Review: "Videodrome" Still Dazzles (Happy B'day, David Cronenberg)

TRASH IN MY EYE No. 31 (of 2004) by Leroy Douresseaux

Videodrome (1983)
Running time:  87 minutes (1 hour, 27 minutes)
MPAA – R
WRITER/DIRECTOR:  David Cronenberg
PRODUCER:  Claude Héroux
CINEMATOGRAPHER:  Mark Irwin (D.o.P.)
EDITOR:  Ronald Sanders
COMPOSER:  Howard Shore

SCI-FI/HORROR/THRILLER with elements of fantasy

Starring:   James Wood, Sonja Smits, Deborah Harry, Peter Dvorsky, Les Carlson, Jack Creley, and Lynne Gorman

The subject of this movie review is Videodrome, a 1983 Canadian science fiction and horror film from writer-director, David Cronenberg.  Possessing elements of the “body horror” genre, this film focuses on a sleazy cable television programmer who acquires a new kind of programming for his station then, watches as everything, including his life, spins out of control.  The film received eight Genie Award nominations (once Canada’s top film award), and won four, including a best director honor for Cronenberg (who shared the win with Bob Clark of A Christmas Story).

Although the term “visionary director” is bandied about so often (even more so now with so many movie reviewers and film critics crowding information space via the Internet, print, and televised media), Canadian filmmaker David Cronenberg is truly a visionary as displayed in his film Videodrome.

Max Renn (James Woods) is a low-level cable TV operator who runs a television station and is looking for new material when he stumbles upon a kind of “snuff film” and porno TV broadcast called Videodrome.  Max wants to acquire the rights to Videodrome, but has a hard time finding out who owns the rights or from where exactly the program’s signal originates.  He finally discovers the creator of Videodrome, only to learn there is a larger conspiracy involved, and that watching Videodrome also causes the viewer to experience strange hallucinations.

The film has the usual characteristics of a Cronenberg production:  bodily invasion and penetration, body alteration, hallucinations, rape paranoia, and altered realities.  While certainly heavy with sci-fi and horror themes, Videodrome is firmly rooted in everyday reality.  The film deals with how television and video images can physically, as well as mentally, alter and affect the human body.  Cronenberg’s most successful experiment in this film is to make the viewer as totally lost and confused as Max Renn is.  We truly don’t know anymore than he does, and he holds no clues secretly in head from the viewer.

The film’s third act is one of the most brilliant film portrayals of altered perception, as it becomes almost impossible to say what is the real world and what is imagination and hallucination.  Even more brilliant, Cronenberg creates this sense of detachment from reality without loosing the viewer.  We may never know what is meant to be “real,” as this film draws to its shocking finale, but we can’t look away.

Videodrome does drag a little in the first act, but Cronenberg is a smart filmmaker of smart films that unveil slowly and intelligently before our eyes.  It is a dazzling examination of how TV has and is changing humanity – truly a movie masterpiece of the late 20th Century.

9 of 10
A+

Updated:  Saturday, March 15, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Superman: Unbound" is Quite Unsound

TRASH IN MY EYE No. 12 (of 2014) by Leroy Douresseaux

Superman: Unbound (2013) – straight-to-video
Running minutes: 75 minutes (1 hour, 15 minutes)
MPAA – PG-13 for sequences of violence and action, and a rude gesture
DIRECTOR:  James Tucker
WRITER:  Bob Goodman (based on the story “Superman: Brainiac” by Geoff Johns and Gary Frank; and characters created by Jerry Siegel and Joe Shuster; and Jerry Ordway and Tom Grummet)
EDITOR:  Christopher D. Lozinski
COMPOSER:  Kevin Kliesch
ANIMATION STUDIO:  MOI Animation Studios

ANIMATION/SUPERHERO/ACTION

Starring:  (voices) Matt Bomer, Stana Katic, John Noble, Molly Quinn, Diedrich Bader, Frances Conroy, Melissa Disney, Alexander Gould, Sirena Irwin, Stephen Root, Wade Williams, and Michael Leon Wooley

Superman: Unbound is a 2013 direct-to-video superhero animated film from Warner Bros. Animation.  Starring DC Comics’ most famous superhero, Superman, this is also the 16th feature in the DC Universe Animated Original Movies line.

Superman: Unbound is an adaptation of the comic book story arc, “Superman: Braniac,” which was published in Action Comics #866-870 (cover date: August 2008 to December 2008).  The story was written by Geoff Johns and drawn by artist Gary Frank.  In Superman: Unbound, Superman and Supergirl take on a powerful cyborg that collects cities and destroys worlds

Superman: Unbound finds Kara Zor-El AKA Supergirl (Molly Quinn) trying to find her place on Earth.  Like her cousin, Clark Kent AKA Superman (Matt Bomer), she is from the planet Krypton, but she has more traumatic memories involving the destroyed world than her cousin does.  She remembers how a space-faring cyborg, called Brainiac (John Noble), attacked Krypton and stole the city of Kandor.  Now, Brainiac has set his sights on Earth.  Superman is ready to battle the monster, but can Supergirl overcome her trauma in order to fight a villain she very much fears?

Superman: Unbound is not a tie-in to The Man of Steel, the 2013 live-action reboot of the Superman film franchise.  However, both films depict Superman’s home world of Krypton in distress.  Both are also mediocre action movies that feature overly long sequences of destruction and battles.  The Man of Steel was a tedious excursion into the Superman mythos.  Superman: Unbound uses the Superman mythos as window-dressing for a story that is just an excuse for super-powered beings to bash and thrash.

It is pointless to even go into detail about the subplot concerning Clark Kent and Lois Lane’s (Stana Katic) relationship dysfunction.  It’s lame.  I hate that I wasted time watching this.  I can’t even explain why I thought that I should watch it.  Well, I am a longtime comic book fan, and I have watched the other DC Universe Animated Original Movies released prior to this one.  Superman: Unbound:  it’s hard to find moments in it that I liked.

3 of 10
D+

Thursday, March 13, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

"Tiger and Bunny: The Rising" Hits U.S. Theatres

VIZ MEDIA AND ELEVEN ARTS ANNOUNCE THEATRICAL PREMIERE OF TIGER & BUNNY THE MOVIE: THE RISING IN MAJOR U.S. CITIES IN MARCH

Catch Japan’s Favorite Corporately Sponsored Superheroes On The Big Screen With A New Look, New Heroes, And An Intense Battle Against A New Cast Of Powerful Villains

VIZ Media, LLC (VIZ Media), the largest distributor and licensor of manga and anime in North America, teams with Los Angeles-based film distribution company ELEVEN ARTS to bring the riveting anime action of TIGER & BUNNY THE MOVIE: THE RISING to a host of major U.S. cities for series of special theatrical screenings beginning Saturday, March 15th.

TIGER & BUNNY THE MOVIE: THE RISING is the second and latest feature film in the popular Japanese superhero action franchise. The film is scheduled to premiere in Japan in February prior to the theatrical premieres in 20 cities throughout the U.S. including New York, Chicago, Los Angeles, Seattle and more. Tickets will be available for $15 each, and attendees will receive a free 12” x 18” premium cardstock movie poster and while supplies last, an exclusive movie clear file. A complete list of screenings and theatre locations is available at: http://www.elevenarts.net/th_gallery/tigerandbunny-therising/

A special screening scheduled for March 22nd brings the hero-inspired big screen action of the smash hit anime property home to the Bay Area for a very special theatrical event to be held at the NEW PEOPLE Cinema, located inside the dynamic Japanese pop culture entertainment venue in San Francisco’s Japantown at 1746 Post St. Details for this screening will be announced soon on the TIGER & BUNNY Facebook page at: https://www.facebook.com/TigerAndBunny.

In TIGER & BUNNY THE MOVIE: THE RISING, the heroes are back in an all-new feature-length film! Kotetsu T. Kaburagi, a.k.a. Wild Tiger, and Barnaby Brooks Jr.’s partnership comes to a sudden end when Apollon Media’s new owner Mark Schneider fires Kotetsu and moves Barnaby back into the First League, pairing him up with Golden Ryan, a new hero with awesome powers and a huge ego to match. When the heroes are sent to investigate a string of strange incidents tied closely to the city’s Goddess Legend, they discover three superpowered NEXTs plotting to bring terror and destruction to Stern Bild.

“TIGER & BUNNY THE MOVIE: THE RISING is the all-new feature film in the smash hit series, and this time the tables are turned as it becomes Barnaby Brooks Jr., aka Bunny, who now has to work with a young and arrogant upstart,” says Charlene Ingram, Senior Marketing Manager, Animation. “Barnaby is more mature now, honoring and passing on the values he learned from his former partner. And though the beloved Wild Tiger is no longer partnered with Barnaby, he’ll also get his fair share of action. Don’t miss the big screen superhero action and drama as TIGER & BUNNY THE MOVIE: THE RISING premieres in North America!”

VIZ Media is the also distributor of the TIGER & BUNNY manga series (rated ‘T’ for Teens), which features artwork by Mizuki Sakakibara and is based on the smash hit animated series, created by the famed Tokyo-based anime studio Sunrise. VIZ Media also licenses and distributes the popular TIGER & BUNNY feature film and anime series that are available on DVD/Blu-ray as well as on the company’s Neon Alley 24/7 anime channel.

More information on the TIGER & BUNNY anime is available at: www.facebook.com/TigerAndBunny and VIZAnime.com/tiger-and-bunny/

For more information on manga titles available from VIZ Media, please visit www.VIZ.com.

About ELEVEN ARTS:
ELEVEN ARTS is the Los Angeles based film distribution company that has brought many acclaimed Japanese films, live-action and animated features, to North American audiences. ELEVEN ARTS’s major live-action titles include Japan Academy Awards winner Memories of Tomorrow (starring Ken Watanabe) and Oscar nominated director (with The Twilight Samurai in 2004) Yoji Yamada’s samurai film Love and Honor. ELEVEN ARTS is also a respected distributor of popular animation titles such as the Evangelion franchise, Fullmetal Alchemist: The Sacred Star of Milos, and Puella Magi Madoka Magica The Movie Part 1: Beginnings/ Part 2: Eternal/ Part 3: Rebellion. For additional information, go to www.elevenarts.net.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.  Learn more about VIZ Media, anime and manga at www.VIZ.com.

Review: "Thank You for Smoking" is Too Glib (Happy B'day, Aaron Eckhart)

TRASH IN MY EYE No. 229 (of 2006) by Leroy Douresseaux

Thank You for Smoking (2005)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – R for language and some sexual content
DIRECTOR:  Jason Reitman
WRITERS:  Jason Reitman (based upon the novel by Christopher Buckley)
PRODUCER:  David O. Sacks
CINEMATOGRAPHER:  James Whitaker (D.o.P.)
EDITOR:  Dana E. Glauberman
COMPOSER:  Rolfe Kent
Golden Globes nominee

COMEDY with elements of drama

Starring:  Aaron Eckhart, Maria Bello, Cameron Bright, Sam Elliot, Katie Holmes, David Koechner, Rob Lowe, William H. Macy, J.K. Simmons, and Robert Duvall, Kim Dickens, Adam Brody, and Todd Louiso

The subject of this movie review is Thank You for Smoking, a 2005 satirical comedy written for the screen and directed by Jason Reitman.  The film is based on the 1994 novel, Thank You for Smoking, by author Christopher Buckley.  Thank You for Smoking the movie follows the tobacco industry’s chief spokesman as he spins and disseminates information on behalf of cigarettes, while trying to remain a role model for his twelve-year-old son.

As Vice-President of the Academy of Tobacco Studies, Nick Naylor (Aaron Eckhart) is the main lobbyist and primary spin doctor for Big Tobacco.  Naylor is on a mission to make the country forget the dangers and health risks of smoking cigarettes.  However, his mission gets tougher with health advocates and the opportunistic Senator Ortolan K. Finistirre (William H. Macy) determined to put a new poison label (in the form of an image of the skull & bones) on cigarette packs.  Naylor goes on the PR offensive with a strategy to get big Hollywood actors to smoke on screen, as the movie stars of yesteryear did in the Golden Age of Hollywood movies.  Nick enlists, Jeff Megall (Rob Lowe), a Hollywood super-agent, to help him get smoking on screen again.

However, Nicky’s newfound notoriety does not go unnoticed by Big Tobacco’s head honcho, The Captain (Robert Duvall), who gives his blessing to Nick’s Hollywood plan.  Nick’s activities also get the attention of a beautiful, young investigative reporter, Heather Halloway (Katie Holmes), who is willing to use her body to get Nick to tell her his secrets.  Even with a busy schedule, Nick still finds time to hold forth with two comrades – two other lobbyists for industries also facing public backlash: Polly Bailey (Maria Bello) of the alcohol industry and Bobby Jay Bliss (David Koechner) of the gun industry.  Together, the three of them are the Merchants of Death or M.O.D. Squad.  Nick’s also a father, and he’s trying to remain a role model to his young, impressionable son, Joey Naylor (Cameron Bright), who thinks his dad is a god, but Nick’s ex-wife, Jill Naylor (Kim Dickens), isn’t sure a tobacco lobbyist is the best dad material.

Jason Reitman, the son of famed comedy director, Ivan Reitman (Animal House, Ghostbusters), has a more cerebral approach to film comedy than his father, and that’s clearly evident in the clever, offhand satire, Thank You for Smoking, which Reitman adapted from the novel by Christopher Buckley.  The film comes across as a savage satire of the tobacco industry, but Reitman directs the film with such elegance that Thank You for Smoking sometimes comes across as glib and soulless.  In his attempt to impale Big Tobacco, and also throw sand in the face of shallow Hollywood, opportunistic big media, and shameless Congress, Reitman’s movie ends up gabby and has no real villains.  This is a satire that comes across as if it’s teasing its targets rather than criticizing them.

While Thank You for Smoking holds up the characters and subject matter for detached scrutiny, the cast isn’t afraid to get down and dirty.  The actors take delight in revealing the characters for all their oily selfishness.  They’re all out for their own interests, and what little guilt they feel merely adds a light pungent flavor to the characters.  The best performance is delivered, of course, by Aaron Eckhart as the film’s protagonist/quasi-villain, Nick Naylor.  A character actor who can play an amazing range of lead characters, Eckhart gives Thank You for Smoking its gift of gab.  Eckhart’s screen chemistry with Cameron Bright, the young actor who plays Nick’s son, Joey, is supernaturally real.  It’s like a real father and son duo.

Eckhart humanizes Naylor, and makes the viewer like him and want to engage him.  Thank You for Smoking is well-written and well-directed (considering the inexperience of the director), and the technical aspects are pretty good.  But it’s Aaron Eckhart who makes Thank You for Smoking something more than just another satirical film essay.  He makes it memorable.

7 of 10
B+

Monday, November 06, 2006

NOTES:
2007 Golden Globes:  2 nominations:  “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Aaron Eckhart)

Updated:  Wednesday, March 12, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: Father and Daughter Hold Down the "Homefront"

TRASH IN MY EYE No. 11 (of 2014) by Leroy Douresseaux

Homefront (2013)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – R for strong violence, pervasive language, drug content and brief sexuality
DIRECTOR:  Gary Fleder
WRITER:  Sylvester Stallone (based upon the novel by Chuck Logan)
PRODUCERS:  Sylvester Stallone, Kevin King Templeton, John Thompson, and Les Weldon
CINEMATOGRAPHER:  Theo van de Sande
EDITOR:  Padraic McKinley
COMPOSER:  Mark Isham

CRIME/ACTION/DRAMA/THRILLER

Starring:  Jason Statham, James Franco, Izabela Vidovic, Kate Bosworth, Marcus Hester, Winona Ryder, Clancy Brown, Omar Benson Miller, Rachelle Lefevre, Frank Grillo, Chuck Zito, Pruitt Taylor Vince, Linds Edward, and Austin Craig

Homefront is a 2013 crime thriller and action movie from director Gary Fleder.  The film is loosely based on the 2005 novel, Homefront, by author Chuck Logan.  Homefront the movie focuses on a former DEA agent who moves to a small town, where he soon catches the attention of a local drug lord.

Homefront is a mean, gritty little bastard of a film.  It is a true southern gothic in the tradition of such movies as White Lighting (a Burt Reynolds classic), Deliverance, and Walking Tall.

Widowed ex-solider Phil Broker (Jason Statham) works undercover for the Drug Enforcement Agency (DEA).  After an operation goes bad, Broker retires, and he and his 10-year-old daughter, Maddy (Izabela Vidovic), move to the quiet Southern town of Rayville.  However, the small town is riddled with drugs and violence, and, after Maddy gets into a fight at her new school, Broker discovers that Rayville is not as idyllic as it seems on the surface.  Broker catches the attention of Gator Bodine (James Franco), a local drug lord with big ambitions.  Those ambitions cause Gator to go into Broker’s past, which brings trouble for everyone.

It is too easy to mock a screenplay written by Sylvester Stallone; after all, he has been writing movie scripts for four decades.  His Homefront screenplay is tightly written, perhaps a bit too tightly.  The movie runs at about an hour-and-a-half of actual story time, which is too short for the plot and characters.  Stallone introduces several characters and establishes them as potentially having a major impact on the story.  Many of them, however, end up being used sparingly, especially the teacher Susan Hetch (Rachelle Lefevre), who might have romantic feelings for Broker.  Cassie Bodine Klum (Kate Bosworth), as a character connected to both Broker and Bodine, has the most potential to improve the drama in Homefront, but, except for a few scenes, Cassie is underutilized.

What Stallone’s script gets right is the relationship between Broker and his daughter, Maddy.  The film takes the time to establish how important both characters are to each other.  The movie emphasizes two things:   as a family that recently underwent loss, Broker and Maddy are in a fragile state and also that external threats are not the only things that can damage the family.  Maddy is every bit as stubborn and determined as her father, and her love for him won’t deter her from confronting him.  So when the bad guys start attacking, the audience will buy into the threat to the family because the film made the bond and relationship between Broker and Maddy seem genuine and honest.

Fear not, Jason Statham fans; our guy gets to kick ass and pop caps.  Director Gary Fleder and film editor Padraic McKinley largely eschew CGI god-tech and instead, offer old-fashioned, no-gloss gunfights that will glue your attention to the screen.  The bone-crunching, ball-rupturing, face-smashing fights are short and to the point, and I found myself re-watching them.

Homefront is one of the better Jason Statham vehicles because his character seems more grounded in realism.  Phil Broker is both susceptible to being hurt and has something to lose.  And because this movie was not a box office success, we likely won’t get to see Statham as Broker in another film – a pity.

6 of 10
B

Sunday, March 09, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Denis Villeneuve's "Enemy" Wins Canada's "Best Picture" Award

The Canadian Screen Awards honor achievements in Canadian film and television production, as well as achievements in digital media.  In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

The Canadian Screen Awards are presented by the Academy of Canadian Cinema & Television.  This is a national, no-profit, professional association dedicated to the promotion, recognition and celebration of exceptional achievements in Canadian film, television and digital media.  The Academy describes itself as a “Unifying industry professionals across Canada, the Academy is a vital force representing all screen – based industries.”

The Academy’s Canadian Screen Awards is the annual awards show to celebrate the best in film, television and digital media.  They are part of Canadian Screen Week (March 3‐9, 2014).

The 2014 Canadian Screen Awards were presented at an awards gala on Sunday, March 9, 2014.  This two-hour live broadcast was presented on the CBC.  Actor Martin Short was the host.

The following list of winners is only a partial list, which excludes the television and new media categories, as well as most of the 2014 Special Award winners.  For a full list of winners and nominees, go here:
http://www.academy.ca/Canadian-Screen-Awards/2014-Nominees-Winners/Film

2nd / 2014 CANADIAN SCREEN AWARDS Winners (for the year in film 2013):

Feature Film Winners:

Best Motion Picture / MEILLEUR FILM (Sponsor / Commanditaire | William F. White International and Comweb Group):

ENEMY – Kim McCraw, Luc Déry, Miguel A. Faura, Niv Fichman, Sari Friedland

Best Director: ACHIEVEMENT IN DIRECTION / MEILLEURE RÉALISATION (Sponsor / Commanditaire | Pinewood Toronto Studios):

DENIS VILLENEUVE – Enemy

Best Actor: PERFORMANCE BY AN ACTOR IN A LEADING ROLE / INTERPRÉTATION MASCULINE DANS UN PREMIER RÔLE

GABRIEL ARCAND – Le Démantèlement / The Dismantlement

Best Supporting Actor: PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE / INTERPRÉTATION MASCULINE DANS UN RÔLE DE SOUTIEN

GORDON PINSENT – The Grand Seduction

Best Actress: PERFORMANCE BY AN ACTRESS IN A LEADING ROLE / INTERPRÉTATION FÉMININE DANS UN PREMIER RÔLE

GABRIELLE MARION‐RIVARD – Gabrielle

Best Supporting Actress: PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE /INTERPRÉTATION FÉMININE DANS UN RÔLE DE SOUTIEN

SARAH GADON – Enemy

ORIGINAL SCREENPLAY / MEILLEUR SCÉNARIO (Sponsor / Commanditaire | Harold Greenberg Fund):

SHANNON MASTERS – Empire of Dirt

ADAPTED SCREENPLAY / MEILLEURE ADAPTATION

ELAN MASTAI – The F‐Word

ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE
DIRECTION ARTISTIQUE

MICHEL PROULX – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World

ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES

CARMEN ALIE – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World

ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES:

NICOLAS BOLDUC CSC – Enemy

ACHIEVEMENT IN EDITING / MEILLEUR MONTAGE (Sponsor / Commanditaire | The PostMan):

MATTHEW HANNAM ‐ Enemy

ACHIEVEMENT IN MAKE‐UP / MEILLEURS MAQUILLAGES (Sponsor / Commanditaire | M•A•C Cosmetics)

JO‐ANN MACNEIL, KAROLA DIRNBERGER, PAUL JONES – The Mortal Instruments: City of Bones

ACHIEVEMENT IN MUSIC ‐ ORIGINAL SCORE / MEILLEURE MUSIQUE ORIGINALE

DANNY BENSI, SAUNDER JURRIAANS – Enemy

ACHIEVEMENT IN MUSIC ‐ ORIGINAL SONG / MEILLEURE CHANSON ORIGINALE (Sponsor / Commanditaire | Slaight Music)

JIMMY HARRY, SERENA RYDER – The Right Kind of Wrong – “It’s No Mistake”

ACHIEVEMENT IN OVERALL SOUND / MEILLEUR SON D'ENSEMBLE (Sponsor / Commanditaire | Deluxe Toronto):

ANDREW TAY, DAVID DRAGE, DAVID GIAMMARCO, GREG CHAPMAN, MATT MCKENZIE, PETER PERSAUD – The Mortal Instruments: City of Bones

ACHIEVEMENT IN SOUND EDITING / MEILLEUR MONTAGE SONORE (Sponsor / Commanditaire | IMAX):

ALEX BULLICK, CHRISTIAN SCHAANING, J.R. FOUNTAIN, JILL PURDY, KEVIN BANKS, NATHAN ROBITAILLE, NELSON FERREIRA, STEPHEN BARDEN, STEVE BAINE – The Mortal Instruments: City of Bones

ACHIEVEMENT IN VISUAL EFFECTS / MEILLEURS EFFETS VISUELS:

ANDY ROBINSON, DENNIS BERARDI, EDWARD J. TAYLOR IV, JAMES COOPER, JASON EDWARDH, JO HUGHES, LEANN HARVEY, SEAN MILLS, STEPHEN WAGNER, TREY HARRELL – The Mortal Instruments: City of Bones

Docs & Short Film Winners:

Best Documentary: TED ROGERS BEST FEATURE LENGTH DOCUMENTARY / MEILLEUR LONG MÉTRAGE DOCUMENTAIRE TED ROGERS

WATERMARK – Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, Daniel Iron

BEST SHORT DOCUMENTARY / MEILLEUR COURT MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire | Hot Docs)

CHI – Anne Wheeler, Yves J. Ma, Tracey Friesen

BEST LIVE ACTION SHORT DRAMA / MEILLEUR COURT MÉTRAGE DRAMATIQUE

NOAH – Patrick Cederberg, Walter Woodman

BEST ANIMATED SHORT / MEILLEUR COURT MÉTRAGE D'ANIMATION

SUBCONSCIOUS PASSWORD – Chris Landreth, Marcy Page, Mark Smith

Lifetime Achievement Award - For Exceptional Contribution to the Canadian Film & Television Industry: DAVID CRONENBERG

Earle Grey Award – For Acting: COLM FEORE

Claude Jutra Award: Emanuel Hoss-Desmarais, Whitewash

Golden Reel Award:  The Mortal Instruments: City of Bones


http://www.academy.ca/awards/

"12 Years a Slave," "The Dirties" Lead Vancouver Critics Awards

The Vancouver Film Critics Association or Vancouver Film Critics Circle (VFCC) was apparently founded to represent Vancouver’s print, on-line, and broadcast media.  The group honors the best in Canadian and international filmmaking with the annual VFCC Awards.

In anticipation of the 2014 Canadian Screen Awards, here, is a look at the 2014 VFCC Award winners.

2014 Canadian Screen Awards (for the year in film 2013) – a complete list of winners follows:

INTERNATIONAL AWARDS:

BEST FILM
12 Years a Slave

BEST ACTOR
Oscar Isaac, Inside Llewyn Davis

BEST ACTRESS
Cate Blanchett, Blue Jasmine

BEST SUPPORTING ACTOR
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Jennifer Lawrence, American Hustle

BEST DIRECTOR
Alfonso Cuarón, Gravity

BEST SCREENPLAY
Joel and Ethan Coen, Inside Llewyn Davis

BEST FOREIGN FILM
The Hunt

BEST DOCUMENTARY
The Act of Killing

CANADIAN AWARDS:

BEST CANADIAN FILM
The Dirties

BEST ACTOR IN A CANADIAN FILM
Matt Johnson, The Dirties

BEST ACTRESS IN A CANADIAN FILM
Sophie Desmarais, Sarah Prefers to Run

BEST SUPPORTING ACTOR IN A CANADIAN FILM
Alexandre Landry, Gabrielle

BEST SUPPORTING ACTRESS IN A CANADIAN FILM
Lise Roy, Tom at the Farm

BEST DIRECTOR OF A CANADIAN FILM
Jeff Barnaby, Rhymes for Young Ghouls

BEST CANADIAN DOCUMENTARY
My Prairie Home

BEST FIRST FILM BY A CANADIAN DIRECTOR
The Dirties

BEST BRITISH COLUMBIA FILM
Down River

IAN CADDELL AWARD FOR ACHIEVEMENT
Al Sens

AWARD FOR ACHIEVEMENT
Corinne Lea

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