Marvel Comics Shipping from Diamond Distributors for January 1, 2025

MARVEL COMICS

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Comic Books, Magazines and Books from Diamond Distributors for January 1, 2025

COMICS & GRAPHIC NOVELS

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BOOKS

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Review: Original "BLACK CHRISTMAS" is Still a Gift (In Memory of Olivia Hussey, 1951-2024)

TRASH IN MY EYE No. 62 of 2024 (No. 2006) by Leroy Douresseaux

Black Christmas (1974)

COUNTRY OF ORIGIN:  Canada

Running time:  98 minutes

MPAA – R

PRODUCER/DIRECTOR:  Bob Clark

WRITER:  Roy Moore

CINEMATOGRAPHER:  Reg Morris (D.o.P.)

EDITOR:  Stan Cole

COMPOSER:  Carl Zittrer

HORROR

Starring:  Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon, Marian Waldman, Andrea Martin, James Edmond, Douglas McGrath, Art Hindle, Lynne Griffin, Michael Rapport, Martha Gibson, Leslie Carlson, and Dave Clement

Black Christmas is a 1974 Canadian slasher horror film from director Bob Clark and writer Roy Moore.  One of the earliest films belonging to the horror sub-genre known as the “slasher” film, Black Christmas is the first in a series that includes two remakes.  Set during a university Christmas break, Black Christmas focuses on a group of sorority girls who are being stalked and killed by a stranger in their house.

Black Christmas opens on the campus of an unknown university located in a Canadian town named “Bedford.”  Located on 6 Belmont Street is the Pi Kappa Sigma sorority house where a Christmas party is being held.  An unseen man climbs the exterior of the house and enters it through the attic.

During the party, the house phone rings and sorority sister Jess Bradford (Olivia Hussey) answers it only to discover that it is an obscene phone call.  It is also from a person who has called before, a caller the sorority sisters have nicknamed “the Moaner.”  Jess and the other sisters listen as the caller rants and screams in a series of strange voices that range from male and female and from adult to small child.  The name “Billy” comes up a lot during this and subsequent calls from the Moaner.  The calls end the same; he abruptly threatens to kill the Pi Kappa Sigma sisters and hangs up.

Soon after the first call, the stranger who broke into the house begins killing the sorority sisters one by one, with no one in the house aware that a killing spree has begun.  Jess seems to be the focal point of the calls, and the police, led by Lt. Ken Fuller (John Saxon), believe that the caller is someone close Jess.  But the killer is closer than anyone seems to realize.

As I write this review, Sunday evening, December 29, 2024, it is two days (Friday, December 27, 2024) after the passing of actress Olivia Hussey (1951 to 2024).  Hussey may be best known for her breakthrough film role as “Juliet” in director Franco Zeffirelli's 1968 film, Romeo and Juliet.  However, many movie fans remember Hussey specifically for her starring role in Black Christmas.

Directed by Bob Clark (1939-2007), Black Christmas is a seminal film in the “slasher” sub-genre of horror films.  It is apparently a direct inspiration for John Carpenter's 1978 film, Halloween, which kicks off what some consider the “Golden Age” of slash films (1978-1984).  The film has been remade twice, Black Christmas (2006) and Black Christmas (2019).  Strangely, Clark's other best known films are probably the raunchy, high school sex comedy, Porkys (1981) and the beloved Christmas perennial, A Christmas Story (1983).

Many have already written about the legacy of Black Christmas and about the individual performances and achievements that make up the film.  For instance, I want to shout out Carl Zittrer's pitch-perfect, psycho-perfect film score, and Margot Kidder's (1948-2018) scene-stealing turn as Barbara “Barb” Coard.

For this review, however, I would like to talk about Olivia Hussey.  There is a natural quality to her acting in general and to her performance here that makes this film seem more earthy than contrived and fantastic.  Jess' struggles, both with the the Moaner's phone calls and with her increasingly frantic boyfriend, Peter Smythe (Keir Dullea), come together to enrich the character drama.  Black Christmas is not just a film about a killer stalking girls, but it is also a tale that revolves around Jess and her external and internal struggles.

Here, Hussey is both vulnerable and endangered and calm and stalwart.  Watching Hussey in this film, it becomes obvious that her performance as Jess Bradford is the template for the common horror character or trope known as the “final girl,” which is the last girl or woman who survives to fight the killer in a horror film.  In Jess' final struggle, which takes her from the top of the sorority house to its very bottom, Hussey carries the film to victory.  Hussey's Jess seems so genuine and real that I found it difficult to focus on Black Christmas' nonsensical and inconsistent elements.

I was sad to hear of Hussey's passing.  I find her performance in Black Christmas to be unforgettable, and I think she makes the film unforgettable.  I watch Black Christmas whenever I get a chance because I love watching Hussey in it.  She makes me root for her Jess every step of the way.  As important as Clark's direction, Moore's writing, and the other actors' performances are, Hussey is “the Star of Bethlehem” in Black Christmas.

8 of 10

A

★★★★ out of 4 stars

Monday, December 30, 2024

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Review: 2006 "BLACK CHRISTMAS" was Not as Good as its Trailer Suggested

TRASH IN MY EYE No. 259 (of 2006) by Leroy Douresseaux

Black Christmas (2006)

Running time:  84 minutes (1 hour, 24 minutes)

MPAA – R for strong horror violence and gore, sexuality, nudity, and language

DIRECTOR:  Glen Morgan

WRITER:  Glen Morgan (based upon the 1974 screenplay by Roy Moore)

PRODUCERS:  Marty Adelstein, Marc Butan, Steve Hoban, Scott Nemes, Dawn Parouse, Victor Solnicki, Glen Morgan, and James Wong

CINEMATOGRAPHER:  Robert McLachlan

EDITOR:  Chris G. Willingham

COMPOSER:  Shirley Walker

HORROR

Starring:  Katie Cassidy, Michelle Trachtenberg, Oliver Hudson, Macy Elizabeth Winstead, Lacey Chabert, Kristen Cloke, Andrea Martin, Crystal Lowe, Karin Konoval, Robert Mann, and Kathleen Kole

Black Christmas is a 2006 slasher horror film from writer-director Glen Morgan.  It is a remake of director Bob Clark and writer Roy Moore's 1974 Canadian horror film, Black Christmas.  A joint U.S. and Canadian production, it is the third film in the Black Christmas film series.  Black Christmas 2006 focuses on an escaped maniac who returns to his childhood home, which is now a sorority house, and begins murdering the sorority sisters one by one on Christmas Eve.

Black Christmas opens at Clement University in New Hampshire.  The sisters of Delta Kappa Alpha are stuck in their sorority house for Christmas Eve.  The sisters and their sorority mother find themselves receiving harassing and threatening phone calls.  The caller may a mysterious man named Billy (Robert Mann), a maniac who long ago lived in that very house.  Fifteen years earlier, on Christmas day, Billy killed his deranged parents before being institutionalized.  The sisters really don’t have clue, but someone is also stalking and killing them one by one. 

Black Christmas is a remake of the 1974 film, Black Christmas, that was directed by Bob Clark of Porkys and A Christmas Story fame.  [Clark is one of the people credited as an executive producer on this remake.]  The new Black Christmas is truly a terrible movie, and only because it actually has some really creepy atmospheric moments is it not an absolute disaster.  There are times when Black Christmas made me wonder if it were a farce – perhaps a horror movie played absolutely straight, but meant to be an outrageous comedy.  That might be giving the filmmakers too much credit, or maybe not.  This is strange flick, and it’s hard to get a bead on it, other than to get the idea that Black Christmas is more annoying than scary.

Black Christmas is gruesome enough to capture the interest of horror fans that want gore, and this has blood thrown about by the buckets.  There are so many deaths by sharp objects that it’s a wonder the MPAA didn’t rate this “NC-17.”  Writer/director Glen Morgan clearly went retro for this, as it seems like one of those grisly and macabre slasher horror flicks that came out after John Carpenter’s 1978 movie, Halloween.  In fact, much of Black Christmas seems like a pastiche or sorry homage to 1980’s horror films.  It reminded me of Happy Birthday to Me, The People Under the Stairs, and any horror movie where inbreeding and incest come into play.

The murders are ghastly, and even the sex scenes in this movie are mean-spirited and common.  The actresses who play the sorority sisters have beautiful bodies, but they play characters that are so bitchy that it makes their faces look hard and mean.  Not one of the characters is sympathetic, so caring about their demises other than as a ritual of horror movies just doesn’t happen.  The methods of their horrific murders are also as obvious as the script’s sequence of events.  That there is more than one killer is, like so much in Black Christmas, painfully obvious, and the killers are about as crummy as stepping in dog feces with really good shoes.

2 of 10

D

★ out of 4 stars

Saturday, December 30, 2006

EDITED:  Saturday, December 28, 2024

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Comics Review: "ARCHIE Christmas Spectacular" 2024 Edition is the Thought That Counts

ARCHIE CHRISTMAS SPECTACULAR (2024)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Ian Flynn; Ron Cacace; Tom DeFalco

PENCILS: Holly G!; Rex Lindsey; Steven Butler; Pat Kennedy

INKS: Jim Amash; Lily Butler; Bob Smith

COLORS: Glenn Whitmore

LETTERS: Jack Morelli

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Dan Parent with Rosario “Tito” Peña

VARIANT COVER ART: Kubert School

32pp, Color, $3.99 U.S. (January 2025; on-sale December 4, 2024)

Rating: All-Ages

Chilling Adventures of Sabrina in “Revenge Gifting”

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character.  In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics frequently publishes holiday themed one-shot comic books featuring Archie's characters (sometimes referred to as “the Archie Gang”).  The latest is the Archie Christmas Spectacular, 2024 edition.  It features one new story and four reprint stories.  The new story is a humorous tale tied to the (very dark) Chilling Adventures of Sabrina series and is entitled, “Revenge Gifting.”  The story is written by Ian Flynn; drawn by Holly G! (pencils) and Jim Amash (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

Chilling Adventures of Sabrina in “Revenge Gifting”:

Amber Nightstone is the fiercest magical rival of Sabrina Spellman, a.k.a. “Sabrina, the Teenage-Witch.”  Now, Amber is on a mission to get Sabrina... the best Christmas gift ever?!

In her own unique way, Amber has... convinced Archie, Betty, Veronica, and Jughead to help her find a gift for Sabrina.  Why would Amber buy her sworn enemy a gift?  Well, in the spirit of the holidays, Sabrina gave Amber a gift made of real amber.  Not one to appreciate the thought that counts, Amber is determined to outdo Sabrina and give her an even better gift.  But can you get the perfect gift for someone you really haven't taken the time to know?

THE LOWDOWN:  I have been reading comic books, on and off, for decades.  I have sporadically read Archie Comics titles over that time.  For many years now, Archie's marketing department has been sending PDF copies of some of their titles for review.  Archie Christmas Spectacular is the latest.

Even if you have only read Chilling Adventures of Sabrina #1, you know that as a “Chilling Adventures of Sabrina” tale, “Revenge Gifting” is really an “Archie & Friends” story, and it is a nice one.  Writer Ian Flynn offers up that perfect kind of holiday comics story that captures the true meaning of Christmas.  The art team of Holly G! and Jim Amash brings out the humor in Amber Nightstone in the wake of her misfortune in the Josie Annual Spectacular, No. 1.  Their art finds the fun in her.

The rest of this issue features reprints of classic-style Archie Christmas and holiday stories.  There are guest appearances by several Archie Comics superheroes, including the “Ralph Hardy” and “Ivette Velez” versions of the Archie Comics' superhero, “The Jaguar.”  The Shield and The Mighty Crusaders also appear.

Dear readers, I will always recommend classic-style Archie Comics, especially when it comes in Christmas packaging – anytime of the year.

I READS YOU RECOMMENDS:  Fans of classic-style Archie Comics will want to find a copy of Archie Christmas Spectacular.

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Review: "NOSFERATU" 2024: You'll Either Be Impressed or Roll Your Eyes

TRASH IN MY EYE No. 61 of 2024 (No. 2005) by Leroy Douresseaux

Nosferatu (2024)

Running time:  133 minutes (2 hours, 13 minutes)

MPA – R for bloody violent content, graphic nudity and some sexual content

DIRECTOR:  Robert Eggers

WRITER:  Robert Eggers (inspired by the film, Nosferatu, and the novel by Bram Stoker)

PRODUCERS:  Chris Columbus, Eleanor Columbus, Robert Eggers, John Graham, and Jeff Robinov

CINEMATOGRAPHER:  Jarin Blaschke (D.o.P.)

EDITOR: Louise Ford

COMPOSER:  Robin Carolan

HORROR/THRILLER

Starring:  Lily-Rose Depp, Nicholas Hoult, Bill Skarsgard, Aaron Taylor-Johnson, Willem Dafoe, Emma Corrin, Ralph Ineson, and Simon McBurney

SUMMARY OF THE REVIEW:

Nosferatu is entertaining – in places, but quite a bit of it is also over-the-top and overdone. Honestly, I'd be reluctant to recommend it to people who don't go to movie theaters too often because they could find better films upon which to spend their infrequent cinema visits

Nepo-baby thespian, Lily-Rose Depp, gives an excellent performance, emphasizing facial expressions and physical feats, but Bill Skarsgard as the Nosferatu, manages only to create a vampire that is as boring as he is scary and ugly

Also, if you remember Francis Ford Coppola's 1992 film, Bram Stoker's Dracula, you will find this film shockingly similar to it

Nosferatu is a 2024 American vampire horror film from writer-director Robert Eggers  It is a remake of the 1922 German silent film, Nosferatu.  Like that German film, the modern Nosferatu also takes inspiration from the 1897 novel Dracula, written by author Bram Stoker.  The new Nosferatu focuses on a young woman and the terrifying vampire that is infatuated with her.

Nosferatu introduces Ellen (Lily-Rose Depp).  Since she was a child, Ellen has had a connection to the spiritual and mystical realms.  When she was a girl, she called out to a spirit, and that caused her to have a vision of a disfigured and corpse-like creature attack her.  This in turns leads to Ellen having a violent seizure.

In 1838, Ellie is now an adult and is newly wed to a husband, the young estate agent, Thomas Hutter (Nicholas Hoult).  The couple is living in Wisborg, Germany where Thomas works for “Knock & Associates.”  His employer, Herr Knock (Simon McBurney), offers Thomas a generous commission, but to get it, Thomas must embark on a six-day journey to the small country of Transylvania.

There, Thomas will meet the mysterious Count Orlok (Bill Skarsgard), who wants to buy property in Wisborg, which he plans to make his new home.  However, there is a conspiracy behind this business venture between Knock and Orlok, and Ellen, who is once again besieged by dark, monster-filled dreams, is the prize.  Now, Professor Albin Eberhart Von Franz (Willem Defoe), a controversial scientist and expert on the occult and mysticism, may be the only one who can figure out what everyone else seems to ignore.  And that is the fact that Orlok is a monstrous vampire – a Nosferatu!

First, some history: director F.W. Murnau's 1922 German silent film, Nosferatu, was an unauthorized film adaptation of Bram Stoker's novel, Dracula (1897).  Stoker's heirs sued and the film was ordered destroyed, but several prints survived this purge.  So the modern Nosferatu is both a remake of the 1922 film and an adaptation of Stoker's novel.  I also find quite a bit of this new Nosferatu to be a literally and spiritually rehash of director Francis Ford Coppola's visionary, Oscar-winning film, Bram Stokers Dracula (1992).

Moving on:  Lily-Rose Depp delivers a stunning performance as Ellen, one that is both emotionally charged and also physically impressive, thanks to the scenes in which she portrays having blood-curdling seizures, apparently without the help of computer-generated imagery.  Depp makes by far the best out of director Robert Eggers' screenplay, which I find to be shallow and also imaginative only in the superficial way that directors borrow from other directors' films in a bid to seem clever before their sycophants and devotees.

That is exemplified by Bill Skarsgard's Count Orlok.  He is both frightening and tedious.  Skarsgard is buried under a mound of makeup and likely computer-rendering that makes him look like a homeless and destitute version of the infamous Russian mystic and political Svengali, Grigori Rasputin.  The new Count Orlok is a scary mountain of monster-man, but he has no personality,  And girl, he grunts his garbled dialogue real good.  Ultimately, Skarsgard turn as Count Orlok is no better than one of actor Robert Englund's latter turns as “Freddy Krueger” in one of the many sequels to A Nightmare on Elm Street (1984).

Eggers really does not give the rest of his characters great dramatic material.  Nicholas Hoult's Thomas Hutter is an embarrassing crybaby, and Aaron Taylor-Johnson's Friedrich Harding is a stubborn moron.  Willem Defoe's Von Franz is smart and stupid in alternating waves that suggest that suggests he was created by some AI algorithm.  Emma Corrin's Anna Harding (Friedrich's wife) seems very smart and capable, so the male writer's screenplay kills her off way too early.

Yeah, I have a lot of complaints about this new Nosferatu, mainly because it is one of those maddening films that has many brilliant elements that are beset by many tedious, hilarious, and ridiculous elements.  This is not “style over substance,” but it is style strangling the shit out of substance.  I heartily recommend Nosferatu to fans of vampire films and to adventurous movie lovers, but I would be reluctant to recommend it to people who are not as into movies as I am.  Something like Nosferatu would make them roll their eyes.

6 of 10

B

★★★ out of 4 stars

Friday, December 27, 2024

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Comics Review: "SCOOBY-DOO, Where Are You? #131" Knocks the Elf Off the Shelf

SCOOBY-DOO, WHERE ARE YOU? (2010) #131

DC COMICS

STORY: Derek Fridolfs; Sholly Fisch

PENCILS: Walter Carzon; Randy Elliot

INKS: Horacio Ottolini; Randy Elliot

COLORS: Silvana Brys; Pamela Lovas

LETTERS: Saida Temofonte

EDITORS: Courtney Jordan; Harvey Richards (reprint)

COVER: Derek Fridolfs with Silvana Brys

32pp, Color, $2.99 U.S. (February 2025)

Ages 8+

“Scaries Not Included”

Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010.  I continue to renew my subscription so that I can continue to review this series for you, dear readers.

Scooby-Doo, Where Are You? #131 opens with “Scaries Not Included,” which is written by Derek Fridolfs and drawn by Walter Carzon (pencils) and Horacio Ottolini (inks).  The story finds Mystery Inc.:  Scooby-Doo, Shaggy, Fred, Daphne, and Velma attending the “Coolsville Collectible Toy Fair.”  There, they hope to collect items for the “Children's Toy Drive.”

What they find instead is agitated toy collectors looking for items that are exclusive to the toy fair.  Everyone is caught up in exclusives fever when an elf, specifically an elf-like “drow,” crashes the show.  Can the gang survive collector's mania long enough to solve the mystery of this dark elf?

As usual, the second story, “Not Just Yeti,” is a reprint story.  It is written by Sholly Fisch and drawn Randy Elliot.  [This story was originally published in Scooby-Doo, Where Are You #94 (cover date: October 2018).]  The story opens at “Benji Ford's Rockin' Gym,” an indoor climbing wall facility.  It's being haunted by a “yeti,” and the owner, Benji Ford, believes that the only ones who can help him are the experts of Mystery Inc.  While the gang has taken on the yetis a.k.a. “abominable snowmen,” in the past, this is the first time a yeti mystery is set on top of an indoor climbing wall and not at or near the top of a mountain. So what is really going on here?

Scooby-Doo, Where Are You? #131 offers a Christmas-like theme via the opening story, “Scaries Not Included.”  Although there isn't much Christmas spirit among the toy collectors in this new story, it is a treat from Scooby-Doo comic book stalwarts:  Derek Fridolfs, Walter Carzon, and Horacio Ottolini.  I consider that a Christmas gift from this comic book series.  Also, “Scaries Not Included” accurately depicts the collector's mania atmosphere that permeates conventions and toy fairs where show exclusive toys, action figures, and play sets are offered.

The reprint story, “Not Just Yeti,” another duo of Scooby-Doo stalwart creatives, Sholly Fisch and Randy Elliot, offer a Scooby-Doo mystery favorite supernatural pest, the yeti.  Honestly, yetis in Scooby-Doo television series have always scared me, so I consider this tale a nice offering.

Scooby-Doo, Where Are You? #131 offers a reading experience that is a bit more fun than what the previous issue presented.  So grab your “Scooby Snacks” and read this issue, and maybe watch a Scooby-Doo movie, later.  And until next time, Scooby-Dooby-Doo!

B

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Anti-Hero” by Kate Karyus Quinn, Demitria Lunetta, and Maca Gil.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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