Negromancer News Bits and Bites from August 11th to 17th, 2024 - UPDATED #10

by Leroy Douresseaux a.k.a. "I Reads You"

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ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From THR:  Noah Hawley, creator of FX's "Fargo" talks about the recent Season 5.  He also gives some info on "Alien: Earth," the FX's TV series based on the "Alien" film franchise.

BUSINESS - From Deadline:  U.S. District Judge Margaret Garnett, a federal judge in New York, has granted Fubo‘s request for Venu Sports, a planned sports bundle of Disney, Fox Corp. and Warner Bros. Discovery channels, be blocked on antitrust grounds. It's a temporary injunction.

NETFLIX - From Variety:  Netflix has renewed Guy Ritche's series, "The Gentlemen," for a second season.

MOVIES - From Deadline:  There is currently an ownership dispute over the 1985 cult horror-comedy, The Return of the Living Dead.

BUSINESS - From Deadline:  Paramount Television Studios is closing amid cutbacks and layoffs at Paramount Global, which was recently "merged" Skydance.

AMAZON - From Variety:  Tyler Perry‘s latest film “Divorce in the Black” not only drew strong viewership, but according to Amazon, the soapy drama has also driven more sign-ups to Prime Video in the U.S. than any Amazon MGM Studios-produced movie to-date.

TELEVISION - From Variety:  The site recaps the highlights from the closing ceremonies of the Paris Olympics.

BOX OFFICE - From BoxOfficePro:  The winner of the 8/9 to 8/11-2024 weekend box office is Disney/Marvel's "Deadpool & Wolverine" with an estimated take of 54.17 million dollars.

MOVIES - From Deadline:  Todd Haynes' gay romance movie starring Joaquin Phoenix is completely dead after Phoenix reportedly stormed off the set two weeks ago.

From THR:  Joaquin Phoenix's abrupt exit for director Todd Haynes' 1930s set gay romance may lead to legal action. However, it has already infuriated Hollywood's film producers.

OBITS:

From Deadline:  Actor and television game show host, Peter Marshall, has died at the age of 98, Thursday, August 15, 2024.  Marshall was best known for hosting the TV game show, "The Hollywood Squares," from 1966- to 1981.  Six of his seven Daytime Emmy Awards nominations were for his work on the series, and he won four times.  He was also nominated twice for the Primetime Emmy Award for the series.  Marshall was also a World War II veteran.

From Deadline:  The film and television actress, Gena Rowlands, has died at the age of 94, Wednesday, August 14, 2024.  Rowlands is known for her collaborations with her late husband, actor/director John Cassavetes.  Two of the films they made together, "Woman Under the Influence" (1974) and "Gloria" earned Rowlands "Best Actress" Oscar nominations.  She would later come to the attention of younger audiences when she starred in her son, Nick Cassavetes' film, "The Notebook."  She won three Primetime Emmy Awards for her work in television movies. She received an Honorary Academy Award in 2015.

Review: "ALIEN: ROMULUS" is Proud to Be an "Alien" Film

TRASH IN MY EYE No. 37 of 2024 (No. 1981) by Leroy Douresseaux

Alien: Romulus (2024)

Running time:  119 minutes (1 hour, 59 minutes)

MPA – R for bloody violent content and language

DIRECTOR:  Fede Alvarez

WRITERS: Fede Alvarez and Rodo Sayagues (based on characters created by by Dan O'Bannon and Ronald Shusett)

PRODUCERS: Walter Hill, Ridley Scott, and Michael Pruss

CINEMATOGRAPHER: Galo Olivares (D.o.P.)

EDITOR: Jake Roberts

COMPOSER:  Benjamin Wallfisch

SCI-FI/HORROR/THRILLER/ACTION

Starring:  Cailee Spaeny, David Jonsson, Archie Reaux, Isabela Merced, Spike Fearn, Aileen Wu, and Robert Bobrocyzki

SUMMARY OF THE REVIEW:

Alien: Romulus is a solid science fiction movie that wholeheartedly embraces the horror movie roots of the Alien film franchise

Director Fede Alvarez and his creative cohorts deliberately make Romulus look and feel like a film from the early days of the Alien franchise, as the film is set between Alien (1979) and Aliens (1986)

Alien: Romulus is a bit over the top, especially at the end, but David Jonsson's performance as “Andy” keeps everything on point in this film that is for longtime fans and will certainly create new Alien fans

Alien: Romulus is a 2024 American science fiction, horror, and action film from director Fede Alvarez.  It is the seventh entry in the Alien film series (and the ninth overall when including the Alien vs. Predator films).  Alien: Romulus focuses on a group of young space colonists who come face to face with a terrifying life form while scavenging aboard a derelict space station.

Alien: Romulus introduces Rain Carradine (Cailee Spaeny), an orphaned young woman.  She lives and works on the mining colony of “Jackson's Star.”  She lives with a surrogate brother, Andy (David Jonsson), a malfunctioning android or “synthetic human” who was reprogrammed by Rain's late father to be her companion.  After her work contract is unexpectedly extended, she realizes that her employers, the mega-corporation, Weyland-Yutani, realizes that she will be trapped on Jackson's Star at least another five years.

However, her ex-boyfriend, Tyler (Archie Reaux), has a plan.  He has discovered that a derelict space station has drifted into orbit around Jackson's Star. Tyler believes that the station has cryonic stasis chambers (for suspended animation), which they could salvage.  The cryogenic units would allow them to make the nine-year journey to the next nearest human colony, a remote planet named “Yvaga.”

Andy is essential for the mention because he can communicate with the space station's computer systems.  Rain and Andy join Tyler and his crew:  his sister, Kay (Isabela Merced); their cousin, Bjorn (Spike Fearn); and a pilot, Navarro (Aileen Wu).  After boarding “the Corbelan,” a mining hauler, they head for the space station.  What none of them realize is that waiting aboard the space station is a decades-old secret conspiracy and the most terrifying life form in the universe.

After watching Alien: Romulus last night, I realize it is shamelessly proud to be an Alien film, and that it gleefully embraces the good, the bad, and the ugly that is the franchise's wacky narrative.  Although it is a standalone film, Romulus is set between the events depicted in Alien (1979) and its sequel, Aliens (1986), and directly references story elements from both films.  Romulus also references story and elements from the franchise's prequel film, Prometheus (2012), and at least one of the original Alien sequels, Alien: Resurrection (1997).

I did not like Romulus director's Fede Alvarez's Hollywood calling card, Evil Dead, a 2013 “re-imagining” of Sam Raimi's beloved cult classic, The Evil Dead (1981).  Alvarez's Evil Dead had none of the imagination of the original, and it was as if Alvarez was using his film to purge the Evil Dead franchise of its flavor.  Here, Alvarez and his co-writer, Rodo Sayagues, immerse this new Alien film in the trappings of the franchise, and the result is a very good science fiction film that celebrates the horror that science, the future, and technology can unleash upon mankind.  And Romulus is a gory, bloody, body-ripping scary movie.

What keeps Alien: Romulus from being great is that Alvarez offers too much of everything – too much peril and too, too many cliffhangers.  At times, Romulus feels like sound and fury signifying overload.  As he did in Evil Dead, Alvarez offers a group of characters who are nothing more than intended victims, and that goes even for the “final girl,” Rain.

However, the script does invest nuance and character in Andy, brilliant played by David Jonsson, a British actor.  Jonsson steals Romulus by dabbling in multiple layers, making Andy frightening, sympathetic, and mesmerizing.  Jonsson's turn as Andy reminds me of British actor Chukwudi Iwuji's turn as the “High Evolutionary” in Disney/Marvel's Guardians of the Galaxy Vol. 3 (2023).  Jonsson vastly elevates the character drama in Romulus, as the other actors do their best work with him, especially Cailee Spaeny as the ostensible lead, Rain.

Alien: Romulus is a welcome return of the Alien franchise's roots, as it firmly sets itself in the tone, style, and aesthetic of the franchise's earlier films.  I heartily recommend Alien: Romulus to fans of the franchise and also to those who want to be fans.

7 of 10

A-

★★★½ out of 4 stars

Friday, August 16, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: 45 Years On, "ALIEN" is Still a Great Film

TRASH IN MY EYE No. 36 of 2024 (No. 1980) by Leroy Douresseaux

Alien (1979)

Running time:  117 minutes (1 hour, 57 minutes)

MPAA – R

DIRECTOR: Ridley Scott

WRITERS: Dan O'Bannon; from a story by Dan O'Bannon and Ronald Shusett

PRODUCERS: Gordon Carroll, David Giler, and Walter Hill

CINEMATOGRAPHER: Derek Vanlint (director of photography)

EDITORS:  Terry Rawlings and Peter Weatherley

COMPOSER: Jerry Goldsmith

Academy Award winner

SCI-FI/HORROR/THRILLER

Starring:  Sigourney Weaver, Tom Skerritt, John Hurt, Veronica Cartwright, Harry Dean Stanton, Ian Holm, Yaphet Kotto, Bolaji Badejo, and Helen Horton (voice)

Alien is a 1979 American science fiction and horror film directed by Ridley Scott.  It is the first movie in the Alien film series, which has entered its fifth decade and is comprised of prequels and a set of crossover films.  Alien is also a multimedia franchise that includes comic books, novels, video games, and an upcoming television series.  Alien focuses on the crew of a commercial spacecraft that encounters a deadly alien lifeform after landing on a mysterious moon.

Alien opens on the commercial towing vehicle, the Nostromo, which is returning to Earth.  Its cargo is twenty tons of mineral ore that is being refined.  It has a crew of seven in stasis (suspended animation): Captain Dallas (Tom Skerritt), Executive Officer Kane (John Hurt), 3rd Officer Ripley (Sigourney Weaver), Navigator Lambert (Veronica Cartwright), Science Officer Ash (Ian Holm), and engineers, Parker (Yaphet Kotto) and Brett (Harry Dean Stanton).

The ship's computer, Mother (voice of Helen Horton), detects a mysterious transmission of unknown origin from a nearby moon and awakens the crew.  The company that owns the Nostromo has a policy that the crew must investigate any transmission that indicates intelligent origin.  After landing on the moon, Dallas, Kane, and Lambert head out to investigate the landscape, and they discover a derelict alien spaceship.  What they find onboard that ship leads to a deadly encounter with an alien lifeform.  The problem is that the crew does not know how dangerous the lifeform is, and not everyone on the ship is working towards the same goal.

20th Century Studios (formerly 20th Century Fox) is set to release Alien: Romulus (2024), the latest entry in the Alien film franchise.  It is set between Alien and its sequel, Aliens (1986).  I have already reviewed Aliens, so I decided to watch Alien for the first time in over three decades and to review it for you, dear readers.

There are generally three reasons that I fondly remember Alien.  First, the Alien creature (now known as a “xenomorph”) was created and designed by the late Swiss artist, H. R. Giger (1940-2014).  Alien was how I discovered Giger, and I became a huge fan of his.  I sometimes paid premium prices for his art books, including those that focused on his work on Alien and his prior work that influenced the film.

The second reason is the film's director Ridley Scott.  I am a fan of Scott's work, especially his 1982 science fiction classic, Blade Runner, and his Alien prequel, Prometheus (2012).

The third reason that I fondly remember Alien is that it is one of the first films that introduced me to the Oscar-nominated actress Sigourney Weaver.  Her most famous films appeared in the 1980s and 1990s, including such personal favorites as Ghostbusters (1984) and Galaxy Quest (1999).

That aside, the film is rather good, although I think that Ridley Scott takes many of his cues for the film's pace, tone, and execution from Stanley Kubrick's space epic, 2001: A Space Odyssey (1968).  That is not necessarily a bad thing.  Unlike some of the Alien sequels, Alien is a science fiction film that is also a classic horror film.  It builds its scares not on action and violence, but rather on building a sense of mystery, creating an atmosphere of fear and desperation, and throwing a blanket of suspense over the entire thing.  Of course, the chest-bursting scene is still chilling and mesmerizing.

Alien remains a great film because it demands that we be patient and enjoy our steadily mounting feelings dread and terror.  The film is not perfect, but because it acts as if its audience is smart enough to enjoy a film without fast-paced action scenes and frenzied blood and gore, it is almost perfect.  Alien is as good today as it was when it first debuted in theaters forty-five years ago (specifically May 1979).  I am happy that Alien remains a thrilling film full of imaginative and inventive production design, SFX, and make-up and creature effects.  Not showing any wrinkles, Alien has aged well.

9 of 10

A+

Wednesday, August 14, 2024

NOTES:

1980 Academy Awards, USA:  1 win: “Best Effects, Visual Effects” (H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder, and Dennis Ayling) and 1 nomination: “Best Art Direction-Set Decoration” (Michael Seymour, Leslie Dilley, Roger Christian, and Ian Whittaker)

1980 BAFTA Awards:  2 wins: “Best Production Design” (Michael Seymour) and “Best Sound Track” (Derrick Leather, Jim Shields, and Bill Rowe); 5 nominations: “Best Costume Design” (John Mollo and Terry Rawlings), “Best Editing” (Terry Rawlings), “Most Promising Newcomer to Leading Film Role” (Sigourney Weaver), “Best Supporting Actor” (John Hurt), and “Anthony Asquith Award for Film Music” (Jerry Goldsmith)

Golden Globes, USA:  1 nomination: “Best Original Score - Motion Picture” (Jerry Goldsmith)

2002 National Film Preservation Board, USA:  “National Film Registry”

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: "JONNY QUEST #1" Makes a Stellar Return

JONNY QUEST VOL. 1 #1

DYNAMITE ENTERTAINMENT

STORY: Joe Casey

ART: Sebastián Piriz

COLORS: Lorenzo Scaramella

LETTERS: Taylor Esposito

EDITOR: Matt Idelson

COVER: Chad Hardin

VARIANT COVER ARTISTS: Jae Lee with June Chung; Tom Raney; Bob Layton; Richard Pace; Chris Samnee; Chad Hardin

32pp, Color, $4.99 U.S. (August 2024)

Rated “Teen”

Jonny Quest created by Doug Wildey

“Jonny Quest” (also known as “The Adventures of Jonny Quest”) was an animated science fiction-adventure television series.  It was produced by Hanna-Barbera Productions for the television studio, Screen Gems, and was created and designed by comic book artist, Doug Wildey.  The series ran for one season on ABC (September 1964 to March 1965), on prime time, for a total of 25 episodes

The series focused on a boy, Jonny Quest, who accompanied his scientist father, Dr. Benton Quest, on extraordinary adventures.  The other members of what came to be known as “Team Quest” were Jonny's adopted brother, Hadji; the Quest family bodyguard, Race Bannon; and Jonny's pet bulldog, Bandit.

Over the decades, there have been comic books featuring Jonny Quest.  The latest is Jonny Quest Volume 1, which is part of Dynamite Entertainment's recent licensing agreement with Warner Bros. Discovery.  The series is written by Joe Casey; drawn by Sebastian Piriz; colored by Lorenzo Scaramella; and lettered by Taylor Esposito.

Jonny Quest Volume 1 #1 follows the events depicted in the Jonny Quest FCBD Special that came out in May during Free Comic Book Day 2024.  Team Quest returns to their home on the island of Key Palm, where the island is not quite what it is supposed to be...  If the island feels like a stranger, well, the Quest home wants to be a stranger, also.  It seems simultaneously redecorated and abandoned.  However, the truth of this situation is so amazing, unraveling it will take time.

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  Jonny Volume 1 #1 is the latest, but it is not the first Jonny Quest comic book that I have read.

One of my favorite previous Jonny Quest comics was and remains Jonny Quest #1 (cover dated: June 1986), which was published by the now defunct Comico the Comic Company.  It was even written and drawn by Jonny Quest's creator, Doug Wildey.  Twenty years later, DC Comics brought together Team Quest and a bunch of Hanna-Barbera characters in Future Quest #1 (cover dated: July 2016).  Another Jonny Quest revival was the direct-to-DVD film, Tom and Jerry: Sea Quest, which featured classic MGM cartoon duo, Tom and Jerry, and Team Quest in a battle to defeat classic Quest villain, Dr. Zin.

In this new Jonny Quest #1, writer Joe Casey, artist Sebastian Piriz, colorist Lorenzo Scaramella, and letterer Taylor Esposito summon the classic “Jonny Quest” cool.  The story reads like a Jonny Quest story right out of the 1960s series, completely filled with a sense of mystery, wonder, and discovery.  The art and colors look and feel like the visuals of “The Adventures of Jonny Quest.”  Even the lettering summons an old school cool.

Jonny Quest Volume 1 #1 is so filled with shockers that I am loathe to spoil it.  Suffice to say, dear readers, it is one of the best single issues of 2024.

I READS YOU RECOMMENDS:  Fans of Dynamite Entertainment's Warner Bros. comic book series and of Jonny Quest will want to read Jonny Quest Volume 1.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: "HAUNTED MANSION" is Surprisingly Charming and Delightfully Scary

TRASH IN MY EYE No. 35 of 2024 (No. 1979) by Leroy Douresseaux

Haunted Mansion (2023)

Running time:  123 minutes (2 hours, 3 minutes

MPA – PG-13 for some thematic action and scary action

DIRECTOR:  Justin Simien

WRITER:  Katie Dippold

PRODUCERS:  Jonathan Eirich and Dan Lin

CINEMATOGRAHER:  Jeffrey Waldron (D.o.P.)

EDITOR:  Phillip J. Bartell

COMPOSER:  Kris Bowers

COMEDY/FAMILY/FANTASY/HORROR

Starring:  LaKeith Stanfield, Rosario Dawson, Owen Wilson, Tiffany Haddish, Danny DeVito, Chase Dillon, J.R. Adduci, Charity Jordan, Hasan Minhaj, Daniel Levy, and Jared Leto (voice) with Winona Ryder

Haunted Mansion is a 2023 American supernatural horror-comedy and family film from director Justin Simien.  Released by Walt Disney Pictures, the film is loosely based on the Disney theme park attraction, “The Haunted Mansion,” which first opened at Disneyland in 1969.  Haunted Mansion the movie focuses on a single mom and a group of peculiar locals who attempt to exorcise her new home, an old mansion, of its troublesome ghosts.

Haunted Mansion opens in New Orleans, Louisiana.  Ben Matthias (LaKeith Stanfield) is an astrophysicist developing a camera to detect dark matter.  He marries Alyssa (Charity Jordan), a tour guide for the city's famously haunted places.  Tragedy strikes, and Ben gives up his career and continues to operate Alyssa's tour despite the face that he does not believe in ghosts and the supernatural.

Meanwhile, Gabbie (Rosario Dawson), a doctor from New York, and her young son, Travis (Chase Dillon), move to the formerly lavish, but now rundown mansion, Gracey Manor.  Her plan is to transform the abandoned place into a bed and breakfast, but she and Travis soon discover that the place is infested by so many ghosts that they can't count them all.

Father Kent (Owen Wilson), a local Catholic priest who claims to be an exorcist, is helping Gabbie with the hauntings.  He hires Ben to photograph Gracey Manor's ghosts because Ben has a “dark matter” camera that may be able to photograph ghosts.  Kent also calls in Harriet (Tiffany Haddish), a psychic with genuine abilities, and Bruce (Danny DeVito), a college historian and professor who has written a book on Gracey Manor, as additional help.

However, the ghosts of Gracey Manor immediately attach themselves to anyone who enters the mansion.  Those same ghosts are apparently afraid of an alpha ghost who is seeking one more ghost to add to his menagerie, an act that would give him ultimate power.  Can a singe mother, her son, a grieving tour guide with a ghost camera, an eccentric psychic, an odd priest, a cantankerous historian, and Madame Leota (Jamie Lee Curtis), the ghostly psychic trapped in a huge crystal ball, exercise the horrible evil that haunts Gracey Mansion?  Or will one of them have to make the ultimate sacrifice?

I have to admit that last summer, as I watched the advertisements for Haunted Mansion, I could never convince myself that it was a must-see film.  I did plan to see it... eventually because I had seen the previous take on the Disney ride, the Eddie Murphy-vehicle, The Haunted Mansion (2003).  Also, I have had my eye on Justin Simien, the director of Haunted Mansion, since I saw his 2014 film, Dear White People.  But I thought I could wait, and so I did.

Recently, I finally did see Haunted Mansion, and I am surprised by how much I like it.  It is sweet and charming, and it is one of those perfect scary family movies.  I love it.  July 28, 2024 was the one-year anniversary of Haunted Mansion original theatrical release, and the film was a huge box office disappointment.  The mistake was Disney releasing the film against 2023's box office behemoths, Barbie and Oppenheimer, which were still at the height of their box office powers in the last weekend of July 2023.

Haunted Mansion should have been a late September to early October 2023 theatrical release.  This film is perfect Halloween, from its kooky cast of characters to the literal 1001 ghosts with stories.  I think Tiffany Haddish gets the most eccentric mileage out of her character, the psychic Harriet.  Although, LaKeith Stanfield can be a bit stiff at times, the way he plays Ben Matthias brings some center and balance to the wackiness and supernatural craziness.

Jamie Lee Curtis shines in her small role as the ghostly psychic, Madame Leota, and Owen Wilson as Father Kent and Danny DeVito as Bruce are pitch perfect.  Rosario Dawson and Chase Dillon are perfectly “Disney normal” as the mother and son combo of Gabbie and Travis.

Writer Katie Dippold's screenplay, Justin Simien's direction, and the rest of the film's creative crew deliver a haunted house film that is as lavish in its production values as it is rich in chills and thrills.  The cast fills that haunted house with the consummate scary movie characters.  The Haunted Mansion 2003 was a bit of a box office disappointment, but it has gone on to become a Disney television Halloween favorite.  Given time, Haunted Mansion 2023 will also become a beloved Disney Halloween trick-or-treat. 

8 of 10

A

★★★★ out of 4 stars

Tuesday, August 13, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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BOOM! Studios Shipping from Diamond Distributors for August 14, 2024

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Wonder Woman The Adventures Of Young Diana TP, $16.99

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