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Negromancer Book Review: Roald Dahl's THE WITCHES
PENGUIN RANDOM HOUSE/Puffin Books
[This review was originally posted on Patreon.]
AUTHOR: Roald Dahl
ILLUSTRATOR: Quentin Blake
ISBN: 978-1-9848-3716-5; hardcover with color dust jacket; 5.31 in x 7.75 in; (September 3, 2019)
224pp, B&W, $17.99 U.S.
Ages 8-12
The Witches is a 1983 children's dark fantasy novel written by the British author, the late Roald Dahl. The book was published with almost 100 full-page and spot illustrations by Quentin Blake (who illustrated many of Dahl's works). This review is based on a hardcover edition of The Witches published in September 2019 by Puffin Books, an imprint of Penguin Random House.
The Witches is narrated by an unnamed young British boy who recounts his and and his grandmother's experiences battling a society of child-hating witches. Some people are familiar with The Witches through two film adaptations, director Nicholas Roeg's 1990 adaptation, which starred Anjelica Huston, and the recently released 2020 film directed by Robert Zemeckis.
The Witches opens in Norway where we meet the story's narrator, an unnamed seven-year-old English boy whose parents were Norwegian immigrants to England. After his parents are killed in an accident, the boy goes to live in Norway with his grandmother, whom he calls “Grandmamma.” He has already previously spent much time with her, and he loves all her stories, especially the ones about horrific witches who seek to either kill human children or to transform them into animals. It turns out that Grandmamma is a retired witch hunter, and she tells the boy how to spot witches. They all look like ordinary women, but they are actually disguising their deformities, For instance, they have bald heads, have claws instead of fingers, and do not have toes, to name a few of their deformities.
The boy eventually returns to England with Grandmamma in tow, and while on holiday at the grand Hotel Magnificent in Bournemouth, England, the boy has his second experience with witches. While hiding in the hotel ballroom, the boy discovers that a meeting of the “Royal Society for the Prevention of Cruelty to Children” (RSPCC) is really the annual gathering of all the witches in England. At that meeting, the boy sees something that almost no human has ever seen – the Grand High Witch, leader of all the world's witches. And nothing can prepare the boy for the Grand High Witch's diabolical plan to get rid of all the human children in England.
THE LOWDOWN: My experiences with Roald Dahl revolve around his 1964 children's novel, Charlie and the Chocolate Factory, and the two film adaptations of it, Willy Wonka and the Chocolate Factory (1971) and Charlie and the Chocolate Factory (2005). I read the novel once, sometime after the release of the 2005 film, and I have seen both films a few times.
I remember when Nicholas Roeg's film adaptation of The Witches was originally released, and I planned to see it but never did. I have been putting off seeing the film ever since, but when I heard about Zemeckis' then-upcoming adaptation of The Witches, I chose the book as one of my Christmas 2019 gifts. After finally reading it, I wish that I had read The Witches a long time ago. I feel it could have been a formative reading experience for me when I was young.
That aside, it is a fantastic novel. I am amazed that Dahl could create such evocative and vivid prose in writing for children. Well, I guess that's why he is beloved by generations. From the moment he introduces the unnamed boy, Dahl transports readers into another world, one that is fantastical, but one in which the readers will want to believe.
I also love that Dahl makes both the boy and his grandmother, who is 86 in the book, both plucky and adventurous. The boy is not afraid of new things, and his child's sense of wonder and nosiness makes him not afraid to try new things and to go new places, as well as to try dangerous things and to go to dangerous places. The boy is one of those classic characters onto which the readers will graft themselves in order to follow him on an incredible and perilous journey. The witches of The Witches are unique and scary, but are also a little pathetic and funny, which is enough to make them creepy.
The best thing that I can say about Roald Dahl's The Witches is that when I got to the end of its 200 pages, I could have read another 200 pages. Also Quentin Blake's illustrations are the perfect accompaniment to the novel. I feel like the world of The Witches as my mind imagines it should look similar to the way Blake presents it.
I READS YOU RECOMMENDS: Of course, fans of Roald Dahl should read and re-read The Witches, and fans of great children's literature will want to fight The Witches.
[This volume includes a 16-page from another Roald Dahl book, Charlie and the Chocolate Factory.]
10 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://www.roalddahl.com/
https://twitter.com/roald_dahl
https://www.facebook.com/roalddahl
https://www.youtube.com/c/roalddahl
https://www.penguin.com/publishers/puffin/
https://twitter.com/PuffinBooks
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
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Saturday, December 26, 2020
Movie Review: "Suicide Squad: Hell to Pay" is Way Better Than "Suicide Squad" Live-Action Movie
TRASH IN MY EYE No. 25 of 2020 (No. 1738) by Leroy Douresseaux
Suicide Squad: Hell to Pay – video (2018)
Running time: 86 minutes (1 hour, 26 minutes)
MPAA – R for strong bloody violence throughout, sexual content, brief graphic nudity and some drug material
PRODUCER/DIRECTOR: Sam Liu
WRITER: Alan Burnett (based on characters appearing in comic books published by DC Comics)
EDITOR: Christopher D. Lozinsk
COMPOSER: Robert J. Kral
ANIMATION STUDIO: DR Movie
ANIMATION/SUPERHERO/ACTION/FANTASY
Starring: (voices) Christian Slater, Vanessa Williams, Billy Brown, Liam McIntyre, Tara Strong, Kristin Bauer van Straten, Gideon Emery, C. Thomas Howell, Jim Pirri, Dania Ramirez, Dave Fennoy, Greg Grunberg, Cissy Jones, Julie Nathanson, and James Urbaniak
Suicide Squad: Hell to Pay is a 2018 straight-to-video animated superhero film from Warner Bros. Animation. A part of the “DC Animated Movie Universe,” this film stars the DC Comics antihero super-team, the Suicide Squad. Hell to Pay finds the squad on a mission to obtain a powerful mystical object that a lot of other powerful people also want.
Suicide Squad: Hell to Pay opens three years in the past. Amanda Waller (Vanessa Williams) has dispatched Task Force X, her “Suicide Squad” of super-villains and disgraced superheroes, to retrieve stolen intelligence. By the end of the mission, Floyd Lawton a.k.a. “Deadshot” (Christian Slater) proves his absolutely loyalty to Waller.
In the present, after learning that she is diagnosed with a terminal illness, Waller reassembles Task Force X with a new roster: Harley Quinn (Tara Strong), Captain Boomerang (Liam McIntyre), Killer Frost (Kristin Bauer van Straten), Copperhead (Gideon Emery), and Bronze Tiger (Billy Brown), with Deadshot as their leader. Their mission is to find a man whose current identity is that of “Steel Maxim” (Greg Grunberg), a male stripper/dancer. By a chance of … fate, Maxim is in possession of a mystical black card with the words, “Get Out of Hell Free,” emblazoned across it. The card is indeed a magical item that will allow a person who is damned, upon death, to get out of hell free.
Task Force X, however, is not the only party interested in obtaining Maxim's card. Professor Eobard “Zoom” Thawne, also known as “Reverse Flash” (C. Thomas Howell), and his two cohorts, Silver Banshee (Julie Nathanson) and Blockbuster (Dave Fennoy), have been chasing the card for some time. Plus, Scandal Savage (Dania Ramirez) and her brawny girlfriend, Knockout (Cissy Jones), have their own specific reasons for wanting the card. But there is one who seeks the card who is so cunning and so powerful that it may take all the other seekers' powers to stop him from getting it.
I rented Suicide Squad: Hell to Pay from DVD.com (Netflix) because I thought I would enjoy it and because I really enjoyed the Suicide Squad's previous appearance in an animated film, 2014's direct-to-DVD film, Batman: Assault on Arkham. Turns out that I really enjoyed Suicide Squad: Hell to Pay.
The story, focusing on the quest for the card, is a mere contrivance, but the action, especially the brutal fights and violent battles, makes this movie a joy to watch. There are some dry patches in this film, but the superhero-fantasy violence and the impudent, rude, murderous, and entertaining characters make up for the times when the film slows down.
Tara Strong is … strong in her voice performance as Harley Quinn. Billy Brown is all righteousness and pathos as the thoroughly likable Bronze Tiger, and Christian Slater is surprisingly slow and steady as Deadshot. Slater is successful in making Deadshot the center of this 15-ring circus of crazy super-powered people looking for that magical card. I hated that live-action Suicide Squad film from 2016, and I find the Suicide Squad comic books that DC Comics has published over the last decade to be a bore. But I am down with animated Suicide Squad. The best thing that I can say about Suicide Squad: Hell to Pay is that after it ended, I really wanted more.
8 of 10
A
Wednesday, November 18, 2020
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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29 Recordings Make "Grammy Hall of Fame" 2021 Induction Class
GRAMMY HALL OF FAME® WELCOMES RECORDINGS BY A TRIBE CALLED QUEST, BILLIE HOLIDAY, JOURNEY, LINDA RONSTADT, PATTI SMITH, BRUCE SPRINGSTEEN, USA FOR AFRICA, VILLAGE PEOPLE, AND MORE AS 2021 INDUCTIONS
29 Recordings Added to Iconic Catalog Residing at the GRAMMY Museum®
SANTA MONICA, Calif.--(BUSINESS WIRE)--The Recording Academy® welcomes the 2021 inductees for the distinguished GRAMMY Hall Of Fame®, continuing its ongoing commitment to preserving and celebrating timeless recordings. This year’s additions recognize a diverse range of both single and album recordings at least 25 years old that exhibit qualitative or historical significance. Recordings are reviewed each year by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by the Recording Academy's National Board of Trustees. With 29 new titles, the Hall, now in its 48th year, currently totals 1,142 recordings.
“Each recording has had a significant impact on our culture, and it is an honor to add them to our distinguished catalog.”
"We are proud to announce this year's diverse roster of GRAMMY Hall Of Fame inductees and to recognize recordings that have shaped our industry and inspires music makers of tomorrow," said Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy. "Each recording has had a significant impact on our culture, and it is an honor to add them to our distinguished catalog."
The 2021 GRAMMY Hall Of Fame inductees range from A Tribe Called Quest’s The Low End Theory to Bruce Springsteen's Greetings From Asbury Park, N.J.. The list also features Billie Holiday’s “Solitude,” Journey's "Don't Stop Believin'," Linda Ronstadt's Canciones De Mi Padre, Patti Smith’s Horses, USA For Africa's "We Are The World," and Village People's "Y.M.C.A." Other inductees include recordings by Beastie Boys, Leonard Bernstein With The Philharmonia Orchestra Of London, The Cars, Elizabeth Cotton, Joe Cocker, Vernon Dalhart, Dr. John, Peter Gabriel, Emmylou Harris, Isaac Hayes, Fletcher Henderson And His Orchestra, Kansas Joe And Memphis Minnie, Kolisch String Quartet, John Mayall With Eric Clapton, Dolly Parton, Pearl Jam, Kenny Rogers, Édouard-Léon Scott De Martinville, Stevie Ray Vaughan And Double Trouble, The Cannonball Adderley Quintet, Irma Thomas, and Betty Wright.
Eligible recipients will receive an official certificate from the Recording Academy. For a full list of 2021 recordings inducted into the GRAMMY Hall Of Fame, see below or visit here.
For more information about the GRAMMY Hall Of Fame or the 63rd Annual GRAMMY Awards®, which will be broadcast on Sunday, Jan. 31, 2021, at 8 p.m. ET/5 p.m. PT on the CBS Television Network, please visit GRAMMY.com.
2021 GRAMMY Hall Of Fame Inductees:
"AU CLAIR DE LA LUNE"
Édouard-Léon Scott De Martinville
Single
BLUES BREAKERS
John Mayall With Eric Clapton
Album
CANCIONES DE MI PADRE
Linda Ronstadt
Album
"CLEAN UP WOMAN"
Betty Wright
Single
"COPENHAGEN"
Fletcher Henderson And His Orchestra
Single
"DON'T STOP BELIEVIN'"
Journey
Single
"FREIGHT TRAIN"
Elizabeth Cotten
Single
GREETINGS FROM ASBURY PARK, N.J.
Bruce Springsteen
Album
HORSES
Patti Smith
Album
HOT BUTTERED SOUL
Isaac Hayes
Album
IN THE RIGHT PLACE
Dr. John
Album
LICENSED TO ILL
Beastie Boys
Album
MAD DOGS & ENGLISHMEN
Joe Cocker
Album
MERCY, MERCY, MERCY! LIVE AT "THE CLUB"
The Cannonball Adderley Quintet
Album
RAVEL: PIANO CONCERTO IN G MAJOR
Leonard Bernstein With The Philharmonia Orchestra Of London
Album
SCHOENBERG: THE FOUR STRING QUARTETS
Kolisch String Quartet
Album
SO
Peter Gabriel
Album
"SOLITUDE"
Billie Holiday
Single
TEN
Pearl Jam
Album
TEXAS FLOOD
Stevie Ray Vaughan And Double Trouble
Album
THE CARS
The Cars
Album
"THE GAMBLER"
Kenny Rogers
Single
THE LOW END THEORY
A Tribe Called Quest
Album
"TIME IS ON MY SIDE"
Irma Thomas
Single
TRIO
Dolly Parton, Linda Ronstadt, Emmylou Harris
Album
"WE ARE THE WORLD"
USA For Africa
Single
"WHEN THE LEVEE BREAKS"
Kansas Joe And Memphis Minnie
Single
"WRECK OF THE OLD 97"
Vernon Dalhart
Single
"Y.M.C.A."
Village People
Single
ABOUT THE RECORDING ACADEMY:
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music's history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards — music's only peer-recognized accolade and highest achievement. As the world's leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on Instagram, YouTube, and LinkedIn.
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