Monday, September 9, 2024

Marvel Studios Negromancer Link-o-Rama 2024 - Update #61

by Leroy Douresseaux a.k.a. "I Reads You"

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NEWS:

SPIDER-MAN 4 - From Deadline:  The site is reporting that "Shang-Chi and the Legend of the Ten Rings" director, Destin Daniel Cretton, is in early negotiations to direct the fourth Sony/Marvel "Spider-Man" film.

WANDAVISION - From THR:  Actor James Spader is reportedly set to return to the Marvel Cinematic Universe. He will reprise his voice role as the robotic villain, "Ultron," in a "WandaVision" spinoff that will focus on "Vision."  Terry Matalas, the showrunner of "Star Trek: Picard," will head the new series.

BLADE - From VarietyRyan Reynolds asks for more "Blade" in the wake of the reception the character received in "Deadpool & Wolverine." In the billion-dollar grosser, original "Blade" actor, Wesley Snipes, played the character.

X-MEN '97 - From THRBeau DeMayo, creator of Marvel's "X-Men '97," and Marvel Studios trade public comments about why he was fired from the series just before it debuted on Disney+

DEADPOOL & WOLVERINE - From Variety:  This Halle Berry-Storm/Blake Lively/Ryan Reynolds/Deadpool story has legs.

From Deadline:  "Deadpool & Wolverine" surpasses 1 billion dollars at the global box office

OBIT - From THR:  South African television and film star, Connie Chiume, has died at the age of 72, Tuesday, August 6, 2024.  Chiume is best known outside of South Africa her roles in Disney/Marvel Studios "Black Panther" (2018) and "Black Panther: Wakanda Forever" (2022).  She also starred in Beyonce's "Black is King."

BLADE - From GuinnessWorldRecords:  According to Guiness World Records, Wesley Snipes has set to records for films based on Marvel Comics characters: "longest career as a live-action Marvel character" and longest gap between character appearances in Marvel films."

From CBR:  Wesley Snipes explains his "Blade: Trinity" feud with co-star, Ryan Reynolds. The two reunite in Disney/Marvel's global smash, "Deadpool & Wolverine."

AVENGERS - From Variety:  Word is that Robert Downey Jr. will get 100 million dollars plus luxurious amenities to return to Marvel Studios to play Victor Von Doom/Doctor Doom. The Russo Brothers will reportedly get 80 million to direct two Avengers movies.

From YahooEntertainment: Not everyone is happy with Robert Downey Jr.'s "Doctor Doom payday.

DEADPOOL & WOLVERINE - From Deadline:  The box office estimates for Mon., Jan 29th say 24.3 million dollars for "Deadpool & Wolverine."  The would be a record for R-rated films.

From Deadline:  I thought I had lost Gambit forever, Channing Tatum, who plays the character in "Deadpool & Wolverine," says.  Tatum praises "Deadpool" star Ryan Reynolds for helping him rescue his chance to play the character.

AVENGERS - From Deadline Marvel Studios announces at San Diego Comic-Con that Anthony and Joseph Russo a.k.a. "the Russo Brothers" will return to Marvel to direct the fifth and sixth Avengers films, "Avengers: Doomsday" and "Avengers: Secret Wars."  The brothers directed Avengers: Infinity War and Avengers: Endgame.

DEADPOOL & WOLVERINE - From EWWesley Snipes talks about his surprise return as Marvel's vampire hunter, "Blade," in "Deadpool & Wolverine."

From Deadline:  "Deadpool & Wolverine" grossed 38.5 million dollars in Thursday preview showings, a record for R-rated films and the eighth biggest day ever for previews showings.

From Deadline:  The site has a list of all the songs that you'll hear on the "Deadpool & Wolverine" soundtrack.

KEVIN FEIGE - From DeadlineMarvel Studios boss Kevin Feige answers five questions for "Deadline."

From THR:  Could Robert Downey, Jr. return as Tony Stark/Iron Man return to a Marvel Studios film the way Hugh Jackman has returned as Logan/Wolverine in "Deadpool vs. Wolverine?" Marvel boss Kevin Feige says it could happen.

DAREDEVIL & WOLVERINE - From THR:  Ryan Reynolds watched "Deadpool & Wolverine" with his nine-year-old daughter and his late 70-ish mother. And they loved it.

From THR:  Actress Emma Corrin says she took inspiration from "Willy Wonka" in order to play villain "Cassandra Nova" in "Deadpool & Wolverine."

FRANCHISE - From Deadline Marvel Studios Head of TV and Streaming Brad Winderbaum gave updates on several projects: the "Eyes of Wakanda" TV series, "Daredevil: Born Again," "Agatha All Along," and the animated "Your Friendly Neighborhood Spider-Man."

FANTASTIC FOUR - From Deadline:  Marvel Studios boss Kevin Feige says that the "Fantastic Four" movie will be a period piece "set in a version of the 1960s."

COMIC-CON - From DeadlineMarvel Studios is returning to "Hall H" at San Diego Comic-Con 2024. The convention runs July 25th to 28th.

SHE-HULK - From DeadlineTatiana Maslany, the star of the Disney+/Marvel Studios series, "She-Hulk," says twerking with twerking with series guest-star, Grammy-winning recording artist, Megan Thee Stallion, was "the greatest moment in my life."

BLADE - From DeadlineMia Goth apparently has been cast in Marvel Studios' "Blade" film (due Nov. 2025). She addressed the films many delays by saying that they want to make a great movie.

From Deadline:  On social media, Wesley Snipes, the original big screen "Blade," is having a laugh at the troubles of Marvel Studios' "Blade" reboot, which is to star Mahershala Ali in the title role.  The project has now lost two directors and is on its sixth writer.

From VarietyYenn Demange has stepped down as director of Marvel Studios' long-in-development "Blade" reboot film. This is the second time a director has departed the project, with Bassam Tariq being the first.  Eric Pearson ("Black Widow," "The Fantastic Four") is now also the sixth writer to take a crack at the film's script.

AVENGERS - From Deadline:  As Disney/Marvel's "Deadpool & Wolverine" prepares to overwhelm the box office in late July, the film's director, Shawn Levy, is apparently at the top of the list to direct the next "Avengers" movie.

X-MEN - From Deadline:  The latest news on Marvel Studios' "X-Men" film is that Michael Lesslie, the writer of "The Hunger Games: The Ballad of Songbirds & Snakes" is in negotiations to write the "X-Men" movie.

DEADPOOL/WOLVERINE - From CBR:  According to information on the AMC Theaters website, the running time on Marvel's "Deadpool & Wolverine" is 127 minutes (2 hours, 7 minutes).  The film is due July 26th.

DAREDEVIL - From Deadline:  Actors Charlie Cox (Matt Murdoch/Daredevil) and Vincent D'Onofrio (Wilson Fisk/Kingpin) say that they are very much involved in the creative process of the Disney+ Marvel Studios series, "Daredevil: Born Again."  The series now has a target release date of March 2025.

FANTASTIC FOUR - THR:  "The Hollywood Reporter" is reporting that actor Ralph Ineson ("Game of Thrones," "The Witch") is in talks to play the character, "Galactus," in Marvel's "Fantastic Four" film.

From Deadline:  The site is reporting the Oscar-nominated actor, John Malkovich, has signed onto Marvel's "Fantastic Four" in role that is being kept under wraps.

CAPTAIN AMERICA - From GamesRadar:  There is a photographic image of actor Danny Ramirez  as the character "Joaquin Torres," making its way around the interwebs.  Torres appeared in the Disney+ Marvel Studios series, "The Falcon and the Winter Soldier," and Torres will apparently replace Sam Wilson as "The Falcon," because Wilson takes on the identity of Captain America and will star in "Captain America: Brave New World."

DEADPOOL & WOLVERINE - From Deadline:  Marvel Studios boss Kevin Feige apparently advised Hugh Jackman against coming back as Wolverine for "Deadpool & Wolverine."

OBITUARY - From Deadline:  British art director and production designer, Ray Chan, has died at the age of 56, Tuesday, April 23, 2024.  Chan was best known for his work in art direction, production design, and additional photography for Marvel Studios, beginning with "Thor: The Dark World" (2013) to the upcoming "Deadpool & Wolverine" (2024).  He was nominated for five Art Directors Guild Awards and won twice.

ANT-MAN - From Variety:  Michael Douglas, who plays "Hank Pym" in Marvel Studios' "Ant-Man" movies asked Marvel to kill off his character in "Ant-Man and the Wasp: Quantumania." He says he pitched a "fantastic death."

DEADPOOL & WOLVERINE - From Deadline:  Director Shawn Levy explains that the next Marvel Studios' film, "Deadpool and Wolverine" is not "Deadpool 3."  "This is a two-hander character adventure," he says.

CAPTAIN AMERICA - From EW:  The site has the first official photos from "Captain America: Brave New World."  There is a first-look of Anthony Mackie as "Sam Wilson/Captain America."  There is also a first look at Harrison as "Thaddeus 'Thunderbolt' Ross," the general who is now President of the United States.  The film is due Feb. 14, 2025.

IRON MAN - From ComicBook:  Recent Oscar-winner Robert Downey, Jr. ("Oppenheimer") says that he is willing to return to his role as "Tony Stark"/"Iron Man."  He hints that Marvel Studios boss Kevin Feige could have a plan could have a plan and that he says, "Never, ever bet against Kevin Feige."

FANTASTIC FOUR - From Deadline:   Sources have told "Deadline" that Emmy-winning actress, Julia Garner (Netflix's "Ozark") has been cast to play the Shalla-Bal version of the "Silver Surfer" in Marvel's upcoming "Fantastic Four" movie.

DAREDEVIL: BORN AGAIN - From Variety:  New set photos have emerged from the Disney+ Marvel Studios series, "Daredevil: Born Again," reveals actor Jon Bernthal as "The Punisher," looking bloodied up.

GUARDIANS OF THE GALAXY - From Variety:  Although she is done (for now) playing "Gamora," actress Zoe Saldana thinks it would be a "huge loss" for Marvel Studios if they didn't bring back the "Guardians of the Galaxy."

BLADE - From ClutchPoints:  The latest news on Marvel's "Blade" film is that it starts film this Fall, according to info found on the website, "Production Weekly."

From VarietyAaron Pierre becomes the latest person to exit Marvel Studios' troubled "Blade" film.

From Vulture:  Alejandra Gularte offers, "Everything We Know About Marvel's Long-Delayed 'Blade'"

X-MEN '97 - From THRBeau DeMayo, the writer-producer who created "X-Men '97," for Disney+/Marvel, has been fired.  The series is a continuation of Fox's beloved Saturday morning animated series, "X-Men" (1992-97) and is set for a March 20th debut.

FRANCHISE - From THRMarvel Studios is "retooling," according to "The Hollywood Reporter."  For instance, the fifth Avengers film is no longer entitled, "Avengers: The Kang Chronicles."

IRON MAN - From USAToday:  Actor Robert Downy, Jr., who played Tony Stark/Iron Man in several films for Marvel Studios, has won the "Best Supporting Actor" award at the 2024 / 96th Academy Awards.  He won for portraying "Lewis Strauss" in director Christopher Nolan's "Oppenheimer."  Fellow Marvel star, Mark Ruffalo, who plays Bruce Banner/The Hulk, was also nominated in the same category for playing "Duncan Wedderburn" in the film, "Poor Things."

From Variety:  Actor Robert Downy, Jr., who played Tony Stark/Iron Man in several films for Marvel Studios, has won the "Best Supporting Actor" award at the 2024 BAFTA Film Awards.  He won for portraying "Lewis Strauss" in director Christopher Nolan's "Oppenheimer."

FANTASTIC FOUR - From Deadline:  Marvel Studios has announced the cast of its reboot of the "Fantastic Four" franchise.  The planned 2025 will star Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch), and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). 

DEADPOOL 3 - From YouTube:  "Deadpool 3" is now officially "Deadpool & Wolverine," and it has a trailer.  The film is due July 26th, 2024.

From Polygon:  There are cameos a-plenty in the first "Deadpool & Wolverine" trailer.

THUNDERBOLTS - From THR:  According to "The Hollywood Reporter," actor Lewis Pullman (Apple TV+'s "Lessons in Chemistry," Top Gun: Maverick) will play whatever role actor Steven Yeun was supposed to play in the upcoming Marvel film, "Thunderbolts."  Yuen exited the film in early January (2024).

DEADPOOL 3 - From VarietyRyan Reynolds announced via Instagram today (Wed., Jan. 24th) that "Deadpool 3" has wrapped up filming.

GUARDIANS - From ComicBook:  "Guardians of the Galaxy Vol. 3" earned a "Best Visual Effects" Oscar nomination at the 2024 / 96th Academy Awards.  The winners will be announced Sunday, March 10th, 2024.

DEADPOOL 3 - From DeadlineHugh Jackman has shared a video on Instagram of the workout he is using to get his "Wolverine body" back for his role in "Deadpool 3."

ECHO - From Time:  What to know before watching the Disney+ Marvel Studios series, "Echo."

THUNDERBOLTS - From Variety:  "Variety.com" says that it can confirm that actor Steven Yeun is no longer involved in Marvel Studios' "Thunderbolts" film.  Marvel never officially confirmed that Yeun was in the film, so it is unknown if Yeun's character was dropped or is being rethought.

DEADPOOL 3 - From Deadline:  Actor Ryan Reynolds finished 2023 by posting of photo of himself wearing the "Deadpool" costume on Instagram.

AWARDS - From AwardsWatchThe Make-Up Artists & Hair Stylists Guild (MUAHS, IATSE Local 706) has announced nominations for the 11th MUAHS Guild Awards. Guardians of the Galaxy Vol. 3 received four nominations.  The winners will be announced Sunday, February 18, 2024.

KANG - From THRMarvel Studios has dropped actor Jonathan Majors from its roster of stars after the actor was convicted by a New York City jury of reckless assault in the third degree and also of harassment.  Majors had played "Kang the Conqueror" in two seasons of the Disney+ series, "Loki," and in the movie, Ant-Man and the Wasp: Quantumania.

BLACK PANTHER - From ComicBookDisney+ has announced a new animated series, "Eyes of Wakanda," set in the world of his film, Black Panther.  It is scheduled to debut sometime in 2024.

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MARVEL CINEMATIC UNIVERSE (MCU):

Review: Iron Man (2008)

Review: The Incredible Hulk (2008)

Review: Iron Man 2 (2010)

Review: Thor (2011)

Review:  Captain America: The First Avenger (2011)

Review:  Marvel's The Avengers (2012)

Review: Iron Man 3 (2013)

Review: Thor: The Dark World (2013)

Review: Captain America: The Winter Soldier (2014)

Review: Guardians of the Galaxy (2014)

Review:  Avengers: Age of Ultron (2015)

Review: Ant-Man (2015)

Review: Captain America: Civil War (2016)

Review: Doctor Strange (2016)

Review: Guardians of the Galaxy Vol. 2 (2017)

Review:  Spider-Man: Homecoming (2017)

Review: Thor: Ragnarok (2017)

Review:  Black Panther (2018)

Review:  Avengers: Infinity War (2018)

Review: Ant-Man and the Wasp (2018)

Review:  Captain Marvel (2019)

Review: Avengers: Endgame (2019)

Review:  Spider-Man: Far From Home (2019)

Review: Black Widow (2021)

Review: Shang-Chi and the Legend of the Ten Rings (2021)

Review: Eternals (2021)

Review: Spider-Man: No Way Home (2021)

Review: Doctor Strange in the Multiverse of Madness (2022)

Review: Thor: Love and Thunder (2022)

Review: Black Panther: Wakanda Forever (2022)

Review: Ant-Man and the Wasp: Quantumania (2023)

Review: Guardians of the Galaxy, Vol. 3 (2023)

Review: The Marvels (2023)

Review: Deadpool & Wolverine (2024)

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Click here for the 2023 edition of "Marvel Studios Negromancer Link-o-Rama"

Click here for the 2022 edition of "Marvel Studios Negromancer Link-o-Rama"

Click here for the 2021 edition of "Marvel Studios Negromancer Link-o-Rama."

Click here for the 2020 edition of "Marvel Studios Negromancer Link-o-Rama."

Click here for the 2019 edition of "Marvel Studios Negromancer Link-o-Rama."

Click here for the 2018 edition of "Marvel Studios Negromancer Link-o-Rama."

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Sunday, September 8, 2024

Comics Review: "BATMAN: EARTH ONE Volume 2" Has "The Batman" as a Young Warrior

BATMAN: EARTH ONE VOLUME TWO
DC COMICS

STORY: Geoff Johns
PENCILS: Gary Frank
INKS: Jonathan Sibal
COLORS: Brad Anderson
LETTERS: Rob Leigh
COVER: Gary Frank with Brad Anderson
ISBN: 978-1-4012-6251-8; paperback (June 21, 2016)
144pp, Color, $14.99 U.S., $17.99 CAN

Batman created by Bob Kane and Bill Finger

Batman: Earth One Volume 2 is 2015 hardcover original graphic novel (OGN) published by DC Comics.  It is written by Geoff Johns; drawn by Gary Frank (pencils) and Jonathan Sibal (inks); colored by Brad Anderson; and lettered by Rob Leigh.  Set in a reality that is different from the flagship Batman titles, Earth One Vol. 2 pits Batman against The Riddler for the first time.

In 2009, DC Comics announced plans to publish new graphic novels that would retell or re-imagine the beginnings of Batman and Superman.  Each character would have his own ongoing series of original graphic novels depicting his earliest moments as a superhero and crime fighter.  Each graphic novel would be a stand-alone story set on a new Earth with an all-new continuity.  Superman: Earth One Volume One arrived in October 2010 and Batman: Earth One Volume One arrived in 2012, both released as hardcover original graphic novels.  To date (2024), there have been three releases each featuring Superman and Batman, and some releases featuring other DC Comics characters. [My review is based on the 2016 paperback edition of this graphic novel.]

Batman: Earth One Volume Two opens in the gritty, contemporary metropolis of Gotham City in the wake of the murder of Mayor Osward Cobblepot (as seen in Vol. 1).  The police and the public believe that Batman murdered the mayor, but the actual killer is Alfred Pennyworth.  The former Royal Marine and friend of Bruce Wayne's late father, Thomas Wayne, Alfred is now Bruce's head of security and partner in Bruce's war on crime and corruption as the costumed-wearing vigilante, The Batman.

Something else, however, is also troubling Gotham City.  It has been plunged into terror by an enigmatic anarchist, terrorist, and killer calling himself “The Riddler.”  He begins with a bang with the murder of five people who plunge to their deaths in an elevator.  Batman is determined to stop him, but he finds himself caught in the conflicting ideologies of Detective Jim Gordon of the Gotham City Police Department (GCPD) and of Alfred.  Gordon is also dealing with the troubles of his partner, Harvey Bullock.  Once flashy and overconfident, Bullock is now traumatized by the discovery he made in a serial killer's basement (as seen in Vol. 1).

If that weren't enough melodrama, Gotham Mayor Jessica Dent wants Bruce to help her discover the identities of the five VIP Gotham residents who have taken over the late Mayor Cobblepot's criminal empire.  However, her brother, District Attorney Harvey Dent, has hated Bruce since they were children, and he has his own secret agenda.  Meanwhile, there are reports of a bizarre creature, called “Killer Croc, prowling the sewers of the city, treating human and animal as meat for the beast.

THE LOWDOWN:  I was crazy about Batman: Earth One Volume One.  It is like a “Batman Family” story because Johns writes it as if it were an ensemble crime drama.  Batman is obviously the lead, but Vol. 1 seems to treat Bruce Wayne as one of several supporting characters in the story.  I rather like that.

In Batman: Earth One Volume Two, John makes Bruce Wayne the lead, with the Batman being only one part of a complicate life of purposes.  The story seems to be about Bruce Wayne working out who he is.  Is Bruce just the Batman, or is Bruce a civilian with a mission that is just as important as Batman's mission as a costumed vigilante?  It is an interesting take, one that is more interesting than anything to do with The Riddler angle of the story.

Speaking of the Riddler:  I have not yet read Batman: Earth One Volume Three, but I believe the first two volumes had a big influence on director Matt Reeves' 2022 Batman film, The Batman, especially Vol. 2.  Reading this graphic novel, over two years after first seeing The Batman, I find that Vol. 2 seems quite familiar.  It wasn't long into reading this that I was making connections to the 2022 Batman film, which also has The Riddler as a terrorist-like villain.

British comic book artist, Gary Frank, has displayed his muscular compositions and forceful graphical storytelling to readers for the better part of four decades – three decades in the U.S.  I don't think Geoff John's edgy, retooling of Batman, which owes a lot to Frank Miller's Batman: The Dark Knight Returns and to Alan Moore and Brian Bolland's Batman: The Killing Joke, would work quite as well without Frank's brawny storytelling and pencils.  Inker Jon Sibal captures that strength with a balance of sinewy precision and consistent and deft grace in his inking.

Colorist Brad Anderson makes the art both bright and dark – bright to reveal the emotional moments and dark to hide the danger.  Another strong contributor is Rob Leigh; his lettering is what gives the story a balance of sound and effect.

I don't know if there is going to be more Batman: Earth One.  Truthfully, Earth One should have been the direction taken by the “Rebirth” launch of the flagship Batman in 2016.  But what do I know?  I'm not a comics publisher selling comic books in a stagnate market for American comic books.

I READS YOU RECOMMENDS:  Fans of Batman comic books will want to read Batman: Earth One Volume Two.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Saturday, September 7, 2024

Negromancer News Bits and Bites from September 1st to 7th, 2024 - UPDATE #10

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From PBS:  Geoff Bennett of PBS interviews Meg James of "The Los Angeles Times" about the Disney/DirectTV carriage dispute.

BOX OFFICE - From Deadline:  Director Tim Burton's new film, Beetlejuice Beetlejuice, earns 12 million dollars in Thursday preview showing.

TELEVISION - From Deadline:  Fox is cancelling the "9-1-1," spinoff, "9-1-1, Lone Star," at the end of this, it's fifth season, for which there will be 12 episodes.  The original, "9-1-1," moved to ABC and has been renewed for an eighth season.

STREAMING - From DeadlinePeacock has ordered a contemperoary television series adaptation of the 1989 horror-comedy, "The 'Burbs," which starred Tom Hanks and the late Carrie Fisher.  Keke Palmer will star and executive produce. Seth MacFarlane ("Family Guy") is also one of the executive producers.

NETFLIX - From DeadlineGlenn Close's portrayal as the character "Alberta" in Lee Daniel's Netflix film, "Deliverance," has people talking.

BOX OFFICE - From BoxOfficePro:  The winner of the 8/30 to 9/1 Labor Day weekend box office (3-day totals) is Disney/Marvel's Deadpool & Wolverine with an estimated take of 15.2 million dollars.

MOVIES - From THR:  "The Hollywood Reporter" profiles actress Naomi Ackie who is hot right now, including for her turn in Zoe Kravitz's Blink Twice.

NETFLIX - From Variety:  Star couple, Daneel and Jensen Ackles are producing a sequel/reboot of the former The WB/The CW series, "One Tree Hill" (2003-12), for Netflix.

THE APPRENTICE:
MOVIES - From DeadlineKinematics, the film financier backed by disgraced former Washington Redskins owner, Dan Snyder, has exited the Donald Trump biopic, "The Apprentice."  James Shani, one of the film's executive producers, has bought Kinematics interest in the film via his Rich Spirit.

MOVIES - From Deadline:  The Donald Trump movie, "The Apprentice," is still headed for a Fall release.  Starring Sebastian Stan as Trump and Jeremy Strong as Trump's mentor, the late Roy Cohn, the already controversial film is slated for an October 11th release... maybe.

VENICE FILM FESTIVAL:
From THR:  Actor Jude Law and Nicholas Hoult say the both went to a "dark place" for the neo-Nazi crime thriller, "The Order" (based on a true story). The film is due Dec. 2024.



Friday, September 6, 2024

Review: "BEETLEJUICE BEETLEJUICE" is Morbidly Wonderful and Wonderfully Morbid

TRASH IN MY EYE No. 42 of 2024 (No. 1986) by Leroy Douresseaux

Beetlejuice Beetlejuice (2024)
Running time:  104 minutes (1 hour, 44 minutes)
MPA – PG-13 for violent content, macabre and bloody images, strong language, some suggestive material and brief drug use.
DIRECTOR:  Tim Burton
WRITERS:  Alfred Gough & Miles Millar; from a story by Alfred Gough & Miles Millar and Seth Grahame-Smith (based on characters created by Michael McDowell and Larry Wilson)
PRODUCERS:  Tim Burton, Dede Gardner, Tommy Harper, Jeremy Kleiner, and Marc Toberoff
CINEMATOGRAPHER:  Haris Zambarloukos (D.o.P.)
EDITOR:  Jay Prychidny
COMPOSER:  Danny Elfman

COMEDY/FANTASY/HORROR

Starring:  Michael Keaton, Winona Ryder, Catherine O’Hara, Jenna Ortega, Justin Theroux, Willem Dafoe, Monica Bellucci, Arthur Conti, Nick Kellington, Santiago Cabrera, Burn Gorman, Sami Slimane, Amy Nuttall, and Danny DeVito

SUMMARY OF THE REVIEW:
“Beetlejuice Beetlejuice” is that rare sequel that is as weird and as wonderful as its weird and wonderful predecessor

Michael Keaton, Winona Ryder, and Catherine O’Hara are so good at reprising their original roles that it is hard to believe that it has been 36 years since they first played them

“Beetlejuice Beetlejuice” is director Tim Burton's most crowd-pleasing film since 1999's “Sleepy Hollow” 


Beetlejuice Beetlejuice is a 2024 American dark fantasy and comic-horror film from director Tim Burton.  It is a direct sequel to Burton's 1988 film, BeetlejuiceBeetlejuice Beetlejuice finds three generations gathering after a family tragedy only to discover that the latest generation's actions have lead to a new encounter with the Afterlife and also has drawn the attentions of a certain bio-exorcist.

Beetlejuice Beetlejuice opens over three decades after the events depicted in BeetlejuiceLydia Deetz (Winona Ryder) is now a “psychic mediator” who hosts a supernaturally themed talk show, “Ghost House,” produced by her current boyfriend, Rory (Justin Theroux).  Lydia is estranged from her daughter, Astrid Deetz (Jenna Ortega), who is resentful that Lydia had a falling out with Astrid's father, Richard (Santiago Cabrera), who died during an expedition to the Amazon.

Lydia is stressed of late because she has been seeing visions of Betelgeuse (Michael Keaton), the “bio-exorcist” from the Afterlife who tried to force her to marry him over thirty years ago.  Meanwhile, in the Afterlife, Betelgeuse (pronounced “Beetlejuice”) is having his own relationship problems as he has learned that his former wife, Delores (Monica Bellucci), a soul-sucking witch, has been revived and is hunting him in order to avenge the wrong she believes he did to her.

Back in the world of the living, Lydia's stepmother, Delia Deetz (Catherine O'Hara), informs her that her husband, Lydia's father, Charles Deetz, has died.  Lydia, Astrid, and Delia return to Winter River (the setting of the original film) for Charles' funeral.  The three women suddenly find their worlds turned upside down when the Afterlife intrudes and Betelgeuse plots to turn this series of unfortunate events in his favor.

Because of the decades long wait for this sequel, I wondered about the quality of Beetlejuice Beetlejuice.  After seeing it, I am pleased and happy to say that I enjoyed it as much as I have any film I've seen this year (2024).  I saw Beetlejuice Beetlejuice during a Thursday night preview showing, and there were several children present.  The children were restless and acted up a bit, especially early on.  Beetlejuice Beetlejuice is not a children's film, or it is, at least, not as child-friendly as the first film.  Beetlejuice had a darkly humorous and macabre sensibility that was similar to the work of the late Charles Addams (1912-1988), the cartoonist for The New Yorker magazine who was best known for his recurring characters that became known as “The Addams Family.”

Beetlejuice Beetlejuice is a darker film with a morbid rather than a macabre sensibility.  The specter of death – especially sudden, violent, accidental death – hangs over this film.  Yet it all seems like ghoulish fun and games, thanks in part to director Tim Burton's creative cohorts.  The costume design, production design, film editing, cinematography, lighting, visual effects (practical and CGI), and musical score (by frequent Burton collaborator, Danny Elfman), recall the creative and intense inventiveness of the original film  They make Beetlejuice Beetlejuice more grand theater than “Grand Guignol.”  Still, I don't think elementary school age children, in general, will really enjoy this new film.

I'd call Beetlejuice Beetlejuice perfect except I do take exception with the film's writing.  Although the overall plot is very interesting, the screenplay has some extraneous threads and inessential characters.  I won't mention them just in case they end up being spoilers.

I will say that Tim Burton is fortunate to have the trio of Michael Keaton, Winona Ryder, and Catherine O’Hara carrying the load for Beetlejuice Beetlejuice.  When I first saw Beetlejuice, I didn’t care for Michael Keaton’s performance as Betelgeuse.  I thought his manic energy seemed forced and phony and that the late Robin Williams, who was really coming into his own as a movie star at the time, would have been a better choice.  Sixteen years later (2004), I watched Beetlejuice again, and that time I thought Keaton was perfect.  Go figure!  How wrong I was.  With Beetlejuice Beetlejuice, Keaton proves that no one can be the “ghostest with the mostest” like him.

As Lydia Deetz, Winona Ryder truly evolves the character in interesting and genuinely human ways.  Ryder could easily pull off a third film if one were to be made in the next decade (hopefully earlier).  Given chance, Catherine O'Hara always proves that she is a giant among comedic actors, and does so again.  What she offered in the original film, she offers in comedic droves here.

I had a thoroughly great time at the movies last night, and even the restless kids could not ruin the very funny “Soul Train” references.  Beetlejuice Beetlejuice is that rare sequel that matches the original film in many ways and surpasses it in others.  As a movie fan, I feel blessed to have it.

8 of 10
A
★★★★ out of 4 stars

Friday, September 6, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, September 5, 2024

Review "TERMINATOR: JUDGMENT DAY" is Still Landmark and Bloated

TRASH IN MY EYE No. 41 of 2024 (No. 1985) by Leroy Douresseaux

Terminator 2: Judgment Day (1991)
Running time:  137 minutes (2 hours, 17 minutes)
MPAA – R
DIRECTOR:  James Cameron
WRITERS:  James Cameron and William Wisher
PRODUCER:  James Cameron
CINEMATOGRAPHER:  Adam Greenberg (D.o.P.)
EDITORS:  Mark Goldblatt, Conrad Buff, and Richard A. Harris
COMPOSER:  Brad Fiedel
Academy Award winner

SCI-FI/FANTASY/ACTION/THRILLER

Starring:  Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick, Earl Boen, Joe Morton, S. Epatha Merkerson, Castulo Guerra, Danny Cooksey, Jenette Goldstein, Xander Berkeley, De Vaughn Nixon, and Michael Edwards

Terminator 2: Judgment Day is a 1991 American science fiction film and action-drama from director James Cameron.  Also known as “T2” and “T2: Judgment Day,”, it is a direct sequel to the film, The Terminator (1984), and is also the second entry in the Terminator film franchise.  Judgment Day focuses on a cyborg that travels from the twenty-first century to protect a boy from a more advanced and powerful cyborg.

Terminator 2: Judgment Day opens in the year 2029.  Earth has been ravaged by the war between the artificial intelligence, Skynet, and the human resistance.  This war started on August 29, 1997, also known as “Judgment Day,” when Skynet launched the United States' entire nuclear arsenal, which started a global war.  Afterwards, humanity emerged to find a devastated world, one filled with the machines – called “Terminators” – that were programmed to kill humans.  Resistance leader, John Connor (Michael Edwards), has lead humanity to the brink of defeating Skynet and its human-killing machines.

Using time machine technology, Skynet sends an advanced prototype Terminator – a T-1000 – back in time to the year 1997 in order to kill 12-year-old John Connor (Edward Furlong).  The T-1000 (Robert Patrick) is made of a “mimetic poly-alloy,” a liquid metal that allows the Terminator to shape-shift.  To protect his younger self, the 2029 John Connor reprograms a model 101 Terminator and sends it back to 1997 to protect young John.  The 101 looks just like the T-800 that traveled from the future to kill John's mother, Sarah Connor (Linda Hamilton), back in the year 1984.

Can Sarah, John, and the model 101 Terminator come together to stop the T-1000, especially after they become fugitives from the law?  Or is this new Terminator simply to advanced and wily to be stopped?

As I write this review, it is Tuesday, September 3, 2024.  In Terminator mythopoeia (not “mythology” and not “lore”), August 29th is “Judgment Day”  and fans of the franchise make note of it.  This year, “Judgment Day” carries a little more relevance because of the arrival of the new Netflix animated series, “Terminator Zero.”  I am planning on watching Episode 1 soon, but I felt that I needed to watch T2 again.  It is the only Terminator film that I have not previously reviewed, and I had not watched it in its entirety in about thirty years, if my memory serves me well.

The Terminator, T2, and the 2003 film, Terminator 3: Rise of the Machines, form a trilogy of sorts.  In many ways, each film seems like its own thing, with the second and third films officially being sequels.  However, these sequels feel like a hybrid of sequel, remake, and re-imagining.  They contradict the original in some ways and both try to grapple with or correct the franchise's time-traveling shenanigans.

T2 is now acknowledged as being among the greatest science fiction, action, and sequel films in movie history.  It is certainly a landmark film in terms of special visual effects and in the use of CGI (computer-generated imagery).  The transformation and metamorphosis of actor Robert Patrick into the liquid metal, shape-shifting Terminator still wows, impresses, scares, and stuns me over thirty-three years after originally seeing the film.  Some of T2's action scenes and sequences, especially the 18-wheeler tractor unit plunge off the overpass and the motorcycle crash into the helicopter still stop my breath.  The film's director, James Cameron, made one of the most awesome (if not the most awesome) action films of the 1980s in The Terminator with what amounts to a micro-budget for an action and science fiction movie.  With a one-hundred million dollars at his disposal of T2, Cameron and his crew and creative cohorts unleashed the most spectacular action scenes that had been seen in American film to that point.

On the other hand, back when I first saw T2 in 1991, I found it to be bloated.  It is easily twenty minutes too long.  As a character drama trio, Arnold Schwarzenegger as the Terminator, Linda Hamilton as Sarah Connor, and Edward Furlong as John Connor seem more melodramatic than genuinely dramatic.  Much of the family unit feels contrived.  Schwarzenegger and Furlong have moments that seem poignant, but there are other moments that are made weaker but Furlong's acting inexperience.  That Hamilton had reshaped the soft body she had in the original film into a sinewy, muscular, warrior woman for T2 was and still is impressive.  Her performance in this film, however, is loud, even when it should be quieter and more subtle.

I once said that T2 was a two-and-half out of four stars film.  I don't know if it is nostalgia, but I like the film more now.  Some of it is still landmark and superb, and much of it is very well executed.  Still, I think Terminator 2: Judgment Day needed to be tamed, both in terms of it runtime and in the scope of the story.  In 1991, it was a hugely discussed and anticipated film.  Terminator 2: Judgment Day holds a special place in the filmography of its director, James Cameron.  If it were a better film, it would be at the top, where Avatar is now.

6 of 10
B
★★★ out of 4 stars

Thursday, September 5, 2024


NOTES:
1992 Academy Awards, USA:  4 wins: “Best Sound” (Tom Johnson,Gary Rydstrom, Gary Summers, and Lee Orloff), “Best Effects, Sound Effects Editing” (Gary Rydstrom and Gloria S. Borders), “Best Effects, Visual Effects” (Dennis Muren, Stan Winston, Gene Warren Jr., and Robert Skotak), and “Best Makeup” (Stan Winston and Jeff Dawn); 2 nominations: “Best Cinematography” (Adam Greenberg) and “Best Film Editing” (Conrad Buff IV, Mark Goldblatt, and Richard A. Harris)

1992 BAFTA Awards;  2 wins: “Best Sound” (Lee Orloff, Tom Johnson. Gary Rydstrom, and Gary Summers) and “Best Special Visual Effects” (Stan Winston, Dennis Muren, Gene Warren Jr., and Robert Skotak); 1 nomination: “Best Production Design” (Joseph C. Nemec III)

2023 National Film Preservation Board, USA:  “National Film Registry”


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Wednesday, September 4, 2024

"USHER: RENDEZVOUS IN PARIS" Concert Film Opens Sept. 12th

USHER: RENDEZVOUS IN PARIS Concert Film Coming to Global Cinemas Beginning September 12, 2024

Filmed during USHER’s 2023 eight-concert performance in Paris, USHER: RENDEZVOUS IN PARIS features chart-topping hits “Yeah!,” “My Boo,” & More

AMC Theatres Distribution and Trafalgar Releasing have partnered with Sony Music Vision to bring the highly anticipated concert film to fans in cinemas around the world between September 12 - 15

Tickets will be available for purchase beginning August 6 at UsherinParis.com

Film clip available here: https://youtu.be/6h6527rR16Q

LEAWOOD, Kan.--(BUSINESS WIRE)--USHER, the globally renowned singer, songwriter, dancer and entrepreneur, with over 80 million records sold worldwide and 8 GRAMMY® Awards, is bringing the ultimate intimate concert experience to theaters this fall. AMC Theatres® (NYSE:AMC), the largest theatrical exhibitor in the United States and the world, Trafalgar Releasing and Sony Music Vision, today announced that USHER: RENDEZVOUS IN PARIS concert film will arrive in cinemas around the world for a limited run beginning September 12, 2024.

“Paris was a special experience for me as an entertainer and for my fans”

USHER: RENDEZVOUS IN PARIS incorporates the essence of his landmark cultural phenomenon Vegas residencies into a seductive French touch confession. Captured during Paris Fashion week at La Seine Musicale, the film features chart-topping hits including “Yeah!,” “My Boo,” “Love In This Club” and more from USHER’s 30-year career, performed with never-before-seen costumes and state-of-the-art lighting and special effects. In addition to bringing the vibrant live concert experience to screen, USHER gives audiences a glimpse inside life beyond the stage – creating a global moment that moviegoers won’t want to miss.

USHER: RENDEZVOUS IN PARIS will screen in 2,000 cinemas worldwide, including approximately 1,000 cinemas in the United States. The film will play at AMC and ODEON locations, and many other locations globally. Worldwide screening details and ticketing will be available at UsherinParis.com on August 6 at 9:00 a.m. ET / 6:00 a.m. PT. Fans are encouraged to sign up for further information. Screenings will take place between September 12 – 15 and may vary by location.

The concert film will be released in the U.S. and globally by Trafalgar Releasing, in partnership with AMC Theatres Distribution. AMC and ODEON will provide core marketing support for the film in the U.S. and international markets. Sony Music Vision is the distributor of all rights excluding theatrical.

“Paris was a special experience for me as an entertainer and for my fans,” said USHER. “I hope those who weren’t able to make it in person get to experience how special it was. As for those of you who were, I hope you experience the show and see what it takes to get there through a different lens.”

“For 30 years USHER has captivated and entertained audiences through his music and concerts. Just a few months ago, he drew rave reviews for his stunning performance in front of 129 million people during the Super Bowl Halftime Show. Bringing his unparalleled concert experience to movie theatres for his fans around the world is a perfect fit for AMC Theatres Distribution,” said Adam Aron, Chairman and CEO, AMC Theatres.

Marc Allenby, CEO, Trafalgar Releasing, added, “We are excited to continue our partnership with Sony Music Vision and AMC Theatres Distribution to bring the energy of USHER to movie theater audiences around the world. He is the perfect artist to support our shared vision of creating global experiences around concert films for artists that advance the evolution of the cinema into venues for all forms of entertainment.”

USHER: RENDEZVOUS IN PARIS is a film by and directed by Anthony Mandler. It is a production of Arcovision, Kingdom Films and Laffitte Group Productions. The film is produced by Anthony Mandler, Usher Raymond and Ron Laffitte. Executive Producers for Kingdom Films are Aakomon Jones and Angelo Gopee. Executive Producer for Arcovision is Kwesi Collisson. Executive Producers for Sony Music are Tom Mackay, Richard Story and Krista Wegener.


About AMC Entertainment Holdings, Inc.:
AMC is the largest movie exhibition company in the United States, the largest in Europe and the largest throughout the world with approximately 900 theatres and 10,000 screens across the globe. AMC has propelled innovation in the exhibition industry by: deploying its Signature power-recliner seats; delivering enhanced food and beverage choices; generating greater guest engagement through its loyalty and subscription programs, website, and mobile apps; offering premium large format experiences and playing a wide variety of content including the latest Hollywood releases and independent programming. In 2023 AMC launched AMC Theatres Distribution with the highly successful releases of TAYLOR SWIFT | THE ERAS TOUR and RENAISSANCE: A FILM BY BEYONCÉ. Most recently, AMC worked with recording artist Billie Eilish to host listening events for her album “Hit Me Hard and Soft” in theaters around the country. AMC Theatres Distribution expects to release more concert films and events with the world’s leading musical artists in the years ahead. For more information, visit www.amctheatres.com.

About Trafalgar Releasing:
Trafalgar Releasing, the global leader in event cinema distribution, harnesses the power of cinema to bring fans together in more than 15,000 cinemas across 132 countries. A subsidiary of Trafalgar Entertainment, Trafalgar Releasing’s operations include production, acquisition, marketing, and distribution of live or pre-recorded content to cinemas worldwide led by an international team based in the UK, US and Germany. Featuring live concerts, music documentaries, world-class opera, award-winning theatre, and more from leading names in entertainment such as Taylor Swift, Beyoncé, BTS, Metallica, Oasis, Coldplay, Billie Eilish, the Royal Opera House and others, Trafalgar Releasing has repeatedly shattered event cinema box office records, most recently with international distribution for TAYLOR SWIFT | THE ERAS TOUR, the highest-grossing concert film of all time. Information about Trafalgar Releasing can be found at www.trafalgar-releasing.com.

About Sony Music Vision:
At Sony Music Vision, we bring film and television storytelling to life for our industry-leading creative talent and iconic music catalog around the world. We pair world class filmmakers with groundbreaking and legendary artists to create, finance, produce and distribute powerful content that features unique access to our archives and vast portfolio of music. A full-service content studio, we collaborate globally across the Sony entertainment companies to engage audiences with premium film and TV projects, including documentary and narrative feature films, as well as television specials and unscripted and scripted series.

About USHER:
USHER has changed music, culture, and countless lives. The multiple GRAMMY Award-winning diamond-selling international megastar, dancer, entrepreneur, and philanthropist inspires change yet again.

Beyond selling over 80 million records worldwide and collecting dozens of awards, he has simultaneously lit up the small screen on NBC’s The Voice and the big screen in blockbusters such as Hustlers. He has also tirelessly distinguished himself as a devout humanitarian, raising tens of millions of dollars for various causes and uplifting youth via his New Look Foundation. Since 1999 he has been providing opportunities for young people in underserved communities and enabling them to flourish and achieve seemingly impossible dreams. A long-time supporter and Global Citizen Ambassador, USHER has performed at events since 2015 raising awareness to defeat poverty, defend the planet, and demand equity. A true outlier, he was equally at home on the stage of his sold-out My Way Las Vegas residency as he was on a 2016 government cultural mission to Cuba as part of President Barack Obama’s Presidential Committee for Arts and Humanities. In 2024 he will be celebrating 30 years as an entertainer, headlined the Super Bowl LVIII halftime show and released his ninth studio album, COMING HOME.

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Tuesday, September 3, 2024

BOOM! Studios Shipping from Diamond Distributors for September 4 2024

BOOM! STUDIOS

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