to PDF review copies of Image Comics titles for a long time now. Killadelphia #34 is one of them.

Writer Rodney Barnes continues to build the intensity of this – the seventh story arc of the series. I don't want to spoil too much, but the addition of the classic blaxploitation character, Blacula, who appeared in two film, Blacula (1972) and Scream Blacula Scream (1973), is especially sweet. Killadelphia co-creators Barnes and Jason Shawn Alexander produced a Blacula original graphic novel (OGN), Blacula: Return of the King, that was published in early 2023.

So where is Killadelphia going? And where is Blacula going with it. Dear readers, let's stay on this dark side.

[Killadelphia #34 is also available in a “Noir Edition,” featuring black-and-white line art interiors.]

I READS YOU RECOMMENDS: Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 11-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Review: "BAD BOYS FOR LIFE" Takes a Bit to Come to Life

TRASH IN MY EYE No. 24 of 2024 (No. 1968) by Leroy Douresseaux

Bad Boys for Life (2020)

Running time: 124 minutes (2 hours, 4 minutes)

MPA – R for strong bloody violence, language throughout, sexual references and brief drug use

DIRECTORS: Adil El Arbi and Bilall Fallah

WRITERS: Chris Bremner, Peter Craig & Joe Carnahan; from a story by Peter Craig & Joe Carnahan (based on characters created by George Gallo)

PRODUCERS: Doug Belgrad, Jerry Bruckheimer, and Will Smith

CINEMATOGRAPHER: Robrecht Heyvaert (D.o.P.)

EDITORS: Dan Lebental and Peter McNulty

COMPOSER: Lorne Balfe

ACTION/CRIME/COMEDY

Starring: Will Smith, Martin Lawrence, Vanessa Hudgens, Paola Núñez, Alexander Ludwig, Charles Melton, Kate del Castillo, Nicky Jam, Joe Pantoliano, Jacob Scipio, and Theresa Randle

Bad Boys for Life is a 2020 American action, crime, and buddy cop film directed by Adil El Arbi and Bilall Fallah, better known as “Adil & Bilall.” It is the third entry in the Bad Boys film series, which began with 1995's Bad Boys, and it is a sequel to Bad Boys II (2003). In Bad Boys for Life, Detectives Lowrey and Burnett, the “Bad Boys,” face off against a mysterious killer whose campaign of revenge is centered on Lowrey.

Bad Boys for Life opens in Mexico at the Santa Maria Ixcotel Prison. There, Isabel Aretas (Kate del Castillo) escapes with the help of her son, Armando (Jacob Scipio). Isabel is the son of the late cartel kingpin, Benito Aretas, and she wants revenge against the men who helped take down her husband twenty-four years ago. Armando, a highly-skilled criminal, savvy fighter, and vicious killer, is the instrument of her revenge.

One of those men is Detective Lt. Michael “Mike” Lowrey (Will Smith), and Armando comes close to killing him. Mike is a hard man to keep down, and he wants payback. His boss, Captain Conrad Howard (Joe Pantoliano), wants Mike to let a new, tech-driven police unit, called “AMMO” (Advance Miami Metro Operations), hunt the shooter. Mike doesn't like that, especially as his former girlfriend, Lieutenant Rita Secada (Paolo Nunez), is head of AMMO. Even worse, Mike's longtime partner, Det. Lt. Marcus Burnett (Martin Lawrence), has retired and wants to stay that way. But when things get worse, will the Bad Boys be forced to unite for one last ride?

I still laugh at the fact that the film that became 1995's Bad Boys was originally written for actor-comedians, Dana Carvey and Jon Lovitz. Bad Boys would go on to become a signature entry in the filmographies of both eventual Oscar-winning actor, Will Smith (King Richard), and Martin Lawrence, who would go on to star in such films as Big Momma's House (2000) and Wild Hogs (2007). The duo eventually reunited for 2003's Bad Boys II. Because the fourth entry in the Bad Boys series, Bad Boys: Ride or Die (2024), is about to be released, I decided to go back and watch and review the one film in the franchise that I had not seen in its entirety, Bad Boys for Life (2020).

A close friend told me that he thought Bad Boys for Life was bad. I did find the first hour to be rather poorly developed. After all, Lowrey and Burnett seem pretty slow in figuring out that the shootings of Lowrey and others are obviously related. All these veteran cops and young, smart, new-school law enforcement are working on this case, and they are as clueless as can be.

However, in the film's second hour, directors Adil & Bilall make the most of their creative cohorts, especially their stunt coordinators, lighting department, and film editors in order to deliver a film that is fast-paced and slickly violent. The filmmakers also bring out all of the colors and life in both the Miami and Mexican locations Adil & Bilall do their best to summon the spirit of Michael Bay, the director of the first two films. I wonder what he thought of the new directors' homage to his style. I must say that Adil & Bilall eschew Bay's over-the-top theatrics for a slick visual, action style that is more focused on the characters than on sweeping shots and a deafening score and soundtrack.

In some ways, Bad Boys for Life is this series' best entry. Yes, Martin Lawrence looks a little pudgy in the face, but his comic timing and humor eventual rev up. Will Smith still looks lithesome and on the edge. While it starts clunky, Bad Boys for Life doesn't show its age, but it does show that – surprisingly – there is still life in these cinematic bad boys.

7 of 10

B+

★★★½ out of 4 stars

Saturday, June 1, 2024

NOTES:

2021 Image Awards (NAACP): 1 win: “Outstanding Motion Picture” and 1 nomination: “Outstanding Actor in a Motion Picture” (Will Smith)

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Review: "BAD BOYS II": What'cha Gonna Do 'Cept Watch This

TRASH IN MY EYE No. 114 (of 2003) by Leroy Douresseaux

Bad Boys II (2003)

Running time: 147 minutes (2 hours, 27 minutes)

MPAA – R for strong violence and action, pervasive language, sexuality and drug content

DIRECTOR: Michael Bay

WRITERS: Ron Shelton and Jerry Stahl; from a story by Cormac Wibberley & Marianne Wibberley and Ron Shelton (based upon the characters created by George Gallo)

PRODUCER: Jerry Bruckheimer

CINEMATOGRAPHER: Amir Mokri (D.o.P.)

EDITORS: Roger Barton, Mark Goldblatt, and Thomas A. Muldoon

COMPOSER: Trevor Rabin

ACTION/COMEDY/THRILLER/CRIME

Starring: Martin Lawrence, Will Smith, Gabrielle Union, Joe Pantoliano, Theresa Randle, Jordi Molla, Gary Nickens, Jason Manuel Olazabal, John Salley, Henry Rollins, and Dan Marino

Bad Boys II is a 2003 American buddy-cop film and action-comedy from director Michael Bay. It is a sequel to the 1995 film, Bad Boys, and is also the second film in the Bad Boys film series. In Bad Boys II, loose-cannon Detectives Burnett and Lowrey investigate the flow of illegal drugs into Miami and end up on the middle of a battle for control of the ecstasy trade.

In a crowded field of auteurs, director Michael Bay (The Rock, Armageddon) strives to become the director god of action movies; indeed, he may already be there. He returns for the sequel to Bad Boys, the film that put him on the map as a big time director of insane gunfights, fiery explosions, and slow motion ballets of unabashed violence. And since we must not worship any god before the god, this Zeus of adrenaline films unleashes a film of wall-to-wall mayhem that overwhelms the audience to paranoiac exhaustion just to show us what he can do.

Bay is fortunate (if a god can ever be called fortunate) to have two talents who are very good at what they do, Martin Lawrence and Will Smith. It’s ironic that these roles weren’t originally written for them, but the two actor/comedians have made the bad boys, Marcus Burnett (Lawrence) and Mike Lowrey (Smith) of Bad Boys II, their own because Burnett and Lowrey could not exist without them.

The plot is a confused half-assed muddle involving stereotypical Russian, Cuban, Jamaican, and redneck drug dealers battling it out in Miami for control of the ecstasy trade. If that wasn’t addled enough, Marcus’s sister, Sydney (the beautiful and sexy Gabrielle Union), is an undercover DEA agent caught in the middle of some mismanaged surveillance operation of a Russian and Cuban money-laundering scheme.

Smith and Lawrence are absolutely wonderful as the bad boys. They have to be because they’re on a very short list of actors whom Michael Bay cannot overwhelm with his thunderous conflagrations of balls-to-the-walls violence. Smith is pure bravado, sweating confidence with cartoonish machismo. His physical bearing and rapid-fire delivery of his dialogue create a seamless presence in the film that leads you to believe that Smith is always Lowery, even when you know that a stunt guy has to step in every now and then. He’s no bossy director’s action marionette or pretty boy A-list actor frontin’ like he’s all that. Smith is all that.

When he has good material, Martin Lawrence is a riot act of physical and facial humor. He’s a comedian, born to make us laugh despite his own personal demons. Lately, he’s sold himself for movies that treat him like a minstrel, when he’s at his best skewering the mainstream. In Bad Boy II, he reveals himself to be the best graduate of the Richard Pryor school of facial contortions, which Lawrence uses to grand effect to make us believe that the film’s juggernaut of violence actually scares him.

Even the overwhelming performances of Smith and Lawrence are almost no match for the overwhelming violence of Bad Boys II, but the actors are game. They do an admirable job keeping up with the exploding body parts, flying corpses, decapitated corpses, defiled corpses, gunshot wounds, gratuitous ass shots, the bare breasts of a naked corpse, flying cars, disintegrating cars, exploding cars, car wrecks, car crashes, and flesh wounds to the buttocks. There was a point early in the film when I was sure that Michael Bay was a fabulous artist of the absurd, cinema his canvas, and wanton violence his raw materials. The action was great and invigorating, the violence was cathartic and deliriously funny, and I wanted to revel in the excess. Lawrence and Smith were so on that I screamed with the kind of laughter I reserve for classic Richard Pryor, Mel Brooks, Marx Brothers, Lenny Bruce, and Burns and Allen.

After awhile, I realized that this was as much popcorn cinema as it was art. I still believe that Bay is on to something. One day, we will see him a great filmmaker who pushed the envelope with his inventiveness and imagination, but in Bad Boys II, he went too far too soon. It’s more popcorn than an even an audience ravenously hungry for Circus Maximus bedlam can stomach. With this film, Bay made the mistake that Martin Scorsese did with Gangs of New York: end the picture early enough and he has a cinematic classic, a truly great film. Overstay his welcome, and the director spoils his film.

As mean-spirited as this film gets, I’d still recommend this to die hard action fans and fans of Smith and Lawrence. I’d only recommend that they just have a bib ready for when you spit up from overeating this cinematic pandemonium.

6 of 10

★★★ out of 4 stars

Edited: Monday, July 1, 2024

NOTES:

2004 Image Awards (NAACP): 3 nominations: “Outstanding Motion Picture,” “Outstanding Actor in a Motion Picture” (Will Smith), and “Outstanding Supporting Actress in a Motion Picture” (Gabrielle Union)

2004 Black Reel Awards: 1 nomination: “Film: Best Soundtrack”

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Review: "BAD BOYS" Has Had a Surprisingly Long Life

TRASH IN MY EYE No. 113 (of 2003) by Leroy Douresseaux

Bad Boys (1995)

Running time: 119 minutes (1 hour, 59 minutes)

MPAA – R for intense violent action and pervasive strong language

DIRECTOR: Michael Bay

WRITERS: Michael Barrie, Jim Mulholland, and Doug Richardson; from a story by George Gallo

PRODUCERS: Jerry Bruckheimer and Don Simpson

CINEMATOGRAPHER: Howard Atherton

EDITOR: Christian Wagner

COMPOSER: Mark Mancina

ACTION/COMEDY/THRILLER/CRIME

Starring: Martin Lawrence, Will Smith, Tea Leoni, Joe Pantoliano, Tcheky Karyo, Theresa Randle, Marg Helgenberger, Nestor Serrano, Julio Oscar Mechoso, Saverio Guerra, Michael Imperioli, and Karen Alexander

As usual, a cog in the Hollywood system had written an action/comedy for Jon Lovitz and Dana Carvey, two funny white men. Perhaps, the white studio bosses never thought of persons of colors playing the parts and playing them not only well, but also better than the actors of the default skin color. By happy accident, two tremendously talented comic actors, who also happened to be men of color inherited the parts, and, thus was born Bad Boys. Lord knows, we can never again think of Lovitz and Carvey, two milky-white Americans, as proper for these roles, not that there’s anything wrong with one’s skin color being that white.

Bad Boys is a 1995 American buddy-cop film and action-comedy directed by Michael Bay. Bad Boys focuses on two savvy, Black detectives who try to protect a witness to murder while also investigating the theft of heroin from their police precinct’s evidence room.

Marcus Burnett (Martin Lawrence) and Mike Lowrey (Will Smith) are two hip detectives; at least they seem cooler than their Miami PD colleagues, but they can take the heat that comes with their job. As the film begins, they’ve already made a major heroin bust, but a gang of well-equipped thieves breaks into the precinct’s evidence room and steals the dope. Obviously, the raid is an inside job, so the precinct takes the blame. Burnett and Lowrey’s Captain Howard (Joe Pantoliano) feels the heat and returns it to the boys, putting the onus on them to find the dope. Making matters more complicated, they get saddled with protecting Julie Mott (Tea Leoni) a murder witness somehow connected to the smack thieves.

According to stories from the set of Bad Boys, director Michael Bay, Lawrence, and Smith hated the script, so they ad-libbed a lot of the dialogue. This was Bay’s first feature film, but he’d made a name for himself directing music videos for Tina Turner and “Wilson Phillips” (among others) and commercials for Nike and Budweiser (among others). Bay brings all the visual flair and clichés you could expect from music videos: quick-cut editing, dark alleyways full of steam, sexy chicks, and hot cars. He mixed in car chases, tremendous explosions, cartoonish violence, and gunfights with hundreds of rounds of ammunition. Smith and Lawrence brought the comedy and the hip sensibility to play the characters so over the top that you’d think they were heroes right out of a comic book. It works to an extent. Bad Boys is a very funny, exciting, and visually agile action movie.

If anything, it’ll be remembered for its African-American leads, unusual for an cop buddy movie/action flick. Beyond that, Bay introduced his over the top visual style that he would bring all his heart-pounding, action vehicles: slow motion camera buzzing around a posing action stud, panoramic shots of the sky, narrow escapes from devastating fire balls, etc. Bad Boys is pleasant and fun, nothing important, but it stands out in the white bread world of Hollywood action romps. Certainly, Lawrence and Smith are more believable as renegade cops than say, Josh Hartnett or Ben Affleck.

6 of 10

★★★ out of 4 stars

Edited: Friday, June 28, 2024

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A Negromancer June 2024

Welcome to June 2024. Welcome to Negromancer 2.0. This is the rebirth of the Negromancer, the former movie review site, as a movie review and entertainment and culture news blog.

Also, my first original graphic novel, THE WRATH OF KARAPACE: A BIG SPIRITS EPIC, co-created by Carter J. Allen, is now on sale at Amazon and Barnes and Noble online.

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Friday, May 31, 2024

Negromancer News Bits and Bites from May 26th to 31st, 2024 - UPDATE #11

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

POLITICS - From YahooNews: In case you were wondering, even after being convicted of 34 felony counts in New York yesterday (5/30), Donald Trump can still run for President of the United States and he can still vote for himself in Florida.

From NBCNews: Outside the courthouse where Donald Trump is on trial, legendary Oscar-winning actor, Robert De Niro, clashed with Trump supporters.

MOVIES - From Deadline: Mike Flanagan will write, direct, and produce a radical new take on "The Exocist" for Blumhouse. Flanagan has previously directed such films as "Oculus" (2013) and "Doctor Sleep."

NETFLIX - From THR: Emmy-winner, Kerry Washington, has joined director Rian Johnson's third "Knives Out" film, "Wake Up Dead Man: A Knives Out Mystery." The film is due in 2025.

SPORTS/BLM - From ESPN: Major League Baseball (MLB) has incorporated the statistics from the Negro Leagues, the professional baseball leagues that were made up of African-American baseball players. The first Black players league formed in 1887 and the last such league, Negro American League, disbanded after the 1962 season, although some consider its 1951 season to be the last major league seasons. The records that were incorporated into the MLB record books apparently cover six different Negro Leagues over a period from 1920 to 1948.

BOX OFFICE - From BoxOfficePro: The winner of the three-day Memorial Day weekend (5/24 to 5/26/2024) box office is Warner Bros.' "Furiosa: A Mad Max Saga" with an estimated take of 25.6 million dollars.

CANNES - From Deadline: Director Sean Baker's New York-set romantic comedy-drama, "Anora," has won the top prize, the Palme d'Or, at the 77th Cannes Film Festival. It is the first American film to do so since director Terrence Malick's The Tree of Life (2011).

MOVIES - From Deadline: Universal Pictures has announced a new original event film created and directed by Steven Spielberg set for May 15, 2026. Universal always had the weekend reserved for an event title.

OBITS:

From ESPN: Television sportscaster and former American professional basketball player, Bill Walton, has died at the age of 71, Monday, May 27, 2024. Walton won two titles as a member of the UCLA Bruins (1971-72, 1972-73). He played for three NBA franchises: the Portland Trailblazers, where he won a title in 1976-77; the San Diego/Los Angeles Clippers; and the Boston Celtics, where he won a title in 1985-86. He became a member of the Basketball Hall of Fame in 1993. Since 1990, he'd been a television sportscaster, winning an Emmy Award in 2001.

From Deadline: American songwriter, Richard M. Sherman, has died at the age of 95, Saturday, May 25, 2024. Richard and his the late brother, Robert B. Sherman (1925-2012), were known as the "Sherman Brothers" and were also known for the work in musical films. They produced more motion picture song scores than any other team. Apparently all their music was produced for the Walt Disney Company, and Richard and Robert won two Oscars for the music the produced for Mary Poppins (1964). Richard and Robert were named "Disney Legends" in 1990.

From Variety: Film and television writer, producer, director, and personality, Morgan Spurlock, has died at the age of 53, Thursday, May 23, 2024. Spurlock was best known for the 2003 documentary film, Super Size Me, which earned him an Academy Award nomination. His career was mostly derailed after he admitted to sexual misconduct in 2017.

From Deadline: American television entrepreneur and visionary, Patrick Gottsch, has died at the age of 70, Saturday, May 18, 2024. In the early 1980s, he started his own home satellite installation company and also began working for a livestock auction company in the early 1990s. Gottsch put his experiences together and launched "Rural Free Delivery Television" (RFD-TV), a 34-hour rural television network, on the DISH Network in December 2000. Gottsch had first tried to launch RFD-TV in the late 1980s and in the 1990s, but could not get funding. In 2017, he also launched "The Cowboy Channel," which like RFD-TV, operates under Gottsch's company, Rural Media Group.

Thursday, May 30, 2024

Comics Review: "ARCHIE COMICS: JUDGMENT DAY #1" Makes Hell Fun

ARCHIE COMICS: JUDGMENT DAY #1 (OF 3)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Aubrey Sitterson

ART: Megan Hutchinson

COLORS: Matt Herms

LETTERS: Jack Morelli

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Megan Hutchinson

VARIANT COVER ARTISTS: Francesco Francavilla; Jae Lee; Reiko Murakami

32pp, Color, $4.99 U.S. (July 2024); on sale in comic book shops May 22, 2024

Rating: Teen+

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character. In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics also has a dark side, as seen via a number of horror and dark fantasy titles sometimes published under the “Archie Horror” imprint. Archie's latest horror offering is Archie Comics: Judgment Day. It is the first in Archie Comics' new line, “Archie Premium Event.” It is written by Aubrey Sitterson; drawn by Megan Hutchinson; colored by Matt Herms; and lettered by the great Jack Morelli. The series finds Archie on a mission to rid his hometown of Riverdale of all “wicked-kind.”

Archie Comics: Judgment Day #1 opens in a Riverdale beset by all manner of shape-shifting demons. Archie is on a quest to cleanse his hometown, but first he needs the power to do so. Enter Madam Satan. She possesses the power to summon, imprison, and enslave demons for her own purposes. She can give Archie the “infernal power” he needs to fight the demons, but first, he has to meet the right demon... so to speak. And would Archie kill a friend to get that power? Jughead Jones will be the first to learn the answer.

THE LOWDOWN: For a long time, Archie's marketing department has been sending PDF copies of some of their titles for review. Archie Comics: Judgment Day #1 is one of them.

Since her modern revival in Archie Horror's Chilling Adventures of Sabrina #1 (cover dated: October 2014), vintage Archie character, Madam Satan, has been on quite a tear. She brings quite a bit of dark magic and unexpected edge to this first issue of Archie Comics: Judgment Day. Writer Aubrey Sitterson concocts a delicious dark brew that should quench the dark thirsts of his readers' imaginations, and Madam Satan is the straw that stirs this drink. This first issue is fun and crazy, and whatever your expectations, dear readers, Sitterson beats them to a pulp.

Megan Hutchinson's art is a flow of magical weaving and page after page of tapestries that recalls the art of Heironymus Bosch. Hutchinson's storytelling is dazzling and under the colors by Matt Herms, it is eye-popping and gorgeous. The great Jack Morelli tops it off with his classic comics lettering.

If Archie plans on doing more horror and dark fantasy comic books like Archie Comics: Judgment Day, then, they must do them. Perhaps, Archie Comics can become the new Vertigo Comics, which would be more real than whatever tragedy DC Comics is trying to resurrect.

I READS YOU RECOMMENDS: Fans of Archie Comics' “Archie Horror” imprint will want Archie Comics: Judgment Day.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://archiecomics.com/

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https://www.facebook.com/ArchieComicsOfficial?ref=tn_tnmn

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https://www.goodreads.com/user/show/8914136-archie-comics

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